Linnea Quigley chats about 80’s horror and reflects on her cult classic roles

Linnea Quigley is known best for her scream queen roles in films like Trash from “The Return of the Living Dead” and “Hollywood Chainsaw Hookers”. She is the topic of focus in the new documentary “Screaming in High Heels: The Rise & Fall of the Scream Queen Era” along with Michelle Bauer and Brinke Stevens. Media Mikes had a chance to chat 80’s horror with Linnea and chatted about the dozen projects she has still yet to come.

Mike Gencarelli: Tell us how “Screaming in High Heels: The Rise & Fall of the Scream Queen Era” came about?
Linnea Quigley: It was amazing. I got a call and asked about being in the documentary. They flew me out to Los Angeles. It was Michelle (Bauer), Brinke (Stevens) and I. And I haven’t seen Michelle in forever. It was really great seeing everybody. I really liked Jason. I wasn’t sure it was going to be as big as it has been. It was on Chiller TV. I went to the premiere screening in Chicago. It is just a greatdocumentary. It gives so much information but in a few way.

MG: [laughs] Great. Better obviously than being called pimple face. I was really shy in my school years.
LQ: To be called, it was just amazing. It was just the ultimate honor to hear that. It is something you never think of but always wish for it. A lot of women say it’s degrading but if it happened to them, I am sure they wouldn’t say that [laughs].

MG: Trash from “The Return of the Living Dead” has to be one of the best characters in the genre, can you reflect looking back on the role?
LQ: Oh man, I loved being in that role. I was into the punk rock thing and I was in a band. My character is not like who I am personally, so it was fun to play her. When you are that age, you don’t think anything is every going to happen to you and talk about death. It was fun to play that sort of character.

MG: How long did the make-up take once you turned zombie?
LQ: With all the painting of me and everything, I would say a good six hours. I have had some longer ones as well. The hard part was trying to get that white off afterwards because it had to be waterproof. You can imagine going home at 6am in the morning and nothing gets this off. The producer had me sit in his really nice Jaguar and there is still makeup he still can’t get off this leather seat [laughs]

MG: 1988, brought some of your most unique titles films “Hollywood Chainsaw Hookers” and “Sorority Babes in the Slimeball Bowl-O-Rama”, why do you feel these films are still loved by the fans?
LQ: For some reason, there are just some films that make an impact. They just had all the write qualities. They just came together with the right music and cast. You could’nt ever redo these films. It was just a special time. It was just the type of movie that never gets old.

MG: I always loved the idea of your “Linnea Quigley’s Horror Workout”, how did that comes about?
LQ: We were on the set of “Murder Weapon” and Ken Hall and I just started talking about what a good workout it is to do a horror film. I had to swing this axe over and over again. We just started brainstorming and decided to do it. We got the financing and just did it. We are actually doing to be doing a commentary soon and re-released it on DVD. We have a lot of funny stories just from the two days it took to get it done.

MG: How do you feel about “Silent Night, Deadly Night” getting remade?
LQ: Oh I didn’t know it! I thought it was remade a bunch of times already lol. The second one is like the first one [laughs]. It is news to me though. I hate to say it but they are going to have to come up with something pretty good because that film has been stretched out thin.

MG: How do you feel that the horror genre changed over the years, especially with all the recent remakes?
LQ: The only remake that I have liked is “Piranha 3D”. The “Scream” and “Saw” franchises are all more for the gore factor then a real plot. The first ones are ok but then they just get very unrealistic. There is a huge difference between the “Sleepaway Camp” series and then the “Saw” series.

MG: Did you ever get to keep an our your outfits or props from your films?
LQ: Well, when I first started I never thought there was a need to keep things. I have somethings from “Return of the Living Dead”. I was promised my outfit from “Night of the Demons”, but never came through with it. A lot of the movies I’ve done, we had to supply our own wardrobe so I do have those things. I have an ensemble of clothes to wear. I have the top from The “Horror Workout” still and the G-String from “Hollywood Chainsaw Hookers”. It is kind of funny.

MG: Tell us what you have planned upcoming?
LQ: Yep, “Celluoid Bloodbath: More Prevues from Hell”comes out October 9th. They show trailers and I do little intros. That is really fun to watch to you like the older horror. “Cougar Cult” just got into Redbox. So I got to Redbox everyday and go “Oh…have you think this film” [laughs]. “Caesar and Otto’s Deadly Christmas” is coming out this Fall, it is really fun. Brinke and I are both in it and there are a bunch of great cameos, like Felissa Rose. Also I am suppose to do this movie called “The Trouble with Barry” later this month. I also just did this film where I have three age changes and a monster costume and that is called “Disciples”, which I also co-produced with Joe Hollow. I just did “Demonica”, which your gonna love this…it’s demons on skates. I did a short “Stella Buio”, which is getting really good reviews and going to the festivals. I also did a video for this band Sexcrement that Victor Bonacore directed, it is just so wild. On top of all that I’ve been doing some conventions. So it has been really amazing.

