Film Review “The Nice Guys”

Starring: Russell Crowe, Ryan Gosling and Kim Bassinger
Directed by: Shane Black
Rated: R
Running time: 1 hour 56 mins
Warner Bros
Our Score: 4 out of 5

Film review by Mike Smith

1977. A young man sneaks into his father’s bedroom and removes a magazine from underneath the bed. He takes it to his room and begins studying the curves of a young lady named Misty Mountains. Suddenly a car screeches outside. The boy hears the crash and goes out to investigate. Who is the driver? Old MM herself.

Outrageously funny from start to finish, The Nice Guys is a period piece co-written and directed by Shane Black, creator of the Lethal Weapon series. Like those films, the story rests on the shoulders of two incredibly gifted dramatic actors given a chance to be funny; Russell Crowe and Ryan Gosling. Their chemistry comes across from their first scene together and the film is much richer for it.

Jackson Healy (Crowe) is a leg-breaker. If someone is bothering you and you want them to stop he’s the man you call. Currently he has accepted the task of protecting a young woman named Amelia (Margaret Qualley). Holland March (Gosling) is a private investigator and single father whose latest case has him searching for a young woman named Amelia. Things go progressively from bad to worse for both men before they realize that they need to team up to get to the bottom of things. As they say in the funny papers: hilarity ensues.

I’ve always loved Shane Black as a writer. He has written some of the funniest scenes in some of my favorite films, including Lethal Weapon, The Last Boy Scout and The Last Action Hero. He also wrote and directed the very highly underrated Kiss Kiss Bang Bang. Here he creates two more indelible characters. With his ever present cigar and rumpled clothing, Jackson Healy (sounds more like an insurance company) is the tough guy with a heart whereas Holland March, who ensures a negative outlook on life by sporting a tattoo that reads “You Will Never Be Happy,” is the wise-ass who loves his precocious teenage daughter Holly (a very well-cast and wise beyond her years, Angourie Rice). You never question why Holland takes Holly with him on dangerous cases. You just realize that she is his partner in everything. The two leads play off each other perfectly. Crowe is ruff and gruff while Gosling sometimes comes off as an air-headed fool. In fact, once scene has him sputtering and mumbling so much that you would have thought he had channeled the spirit of Lou Costello.

Period wise, the film gets high marks for highlighting the fashion and art of the era, even if some of the items featured are a year or two off in context. A great billboard advertising Jaws 2 would have been out in 1978 while Rupert Holmes’ hit “Escape (the Pina Colada Song) didn’t hit the charts until 1979. That being said, these are minor quibbles with one fantastically funny film.

 

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“The Ten Commandments” to Be Unveiled in Omaha

Longtime film historian Bruce Crawford has announced that his 38th Salute to Classic Cinema will feature a 60th Anniversary presentation of Cecil B. DeMilles’ classic epic “The Ten Commandments.” The event will be held at the Joslyn Art Museum’s Witherspoon Hall Theatre on Friday, May 27, at 2200 Dodge Street in Omaha, Nebraska. The show begins at 7:00 p.m.

The event will also feature two special guests. Miss Holly Heston, the daughter of the film’s star Charlton Heston, will be appearing as will Miss Kathy Garver, who portrayed the young Rachel in the film. Fans may also remember Ms. Garver for her role of “Cissy” in the television comedy “Family Affair.” In addition, artist Nicolosi has designed a United States Post Office Commemorative Envelope honoring the film, as well as Mr. Heston and Mr. DeMille, that will be unveiled at the event.

Tickets for the event are $23.00 and are available at the customer service counter at all Omaha Hy Vee stores. Proceeds will go to the Omaha Parks Foundation. For more information you can call (402) 618-2124 or visit www.omahafilmevent.com

Win Passes to the 2016 Kansas City Planet Comicon

It’s the biggest and best convention in the Midwest and, once again, Media Mikes is offering some lucky readers a chance to attend the 2016 Kansas City Planet Comicon.

This years convention, which will be held at Bartle Hall, will feature celebrity appearances by, among others, comic book legend Stan Lee, “Harry Potter” co-star Tom Felton, “Star Trek” star George Takei and “American Horror Story” actor Denis O’Hare.” Three days of celebrities, cosplay and comics.

