Starring: Paul Rudd, Evangeline Lilly and Michael Pena
Directed By: Peyton Reed
Running Time: 125 minutes
Walt Disney Studios Motion Pictures
There should be a dark cloud hanging over “Ant-Man and the Wasp” after the events in the previous “Avengers” film, but there isn’t. The events in Marvel’s follow-up film take place several years after “Captain America: Civil War” and just before “Infinity War.” Because of that, “Ant-Man and the Wasp” doesn’t ever really take itself too seriously and concludes as a decent dose of sloppy Summer fun.
Two years after “Civil War,” Scott Lang/Ant-Man (Rudd) is under house arrest while Hank Pym (Michael Douglas) and Hope/Wasp (Lilly) are on the run. Scott is recruited by Hank and Hope after Scott experiences an odd dream involving Hope’s long lost mother, and Hank’s wife. The answer to her whereabouts lies somewhere in the Quantum Realm. If this all sounds a little confusing, it may be because you didn’t watch the first “Ant-Man” or because you don’t remember much from it. Either way, it’s still a messy script.
“Ant-Man and the Wasp” feels like it was written by five people (which it was), directed by someone who ignored that script, and then edited by someone who was on the first day of their job. The film supposedly takes place in a two-day span, but the time jumps and editing make it feel like it’s longer in some moments and shorter in others. There’s also a lot of quick edits that make you feel like you’re missing out on a big chunks of film. It’s most likely an attempt to shorten the film’s runtime.
The previous “Ant-Man” was supposed to be Edgar Wright’s singular vision, but Disney monkeyed with that vision making it a little foggy. That fog lingers into this film as other writers try to keep previously established characters in a film that feels like it’d be better suited as a spectator to Marvel’s cinematic universe. Instead of piling on even more, I have to reassert that I still had a lot of fun and believe this is still a decent film.
This film is like a palate cleanser after the dark end to “Infinity War.” Rudd, in the role of dad and hero, is undeniably likable as he charms both the good and bad guys. Even though superheroes like the Guardians of the Galaxy or Thor are supposed to be outsiders, Rudd’s Ant-Man feels more like the stranger in a strange land. He quips about the absurdity on screen and seems oblivious to the scope of it all. When Rudd talks about world-building elements of the cinematic universe, it feels unnatural. Rudd works best when he gets to crack a joke and highlight the humanity of Scott.
I could be accused of being a homer because I like Rudd (from my hometown area) and how Ant-Man fits into the world’s narrative. I wouldn’t expect him to fight Thanos one-on-one and I honestly wouldn’t want him to. This film is more catered to Rudd’s strengths and it shows as his charisma rubs off on others in the film. “Ant-Man and the Wasp” is like a side story to the main event. Maybe once Disney realizes Ant-Man doesn’t have to fit in to their ever-growing univserse, he can evolve in a story that doesn’t feel overwhelmed and entangled by everyone else’s problems.