Film Review: “Going in Style”

Starring: Alan Arkin, Michael Caine and Morgan Freeman
Directed by: Zach Braff
Rated: PG-13
Running time: 1 hr 36 mins
New Line Cinema

Our Score: 3.5 out of 5 Stars

It’s funny how things come back around in Hollywood. I’ve heard it said that there are only five original ideas at any one time in Tinsel Town, which is why there seem to be so many remakes. I’m curious how many people remember the original “Going in Style,” which came out in 1979 and starred two Oscar winners (Art Carney and George Burns) and Al Pacino’s acting teacher, the great Lee Strasberg. I certainly do. Almost four decades later, three Oscar winners (and a couple of nominees) bring the story to the 21st Century.

Al (Arkin), Joe (Caine) and Willie (Freeman) are three elderly gentlemen living quietly on their pensions. Or so they think. After another company buys their old employer, they move the work out of the country, thereby legally defunding the pension accounts of the three men and hundreds others. As if that’s not bad enough, each is going through their own crisis. Al is getting cranky and set in his ways while Willie is in need of a kidney. Joe finds himself facing the fact that he may lose his house when his finance rate triples overnight. While protesting this to the bank manager Joe finds himself caught in the middle of a bank robbery. Amazed at the skill and precision of the robbers – and the fact that they made off with $1.2 million, Joe gets an idea…

An entertaining comedy that leans on the talent of its stars, “Going in Style” is a fun way to kill 90 minutes in a darkened theatre. With a total of 15 Academy Award nominations – and four Oscars – between them, Arkin, Caine and Freeman blend perfectly as three friends who have known each other for decades. Their comfort with each other is obvious, and you can’t help but believe that they are fine friends off camera as well. Throw in a few more nominations with co-stars Ann-Margaret as Arkin’s possible love interest and Matt Dillon as the FBI man in charge of the investigation. They laughs aren’t outrageous, but they’re there, which is always a plus. Another plus is that Ann-Margaret looks the same today at 75 then she did at 25!

If you’re looking for a few laughs this weekend, may I suggest you go in style to see “Going in Style.”

Win Passes to the 2017 Kansas City Planet Comicon

The wait is almost over. This years Kansas City Planet Comicon, by far the BEST convention in the Midwest, opens on April 28 and runs through the 30. And, once again, Media Mikes wants to send some of it’s readers to the show on us.

Courtesy of the gang at Planet Comicon, we’ve arranged to award four random readers with two three-day passes to this years event. That’s right, an entire weekend to satisfy your film, television, comic book and cosplay itch.

All you have to do is let us know below what celebrity/artist you would like to see at a future con. Four random entries will be selected and they will receive two three-day passes to attend Planet Comicon.

This contest runs through Tuesday, April 25. Winners will be chosen randomly and notified by email.

Good luck!

For more information on Planet Comicon, head here.

 

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Stage Review: “Beautiful – The Carole King Musical” – Kansas City

“Beautiful – The Carole King Musical”
The Music Hall, Kansas City, Missouri
March 28, 2017

Our Score: 5 out of 5 Stars

What can I tell you about Carole King that you probably don’t already know? Her 1971 album “Tapestry” has sold over 25 million copies, making it one of the most successful albums of all time. It earned four Grammy Awards, was the second highest selling album of 1971 (behind “Jesus Christ Superstar”) and spent an amazing 313 weeks on the Billboard charts, second only to Pink Floyd’s “Dark Side of the Moon.” But what was Carole King like before she became CAROLE KING?

When we meet Carole Klein (Julia Knitel) she is 16 and writing songs on the living room piano. Her mother wants her to be a teacher but she allows Carole to take her latest composition into New York City to try and sell. There she meets music publisher Don Kirshner (James Clow) who likes the song and buys it. Having skipped two grades in high school, Carole is a freshman in college and it is here that she meets Gerry Goffin (Liam Tobin), who dabbles in writing song lyrics. Soon the two are a couple, both personally and professionally. They compete with fellow songwriters Cynthia Weil (Erika Olsen) and Barry Mann (Ben Fankhauser). From the beginnings of rock and roll through the fabulous 60s they created some of the greatest music of all time, and “Beautiful” captures those songs perfectly.

