Once Again, KC’s Planet Comicon is a Rousing Success!


Planet Comicon, one of the best and biggest fan-driven conventions in the country, ended another great session this past weekend in Kansas City.

With such celebrity guests as Cary Elwes, Michael Rooker and Scott Wilson, the lines for autographs were long (but moved quickly) and there were plenty of vendors ready to work a deal or two. Whether your love was movies, television, comics or toys, there was plenty to see and plenty to do. As in other years, many guests came in the guise of their favorite pop culture characters.

The “Behind the Mikes” podcast team of Moviemike, Loaf and Brett “Movie Quote” Coker, along with photographer Dan Lybarger, worked the vast expanse of Kansas City’s Bartle Hall, speaking with fans and capturing the sights of the event. Fans of every genre’ were encouraged to get on stage for trivia, hosted by a gentleman in an amazing looking suit!

A huge THANK YOU to Chris Jackson and his Planet Comicon staff for making this annual event one of the most anticipated each year!

Moviemike, Loaf and Brett (l-r) bright and early in the morning. Midwest Wonder Woman

 

The artist with her signed painting The Walking Dead’s” Scott Wilson Photog Dan Lybarger and Michael Rooker The trivia quiz master and his assistant. Lady Avengers Three of a kind

 

“Thank you, Walt Disney” trying to raise money to restore Walt’s original Kansas City studio.

Film Review “Get Hard”

Starring: Will Ferrell, Kevin Hart and Craig T. Nelson
Directed by: Etan Cohen
Rated: R
Running time: 1 hour 40
Warner Brothers

Our Score: 4 out of 5 stars

James King (Ferrell) has it all. Money. A beautiful fiancé (Alison Brie). And he’s just been made a partner in the investment firm started and run by his father-in-law (Nelson). He spares nothing on the finer things, including having his car detailed by Darnell Lewis (Hart), a man with a family hoping to buy a home. Out of the blue, James is arrested for fraud. Encouraged by his boss to take a plea bargain James refuses, so insistent is he of his innocence. Sadly, he is not believed and the judge, looking send a message to white collar criminals, sentences him to 10 years hard labor. With 30 days to get his affairs in order, James decides he needs to learn how to survive prison and decides to get advice from the only black man he knows.

Outrageously funny, though often bordering on bad taste, “Get Hard” confirms the star-making talent shown by Kevin Hart in “The Wedding Ringer” as well as the consistently funny-film streak of Will Ferrell. Both are at the top of their game here, and their chemistry is quite obvious. While both men are constantly entertaining, it’s Hart that drives the film, with Ferrell acting as straight man a little more than usual. Encouraged to tell James his story, Darnell instead gives a one-man performance of “Boys in the Hood.” This scene, and one where Hart plays three different inmates, are among the best in the film.

The script, co-written by director Cohen and Jay Martell and Ian Roberts, is constantly funny, even when it approaches the lines of race and prejudicial assumptions. Yet in spite of the humor, there are some nice moments between Ferrell and Hart as well as Hart and his on-screen family. If you’re looking to laugh this weekend, this is the film to see!

Film Review “The Gunman”

Starring: Sean Penn, Ray Winstone and Javier Bardem
Directed by: Pierre Morel
Rated: R
Running time: 1 hour 55 mins
Open Road

Our Score: 2.5 out of 5 stars

Last week we had another Liam Neeson “bad ass” film, a series that started with “Taken.” This week we get Sean Penn in the new film by “Taken’s” director. Does Sean have a future in action films? I’ll tell you later.

Meet Jim Terrier (Penn). It’s 2006 and he’s working for a mining company in the Congo. He spends his time off with his girlfriend, Annie (Jasmine Trinca) and best buddy Felix (Bardem). When the country’s new Minister of Mining begins to enforce the law, Jim’s company asks Jim to do what he does best. One well-placed rifle shot later, Jim is in the wind, leaving his friends, and the life he knew, behind.

