Now that the Oscars dust has settled, it’s time to take a look at how we here at Media Mikes, readers and writers alike, voted for our top cinematic achievements of 2019 in our 9th Annual Media Mikes Awards
“Joker,” Todd Phillips’s dark look at the origins of Batman’s greatest enemy, “Once Upon a Time…in Hollywood,” Quentin Tarantino’s fable about the summer of 1969 and Sam Mendes’s enthralling WWI drama, “1917”, topped our lists with two awards each.
“Hollywood” took home the big prize as the year’s Best Picture and also nabbed Best Supporting Actor award for Brad Pitt. “Joker” earned wins for Joaquin Phoenix as Best Actor as well as Best Original Score, written and composed by Hildur Guðnadóttir. “1917” earned the award for Best Director for Sam Mendes and was also recognized for its cinematography by the legendary Roger Deakins.
Additional winners included Reneé Zellwegger as Best Actress for her portrayal of Judy Garland in “Judy” and Scarlett Johansson as Best Supporting Actress for her work in “JoJo Rabbit.”
“Toy Story 4” was chosen as the year’s Best Animated Feature.
This year saw more than 3,000 readers submit their choices in the seven top categories, check out the complete list of our winners below
Reader Voted Awards Went to…
Best Picture – “Once Upon a Time…in Hollywood” Best Director – Sam Mendes, “1917” Best Actor – Joaquin Phoenix, “Joker” Best Actress – Renee Zellweger, “Judy” Best Supporting Actress – Scarlett Johansson, “Jojo Rabbit” Best Supporting Actor – “Brad Pitt, Once Upon a Time…in Hollywood” Best Animated Feature – “Toy Story 4”
Awards chosen by our Media Mikes writers went to…
Best Original Screenplay – Bong Joon Ho and Han Jin Won, “Parasite” Best Adapted Screenplay – Greta Gerwig, “Little Women” Best Documentary Feature – “David Crosby: Remember my Name” Best Cinematography – Roger Deakins, “1917” Best Original Score – Hildur Guðnadóttir, “Joker”
Composer John Williams, who recently earned his 52nd Academy Award nomination, was name the recipient of this years Media Mikes Lifetime Achievement Award.
Congratulations to the winners and thank you to everyone who voted!
Between us I’d have to estimate that Mike G, Lauren, Jeremy, Michael D. Smith, Becki and myself see no less than 150 films a year here at Media Mikes. So when the year comes to an end, many of us like to share with you what films we felt were the Best. And, because they can’t all be winners, we like to tell you which ones we wished we had stayed away from. Ideally, if you haven’t seen any of these particular films you will either be intrigued enough to seek it out…or make the mental note to avoid at all costs! Enjoy!
#1. 1917 Sam Mendes has created an epic film that thrives on its small cast and “continuous shot” presentation. Cinematographer Roger Deakins, who shot many of the Coen Brothers’ films, will surely earn Academy Award nomination number fifteen for his work here. (He won previously for “Bladerunner 2049”)
#2. JUST MERCY This film doesn’t open wide for another week but it has been playing in select cities since Christmas. An emotional look at the injustice heaped upon one man and the attorney who works tirelessly to find the truth. Michael B. Jordan and Jamie Foxx give award-worthy performances. #3. MOTHERLESS BROOKLYN Edward Norton laid it all on the line as he not only starred in this film but wrote and directed it. His eye as a director is keen and changing the time setting of the story from the present to the 1950s was a masterstroke. #4. JOKER Todd Phillips’s look at an almost dystopian society and the people who inhabit it. In my mind, it’s between Joaquin Phoenix and “Marriage Story” star Adam Driver for the Best Actor Oscar. #5. KNIVES OUT When I was a teenager I loved the Neil Simon-penned comedy “Murder by Death” and, when I saw the trailer for this film I thought it would be similar. Wrong! Funny? Yes. But amazingly crafted. Extra credit for Daniel Craig pulling off a southern accent. #6. YESTERDAY What if you woke up tomorrow and found that the Beatles never existed? A true masterpiece that pays tribute to the universal joy brought to us by the four lads from Liverpool. Also contains the year’s most emotional moment. I won’t spoil it but, if you didn’t tear up, it’s quite possible that YOU’VE never heard of the Beatles. #7. (tie) LINDA RONDSTADT – THE SOUND OF MY VOICE / DAVID CROSBY-REMEMBER MY NAME Two amazing documentaries that give viewers an inside look at two of the most influential singers and musicians of their time.