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Noah Wyle reflects on Season Two of TNT’s “Falling Skies”

Noah Wyle is currently playing the role of Tom Mason on TNT’s “Falling Skies”. The series is wrapping up its second season this month, but don’t worry since it has been already renewed for a third season set for Summer 2013. Media Mikes had a chance to chat with Noah again to have his reflect on season two of the show.

Michael Smith: You now have a year under your belt with this character, are you still learning more about the character and finding different ways to perfect him?
Noah Wyle: Yes I sort of feel like I am just getting started you know they aren’t going start with this guy really will extent over three or four years in this slow deconstruction of his intellectual aspects. And his becoming a little bit harder and they’re way having a big of transference with the Weaver character who starts off very militaristic where Tom’s a bit more of a humanist. And then gradually Weaver becomes a lot more vulnerable and a lot more human and Tom gets a lot more practical and a lot harder edged. We sort of continue in that vein hopefully arriving at some sort of synthesis between the two of them as the most effective way of leading this group which isn’t not traditionally military dogmatic style and not exactly touchy feely human but something in between.

MS: Is it a challenge for your trying to act or interact with skitters or any other computer generated elements in the show that aren’t there with you on the set?
NW: I hadn’t done a lot of that kind of work up until this show but it’s a muscle that the more you exercise the better at it you get. And it’s kind of 50 50 between the screen and practical we do a lot of work hack into tennis balls on the end of sticks. But then we also have a really talented puppeteer and a really great skitter suit, for the close up personal interactions with the aliens. I would say the most difficult part is when you’ve got four or five actors in the same frame all having to react to the same thing that’s not there, trying to find a line of continuity and performance can be tricky.

MS: What continues to be the most challenging aspect to you for the series for your character?
NW: It’s kind of an aggregate thing. It’s a tough show to do most of it, it takes place at night, so you go to work around 12 in the afternoon and you work till 5 in the morning. And because we wanted this year to be less focused on any single location have the group be a lot more mobile, it made for some long wet nights as were shooting in mostly practical locations and exteriors.

MS: How did the second season differ for you, compared to the first?
NW: No there were some significant differences, you know we moved the production from Toronto, Canada to Vancouver, so we had allnew crew for the most part, we only had two or three people on staff that were there in season one. We had almost a brand new writing staff certainly a new show runner, so it wasn’t like we were building on internal momentum, we sort of had to start and get to know each other all over again which gave it a different era, just sort of ambiently. And then storytelling wise I thought we really stepped up the notch you know not having to dedicate so much of our screen time to exposition, establishing the world, establishing the characters. Allowed us a little bit more freedom to be creative in flushing out these character arcs and exploring the mythology of the aliens and why they’re here and who they are and how we’d radically misunderstood the situation in season one.

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Michael Cassidy reflects on the first season of TBS’ “Men at Work”

Michael Cassidy recently co-starred as Tyler in TBS’ hit new comedy series “Men at Work”.  The show is already in production for it’s second season.  Media Mikes had a chance to chat with Michael about the first season and what he enjoyed most.

Mike Gencarelli: Tell us what you enjoyed most about playing Tyler in “Men at Work”?
Michael Cassidy: Getting to see some of Tyler’s specific preferences was really fun. When we did the pilot I didn’t know that he was going to have his own thing. The toilet episode was a lot of fun as were some of the more recent episodes. All the things that Tyler has going on are just so much fun to watch come out. Everyone on the show has enjoys making fun of me and the character.

MG: How was it working in front of a studio audience?
MC: That was definitely a favorite of mine as an actor. We have such great audiences and I don’t know if you can really have a bad audience in that type of set up. Things have been great. I did theater in the past so this was comfortable for me. It was familiar without being boring. To work on a show all week and then perform it in front of a live audience all the while not knowing how it will be received is very rewarding. It’s phenomenal.

MG: What has been a highlight for you from season 1?
MC: My two favorite episodes where the toilet episode, where Milo moves in with Tyler and also the last episode of the season. We shot so much for that last show in front of an audience. A

lot of times there are scenes that need to be pre-shot as they just can’t be done in front of a crowd. We were able to shoot so much in front of the audience on that last episode and it was all very well received. We were shocked how well the song title being played in front of the audience went over. The audience was dying on that stuff.