Heavy on the gunfire and light on believability, “The Gunman” is a nice looking (lots of exotic locales) yet unsatisfying film barely kept afloat by its star. Penn, with two Oscars on his mantle, is well above the material here and manages to not be pulled down into the mess that encompasses his co-stars. Bardem, an Oscar-winner himself, seems to have signed on in order to get a free trip to Spain. From frame one you know Felix has eyes for Annie and that, with Jim out of the picture, they will end up with each other. Trinca sleepwalks through the film as Annie, showing more skin than emotion in many scenes. As Terrier’s old buddy with all of the connections, Winstone give the film some life when on screen while Mark Rylance and Idris Elba add some Brit-level class to the production. Penn, who apparently borrowed Sylvester Stallone’s body, circa 1985, is given the chore of making Jim and his actions believable. With a mustache and soul patch that makes him look like the popular Guy Fawkes mask and an apparently unending supply of bullets, Terrier manages to escape death even while suffering from painful headaches.

Eight years pass between the time Jim leaves the Congo and he learns he’s a hunted man, yet nobody appears to have aged. Maybe all of those push-up Penn did helped him stay youthful. He should have used some of that time to read the script. Besides limitless bullets and the ability to always be the best shot in the room, Jim’s adventures put him in the midst of a bull fight, in a country that has not only outlawed bull fighting but insisted that fact be pointed out in the end credits.

As for Penn the action star? He obviously has the chops for the job. He just needs better material.

Win Passes to the Kansas City Screening of “Get Hard” [ENDED]

Media Mikes has teamed up with Warner Brothers to give (25) readers and a guest the chance to be the first to see the new comedy, “Get Hard,” on Tuesday, March 24 at the Cinemark Merriam 20 theatre. The screening will begin at 7:30 p.m.

All you have to do is go to http://www.wbtickets.com/GetHardMM and register. (25) random entries will be selected and those chosen will receive a pass for two to attend the screening. Winners will be notified by email on Monday, March 23, 2015.

“Get Hard,” starring Will Ferrell and Kevin Hart, opens nationally on Friday, March 27.

Win Passes to the Kansas City Premiere of “The Gunman” [ENDED]

Media Mikes has teamed with Open Road Films to give (25) of our readers and a guest the chance to see the new film, “The Gunman,” at a sneak preview this coming Monday at the AMC Independence Commons 20 theatre. The screening begins at 7:00 p.m.

All you have to do is go to http://www.gofobo.com/GunmanMM and receive your pass for (2). Passes are on a first come/first serve basis. Good luck!

“The Gunman,” starring Sean Penn, Javier Bardem and Idris Elba, opens nationwide on Friday, March 20.

 

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Film Review “Run All Night”

Starring: Liam Neeson, Joel Kinnaman and Ed Harris
Directed by: Jaume Collet-Serra
Rated: R
Running time: 1 hour 54 mins
Warner Brothers

Our Score: 4 out of 5 stars

When we first meet Jimmy Conlon (Neeson) he’s flat on his back with a bullet in the side, trying to explain how he got that way. Though the story is a little long, it’s well worth learning.

Jimmy and Shawn Maguire (Harris, in another outstanding character role) have been friends for almost five decades. Doing what they needed to do to earn a living, they both found themselves on the wrong side of the road. However, while Shawn has become a very successful “businessman,” Jimmy likes to drink and play cat and mouse with a police detective (Vincent D’Onofrio), who is trying to pin no less than 17 murders on Jimmy. Both men have sons – Shawn’s boy, Danny (Boyd Holbrook) is a chip off the old block while Michael Conlon (Kinnaman) has distanced himself from his father, earning money as a limo driver while teaching inner-city youths how to box. When a deal Danny organizes, against his father’s wishes, goes bad, Michael inadvertently finds himself on the wrong side of things, causing him to reluctantly have to rely on his pop.