All you have to do is let us know below what celebrity guest you’d like to see at a future show. On Thursday, May 19, (2) random entries will be chosen and those people will receive (2) 3-day passes to the convention. The winners will be notified by email.

For more information head to http://planetcomicon.com/ Good luck!

Film Review: “X-Men: Apocalypse”

Starring: James McAvoy, Jennifer Lawrence and Michael Fassbender
Directed by: Bryan Singer
Rated: PG 13
Running time: 2 hrs 24 mins
20th Century Fox
Our Score: 3 out of 5 stars

Review by Mike Smith

They’re back! I’d say “the X-men are back” but, thanks to the whims of Hollywood, that statement doesn’t clarify if it’s the old folks or the kids. Or, as Deadpool asked, “McAvoy or Stewart?” It’s McAvoy and the gang here.

Where better for a film series that dabbles with time lines to begin but ancient Egypt. Here we are witness to a ceremony in which an old ruler will receive a mystical transplant from a virile young man. However, a group of traitorous minions (soldiers, etc, not the guys from the Despicable Me films) betray their leader and, after some impressive special effects, he is sealed inside a giant pyramid for all eternity. Or until 1983.

It’s been ten years since the first Mutant was observed and the world still hasn’t accepted them. At his school for “the gifted” Dr. Charles Xavier (McAvoy) is going about his daily duties while over in Poland the formerly underground Magneto (Fassbender) has just been discovered by the local authorities. Two men with similar lives yet very different outlooks. Throw in the mysterious Mystique (Lawrence) and you have a movie. Kind of.

Full of amazing special effects and horrible destruction, X-men: Apocalypse is, presumably, the last film to feature the Future Past characters. And just in time. With a cast that includes three Oscar-nominees it seems like they may have gotten bored with their roles. All do good work here, but there almost seems to be a look of relief in their eyes that they’re done with the spandex for good. That being said, while the leads are serviceable, the supporting cast has fun with their roles. Among the new faces are Kodi Smit-McPhee as Nightcrawler and a returning Evan Peters as Quicksilver. And kudos to Oscar Isaac, who makes Apocalypse one nasty mo-fo.

The other drawback is the amount of carnage depicted here. As the various mutants battle each other, the toll taken on the planet is amazingly over the top. The destruction here makes the carnage in Captain America: Civil War and Batman v Superman: Dawn of Justice look like a small dustup. There is also a particularly brutal scene featuring a familiar face making his eighth X-men appearance. The amount of blood spilled was actually quite disturbing and I can’t help but wonder if this scene was included to judge audience reaction as to how far is too far. It’s not Deadpool violent but it’s a little more mature than you might imagine.

X-Men: Apocalypse opens in the UK on May 18th & the US on May 27th

 

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Film Review “Keanu”

Starring: Keegan-Michael Key, Jordan Peele and Tiffany Haddish
Directed by: Peter Atencio
Rated: R
Running time: 1 hr 38 mins
New Line Cinema

Our Score: 4 out of 5 stars

Abbott and Costello. Laurel and Hardy. Martin and Lewis. Cheech and Chong. Just four of some of the most popular comedy teams that went on to success on the big screen. Time to add a new team to the list: Keegan-Michael Key and Jordan Peele, who take over your local multiplex this weekend in the new film “Keanu.”

Rell Williams (Peele) is feeling down. His woman has just left him and he’s hit rock bottom. At least until he finds a cute little kitten outside his door. Taking him in and giving him milk, he names the cat Keanu, which he believes means “cool breeze.” Artistic at heart, he begins taking photos of the cat recreating various movie scenes for a calendar. This strikes his friend Clarence Goobril (Key) just a little bit odd. When Rell’s house is broken into by drug dealers, who mistake it for his pot-selling neighbors’ home, Keanu turns up missing. Obsessed with finding his new friend, Rell convinces Clarence to pose as rival drug dealers in an attempt to retrieve their feline friend.