MG: In the episode “Decath-Lynn”, how did you not die laughing with the meeting song titles?
MC: We rehearse the scenes for about a week. By the time we are in front of the audience our professionalism takes over and we start wondering how the scene will play. Throwing something out and waiting for the audience to react is just so fun. Sometimes you do get new stuff that hasn’t been rehearsed. That stuff tends to go off like a grenade. We will hold it together while the audience laughs and then we just crack up. That’s really my favorite part of the whole deal.

MG: Were there any guest stars from this season that you were really excited to work with?
MC: I couldn’t wait to work with JK Simmons as I wanted to ask him about working with the Cohen brothers. I also loved working with Billy Baldwin. He had never done multi-camera stuff in front of an audience before so he was super stoked to be there. He was really great to talk with and once he got in front of the audience he just blew up.

MG: How does your work on this show compare to some of your previous work?
MC: This show is a different demographic. It’s definitely a male skewing show. I have never done a show like this. The other shows I have done were slightly more favoring women. I am sort of playing more of an adult on this show. I am a young professional. It’s nice playing a character that has a job. (Laughs)

MG: When does production start on season 2?
MC: We are currently in production already. We don’t know when it’s going to air but what we have heard is it will be sometime in 2013. For now I guess we will shoot a bunch of episodes and just wait and see.

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Dan Lauria talks up TBS’ “Sullivan & Son” & reflects on “The Wonder Years”

Dan Lauria is best known for playing the father, Jack, on “The Wonder Years”.  He is also a stage play veteran, which is how he got involved with the new show on TBS called “Sullivan & Son”, which is executive produced by Vince Vaughn and Peter Billingsley.  Dan is playing the lead role of Jack Sullivan on the show.  Media Mikes had a chance to chat with Dan about the show and what we can expect from the first season.

Mike Gencarelli: How did you get involved with the show “Sullivan & Son”?
Dan Lauria: Last year, I was doing “Lombardi” on Broadway.  Vince Vaugh and Peter Billingsly came to see the show. They are the producers of “Sullivan & Son”. So they actually offered me another role but I didn’t think I was right for it. He respected that but then called back two days later and asked me to play Sullivan for twice the money. My agent actually said “Yes” before calling me and said “If you don’t take it I’ll kill ya!” [laughs].

MG: So Dan tell me the truth were you only interested “Sullivan & Son” to play a character named Jack again?
DL: [laughs] Yeah another father named Jack. Unlike “The Wonder Years”, this father laughs all the time. Thank God, because I can’t keep a straight face with these guys on the show. There is no way to keep it serious on this show. You can walk it with tears in your eyes saying your dog just got run over and there will be 10 minutes of dead dog jokes till you are laughing.

MG: Give us a little background on Jack Sullivan?
DL: The whole show is based on Steve Bryne’s humor. He is half Irish and half Korean. So Jodi Long and I play his parents. I am like the lovable guy, definitely not like “The Wonder Years”. Jodi, well she is the bar Nazi [laughs]. Jodi is so unlike the character she is playing. She’ll come up with the most clueless lines and Steve will just burst out laughing. You want that in a show. You want everyone loose.

MG: After being on “The Wonder Years” for many years, how it returning to a starring role on TV again?
DL: This is a much easier job than “The Wonder Years”. This is four cameras and live in front of an audience. The schedule is pretty much the same every week. Unlike “The Wonder Years”, it was not only long hours but whenever you saw a close up of me or Alley Mills talking to the kids…they weren’t there. They were at school. We were talking to X’s on a chair. So this job, I feel like I am robbing the bank. I feel like I feel asleep next to a slot machine.

MG: Having such a theater background, you must love that it is shot in from of a live audience?
DL: For me it much easier especially since I am stage veteran. I have done a lot of plays and I love a live audience. For me the best audience is the first day we block it for the cameras. They crew guys have been around for a long time and when you can make them laugh, you know you got something. I am trying to be neutral about it and trying to have that actors attitude of never want to get too high or too low. But boy, the way the crew has been reacting, it is hard for me not to have high expectations.

MG: Why do you think will draw viewers into this new comedy?
DL: Our showrunner is Rob Long, who was with “Cheers” forever. Our show is “Cheers” meets “Archie Bunker’s Place”. We are more blue collar. I think we are going to connect with audiences because everyone has a bar like this in their neighborhood. It is the old corner bar that is going through the change since it was all Irish and now mixed. We got Brian Doyle-Murray, who is great as the old bigot. Then we have Christine Ebersole, who is a two-time Tony award winner. They we have they young stand-up’s like Roy Wood, Ahmed Ahmed and Owen Benjamin. They are just terrifc. Christine plays Owen’s mom. In one episode, they try and do a mother-son lounge act. They do all these sexy songs and it is the most perverted show I’ve ever seen [laughs]. It is absolutely hysterical.