Gorgeously filmed (director Collet-Serra and cinematographer Martin Rhue give New York City its own starring role in the film) and strongly acted, “Run All Night” is another in a long line of “bad ass with a heart of gold” roles for Liam Neeson. Here he plays a tough Irishman who drinks, which I’m pretty sure wasn’t much of a stretch. And while he’s very good here, as he is in pretty much everything he does, I miss the romantic Neeson…the “Love, Actually” Neeson. Here he gets to mete out some fatherly advice while constantly making sure that Michael never fires a shot, afraid he will follow him down hell’s path. The best part of the films are when Neeson and Harris meet up and talk about their lives and their plans. Both men are mesmerizing on screen and they’re fun to watch. They know that their sons are suffering because of them and when they’re in the same room together, the tension grows so fast you may need to take a breath on occasion. The film does manage to run a little long, and an almost “forced” reminder of the New York Rangers hockey team take a little glow off of the film, but all in all, it’s a well recommended film!

Win Passes To See “Run All Night” in Kansas City on March 11th [ENDED]

So successful was our giveaway last week that, once again, Media Mikes is teaming with Warner Brothers to give (50) of our readers (and a guest) another chance to see the upcoming film, “Run All Night,” this coming Wednesday night in Kansas City.

The film, which stars Liam Neeson and Ed Harris, will be shown on March 11, 2015 at the Cinemark Palace on the Plaza in Kansas City, Missouri. The screening will start at 7:30 p.m.

All you have to do is go to http://www.wbtickets.com/MediaMikesRAN to receive your pass for (2). Passes are on a first-come, first-served basis. Good luck!

http://www.runallnightmovie.com
https://facebook.com/RunAllNightMovie

Film Review “The Second Best Exotic Marigold Hotel”

Starring: Dev Patel, Judi Dench, Bill Nighy and Maggie Smith
Directed by: John Madden
Rated: PG
Running time: 2 hours 2 mins
Fox Searchlight Pictures

Our Score: 4.5 out of 5 stars

The irony about being a film critic is that, sometimes, I’m the one that gets criticized for what I’ve written. I know what to expect when I recommend an Adam Sandler film. Sue me, I’m a 13 year old boy in an old man’s body. But this afternoon, as I was preparing this review, I saw a criticism I never would have expected. While going back to see what I had rated the original “Best Exotic Marigold Hotel” I noticed a comment had been left. Basically it read:

There is NO WAY English senior’s immune, digestive system can handle Indian foods, whatsoever. Yet again this is nothing but another nonsensical story set in a place which Western senior-transplants haven’t ANY possibility of surviving. (sic)

Wow! Someone sure had a lot of time on his hands. As well as a much better understanding of the British digestive system then I do. Anyway, I thought I’d share that. And now, on with the show.

When we last left our over enthusiastic innkeeper Sonny Kapoor (Patel), he had just convinced a group of elderly British citizens to call his burgeoning hotel “home.” Today we find him visiting the United States, speeding down the historic Route 66 with the barb-tongued Mrs. Donnelly (Smith) by his side. They meet with the owner of a large international hotel chain (David Strathairn) in the hopes of having him finance Sonny’s dream of another hotel and the beginnings of an empire. Sonny is soon due to marry the lovely Sunaina (Tina Desai) and he wants a new hotel to be a wedding gift to his bride. Sonny and Mrs. Donnelly return to India assured that an inspector from the hotel chain would visit to see how Sonny runs his operation. But when more than one new guest shows up to register for a stay, it is obvious that the Best Exotic Marigold Hotel can use some expansion help.

Cleverly written and expertly acted, “The Second Best Exotic Marigold Hotel” is a welcome, sunny treat during these final weeks of winter. Bolstered by Patel’s exuberance and a first rate cast of British acting veterans, the film sometimes returns to the same situations that occupied the first film but with enough charm that it survives on its own merits. Joining the returning cast is Richard Gere, a recently divorced man looking for a quiet place to write a novel. He is smitten with Sonny’s mother (Lillete Dubey), who is unsure how to accept this Western man’s advances. As for the returning residents, we find Evelyn (Dench) now gainfully employed while Douglas (Nighy), continues to silently pine for her. And of course, Mrs Donnelly is as feisty as ever, delivering such lines as “just because I’m looking at you when you’re speaking doesn’t mean I’m paying attention to you,” with the timing of Groucho Marx. These stories, and others, once again intertwine as the wedding day gets closer. Gere is especially good here, doing what he does best, romance. Even at age 65, Gere is, as Sonny points out, “so handsome that even I question my own sexuality.”