I’ve been a huge fan of Key and Peele from the time I caught their skit, “I Said Bitch” on Comedy Central. Like their popular show, the jokes in the film fly fast and furious, as the two take on the persona of the “Allentown brothers,” a pair well known for their bloody battles with rivals, in order to do business with the “Blips,” the gang that defeated both the Bloods and the Crips! Rell also meets a lady member of the Blips, the tough but tender Hi-C (Haddish). As Rell and Clarence go deeper to find Keanu, the action picks up to a tornadic level.

Teaming with their former television show’s director, and relying on a script co-written by Peele, the two leads are comfortable on the big screen. Each has their own individual moments to shine, but it’s when they are together that they work best. Whether they’re staring down a rival gang leader or instructing others on the impact of the music of George Michael, Key and Peele are a welcome addition to the big screen. If you aren’t familiar with their work, I urge you to head to YouTube. If you are, I urge you to head to the theatre. You won’t be disappointed.

Make sure to check out our interview with Keegan-Michael Key

 

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Film Review “Elvis & Nixon”

Starring: Michael Shannon, Kevin Spacey and Colin Hanks
Directed by: Liza Johnson
Rated: R
Running time: 1 hr 26 mins
Bleecker Street Films

Our Score: 3.5 out of 5 stars

December 21, 1970. As he goes over his schedule in the White House, President Richard Nixon (Spacey) is informed that he has a meeting with one Elvis Presley. He eyes his aide and calmly asks, “Who the f*** set this up?”

It’s the most requested photo from the National Archives. Richard Nixon and Elvis Presley shaking hands in the Oval Office. But what is the story behind the photo? The new film, “Elvis and Nixon,” may or not be the whole truth but it is an entertaining tale that sheds a light on the meeting between two of the most famous men of their time.

While watching television in his home one night, Elvis Presley (Shannon) is horrified by the various news stories he sees. Black Panthers. Drugs. Draft cards being burned. It’s more than the King can take and he hops a plane to L.A. to visit an old friend, Jerry Schilling (Alex Pettyfer). It’s while on the plane that Presley conceives a plan. He will go to Washington D.C. and ask the President to make him a “Federal-agent-at-large,” with the idea of using his fame to infiltrate the youth culture of the day. In 1970 Elvis was in the midst of a huge comeback started two years earlier. Still amazingly popular, Presley and Schilling run across a couple of Elvis impersonators in the airport, who mistake Presley as being one of them. They congratulate him for making an effort to look like the King, even though they tell him, “Elvis would never wear that,” which is pretty funny when you remember the outfits he used to wear. Jump suits and capes anyone?

The film moves quickly, buoyed by the performances of its stars. I’ve always enjoyed Michael Shannon as an actor, but this is really the first time he hasn’t been over-the-top crazy that I can remember. Wearing giant sideburns and gold-framed sunglasses, Shannon makes Elvis a vulnerable character who truly wants to do the right thing. A great mimic, Spacey is spot on as our 37th President, vulnerable to the country he feels doesn’t admire him as much as they do handsome people, like John Kennedy. Both men get down into their respective characters, giving the film a somewhat documentary feel, which gives the film an air of familiarity.

Film Review “The Jungle Book”

Starring: Neel Sethi
Directed by: Jon Favreau
Rated: PG
Running time: 1 hr 45 mins
Walt Disney Pictures

Our Score: 3.5 out of 5 stars

Here are some facts about the 1967 animated film “The Jungle Book:” It was one of the last films to be personally supervised by Walt Disney; Disney was so unhappy with the musical score that he had it re-written – only keeping the song “The Bare Necessities” at the urging of others – the song would go on to be nominated for an Oscar. Now comes a live-action version of the Kipling story, one that is not necessarily meant for its intended audience.

The story begins with young Mowgli (Sethi) running through the jungle with his adopted wolf brothers. Try as he might, he is not able to win the race, much to the chagrin of his “father,” who is trying to raise him like one of the pack. Trouble begins when the Tiger named Shere Khan (voiced by the amazing Idris Elba) shows up hoping to make a snack of the young boy. However, he is deflected by others, causing him to become angry. Knowing the little guy isn’t safe, the panther Bagheera (Ben Kingsley) decides that Mowgli must leave the jungle and return to man. However Shere Khan has other plans.