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Linda Harrison reflects on her role in 1968’s “Planet of the Apes”

I recently had the privilege of sitting down with actress Linda Harrison. Ms. Harrison is best known in the Pop Culture world for her work in the first two Planet of the Apes films as well as Ron Howard’s Cocoon and its sequel. She is also a fountain of behind-the-scenes knowledge thanks to her marriage to Oscar-winning producer Richard Zanuck. Ms. Harrison was also originally slated to play the role of the police chief’s wife in Jaws. As Mr. Zanuck relates on the extended behind-the-scenes version found on the Jaws boxed laser disc set, Ms. Harrison was offered the role. However, Universal Studios president Sid Shienberg had offered the part to his wife, actress Lorraine Gary. According to Mr. Zanuck, to smooth things out, Shienberg picked up the telephone and called the producer of the upcoming film Airport 1975, William Frye. “Bill,” Shienberg said, “you’ve got another passenger on your airplane.”

Born in Maryland, Ms. Harrison was the first runner-up in the 1965 Miss USA pageant. In November of that year, she signed a seven year deal with 20th Century Fox. Her television debut came in back-to-back episodes of Batman in 1966. She was then cast as Nova in Planet of the Apes and its sequel, Beneath the Planet of the Apes. She has also appeared in the above-mentioned Airport 1975 (she is billed as “Augusta Summerland”), Cocoon, Cocoon: the Return, and had a cameo in Tim Burton’s updated version of Planet of the Apes.

Now divorced from Zanuck, she is the proud mother of two sons, Harrison Zanuck and DeanZanuck, who both work in the film industry. Interested fans are encouraged to check out her web site, www.LindaHarrison.com. Still as strikingly beautiful in person, Ms. Harrison sat down with me at the recent Planet Comicon in Kansas City.

Mike Smith: It’s been our four decades since the original Planet of the Apes was released. Did you ever think while filming that you were creating something that would be, and still is, regarded as a true classic?
Linda Harrison: I think somewhere in my mind I may have thought that. I saw it as an unusual film and went on from there to do other things.

MS: Including the recent Apes film, in which both you and Charlton Heston have a cameo, you’ve appeared in 6 major films. Heston is in 4 of them. Coincidence?
LH: I know. It’s just incredible how much I’ve worked with him. Things just seem to fall that way.

MS: If Beneath the Planet of the Apes had ended on a happy note, with everyone alive, who do you think Nova would have ended up with: Taylor (Heston) or Brent (James Franciscus)?
LH: Taylor! (laughs) No hesitation!

MS: Are there any outtakes of you laughing hysterically when Heston goes into his “you maniacs!” speech at the end of Planet of the Apes?
LH: (laughs) No, I don’t think I laughed hysterically. It was a pretty, I won’t say somber set, but we were dealing in new territory that had never been done on film. So everybody was really at attention, wondering what the next shot was going to be. It was pretty unusual to be sitting there with apes!

MS: My favorite film is Jaws. I was so taken by the film and the performances that I ended up starting Roy Scheider’s official fan club and helped run Richard Dreyfuss’s. Had Sid Sheinberg not outranked Dick Zanuck, you would have been bombarded with mail from me YEARS ago! Did you know from reading the script that Jaws wasgoing to be special?
LH: I remember when Dick was reading the galleys (which is basically the book before it’s published) that he had a really great instinct that this would be a great picture. He knew it would be tough trying to make a 25 foot shark, but he pulled it off. It’s that really classic horror film that still surprises and scares you (mimics a shriek) when you’re not expecting it.

MS: Please tell me that had you done Jaws you would have passed on Jaws: the Revenge?
LH: Oh, sure!

MS: So, what are you doing now?
LH: Actually I’m now what they call a convention celebrity. I try to do one show a month, some do more. I’m also concentrating on my web site.

MS: Are the fans very receptive?
LH: Very. More then I ever imagined.

 

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Jaleel White reflects on “Dancing with the Stars” & Syfy’s “Total Blackout”

Jaleel White recently competed on season 14 “Dancing with the Stars”. He also hosted Syfy’s new reality game show “Total Blackout”. Media Mikes had a chance to catch up with Jaleel again in order to reflect on his experiences with “Dancing with the Stars” & Syfy’s “Total Blackout”.