#8. THE IRISHMAN When people look back at the history of film making they will probably be flabbergasted to see that Martin Scorsese won his first directing Oscar for “The Departed.” The creator of arguably the greatest film of the 1980s (“Raging Bull”) as well as “Taxi Driver,” “The King of Comedy,” “Goodfellas” and “Gangs of New York” just may take home his second one for this 3 1/2 hour masterpiece. #9. ONCE UPON A TIME…IN HOLLYWOOD I will admit that, while I enjoyed the film, I didn’t LOVE it when I reviewed it. But a second viewing put it on my list. Great performances and a beautifully recreated Los Angeles, circa 1969. And boy…that ending! #10. AVENGERS: ENDGAME The final film in a 23-film series, the likes of that Hollywood will never see again (unless Marvel does it). When Robert Downey, Jr declares, “I AM Iron Man” the emotional explosion in the theater is jaw-dropping. HONORABLE MENTIONS: US, MARRIAGE STORY, BLINDED BY THE LIGHT, STAN and OLLIE
When a web site includes your name you have the opportunity to stay away from most of the stink-burgers that come out. Luckily (and sadly) these two lured me in. ANGEL HAS FALLEN: There is a great “Mean Tweet” in which Gerard Butler reads, “Does Gerard Butler have a lot of student loans to pay off? He’s always doing shitty films?” To which Butler replies, “No, I don’t have any student loans. I just like doing shitty films.” Add this one to the list. DUMBO: Damn you, Tim Burton. My wife and I skipped the critic’s screening of this so we could take our granddaughter. She hasn’t talked to us since!
#1. PARASITE Wild, entertaining, shocking, gripping and a movie you’ll be thinking about for days, if not weeks. This is Bong Joon-ho’s magnum opus. This isn’t just the best movie of 2019, this is easily one of the best movies of the 2010s. #2. 1917 We’re treated to way more WWII movies than we are WWI. “1917” is not only a visual masterpiece, but the kind of movie that reminds us why WWI shouldn’t be forgotten and just how devastating it truly was for the brave soldiers in it. #3. THE LIGHTHOUSE If it wasn’t for “1917,” this would have been the most visually impressive film of the year. Marketed as a horror, I’d say it’s more a suspenseful comedy, with a pair of tour de force performances.
#4. TOY STORY 4 Not to be a narcissist, but to quote my own review earlier this, “I would have never guessed back in 1995…that these plastic toys come to life would make me cry twice later in my life.” #5. JOJO RABBIT Channeling Charlie Chaplin and Mel Brooks, Taika Waititi has given audiences one of the most heartwarming, tragic and uplifting films of 2019, and it’s about a boy and his Hitler. #6. THE IRISHMAN I wouldn’t say this is Scorsese’s best, but he certainly has book-ended a beloved genre and given several actors a much-deserved swan song. #7. MIDSOMMAR An unsettling nightmare in broad daylight. Besides the unforeseen horrors happening in the sun, there are plenty of laughs to go along with this outstanding horror film. #8.US Jordan Peele raved about “Midsommar.” So I’m sure he wouldn’t be upset to see his stellar sophomore outing below “Midsommar.” I can’t wait to see what he does next. #9. BOOKSMART I absolutely adored this film and its messages. But just as impressive as the script, were the performances by Kaitlyn Dever and Beanie Feldstein, as well as the direction by Olivia Wilde. #10. CLIMAX If you’ve ever been on the fence about trying LSD or any other kind of hallucinogens, I wouldn’t recommend “Climax.” It’s a delirious technicolor nightmare that entrances viewers.
HONORABLE MENTIONS: HONEY BOY, LORDS OF CHAOS, ONE CUT OF THE DEAD, EL CAMINO, UNCUT GEMS, ONCE UPON A TIME…IN HOLLYWOOD, SHAZAM, THE REPORT, MARRIAGE STORY
#1. AFTER Everyone involved in this should be ashamed of themselves. What’s that you say? They’re making a sequel? This is further proof we’re living in the darkest timeline. #2. SECRET LIFE OF PETS 2 Illumination knows exactly what it’s doing and they feel no shame. I wish people would stop giving them reasons to make awful sequels. #3.A DOG’S JOURNEY Sappy sentimentality tries to mask the flawed and unethical morality. I love dogs, but this is a crap story and film. #4. MIDWAY When Michael Bay said, “No one can top my crappy WWII movie,” Roland Emmerich said, “Hold my beer.” #5. DETECTIVE PIKACHU Knowing that some people loved this movie makes me hate this cliche, predictable, trite flick even more.
