Film Review: “Linda Ronstadt: The Sound of My Voice”

LINDA RONSTADT:  THE SOUND OF MY VOICE
Starring:  Linda Ronstadt, Jackson Browne and JD Souther
Directed by: Rob Epstein and Jeffrey Friedman
Rated:  PG 13
Running time:  1 hr 35 mins
Greenwich Entertainment

Last week when I reviewed the outstanding documentary about David Crosby I noted that I had been very lucky to have met him many years ago at a Vietnam Veteran’s tribute concert.  I bring that up because I also met Linda Ronstadt that day, and she is the subject of the new film “Linda Ronstadt:  The Sound of My Voice.”

As a teenager in the 1970s, Linda Ronstadt’s music comprised a lot of the soundtrack of my life.  And, as a teenage BOY in the 1970s, I had a poster for her “Living in the U.S.A.” album on my wall, giving me a new appreciation for roller skating.  This new documentary takes a look at her life, from childhood through today, giving a very in-depth look at one of the most successful female artists of all time.

She had a very loving upbringing.  Her paternal grandfather was an inventor who gave us such household items as the electric stove and the toaster.  Her mother met her father at college.  Their home was always filled with music, both contemporary and the Mexican music her father enjoyed.  All three (two girls and a boy) loved to sing.  They formed a folk group in the late 60s with little success. Ronstadt met guitarist Bobby Kimmel and they formed the band Stone Poneys.  The band had a hit with their version of Mike Nesmith’s “Different Drum” – still the only song written by a member of the Monkees to hit the Top 10 – and drew much attention.  Unfortunately, that attention was directed at Linda, who received many offers to record as a solo artist.  And she did, releasing hit after hit for many years.

The film is full of great archive footage, including early television appearances on such shows as “Dick Cavett” and “The Johnny Cash Show.”  It also has amazing interviews with pretty much anyone you can think of from the musical scene of the 1970s.  Don Henley and Glenn Frey recount how they were hired to be part of Ronstadt’s road band, only to discover that they had great songwriting chemistry together and leaving to form their own band – the Eagles.  Other female vocalists, like Bonnie Raitt and Emmylou Harris, talk about Ronstadt’s influences on their careers.  If you are a fan of the music of this era, this is a must see movie.

Ronstadt no longer tours, as she is suffering from Parkinson’s Disease, but this film serves as a time capsule of her greatest moments and a reminder of how great music was before auto-tune!

Steven Blum talks about voice work and his role of Zeb in “Star Wars Rebels”

Steven Blum is one of the best in the voice acting business. He has such amazing range working on shows such as “Cowboy Bebop” voicing Spike Spiegel to “Doc McStuffins” voicing Commander Crush to “Avengers: Earth’s Mightiest Heroes” voicing both Red Skull and Wolverine. Recently he is taking on the role of Zeb in “Star Wars Rebels”. Media Mikes had a chance to chat about “Star Wars Rebels” with Steven and his a few of his other voice roles.

Mike Gencarelli: Tell us about how you got the role of Zeb in “Star Wars Rebels”?
Steven Blum: Well, I auditioned for it like everyone else in town. I didn’t even know what it was for when I showed up. They called it a completely different name and edited out any of the information that would have made us know it was “Star Wars”. I didn’t actually know it was what it was until I booked the role. I was in England at the time at a “Transformers” convention when I got the email that I landed the job and I needed to record it there. So I had to find a studio in the middle of the countryside at this guy’s house and started recorded. About 10 minutes into the session, I am looking at the script and I see Stormtroopers in the copy and I said “What a second…this is Star Wars…THIS IS STAR WARS!!” It was a huge surprise. I just didn’t know the scope of this show. I have done “Star Wars” projects before but it was only in the video game context, so to get to work on the franchise on something this big is just an incredible thing. I got to introduce not only a new character but also a new species into the “Star Wars” universe. It was incredible.

MG: Where did the find the voice for him?
SB: We played with it a little bit. (Speaking in character) “It started out in the lower range” and we ended up tried a bunch of different accents. We did Eastern European, Australian and all sorts of different things. We landed on something that is sort of English with other ascents peppered in. It is sort of like a bad English accent [laughs]. I am apologizing to the entire UK for my bad accent [laughs].

MG: You also voice Shoe and Sparky in “The Boxtrolls”, out now.
SB: I am very excited about “The Boxtrolls”. It is an amazing piece and I have been a fan of LAIKA’s work for a long time. I even got to go to the studio and play with the puppets and see how these amazing people have put this film together. Every single bit of this film is hand made. It is phenomenal. They made like 3,000 different faces for this film with magnets on the back so that they can swap them out for each shot. It is uncanny.