You can have great music but if the cast is not up to snuff it doesn’t matter. If you don’t believe me, you should have been with me at a performance of “Les Miserables” where the little boy playing Gavroche was so bad that I actually applauded when he was shot. But this isn’t a problem here. Ms. Knitel is spot-on perfect as King. She plays her like the young, innocent woman she was, gradually growing more and more as her life takes various turns. Vocally she is amazing, belting out song after song with a voice that could easily hit the back row of the balcony without a microphone. Tobin and Fankhauser play Goffin and Mann with quiet vulnerabilities, especially when things do not seem to be going their way. Ms. Olsen is a firecracker on stage while James Clow does his best to keep things together, adding humor and emotion to a character many of us think we know but clearly don’t. (You can read my interview with Mr. Clow here)

Couple these performances with such classic songs as “So Far Away,” “Will You Love Me Tomorrow,” Up on the Roof,” “Pleasant Valley Sunday,” and over 20 more and you have a genuine toe-tapping musical that the audience can – and does – sing along to.

“Beautiful – The Carole King Musical” continues in Kansas City through April 2. For tickets go here.

Additional stops on the tour:
April 4-9 in Omaha, Nebraska
April 12-16 in Schenactady, New York
April 18-23 in Syracuse, New York
April 21-30 in Richmond, Virginia

 

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Film Review: “Wilson”

Starring: Woody Harrelson, Laura Dern and Judy Greer
Directed by: Craig Johnson
Rated: R
Running time: 1 hr 34 mins
Fox Searchlight

Our Score: 3 out of 5 Stars

First off let me inform you that this is NOT the movie we’ve all been waiting for detailing what happened to Tom Hank’s volleyball buddy in “Castaway.” And no, I don’t think I’m the only one who was upset when I learned the news.

Everybody knows a Wilson (Harrelson). He iust goes along with his life until it’s time to do something with it. His choice is to make amends with his ex-wife, Pippy (Dern). Imagine his surprise when he discovers that, instead of being fat and frumpy, Pippy is actually quite beautiful. Beginning to believe that his luck may be changing, Wilson learns that Pippy never had the abortion she left home to have. Instead she had a baby girl and gave it up for adoption. Wilson is amazed. He has a daughter!

Carried along by a brilliant performance by Woody Harrelson, “Wilson” is based on the very dark graphic novel by Daniel Clowes. Wilson is set in his ways and can’t understand why complete strangers refuse his friendly conversation starting. As he and Pippy begin to reconcile they decide to “find” the daughter they gave up 16 years ago, which has mixed results.

If you’re looking for a quirky comedy to help your day go by, feel free to spend some time with “Wilson.”

 

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Film Review: “Kong: Skull Island”

Starring: Tom Hiddleston, Brie Larson and John C. Reilly
Directed by: Jordan Vogt-Roberts
Rated: PG-13
Running time: 2 hrs
Warner Bros

Our Score: 3.5 out of 5 Stars

There are two funny stories attributed to the late producer Dino De Laurentiis, who produced the 1976 remake of “King Kong.” The first is that, every time his film was compared with “Jaws” he would comment on how “nobody cry when the Jaws die”…and that audiences would be weeping at the end of his film. The other is when he first met producer John Peters, who was not only dating Barbra Streisand at the time but had produced her film “A Star Is Born.” Both movies opened on December 17, 1976 and Peters congratulated Dino on “Kong” out grossing “A Star Is Born.” “I’m not surprised,” De Laurentiis is said to have commented. “My monkey can act!”

1973. As the war in Vietnam winds down, a group of soldiers, led by Colonel Packard (Samuel L. Jackson) is chosen to accompany a group to a recently discovered island on a trip funded by the United States government. Finding the island surrounded by horrible weather and storms, the group takes a few helicopters out to make the journey from ship to land. On the way they encounter a big problem. A problem named Kong.

Though it seems like the big ape has been around forever, this is only the eighth film to feature him and the first since Peter Jackson’s remake of the original 1931 classic over a decade ago. Some people didn’t like Jackson’s version but I thought it was well made and really made Kong a sympathetic character. The same holds true here. We learn that Kong is really less of a bully and more of a protector of the indigenous people living on Skull Island. There are lots of creatures roaming around, from lizard-like monsters to giant octopi. But nothing is as big of a threat to the big beast than Colonel Packard, who takes Kong’s protective attack on his choppers as a declaration of war.

Though you really don’t go to a movie like this to see the actors, the cast here is quite good, including a rather dashing looking Hiddleston, strong-willed photographer Larson and World War II vet Reilly, who is truly the heart of the film. Reilly’s former soldier has been on the island since the end of World War II and it’s fun to watch him learn about the world ahead of him while he tries to save the one he’s involved in. Ironically the weakest part of the cast is Jackson, who here plays…Samuel L. Jackson. Clever comments, like “bitch, please” roll from his lips as he continues to plan Kong’s demise. And while Kong isn’t all over the film he appears enough to remind you who’s King. The action is intense and the special effects are well done.