Here’s my Top 9, leaving open that 10 slot as the end of the year has so many films on offer that I’m sure one I’ve missed would be bound to swoop in!
#1. MIDSOMMAR Oh “Midsommar,” how much did I love this film? Enough to come back for the 171 minute director’s cut at Lincoln Center this August for even more. Ari Aster’s follow up to “Hereditary” showcases yet another powerhouse female performance in Florence Pugh. The film is hard to call a “horror”, unless you’re in the middle of a fight with your romantic partner, but it definitely isn’t for the faint of heart. Aster packs this film with so much visual detail that return trips continue to prove satisfying. This film also has a pitch dark streak of savage humor that gave me one or two of the most morbid laughs of the year. #2. JOJO RABBIT I elaborated in my five star review of Taika Waititi’s WW2 satire, but this is for me the funniest film of the year while still tugging on a ton of heartstrings. For me, it is Scarlett Johansson’s best performance (and yes, I’ve seen “Marriage Story”)
#3. KNIVES OUT Chris Evans and Daniel Craig played wildly against type in Rian Johnson’s murder mystery whose twisty turny finale was a delight, or maybe it was a donut… #4. AVENGERS ENDGAME I may not be fully on board with all of the character choices for Marvel’s epic Infinity Saga conclusion, but man, if this didn’t do justice to the 21(!) films whose job it was to wrap up. The “Portals” sequence playing to a sold out crowd on opening night was chills, cheers and tears inducing in a way I have never experienced at a movie theater. #5. JOHN WICK: CHAPTER 3 – PARABELLEM In a year without a “Mission: Impossible,” John Wick came to the rescue in terms of just absolutely satisfying stunt sequences. That knife fight IN a knife store alone earned the whole movie’s placement on this list. #6. FORD v FERRARI I fortunately saw this one in IMAX where the roar of the impeccably edited racing sequences could be felt in my bones. James Mangold delivered a solid spectacle lead by the always-reliable Matt Damon and Christian Bale. #7. ROCKETMAN “Rocketman” was everything I wished last year’s “Bohemian Rhapsody” would have been. From star Taron Edgerton actually recording a slew of Elton John classics himself to the integration of said songs into lively and visually fun musical numbers. Bonus points for a lovely turn from Jamie Bell as Bernie Taupin. #8. LITTLE WOMEN Greta Gerwig’s sterling adaptation of Louisa May Alcott’s classic assembled one of the strongest acting ensembles of the year and showed the March sisters in a whole new light. #9. THE LIGHTHOUSE Robert Eggers’s follow up to 2015’s “The Witch” was just as steeped in atmosphere–this time of an isolated New England lighthouse in the 1890s where Robert Pattinson’s Thomas is taken under the lunatic wing of Willem Defoe who may or may not have a supernatural connection to the beacon they tend to. In stunning black and white, Eggers produced some of the most memorable imagery of the year.
In lieu of a Worst list–since I don’t see enough to pull a whole list confidently–I’m sorry to say MEN IN BLACK: INTERNATIONAL was the biggest disappointment. Taking Hemsworth and Thompson, who have a proven comedic chemistry and just throwing them into this lazy script was a huge wasted opportunity.
MICHAEL D. SMITH
#1. 1917 Selected by the Kansas City Film Critics Circle as the year’s Best Film, “1917” is simply a stroke of genius. Nominated for three Golden Globes, “1917” is not only a masterful example of the war film genre, but it is also a masterpiece of cinema in general. Directed by Oscar-winning British filmmaker Sam Mendes (“Skyfall,” “The Road to Perdition”), who co-wrote the screenplay with Krysty Wilson-Cairns (“Penny Dreadful”), “1917” is an accurate depiction of the Great War with an edge-of-your-seat plot that is essentially Great Britain’s “Saving Private Ryan.”