MG: Since you have voices hundreds of characters like Spike Spiegel in “Cowboy Bebop” and Wolverine in various projects; if someone asked you to do a voice what is one of the first that comes to your mind?
SB: It depends on what I am working on that day. I always have a million voices going on it my head [laughs]. I need to do this job so I can let them out and not explode. So, it depends on the day. People can usually just point at a character and I can remember their voice and speak it.

MG: You have done a wide mix of villains and heroes; do you have a favorite type of character to voice?
SB: [laughs] It also depends on the day. If I am really pissed off and sitting in traffic, I will let a lot of that energy out. I do love playing the heroes too though. I love working on kid’s shows also now like Disney Junior’s “Doc McStuffins voicing Commander Crush and the two Karate Kangaroos. It has been really fun to work on something that is so child friendly.

 

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Troy Baker talks about video games, voice acting and “Mythos” concert

Troy Baker is one of most well known voice actors in the business. He is known for his roles as Booker DeWitt in “BioShock Infinite”, Joel in “The Last of Us”, Kanji Tatsumi in “Persona 4”, Pain in “Naruto Shippuden”, Hawkeye & Loki in “Avengers Assemble” and The Joker in “Batman: Arkham Origins” and “Batman: Assault on Arkham”. In conjunction with New York Comic Con 2014 and the first annual New York Super Week Festival, Tina Guo will be performing as a guest artist in MYTHOS! A thrilling and unique concert experience, MYTHOS, showcases great music from across the spectrum of modern orchestral genres – inclusive of music from the concert stage, television and film, and video games – featuring the all-star orchestra The Third Estate, conducted by Grammy Award nominee, Austin Wintory, composer of Journey, as well as vocalists from Choral Chameleon.

Mike Gencarelli: Tell us about your involvement with “Mythos” video game concert?
Troy Baker: This counts as a win in my book for social media and for the community of gamers. I was a fan of Journey and especially the music. I reached out to Austin Wintory to compliment him not only on his amazing score but also his subsequent success. That began a long Twitter conversation back and forth about games and how we should collaborate on something musically. Also, competitive cat pictures might have been involved. This happened over at least a year and has culminated into this amazing event.

MG: What do you think that video game music is so important to its fans?
TB: The entire soundscape of a game plays such an integral part in the overall interactive experience. The same is true with movies. Dramatic moments are supported by a musical movement. Games are no different. Everyone can hum the underground tune from Mario Bros, some of us can hum selected themes from Final Fantasy of Metal Gear. What we’ve seen recently is how these thematic musical elements play such a crucial element, almost a character in these games. The main theme and even all the music from The Last of Us is a perfect example of this. Look how much of a role the music in Bioshock Infinite played in the overall experience!

MG: You have voiced many great video games including “Persona 4”, “Diablo III” and upcoming “Batman: Arkham Knight”; what do you enjoy most about video games?
TB: First and foremost I love being a part of making something that I’m going to geek out over later. As a gamer, I get to experience these games on two completely different levels and both are equally magical, first as an actor, then as a player. There’s not too many jobs that can boast that kind of benefit. I love that in the gamespace some no name kid from Texas can be a “leading man” in a huge franchise and maintain some anonymity that allows me to hide behind the character. I always want the role I am playing to take center stage, not me.

MG: Ranging from anime to video games; which is more challenging to work in?
TB: Both have their intrinsic challenges and each job requires a certain skill set. I view myself as a carpenter. I come into every job with my toolbox and I pull out the necessary tool for the job. At it’s root, however, everything I do has a foundation in just being an actor. Sometimes you’ll only use your voice and allow the animators to interpret your performance, others the onus is on you to present that character soup to nuts in your performance.

MG: How was it taking on the role of such an iconic character as The Joker in “Batman: Assault on Arkham”?
TB: In a single word: “humbling”. I grew up on Batman. It was my first comic I ever purchased. I’ve seen everyone from Caesar Romero, Jack Nicholson, Heath Ledger and, of course, Mark Hamill portray that role. To in any way be counted among those people, to have stepped into those shoes in any way, is an honor. I would rush home from school to make sure I caught Batman: The Animated Series on TV. Which to me, changed mover animation and how we tell a story in that medium. That show is unparalleled. To be directed by Andrea Romano was nothing short of a dream come true.