Told through the amazing use of computer generation, “The Jungle Book” is very faithful to the animated film that precedes it. Young Mr. Sethi is the only human being in the cast (and on film), with the rest being brought to life through the magic of special effects. And brought to life they are. From the mean and angry tiger to the funny and understanding bear, the characters leap off the screen. Which may present a problem to younger viewers, many who may be horrified at the image of Shere Khan murdering Mowgli’s wolf “father.” And if that doesn’t terrify you, there is a great wildebeest stampede that will surely get their attention.

An attempt is made to tone down the darkness by keeping two of the songs made popular in the 1967 animated feature. However, both Bill Murray voicing “The Bare Necessities” and Christopher Walken performing “I Wanna Be Like You” seem like they belong in a film less intense. You’ve been warned!

Film Review “Born to Be Blue”

Starring: Ethan Hawke and Carmen Ejogo
Directed by: Robert Budreau
Rated: R
Running time: 1 hr 37 mins
IFC Films

Our Score: 4 out of 5 stars

OK music fans, here’s a name for you: Chet Baker. Anyone? Anyone? Bueller? No?
Too bad. How about Miles Davis or Dizzy Gillespie? Oh, those guys you know. Would you be surprised if I told you that Chet Baker was, for a short time in the 1950’s, their musical equal? Sadly, it was the demon called Heroin that took away both his talent and his fame.

We first meet Baker (a well-cast Ethan Hawke) sprawled out on the floor of an Italian prison cell. While ruminating on his life we travel back to the mid 1950’s and the iconic jazz club known as Birdland. There we get a taste of Baker’s talent. Shot in black and white and full of billowy smoke, the scene sets the stage for what might have been. A decade later, his career floundering, he takes a job playing himself in a feature film. However, a beating by muggers leaves him minus his front teeth. And for a horn player, no teeth means no music. Reduced to pumping gas, Baker finds himself on the verge of redemption. If only he can keep the demon away.

A bio-pic that flits around, “Born to Be Blue” takes its name from one of Baker’s best known songs. Though other characters are featured, the film mostly concentrates on Baker and his girlfriend, Elaine (Ejogo), who we originally meet when she is cast as Baker’s ex-wife in the ill-fated movie. We learn that the creator of West Coast Swing had a hard time handling his father, also a musician. Referred to as the “James Dean of Jazz,” he is a junkie that hates needles. “Hello Fear, Hello Death, F*** You,” is his mantra as a friend sticks the needle in his arm. One of the first recovering drug addicts to be prescribed methadone, Baker takes his life one day at a time.

There are two stars in this film. The first is Hawke, who finds a way to make an unsympathetic character sympathetic. Extra points for doing his own vocal work. Second is the music. The soundtrack is full of some of the best jazz standards of the time, each one telling a story that accompanies the one on-screen. With Don Cheadle’s upcoming Miles Davis film on the horizon, it looks like jazz is making a comeback. Give it, and the film, a chance.

Sitting down with “Everybody Wants Some!!” stars J. Quinton Johnson, Glen Powell and Wyatt Russell


Described by its writer/director, Richard Linklater, as a “spiritual sequel” to his popular 1970’s set film Dazed and Confused, Everybody Wants Some!! follows the fun times being had by a small college baseball team in 1980. To promote the film, co-stars J. Quinton Johnson, Glen Powell and Wyatt Russell sat down with me at the Alamo Drafthouse Theatre in Kansas City. Johnson enters the room in full voice, performing a song he literally just wrote. Powell, the most outgoing of the group, sits between the other two, eager to chat. Russell, a former hockey player and the son of Kurt Russell and Goldie Hawn (he has his dad’s eyes) busies himself with his phone. And so we begin:

Mike Smith: What was it like going back in time to 1980?

Glen Powell: It was a transitional time and everything. Clothing. Presidents. Everything was kind of shifting and changing. Our relationship with the world was changing and I think this movies about guys who were shifting from either college to the real world or high school to college. And that shift not only in their world but in the world at large is what the film is about.

Wyatt Russell: So it’s AWESOME! [everyone laughs]. I mean we talked about the clothes and the hair and the music. I think everything was much sexier then I just love that era.