Director John Madden, who also helmed the first film as well as “Shakespeare in Love,” has reteamed with writer Ol Parker to bring old friends back together and introduce us to new ones. Not sure if there’s a third story on this hotel, but it’s certainly one I’d be more than happy to visit.

 

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Win Passes to 2015 Kansas City Planet Comicon [ENDED]

If the calendar says it’s March you know two things are certain. Spring is (hopefully) right around the corner. And Kansas City’s Planet Comicon is back!

One of the best, and most popular, conventions in the country, the KC Planet Comicon runs from Friday, March 13 through Sunday, March 15 at beautiful Bartle Hall in downtown Kansas City, Missouri. This year’s announced guests include Cary Elwes, Scott Wilson, Michael Rooker, Erin Gray, Mitch Pileggi, Kent McCord and dozens of other celebrities in the film, television and graphics world.

Once again, our friends at Planet Comicon have given us (5) pair of passes to give away to the event. To be eligible to win them, just let us know below what celebrity guest you’d like to see at the next Planet Comicon. (5) random entries will be chosen to win a pair of passes to the KC Planet Comicon. This contest ends at midnight (EST) on Sunday, March 8, 2015. Winners will be notified by email. Good luck!!

Indican Pictures Aquires “Radio America” for Distribution

Indican Pictures, a major distributor of independently made films, has announced their latest acquisition, the musical-drama “Radio America.”

Written and directed by Chris Showerman and produced by Showerman and Clint Morris under their Showerman label, “Radio America” tells the story of two farm boys who dream of escaping their rural roots to achieve fame and fortune as rock stars.

“If Indican were the stage, and we were musicians, we couldn’t ask for a better stage to present our act. With their passion, knowledge, and skill, they are undoubtedly the right distributor to bring “Radio America” to the masses”, says Morris.

“Radio America” will be released later this year.

Leonard Nimoy, Star Trek’s Iconic Mr. Spock, Dead at Age 83

For three television seasons, animated and guest appearances and in many feature films, actor Leonard Nimoy would often address others with the phrase “Live long and prosper.” It was a philosophy Mr. Nimoy himself followed until he passed away today at the age of 83.

Best known for his portrayal of the emotionless Vulcan, Mr. Spock, on “Star Trek,” Nimoy would eventually escape that persona (he famously wrote his autobiography, entitled “I Am Not Spock”) to become not only a versatile actor but an accomplished photographer and film director.

Born in Boston on March 26, 1931, Nimoy began his acting career as a young boy, performing in local productions. He headed west after high school and, after serving in the United States Army, began appearing in popular television shows of the era, among them “Luke and the Tenderfoot,” “Broken Arrow” and “Mackenzies Raiders.” His unusual features often found him cast as a Native American. He worked steadily through the early 1960s and then, in 1966, he took the role that he would forever be identified with. Described by creator Gene Roddenberry, “Star Trek” was supposed to be like “Wagon Train” to the stars. Nimoy was cast as First Officer Spock, a member of the crew of the U.S.S. Enterprise. Nimoy was one of the few actors who remained with the show from the pilot until the final episode. Spock struck a nerve with the counter-culture of the times and quickly became the series’ most popular character. He was nominated for an Emmy as Outstanding Supporting Actor all three seasons “Star Trek” ran, losing to Eli Wallach, Milburn Stone (Doc on “Gunsmoke”) and Werner Klemperer (Colonel Klink on “Hogan’s Heroes”). HE LOST TO COLONEL KLINK??? Back then, the Emmy’s didn’t divide the supporting categories into drama and comedy. They also only had three nominees in that category, not the customary five. Wow. COLONEL FRICKING KLINK!