MG: What was the best part of getting to voice both Hawkeye and Loki in “Avengers Assemble”?
TB: The fact that they let me! I was cast as Loki first and really thought I would be recast as soon as I was cast in Avengers Assemble as Hawkeye. I’ve always loved Hawkeye, especially after The Ultimates series, because you got to see him as just a guy. Not a superhero with crazy powers, but just someone who is really REALLY good at what they do and can fight shoulder to shoulder along side a god, a gamma freak and a billionaire in an iron suit.

MG: Tell us about your first solo album “Sitting in the Fire”?
TB: It’s been such a labor of love. Some of these songs have been gestating for almost 10 years, waiting for the right time, right place. We finally found both. Our producer, Johnny What, our engineer and mixer Rob King and I, along with our musicians went up into the mountains of Big Bear, California with almost a half a million dollars in gear and tracked this record in an amazing cabin. It was a truly remarkable experience. Death bed moment for me. I’m proud and excited that the album is finally coming out. It’ll be available on iTunes, Amazon, Google Play and all digital retailers as well as an actual “digital LP” physical copy in select stores October 14th.

E.G. Daily talks about NBC’s “The Voice” and the return of “The Powerpuff Girls”

You might not known E.G. Daily’s face but you definitely know her voice since she has voiced numerous animated characters including Tommy Pickles in “Rugrats”. She is also known for her role of Dottie in “Pee Wee’s Big Adventure”. Besides acting, she is also a singer and was a contestant on season five of NBC’s “The Voice” with Team Blake. Media Mikes had a chance to chat with E.G. about her experience on the show and the return of “The Powerpuff Girls”.

Mike Gencarelli: Tell us about how you decided to audition for NBC’s “The Voice”?
E.G. Daily: I’ve been hosting an online music show called “Balcony TV”, which I got to sing on. After I did a few of them, the same person that contacted me for that told me that she got me an audition for “The Voice”. I didn’t think that they would have me on that show due to my career to date. I went in just for fun and prepared three cover songs. The next thing I know I got a call back. There is a 50,000 people process for this show. So over months and months I kept being called back for the next audition and the next audition and finally I got asked to do the blind audition, which was down to the final 150 people. It was a very incredible process. I don’t know how it happened. I was just doing what I loved and the next thing I know I was singing “Breath” in front of America.

MG: Tell us about the highlight for you on the show?
EGD: I have to say it was singing “Breathe” on my blind audition since that was such a magical moment for me. I went months and months of not knowing anything and putting myself on the line and to actually get a chance to be on a team with these talent artists was amazing. You can see it on my face as well if you watch that performance (see below for video), I was like “Wow, this is crazy”.

MG: How do you feel about the finale results for season 5?
EGD: Tessanne (Chin) was actually my roommate, so I have so much love for her. All of them, I was close with Jacquie and her mother as well. I think Tessanne is such a solid human being, has such a beautiful soul and is such a great singer. I am very happy and proud for her.

MG: Tell us about what we can expect for return of “The Powerpuff Girls” in 2014?
EGD: I can’t say much about it because that it is a special episode and premieres on January 20th. I have done a couple of special things for “The Powerpuff Girls”, but I can’t say what they are besides that it is going to be really cool. The fans are going nutty about it and I think it is going to be really great. This could be the launch of a lot of things for “The Powerpuff Girls” since fans are very hungry for more of that show.

MG: What else do you have planned for 2014?
EGD: I have been in the studio a lot recently. If you look up E.G. Daily on iTunes, there is tons of great music available right now. There is a record I put out there a while back called “Tearing Down the Walls” that is so beautiful. There is a recent video out there called “Somebody’s Loving You”, which is great. I am recording some new songs right now that I will be putting up soon as well. I have a trip planned to the East Coast in the beginning of next year for a personal appearance. I also have a ton of animation like “Julius Jr.” which is coming to Nick Jr. next year. I am have super busy and it has been awesome. So a lot of great things coming up and be sure to check egdaily.com for all upcoming news.

Tommy Reid talks about his new documentary film “Superthief” and “I Know that Voice”

In 1972, Cleveland-based burglar and bank robber Phil Christopher helped pull off the biggest bank robbery in US history when the stole an estimated $30 million from the United California Bank.  Director Tommy Reid has turned the heist into the new documentary film, “Superthief,” which is now out on DVD.

Born in New Jersey, Tommy Reid directed his first film, “7-10 Split,” while attending Ohio State University.  His next film was the brilliant documentary about another Cleveland mobster, “Danny Greene:  The Rise and Fall of the Irishman.”  So interesting was the subject that Reid helped produce a feature film about Greene entitled “Kill the Irishman.”  His next project is the behind the scenes look at voice over actors called “I Know that Voice.”