GP: Nowadays we have social media…smart phones… so when you go to parties today everyone has their phone out to show how good time they’re having. But in that era it’s like having a good time with these people right here.

WR: I’m at the Bieber concert!

J. Quinton Johnson

J. QUINTON JOHNSON: I’M AT THE BIEBER CONCERT!!!

[Note: Justin Bieber was in Kansas City the same week as the guys]

GP: And when we’re having a good time, we’re also athletes on the dance floor. Rick [director Richard Linklater] told us that back then athletes were peacockers, in every sense of the word. When I was an athlete, we were almost wallflowers. You go to practice and then you go home and do your thing. I mean these guys are drinking beer. Today it’s much more competitive.

JQJ: You’re not going to be out at the club.

WR: I played hockey. When I played in Europe it wasn’t a problem going out for a few drinks. But when I played in the states it was pretty rigid. Back then it wasn’t for a career you were going to make a lot of money and become a brand and sell a lot of clothes.

GP: Rick also talked about the body type of an athlete back then. Today everyone takes supplements…they’re all almost like Adonis, they’re all shredded. Back then Rick said we would’ve been in what you would call pretty good shape. I mean you are athletes but you just don’t look like one. It’s a different body type now.

MS: Was it easy to film the baseball scenes? I mean you all had participated in athletics before, right? Wyatt, you played hockey…

JQJ: I played basketball.

Glen Powell

GP: I played football. On the set we would have baseball practice every morning. We had a couple guys who had played professional ball. One had played for the A’s, and a couple of played in college. So those guys helped out the guys who might not have had that much baseball experience. We also had to do a skills video as part of our audition. I think Quinton had the most entertaining non-baseball video.

JQJ: I mean I was an athlete. I could catch a ball. I could throw a ball. But I wasn’t a baseball player and Rick knew that instantly. So what I did is I added more flair as an artist. Again I played basketball so I threw a dunk in there. And I kept trying to throw in more as a person. I was juggling. I had a shot of a dog running through the park, set to the tune of Thin Lizzy’s “The Boys are Back in Town.”

GP: I was filming Ride Along 2 so I went to a batting cage and filmed mine. And then I just laid a bunch of 80s music on top of it. Mine wasn’t nearly as fun as yours.

Wyatt Russell

WR: I had like five minutes to do mine because I had a go somewhere. The casting director called me on Friday and said you have to have it in… By 5 o’clock… On Friday. It was a big festival going on and all my friends were out of town. I didn’t even have a baseball glove. So I ended up going to my brother’s house and had him film me using my seven-year-old nephew’s glove.

MS: The film is full of great 80’s music. Did you listen to any particular songs to get into the feel of the era?

GP: Yes. Rick gave each of us and iPod nano with 100 songs from 1979 and 1980 on it. And so were ever we went… whatever we did… we listened to the music. And if we are in his game room playing ping-pong we listened to the music. It was a big part of getting us in tune with the times.

Everybody Wants Some!! is now playing in select cities. For tickets, visit everybodywantssomemovie.com

Film Review “The Boss”

Starring: Melissa McCarthy, Kristen Bell and Peter Dinklage
Directed by: Ben Falcone
Rated: R
Running time: 1 hr 39 mins
Universal
Our Score: 3.5 out of 5 stars

Ever since she broke out with an Oscar nominated performance in the film Bridesmaids, Melissa McCarthy’s film choices have been very hit or miss. She scored big in hits like The Heat and SPY. She missed terribly in Tammy, which she co-wrote with her husband, who also directed. This is their second project together and I’m happy to report it’s no Tammy 2!

When we first meet Michelle Darnell, she is a little girl living in an orphanage who is about to go home with her new family. Sadly, they return her. This happens a few times during her life until she swears that she won’t need a family to make it straight to the top.

Present day we find Michelle (McCarthy) addressing a crowd of 20,000 on her achievements, urging them to follow her lead to a life of wealth and opulence. A combination of Oprah and Susan Powter, Michelle is probably the most famous business-woman in the country, much to the chagrin of Renault (Dinklage), a business rival and former lover. A few calls later and she finds herself in prison, accused of insider trading. When she gets out, broke and destitute, she makes her way to her former assistant Claire’s (Bell) apartment and coerces her way into a place to stay.