#2. KNIVES OUT An impressive piece of creative writing, “Knives Out” deserves to be in the pantheon of great murder mystery flicks. With a terrific cast including Jamie Lee Curtis, Don Johnson, Christopher Plummer and Michael Shannon, “Knives Out” is led by Daniel Craig in a wonderfully entertaining performance that makes you forget all about his more famous alter egoJames Bond. Whether you guess who done it within 15 minutes or not until the very end, “Knives Out” provides a great way to spend the night out at the movie theater. #3. JOKER Featuring by far the best male lead performance of the year, “Joker” is the most in-depth character study captured in cinema in 2019. Joaquin Phoenix goes to Herculean lengths to tap into the essence of a man so ostracized by society that when his last thread to sanity is cut, he becomes something that lies somewhere in the middle of being a villain and a hero. Dark, gritty and violent, “Joker” is not your typical comic book or even graphic novel movie. It eclipses both. Phoenix is supported by a memorable supporting performance from Robert De Niro. #4. MOTHERLESS BROOKLYN Edward Norton’s effort is a triumph of cinematic art and deserves to be an Oscar contender in multiple categories. Adapted from the 1999, National Book Critics Circle Award-winning novel of the same name by American novelist Jonathan Lethem, “Motherless Brooklyn,” written and directed by Norton, is a brilliant, throwback detective story with an all-star cast that delivers the goods. It mirrors early 1950s Brooklyn in such a palpable way that it makes you feel like you are there. Despite its arguably long, two-hour plus running time, the puzzle-like central story is so engrossing with its twists and turns that you can end up losing yourself in it. #5. US Academy Award-winning writer Jordan Peele followed up his magnificent horror thriller “Get Out” with another stroke of genius thatwhich should not be watched immediately before bedtime. An inventive work that will give you goosebumps throughout as the Wilson family, led by Lupita Nyong’o and Winston Duke, tries to stay alive in the face of eerie doppelgangers who want them all dead. Nyong’o was recently selected by the Kansas City Film Critics Circle as 2019’s Best Actress for her memorable performance. #6. ONCE UPON A TIME IN HOLLYWOOD Love or hate him, there is no denying the talent of Quentin Tarantino. In this, his ninth and allegedly next-to-last film, Tarantino pays tribute to Hollywood’s Golden Age by putting his own unique spin on the August 1969 Sharon Tate murders. With enthralling performances by Leonardo DiCaprio and Brad Pitt, Tarantino dug deep into his imagination with an entertaining “what if?” story with a climax that will drop your jaw to the floor and imagery that will be stuck in your head for days afterwards.
#7. THE IRISHMAN At three hours and 29 minutes, “The Irishman” is a Martin Scorsese film not to be tackled lightly. However, if you are a fan of not just mafia-related stories but also a trio of iconic actors – Joe Pesci, Robert De Niro and Al Pacino – then you will be greatly rewarded. It is the supposed story of mob hitman Frank “The Irishman” Sheeran who worked closely with the mob for decades and claimed that he was the one who made labor union leader Jimmy Hoffa famously disappear. Of the three, it is Pesci who outshines everyone as a mob boss. It is nothing less than the greatest performance of Pesci’s long career. #8. QUEEN & SLIM Ideally, a great work of art, especially one that is controversial, will have a deeply emotional and/or intellectual impact on the viewer. It is no different with the genre of cinema. Erroneously labeled by some as a Bonnie and Clyde-type story, “Queen & Slim” explores the fear and outrage felt by many in America over numerous fatal shootings in recent years of black men, often young ones, by white law enforcement officers. While its climax is heavy-handed and the overall portrayal of the police is too generalized, “Queen & Slim” remains a terrific specimen of cinematic art. #9. A BEAUTIFUL DAY IN THE NEIGHBORHOOD Last year, I had the fantastic documentary “Won’t You be My Neighbor?” in the eighth spot of my 2018 top ten list. This year, another Mister Rogers film makes my year-end highlights. Inspired by true events, Tom Hanks puts in a mesmerizing supporting performance as the late, beloved PBS show host as he tries to help a jaded newspaper reporter remember what is most important in life. It is a sweet, lovely story amidst harsh times. #10. AVENGERS: ENDGAME Ten years’ worth of Avenger-related movies, some better than others, culminated with “Endgame” and it was all worth it with a tremendously rewarding finale. What made it so spectacular was not that it had great special effects or a cast with enough stars to fill up the nighttime sky. Rather, it contained an emotional story that did not have a neat and tidy ending. It was a true struggle of good vs. evil with many of those on the side of good having to pay a terrible price for their collective success. It does leave one to wonder how the gang at Marvel Studios will do with the next phase of Avenger flicks. HONORABLE MENTIONS: AD ASTRA, I AM MOTHER, PEANUT BUTTER FALCON
1917 Starring: Dean-Charles Chapman, George MacKay Directed by: Sam Mendes Rated: Rated R Running Time: 118 minutes Universal Pictures
With three Golden Globe nominations, “1917” is not only a masterful example of the war film genre, but it is also a masterpiece of cinema in general. Directed by Oscar-winning British filmmaker Sam Mendes (“Skyfall,” “The Road to Perdition”), who also co-wrote the screenplay with Krysty Wilson-Cairns (“Penny Dreadful”), “1917” is a highly accurate depiction of the Great War with a plot that is essentially Great Britain’s “Saving Private Ryan.”