Earlier this week Reid took time out to talk about his career.  Before the interview we talked some football – he seemed to think my Kansas City Chiefs would do well this year with new Coach Andy Reid (no relation) at the helm.  On the record we talked gangsters, making movies and the possibility of directing his sister, Tara, again (“Sharknado II” anyone?)

Mike Smith:  What drew you to highlight the United California Bank Robbery in “Superthief?”
Tommy Reid:  I went to THE Ohio State University Undergrad and a lot of my buddies in my fraternity were from the Cleveland area.  I’d go up there with them a bunch, usually over holiday weekends and summers.  I really like the Cleveland area.  And I had some buddies that were really into the mafia and they would tell me stories.  I ended up making a movie called “Kill the Irishman,” which was about the Cleveland mafia.  It’s a great movie with Val Kilmer, Christopher Walken, Paul Sorvino, Vincent D’Onofrio…the list goes on and on.  If you haven’t see it please go see it.  (NOTE:  I’d already seen it and like Mr. Reid says, it’s a great movie).  It turns out that the author of the book I optioned to make “Kill the Irishman” was also writing a book about Phil Christopher and the biggest bank robbery in US history.  The story intrigued me and I knew that was a movie right there.   The book was ok but I thought there was a lot of subject matter that needed to be expanded so I wanted to do a documentary on the subject of Phil Christopher alone…to tap into his mind how this all went down.  How did he get his training…how did he get into a career of crime?  And that’s what intrigued me.  It became a passion project.  Phil Christopher agreed to an exclusive interview and he did so with a compliment, as he really loved what I’d done with “Kill the Irishman.”  He felt why not give it a try.

MS:  That kind of answers a little bit of my second question as to why both of your documentaries deal with Cleveland crime figures.  As a filmmaker was that something you enjoyed investigating…true crime?
TR:  Yes I do.  It’s like a “whodunit” type of situation.  You always try to put the pieces together.  For me as a filmmaker I always like to see where the path went wrong…where was the fork in the road where they chose between right and wrong?  Which path did they go down?  And I think I identified that in “Superthief.”  That was the fun part for me.  To go back and look at a crime that had almost become an urban legend and to really tackle the fundamentals on how it all went down.

MS:  You’ve directed both fictional features and documentaries.  Do you have a preference?
TR:  Actually I just finished another documentary.  Documentaries are really fun.  Very fun to make.  Very fun to produce.  But there’s also something that’s really fun with working with actors.  Making a fictional feature film is very fun but very exhausting.  Working with actors is sometimes a little overwhelming.  Not only do they want to look good but they want “their” take.  The get upset at the director if they don’t use “their” take.  Which is why you never let them in the edit bay (laughs).  For the most part they’re both fun but they’re different beasts.   Of course you have a better chance of making a profit for your investors on a fictional feature film then a documentary, unless you’re doing a documentary on Justin Bieber or One Direction or something like that.  (NOTE:  Mr. Reid knows of what he speaks – this past weekend the new documentary concert film featuring One Direction brought in $17 million).  For the most part documentaries don’t really have a big impact on the market place.  They get popular from word of mouth.  From people asking “have you seen this movie” and then telling their friends to go rent it.

MS:  You turned Danny Greene’s story into a fictional feature.  Do you have any plans to do the same with Phil Christophers?
TR:  Absolutely.  We already have a script written and it’s phenomenal.  It was adapted by the writers who have a new show coming up this season on NBC.  It’s called “The Blacklist” with James Spader.  It’s a very well written and thrilling script that we have that we’re trying to raise money for to make into a feature film.

MS:  And you will be directing the film?
TR:  I will.

MS:  You’ve directed your sister, Tara, in the past.  Any plans to work together again?  And how is the relationship on set?
TR:  Tara is very professional on set so it’s always a director/actor relationship.  She took direction well and was very easy to work with, so we didn’t have that brother/sister thing on set.  Thank God.  Right now there’s no plans to work with her in the future but it’s always a possibility.  (NOTE:  Keep those fingers crossed, “Sharknado” fans!)