When the series ended Nimoy headed to another long running show, playing disguise and magic master Paris in “Mission: Impossible.” He also reprised the role of Spock on the Saturday morning “Star Trek – the Animated Series.” He continued acting through the 70s, appearing in the popular remake of “Invasion of the Body Snatchers” and also began working behind the camera, helming an episode of Rod Serling’s “Night Gallery.” In 1979 he once again returned to Spock in “Star Trek: The Motion Picture.” In 1981 he adapted and directed the television version of his one man play, “Vincent,” based on the life of Theo Van Gogh, brother of the famed artist, Vincent. The next year he returned in “Star Trek II: the Wrath of Khan,” coming back only after being assured that the character of Spock would be killed off. the success of the film, both commercially and critically, brought the offer to return. Nimoy agreed to come back if he could direct the feature film. In 1984, “Star Trek III – The Search for Spock” was released. The film featured the crew of the Enterprise trying to recover the body of Spock. Nimoy appears at the end of the film. He again directed “Star Trek IV – The Voyage Home,” probably the most fun of the “Original Series” films, which came out in 1986. The next year he went behind the camera for the very popular comedy “Three Men and a Baby.”

Nimoy also pursued a career in photography, with many of his photos being exhibited in museums across the country. In 1996 he published his 2nd Autobiography, “I AM SPOCK,” finally coming to terms with the character that had made him famous. He leaves behind his 2nd wife, Susan, and his children, Adam and Julie.

Theatre Review “The Book of Mormon” Kansas City, Music Hall

When I lived in Baltimore it was easy for me to make the 3-hour drive to New York City to see the next great musical. “Phantom of the Opera.” “Les Miz.” “Miss Saigon.” It opened and I was there. Not so easy to do when you live in Kansas City. Which means I had to wait four years to see “The Book of Mormon.” And it was well worth the wait.

The show tells the story of two young Mormon missionaries who are sent to Uganda to help convert the local population into joining the church. Things are tough in Africa, with the villagers dealing not only with the AIDS crisis but a terrible thug dictator who insists that all women be circumcised. If right about now you’re questioningly thinking to yourself, “this is a BROADWAY musical,” I should point out that the show was created by the team behind “South Park,” Trey Parker and Matt Stone, as well as Robert Lopez, who created the Tony Award winning Best Musical “Avenue Q,” which is best remembered as the show that beat “Wicked” for the award. Mr. Lopez also recently won an Oscar for co-writing the song “Let it Go” from “Frozen.” The book is outrageous, and exactly what you would expect from the three authors. As for the songs…there’s a reason that the animated film “South Park: Bigger, Longer and Uncut” is often referred to as one of the best Broadway musicals that never made it to New York. The tunes are catchy, the lyrics infectiously funny. The audience loved every minute of it, with the highlight coming during the song “I Believe” when the singer exclaims, “And I believe that the Garden of Eden was in Jackson County, Missouri,” which is where Kansas City sits.

The cast was outstanding, with Billy Harrigan Tighe and A.J. Holmes excelling as Elder’s Price and Cunningham. The supporting players were equally good. The show was one of the most original I’ve ever seen, much deserving of the nine Tony Awards it won. Where else can you see Jesus Christ, “Star Trek’s” Lieutenant Uhura and Yoda all in the same musical number? No where else…that’s where! The show is so good that the Church of Jesus Christ of Latter-day Saints actually runs ads in the Playbill. If that’s not a divine blessing from Heavenly Father, I don’t know what is.

“The Book of Mormon” continues in Kansas City at the Music Hall through March 8th.

Upcoming Dates
CHICAGO – now through May 17
MADISON, WISCONSIN – March 10 – 15
SAN FRANCISCO – April 15 – June 27
MILWAUKEE – May 19 – 31
BUFFALO – June 2 – 7
WASHINGTON D.C. – June 16 – August 16

 

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“Birdman”, “Grand Budapest Hotel” Big Winners at 87th Oscars

“Birdman or (the Unexpected Virtue of Innocence)” and “The Grand Budapest Hotel” took home the lion’s share of Oscars this evening during the presentation of the 87th Annual Academy Awards.