Wanting to pull her own weight, Michelle takes Claire’s daughter, Rachel , to a local scout troop meeting and soon has the whole bunch selling brownies quicker than you can say Martha Stewart.

Very funny in certain parts, the film is a combination of McCarthy working with a great cast and a very funny script. Tammy was a collaboration between McCarthy and her husband, actor Ben Falcone. It had some funny moments but it wasn’t FUNNY. This time the couple have added long-time friend Steve Mallory to the list of writers and have found a film that is both funny and works to McCarthy’s strengths. It is a little over the top at times (and a little more “adult” than you might expect) but it’s definitely a film that will make you laugh out loud.

 

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Win Passes to the Kansas City premiere of Richard Linklater’s “Everybody Wants Some”

Media Mikes has teamed up with Paramount Pictures to give 30 readers (and a guest) the chance to be among the first to see the new film by Academy Award nominated director Richard Linklater, “Everybody Want’s Some.” A “spiritual sequel” to his hugely popular film “Dazed and Confused,” the film stars Blake Jenner, Glen Powell and Wyatt Russell.

The screening will be held on Tuesday, April 10, 2016, at the Screenland Armour Theatre in North Kansas City and will begin at 7:30 p.m.

All you have to do is click here http://www.gofobo.com/uPkUO22545 and register. 30 random entries will be selected and will receive a pass for (2) to the screening. Winners will be notified on April 10. Good luck!

Film Review “My Big Fat Greek Wedding 2”

Starring: Nia Vardalos, John Corbett and Michael Constantine
Directed by: Kirk Jones
Rated: PG 13
Running time: 1 hr 34 mins
Universal

Our Score: 3 out of 5 stars

In 2002, “My Big Fat Greek Wedding” came out of nowhere to become one of the most successful, and beloved, romantic comedies of this young century. The film told the story of Toula Portokalos (Vardalos) and her search for love. The film ended with her marrying the very handsome Ian (Corbett) and living happily ever after in the house next door to her parents. 14 years later she’s still there.

If I had to sum up this film in one word it would be “familiar.” With most of the same cast doing a lot of the same things, the film depends a lot on the fact that you have seen the original. If not you won’t understand family patriarch Gus’ penchant for using Windex for everything, or why the hilarious Andrea Martin as Aunt Voula is the film’s comedic highlight. The story, in a nutshell: Toula and Ian have a teenage daughter. Her name is Paris (Elena Kampouris) and like other kids her age she’s looking for someone to go to prom with. School is hard because Ian is the principal. Toula continues to help out at the family restaurant, run by her parents. While Gus appears to be in charge, it is his wife, Maria (Lainie Kazan) that runs things. Proud of his Greek heritage, Gus is convinced that he is a direct descendent of Alexander the Great. In researching his family tree he finds his wedding certificate and notices that the priest that performed the service didn’t sign it. Does this mean he and Maria are not married? I sense a wedding in their future. Perhaps a big, fat Greek one.

If the film has anything going for it it’s the cast. As I said, many of the cast are from the first film and your familiarity with them is a plus. As a big fan of both Lainie Kazan and Michael Constantine, I enjoyed most of the film. As a couple they are perfectly matched, and even when they are fighting it’s easy to see the love. And the film is filled with everything Greek. From John Stamos, who is wasted in a cameo as the local weatherman married to Rita Wilson (who in real life is a full seven-years older than Stamos). The film also features a nice montage with the Billy Idol song “White Wedding” blasting out on a Greek bouzouki! Opa!