MS:  Final question – what are you working on next?
TR:  I just finished a movie called “I Know That Voice,” which is all about the biggest voice actors in the industry.  It covers the history of the voice actor, from Mel Blanc, who was “the man of 1,000 voices,” to the biggest stars today.  We also talk to “Simpsons” and “Futurama” creator Matt Groenig,  “Phineas and Ferb” creators Dan and “Swampy” (NOTE:  Dan Povenmire and Jeff “Swampy” Marsh) as well as vocal stars like Hank Azaria, John Di Maggio, Billy West.  Jim Cummings, who’s Winnie the Pooh.  June Foray, who’s 95.  She was the voice of Rocky the Squirrel and is still working today.  We cover everyone.  It’s an amazing movie.  It’s coming out VOD (Video on Demand) in December.  We’re planning on a one-week theatrical debut in Columbus, Ohio in November and hopefully we’ll have the DVD on the market in October.

Meet Pat Carroll, the Voice of Ursula from “The Little Mermaid” at Spooky Empire’s May-Hem!

Who loves Ursula in Disney’s “The Little Mermaid”? Well now you can meet the woman behind the voice, Pat Carroll at Spooky Empire’s May-Hem this May in Orlando, FL! She is also known for playing Shirley Feeney’s mother on the TV series “Laverne & Shirley”. Personally Ursula was and still is one of the baddest baddies in animated films today.

Pat has given her voice in other medium’s such as the “Kingdom Hearts” video game series, the Fantasmic! show at two Disney theme parks, as well as various parades. Fun fact, she also voiced Ursula’s sister Morgana in “The Little Mermaid II: Return to the Sea”.

Besides “The Little Mermaid”, Pat has done a tons of voice-over work including “A Pup Named Scooby Doo”, “A Goofy Movie” and “Pound Puppies”. This is a rare appearance for Pat to get out and meet her fans. So be sure not to miss this opportunity to meet one of the great Disney villains.

 

Kodi Smit-McPhee talks about voicing Norman in “ParaNorman”

Kodi Smit-McPhee is best known for his role in the dark horror film “Let Me In”. Kodi also voices the role of Norman in the stop-motion animated film “ParaNorman”. Media Mikes had a chance to chat with Kodi about this role in the film, the process of doing voice work and what he has planned upcoming.

Mike Gencarelli: Tell us about your experience voicing Norman in “ParaNorman”?
Kodi Smit-McPhee: It was really cool. I have done voice over work before but it was computer generated, a lot quicker and overall very different. I knew about stop-motion before this but when I worked on it, it was completely not what I expected. When I when to Oregon to see Laika studios, I was just blown away at how much passion they have and seeing how much work and patience goes into creating the town and these characters. It really motivated me to do the best that I can really do.

MG: Tell us about the process of recorded your role?
KSM: We knew that there were ten sessions that I had to record and there were a few months in between. I would go in and record the whole script and then send it off to Laika. They would work around my around my voice and then I would go back in and touch up anything we had to do over.

MG: How long did the whole process take?
KSM: It was about two years. I started when I was fourteen and now I am sixteen.

MG: When you recorded the voice were you with any of the other cast?
KSM: Yeah. It was really cool when I got to record my material with someone. Usually since I was typically in this black room when recording solo. When someone came in it helped fill in your imagination a bit and makes those scenes very natural. You can actually interact with someone and react off their energy. It was an awesome experience.

MG: What was your biggest challenge doing voice work?
KSM: I think the biggest challenge was keeping the voice up in that area, since I was getting older at the time. In the Town Hall scene, where he climbs up the side of the building and was yelling at the Witch, it was such an emotional scene. It was very hard to do. To get all of that emotion out through my voice was a challenge but we did get it in the end.

MG: After starring in “Let Me In”, what do you enjoy most about the horror genre?
KSM: I think the cool thing of horror is that as it gets older, people are bringing so much more into it. I think with “ParaNorman” and “Let Me In”, there is the horror aspect and it is fun but there are also these underlining deep stories within them. So you are able to take two things away from it.

MG: What do you have planned next?
KSM: Right after “ParaNorman”, I did “Romeo and Juliet”, which is something totally different. It is with Hailee Steinfeld, Douglas Booth and Paul Giamatti. Then I did a sci-fi film called “The Congress” which is also with Paul Giamatti and Jon Hamm. Right now, I am in New York working on a new film called “A Birder’s Guide to Everything” with Ben Kingsley.

Elizabeth Cook Lends Her Voice to “Squidbillies” This Sunday on Adult Swim

Rusty Cuyler Finds Love in an All-New Episode of Squidbillies

Country Music Singer-Songwriter Elizabeth Cook Guest Stars on Sunday, Oct. 9 at 11:45 p.m. (et/pt)

Bless Rusty’s sweet heart. He’s finally got himself a nice little girlfriend, Tammi, who loves him for who he is, despite his being, well, a squid with severe acne. Watch their teenage love blossom in the next episode of Squidbillies, “Keeping It in the Family Way,” airing Sunday, Oct. 9 at 11:45 p.m. (et/pt) on Adult Swim.