“Birdman” took home three of the major awards, being named the evening’s Best Picture while Alejandro Gonzalez Innaritu took home the award as Best Director. Innaritu also shared the award (with three others) for Best Original Screenplay. The film also received the award for Best Cinematography, the second win in a row for Emmanuel Lubezki, who won last year for “Gravity.”

“The Grand Budapest Hotel” also received four awards, recognized for it’s Makeup, Production Design, Costume Design and Best Original Score. It was the second year in a row that a past Mediamikes.com interviewee won the Oscar for Best Original Score, with Alexandre Desplat joining last year’s winner, Steven Price.

Eddie Redmayne was recognized as Best Actor for his portrayal of Steven Hawking in “The Theory of Everything” while Julianne Moore, nominated four times previously, was named Best Actress for “Still Alice.” In the supporting categories, J.K. Simmons won the Best Supporting Actor trophy for “Whiplash”, with Patricia Arquette receiving the Best Supporting Actress prize for her work in “Boyhood.” It was the only award the film won out of six nominations. Both Simmons and Arquette had swept the previous award programs so their wins weren’t that unexpected.

In addition to Simmon’s win, “Whiplash” took home Oscars for Best Sound Mixing and Best Film Editing. The Adapted Screenplay prize went to Graham Moore for “The Imitation Game.” Moore gave a well received acceptance speech recalling a suicide attempt as a youngster and the conviction to be yourself. Another emotional moment came when Common and John Legend performed their song, “Glory,” from the film “Selma.” A few moments later they received the Oscar for Best Song. Another highlight of the evening had Lady Gaga performing a musical tribute to the film “The Sound of Music,” which is celebrating it’s 50th Anniversary this year.

Host Neil Patrick Harris was not as well used as he has been in the past on other award programs, most notably the Tony Awards. Like Ellen Degeneres last year, he basically introduced presenters and bantered a little with the audience. Hopefully Billy Crystal’s schedule will be open next year!

A COMPLETE LIST OF WINNERS

BEST PICTURE – “Birdman”

BEST ACTOR – Eddie Redmayne – “The Theory of Everything”

BEST ACTRESS – Julianne Moore – “Still Alice”

BEST SUPPORTING ACTOR – J.K. Simmons – “Whiplash”

BEST SUPPORTING ACTRESS – Patricia Arquette – “Boyhood”

BEST DIRECTOR – Alejandro Gonzalez Innaritu – “Birdman”

BEST ORIGINAL SCREENPLAY – “Birdman”

BEST ADAPTED SCREENPLAY – “The Imitation Game”

BEST ANIMATED FEATURE FILM – “Big Hero 6”

BEST FOREIGN FILM – “IDA” (Poland)

BEST ORIGINAL SCORE – “The Grand Budapest Hotel”

BEST ORIGINAL SONG – “Glory” from the film “Selma”

BEST CINEMATOGRAPHY – “Birdman”

BEST COSTUME DESIGN – “The Grand Budapest Hotel”

BEST MAKEUP – “The Grand Budapest Hotel”

BEST PRODUCTION DESIGN – “The Grand Budapest Hotel”

BEST DOCUMENTARY FEATURE – “Citizenfour”

BEST DOCUMENTARY SHORT SUBJECT – “Crisis Hotline: Veteran’s Press One

BEST FILM EDITING – “Whiplash”

BEST ANIMATED SHORT FILM – “Feast”

BEST LIVE-ACTION SHORT FILM – “The Phone Call”

BEST SOUND EDITING – “American Sniper”

BEST SOUND MIXING – “Whiplash”

BEST VISUAL EFFECTS – “Interstellar”

Film Review “McFarland, USA”

Starring: Kevin Costner, Maria Bello and Ramiro Rodriguez
Directed by: Niki Caro
Rated: PG
Running time: 2 hours 8 mins
Walt Disney Pictures

Our Score: 4 out of 5 stars

I don’t know why, but I picture a little office hidden deep in the bowels of the Walt Disney Company where a little man with glasses sits every day and reads 150 small town newspapers every day, looking for just the right story that will make a great movie. Whether it’s the story of bartender turned pro-football player Vince Papale in “Invincible” or high school coach Jimmy Morris striking out batters in the major leagues in “The Rookie,” the people at Disney know what people like. Winners. And “McFarland, USA” crosses the finish line in first place.