 

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Win Tickets to the Kansas City Premiere of “Batman v Superman: Dawn of Justice”

Hey Kansas City! Are you ready for a “Batman v Superman: Dawn of Justice” advance screening giveaway? We have tickets to the Kansas City screening Tuesday, March 22 in IMAX at AMC Barrywoods. To enter for a chance to win, simply go to www.wbtickets.com and enter the code BvSMediaMikes. You have from now until Sunday, March 20 to enter. Five winners will be chosen via a random drawing Monday, March 21. Each winner will receive two tickets. ‪#‎WhoWillWin ‪#‎BvS
Good luck!
SCREENING INFORMATION
“Batman v Superman: Dawn of Justice”
Tuesday, March 22, 2016
7:00 p.m.
AMC Barrywoods, Kansas City, Missouri

Film Review “10 Cloverfield Lane”

Starring: John Goodman, Mary Elizabeth Winstead and John Gallagher, Jr.
Directed by: Dan Trachtenberg
Rated: PG 13
Running time: 1 hr 43 mins
Paramount

Our Score: 3.5 out of 5 stars

It’s happened to all of us.

You have a fight with your significant other, grab a bottle of the good stuff and drive off into the night, unsure of where you’re going. Next thing you know, you’re waking up in a small room chained to your bed. OK, it probably hasn’t happened to a lot of people but it does happen to Michelle (Winstead). Thus begins “10 Cloverfield Lane.”

Less a “member” of the “Cloverfield” family than a straight sequel, “10 Cloverfield Lane” is a tight little film featuring three very strong performances. After some confused moments, Michelle meets Howard (Goodman), who informs her that he pulled her from an auto accident and brought her to his home. Home happens to be an underground bunker, which conspiracy theorist Howard built and filled some time ago with the help of the other person in the bunker, Emmett (Gallagher) a drifter who found work with Howard. Unsure of Howard’s intentions, Michelle tells him that her boyfriend is probably looking for her. “No one is looking for you,” Howard replies. He then goes on to explain that “something” has happened in the world. He suspects an attack, though he can’t be sure if it was the Russians or the Martians. He has plenty of ideas on how to defeat both.

What is intriguing about the story here is that we are never sure what the truth is really. Was there an attack? Is Howard just a nice guy with some weird rules (the table in the kitchen is an heirloom, so coasters and placemats will be used at all times) or is he a kidnapper and, possibly, a murderer? You never really know. Goodman is so reliable in supporting work that you sometimes forget what a fine actor he is. Here he gives a full and fleshed out performance and you can’t help but feel sorry about his station in life. Winstead and Gallagher also have some chemistry, though more friendly than romantic.

A word to the wise; if you go into this film looking for the monsters from J.J. Abrams film “Cloverfield” you may be disappointed. However, if you are in the mood for a small and satisfying thriller, then brave the bunker at “10 Cloverfield Lane.”

Film Review “American Bred”

Starring: Andy Martinez, Jr., Eva Tamargo and Michael Lerner
Directed by: Justin Chambers
Not Rated
Running time: 1 hr 49 mins
Crevice Entertainment

Our Score: 4.5 out of 5 stars

I was recently given an advance look at filmmaker Justin Chamber’s latest film, “American Bred,” which is premiering this Saturday at the D.C. Independent Film Festival.  I greatly enjoyed Chamber’s first feature, 2012’s “Broken Roads,” and am pleased to report that his latest film is an outstanding sophomore achievement. In the city of Detroit, if you need something, you speak to Francis Adamo (Lerner). Together with his wife, Catalina (Tamargo), he has made a life that many envy. The Adamo’s love America. And may God have mercy on those that would try to disparage that love.

A smartly made film that compares in style with “The Departed,” “American Bred” is a classic mob movie with a modern twist. The film is a study in trust – as in who you can and can’t. Loyalty and deception are the calling cards here when an order is given but not carried out and the question “who can you trust” overshadows everything.

The film is smartly written with complex but identifiable characters and smart, believable dialogue. In fact, Chambers screenplay won 1st Place in 2014 in The Writers Place Screenplay Competition. Besides a strong script, Chambers has cast some amazing actors, including Ms. Tamargo and Mr. Lerner. I’ve been a fan of Michael Lerner’s ever since he played Jack Ruby in a television film almost 40 years ago. In films like “Eight Men Out,” “Harlem Nights” and “Barton Fink,” for which he earned an Academy Award nomination, his presence on screen is always powerful. The film works technically as well. The direction is tight and the story moves smoothly, powered by an outstanding musical score by Ian Hughes.