Mike Gencarelli: Can you reflect back on your work on “Dancing with the Stars”?
Jaleel White: The last eleven weeks have been unlike anything I have ever experienced in my career. It’s been hard on the body and very chaotic. People also ask me “Was it fun?” and I tell them “If you ran two marathon’s back-to-back, would you consider that fun” [laughs]. That is how I feel about “Dancing with the Stars”, I have survived some pretty awesome shit. I didn’t fall on my ass out there. Everywhere I go people said they were happy to see my dances and that makes me proud. The training was a lot but it was all necessary. My highlight was the cha-cha week, I knew it wasn’t going to get much better than that.

MG: Do you think that the judges where too hard on you throughout the show?
JW: Look, I am so proud of what I survived. I don’t want to be negative, especially because of how proud I am. Also nobody has ever met the five secret men that handle the fans votes. Since no one has ever met them I will not let it get to me [laughs]. After about week three, I stopped caring about the score to be honest.

MG: Any chance of you coming back for season 15 this Fall for the All-Stars season?
JW: I haven’t been approached or anything. I know the competition was tough enough. I do not know how being elimated in the seventh week makes me an all-star but I learned never to say never.

MG: Are you excited with the success of “Total Blackout”?
JW: I am very happy with that way that “Total Blackout” came out. It is very rare that I can say that about something I had so little to do with in the post-production phases. We have been able to build on the ratings week-to-week, so its been great for us.

MG: I got to tell you my sister ordered Syfy just so that she could watch your show.
JW: [laughs]. You gotta write that in your article. I can’t say anything as cool as that.

MG: Any word about a second season for “Total Blackout”?
JW: No word just yet. I have not been in the game show business for too long but I pick up on things quickly. My only concern about the show is that I know contestants get smarter. Even though the lights are off, we will have contestants that will have seen the show and once they know what game they are playing will go back to a mental picture. So they are really going to have to work hard to stay away from contestants looking to outsmart the show and also to keep the show fresh and moving forward.

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Sam Witwer talks SyFy’s “Being Human” & voicing Darth Maul in “Star Wars: The Clone Wars”

Sam Witwer is the star of Syfy’s Being Human, which just concluded its second season.  Sam also recently voiced Darth Maul on “Star Wars: The Clone Wars”.  Media Mikes had a chance to chat with Sam about playing Aiden on “Being Human” and Darth Maul on “Star Wars: The Clone Wars”.

Mike Gencarelli: What seems to be with your character and the women on the show?
Sam Witwer: Don’t date Aidan! [laughs] That’s what it’s about. If you are smart you won’t date this guy. He is dead and death kind of follows him everywhere. It’s too dangerous to be around him.

MG: What was it like working with Dichen Lachman on the show?
SW: Aiden had this strong emotional attachment to Dichen’s character Suren way back in the day. It didn’t really survive the decades. It wasn’t a good relationship. I think that Aiden is relieved in some ways but at the same time he didn’t want anything to happen to her. He has been looking for some solid ground but comes across the wrong solid ground.

MG: What was your biggest challenge playing the character this season?
SW: I think trying to maintain the sense that this guy is real. The stuff written was very dark and vampire like. I did my best to kind of fight against that as I don’t think people want to see Aiden sitting there saying a bunch of weird vampire stuff. I tried to bring as much realness as I could to the role this season.

MG: What was your favorite episode from season 2?
SW: I really enjoyed episode 10. That is the one where Sally is sort of stuck in her own head. I loved that situation and the range of that episode.

MG: Can you reflect some on the season 2 finale?
SW: I think that we are going to see a lot of changes. I think the effort that we make is to make each season different. I think you will see the roommates spending a lot more time together in season 3.

MG: Can you tell us about voicing Darth Maul in “Star Wars: The Clone Wars”?
SW: It was awesome! And it continues to be awesome. I was worried about getting the roll and thrilled when I did finally get it. It was a huge challenge. We were trying to reinvent this character. He originally only had two lines so we knew there had to be more to him than that. You still have yet to see who this guy is. As we start to see him in season 5 we see there is more to him and he is a much smoother and dangerous than we originally thought. He was trained to be much more than just a great fighter. The experience is great. I love playing the mad side of Darth Maul. You get to see the face of the dark side.

MG: How has it been juggling both the role of Darth Maul and Aiden?
SW: “Clone Wars” has been very reasonable with my schedule. There is no real conflict. They have been great.

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Filed Under: TV Interviews Tagged With: reflects, sam, season, witwer
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