Jim White (Costner) is a high school football coach with a temper. After a poor performance in the first half of a game, White scolds his team in the locker room. When his quarterback doesn’t seem to be getting the message, White throws a shoe at him. The shoe bounces off a locker and hits the young man in the face. Say it with me: “You’re fired!” Needing a new gig, White moves his family to the small, migrant heavy town of McFarland, California. He again runs into trouble when, as an assistant football coach, he refuses to put a player back in the game after a big hit. He’s doing the right thing but his actions rile the head coach, who has him dismissed. In his PE class white notices many of the young boys he sends to run laps return quickly and not out of breath. He learns that these boys have a stamina born from working many hours in the fields, both before and after school. White gets an idea. In order to keep his teaching gig, and earn the extra money that coaching provides, White decides to put together a cross-country running team. But getting the boys to buy in to the experiment is another thing all together.

A “Hispanic ‘Hoosiers’”, and I mean that with all due respect, “McFarland, USA” is an uplifting film that hits the right notes. This could have easily been a stereotypical “white coach shows up and changes the minority athlete’s lives” story but it is, in fact, much more. The first sign of prejudice we see is from White and his family. From their reluctance to eat dinner at a Mexican restaurant to White’s overprotective actions when a group of tricked-out cars drive by, it becomes clear that the only problem here is White’s attitude. He learns to temper these thoughts by getting to know the boys, and their families. While the parents are impressed that this could be a way for the boys to escape the fields and possibly attend college, they must also come to grips with the knowledge that every hour the boys are at practice is an hour not spent in the field. And this situation affects the whole family. Only after White volunteers to go to work with the boys one morning do we really see the work ethic required to do the job needed. It is a teaching moment unlike any other for the coach.

On the performance front, this is Costner’s second strong performance this year. Like Gene Hackman’s Coach Dale in “Hoosiers,” Jim White is a flawed man with a passion. And that passion comes through quietly in Costner’s performance. Whether he’s eating a plate full of enchiladas at a runner’s house or pacing the boys while they run, sitting on the seat of his daughter’s high-handled “Barbie” bike, his willingness to teach, and learn, is visible. Among the young runners, Rodriguez’ Danny Diaz is the most complete character. The plot almost takes a turn into maudlin territory (Coach White’s daughter begins seeing one of the team members, a gang altercation takes place) but director Caro manages to keep her eye on the prize and steers the film back to where it needs to go. If you’re looking for a story that will inspire long after the final credits, then go see “McFarland, USA.” And keep an eye out for the local newspaper!

Doctor Dilznik and The Last Rekrute Heading to Television

They’ve been highlighted on the local Kansas City airwaves and remain, to date, the most popular guests on our “Behind the Mikes” Podcast but now our pals Doctor Dilznik and the Last Rekrute are about to take America by storm.

The boys have co-written a new song to be featured on the upcoming WGN show “Outlaw Country.” A reality series chronicling the adventures of Kansas City’s Monk Brothers, “Outlaw Country” is a show unlike anything else on television today. Give the new song, “Revelation,” a listen below and make sure you tune in beginning this Tuesday night, February 24 at 10:00 p.m. EST.

Doc Dilz and the Last Rekrute have been representing the Kansas City rap scene for more than 15 years. They have released three successful “I’m with Stoopit” CD’s over that period and have a new CD, “Stuck on Stoopit” scheduled to be released later this year. In the past they have recorded and collaborated with such national acts as Riff Raff, Dirt Nasty and Andy Milonokis. Their music can be found on iTunes and you can follow them on Twitter : @DocDilz and @Rekrutemusic.