The story takes place during Operation Alberich, a strategic German military withdrawal lasting from February 9 to March 20, 1917 in France. Its purpose was to shorten German lines along a section of the Western Front in order to consolidate forces along the Hindenburg Line. “1917” plays upon this event by thrusting two young men into what appears to be an impossible mission.
British Lance Corporals Blake (Dean-Charles Chapman, “The King,” “Game of Thrones”) and Schofield (George MacKay, “Where Hands Touch,” “Captain Fantastic”) are suddenly pulled away from their unit on orders from their overall commander, General Erinmore (Colin Firth). The general needs a message dispatched deep into German territory to stop the advance of a Colonel MacKenzie (Benedict Cumberbatch), who believes he is pursuing a defeated enemy when in fact it is a trap that will cost the lives of 1,600 men including Lance Corporal Blake’s brother.
Lance Corporal Schofield is the more seasoned veteran of the two and is wary of crossing No Man’s Land as he believes they are the ones who are walking into a trap. However, Lance Corporal Blake is doggedly determined go through with the mission, which must be completed by the next morning when the fateful offensive by Colonel MacKenzie is planned. In their way lies a myriad of obstacles including endless amounts of mud, deep craters, barbed wire, booby traps and German snipers. It is a heart-pounding, near-continuous sequence of events that will leave you riveted to the silver screen.
Historically, “1917” delivers the goods with its accurate depiction of trench warfare ranging from the uniforms worn to the hellish conditions to the psychological effects on the soldiers. Painstaking care was clearly made to get every battlefield detail right as well as an accurate depiction of the Germans’ scorched earth policy as they pulled back to the Hindenburg Line. “1917” also delves into the toll the German occupation had on the French civilian population, best embodied by a young woman barely surviving in a burned-out city.
Chapman and MacKay deliver solid performances throughout the film as they humanize their characters, thereby making it easy for us to become emotionally invested in their epic journey. The biggest praise, though, is reserved for Mendes direction. For example, the first half of the nearly two-hour film, which does not feel that long, is shot so seamlessly that it has all the appearance of being one, long continuous take. His orchestration of mass chaos with a multitude of extras and cameras, not to mention how his hand-held work puts us right in the trenches, is worthy of an Oscar for best cinematography. “1917” is nothing less than one of the ten best movies of 2019.
“1917,” Sam Mendes’ look at a
secret mission during World War I, was named the Best Film of the Year by the
Kansas City Film Critics Circle. The
film also took home honors for Mendes’ direction and for its cinematography. “1917” and “Us” were the only film to receive
multiple awards, with “Us” star Lupita Nyong’o being named Best Actress while
the film was chosen to receive the Vince Koehler Award for the year’s Best
Science Fiction, Fantasy or Horror Film.
Each year the Kansas City
Film Critics Circle, the second oldest critics organization in the United
States, votes on their choices for the groups James Loutzenhiser Awards. 2019 marks the 54th time the group
has passed out its awards. The South
Korean film “Parasite” was named the year’s Best Foreign Film while “Toy Story
4” joined the first three films in the series by also being named the year’s
Best Animated Film, an amazing achievement.
Below is a complete list of
the winners of the 54th Annual James Loutzenhiser Awards
BEST FILM: “1917”
ROBERT ALTMAN AWARD
FOR BEST DIRECTOR Sam Mendes for “1917”
BEST ACTOR Adam Driver in “Marriage Story”
BEST ACTRESS Lupita Nyong’o in “US”
BEST SUPPORTING ACTOR Joe Pesci in ‘The Irishman”
BEST SUPPORTING ACTRESS Da’Vine Joy Randolph in “Dolemite is My Name”
BEST ORIGINAL SCREENPLAY Rian Johnson for “Knives Out”
BEST ADAPTED SCREENPLAY Greta Gerwig for “Little Women”
BEST CINEMATOGRAPHY Roger Deakins for “1917”
BEST ANIMATED FEATURE “Toy Story 4”
BEST FOREIGN FILM “Parasite” – South Korea
BEST DOCUMENTARY “Amazing Grace” and “Apollo 11” (tie)