Of course, love is not without its hitches, and the biggest thorn in Rusty’s side is his Dad, Early. Early thinks he has Rusty’s best interests in mind, which usually means he’ll beat him up, shoot him, juice him and exploit him. This time, he butts right into Rusty’s relationship, looking to marry him off AND steal his woman at the same time. How is that possible? Well, these are hillbilly squids we’re talking about.

Now when this episode starts, you’ll notice the theme song has a special twang this week. That’s because country music singer-songwriter and Sirius XM host of Apron Strings Elizabeth Cook is covering the tune. Her signature dulcet voice and perfect country harmonies come through as Early enjoys his chaw in a broke down truck.  Cook also guest stars as the sweet, understanding Tammi. She adores Rusty and resists Early’s advances, but she can’t escape her breeding, and her mama ends up being the reason the romance must end.

Click the link below to see Elizabeth Cook as Tammi heating things up with Rusty:

All Star Voice Cast Lines Up for Animated Family Feature “Escape from Planet Earth”

Brendan Fraser, Sarah Jessica Parker, Jessica Alba, Rob Corddry, James Gandolfini and Craig Robinson Provide The Character Voices In This Fun-Filled Alien Break-Out Tale

NEW YORK, NY August 2, 2011 – The Weinstein Company (TWC) and Rainmaker Entertainment announced today the all-star voice cast for ESCAPE FROM PLANET EARTH which includes Brendan Fraser, Sarah Jessica Parker, Jessica Alba, Rob Corddry, James Gandolfini and Craig Robinson. The 3D animated family comedy is currently in full production.

The announcement was made today by Donna Gigliotti, TWC’s President of Production, and Catherine Winder, President and Executive Producer, Rainmaker Entertainment. Both Gigliotti and Winder serve as producers on the animated feature film.

ESCAPE FROM PLANET EARTH is directed by Cal Brunker, best known for his work on the animated feature films DESPICABLE ME, 9 and HORTON HEARS A WHO! Producers Gigliotti and Winder are joined by Rainmaker’s Luke Carroll as a producer on the film. TWC Co-Chairmen Bob and Harvey Weinstein are executive producers. The film was written by Cal Brunker and Bob Barlen based on an original screenplay by Tony Leech and Cory Edwards.

“ESCAPE FROM PLANET EARTH has got it all… explosions, romance and a cast of hilarious aliens….what more could you ask for?” said Brunker. “We are having a great time making it which is coming across on the screen. It will ultimately provide a ton of fun for both kids and their parents.”

“We’re excited to have such a talented group of actors bringing this action-packed comedic tale to life,” said Gigliotti. “I’m also very pleased to be working with Catherine and the Rainmaker team. Their outstanding artistry, storytelling and techniques in CGI animation add a new dimension to this film and ensure a fun movie going experience for the entire family.”

Winder added, “A successful animated movie starts with an imaginative story and appealing characters. The addition of such high caliber voice talent is a crucial layer to the mix. With the amazing array of talented artists and creatives from both The Weinstein Company and Rainmaker collaborating on this production, we have all the right ingredients to make ESCAPE FROM PLANET EARTH a highly entertaining and successful film.”

The 3D animated family comedy ESCAPE FROM PLANET EARTH catapults movie goers to planet Baab where admired astronaut Scorch Supernova (Brendan Fraser) is a national hero to the blue alien population. A master of daring rescues, Scorch pulls off astonishing feats with the quiet aid of his nerdy, by-the-rules brother, Gary (Rob Corddry), head of mission control at BASA. When BASA’s no-nonsense chief Lena (Jessica Alba) informs the brothers of an SOS from a notoriously dangerous planet, Scorch rejects Gary’s warnings and bounds off for yet another exciting mission. But when Scorch finds himself caught in a fiendish trap set by the evil Shanker (James Gandolfini), it’s up to scrawny, risk-adverse Gary to do the real rescuing. As the interplanetary stakes rise to new heights, Gary is left to save his brother, his planet, his beloved wife Kira (Sarah Jessica Parker) and their adventure hungry son Kip!

A film from The Weinstein Company, ESCAPE FROM PLANET EARTH is produced in association with Rainmaker Entertainment and will be released in the U.S. in 2012.