What’s next? Stay through the end credits and find out!

Film Review: “Before I Fall”

Starring: Zoey Deutch, Halston Sage and Cynthy Wu
Directed by: Ry Russo-Young
Rated: PG-13
Running time: 1 hr 39 mins
Open Road Films

Our Score: 0.5 out of 5 Stars

It was less than a month ago when, commenting on seeing the worse film of 2017, I included the following in my review of “The Space Between Us:”

“Thankfully I think I’ve found my winner for 2017 so the next 11 months of movie-going should be enjoyable for me.”

To the cast and crew of “The Space Between Us” I extend my sincere apologies.

I can sum this film up in one sentence: Imagine if a group of people got together and decided to make the worse movie possible based on the premise of the film “Groundhog’s Day.”

We meet moody teenager Samantha (Deutch) as she is awakened by a text that reads “Happy Cupid’s Day.” She is greeted repeatedly with this comment, often followed by, “or as you call it, Valentine’s Day.” Which would be nice if the date on the phone didn’t clearly read February 12. Oops. Anyway, she heads to school with her three idiot friends – I had so little interest in them that I didn’t even make the effort to look up their names – who are obviously the “cool” girls of the school. Tonight is the big night because Samantha is going to have sex with the dreamy Rob. Sam gets a rose from a classmate but ignores it. She spends her lunch hour picking on the “weird” girl then finds herself at a party. Finding Rob disappointing she leaves the party with her gal pals. Then she dies. Or does she?

I’ll have to admit that for the first few minutes of the film I thought it might be interesting. I was reminded of the film “Carrie” when I noticed the quartet of girls were very similar to the leads in that 1976 film. Sam is Sue Snell, the good girl played by Amy Irving. She is surrounded by girls similar in character to the ones played by Nancy Allen, P.J. Soles and Edie McClurg. Make the “weird” girl Carrie and you’re set. Sadly, the film and its makers are not that clever. “Before I Fall” is a film that is so bad it’s almost insulting to the audience. So many teen movie tropes fill the screen that you almost have to brush them away to see what’s happening. The acting is wooden and the laughs are almost non-existent. Except to the three ladies who sat behind me who guffawed as if they had just walked into a comedy club with Robin Williams on stage every time one of the gals hands Sam a condom and comments “no glove, no love.” HA-HA-HA!

Time after time the condom is exchanged, things happen and Sam dies. It gets to the point where, as soon as the “new” day begins you’re hoping Sam will just die in bed. I haven’t been so anxious to see a character die on screen since I rooted against the shark in “Jaws.”

Damn it, Mike, isn’t there ANYTHING positive you can say about this film? Yes there is. I was impressed with Elena Kampouris, who plays the “weird” Juliette. Both she, and her character, deserved a better fate then this film.

Win Passes to the 3D Kansas City Advanced of “Beauty and the Beast” (CONTEST CLOSED)

It’s a tale as old as time. Media Mikes has teamed up with Walt Disney Pictures to invite you to “be our guest” at the Kansas City-area advanced screening of one of the most anticipated films of the year, “Beauty and the Beast.”

We are giving five random readers a chance to win a Family Four Pack of tickets to attend the special 3-D screening on Tuesday, March 14, 2017. The screening will begin at 7:00 p.m. All you have to do is let us know below your favorite “Disney” song. Is it something from the “Lion King?” “Let it Go” from “Frozen?” Or something catchy from “Mary Poppins?”

Five random winners will be chosen from all entries and they will be notified by email. The contest ends at noon on Sunday, March 12. Good luck!

Film Review: “A United Kingdom”

Starring: David Oyelowo, Rosamund Pike and Jack Davenport
Directed by: Amma Assante
Rated: PG-13
Running time: 1 hr 51 mins
Fox Searchlight

Our Score: 4 out of 5 Stars

London. 1947. Finishing up his college education is Seretse Khama (Oyelowo), who will soon return to his African country of Bechuanaland (now Botswana) and become King. But before he can board the boat home he meets Ruth (Pike) at a student mixer. The two fall in love but soon realize there may be a problem. You see Seretse is black. Ruth is white. And if “To Sir, With Love” taught me anything, it’s that this combination of people is not very popular in England. But any problems they face in Britain (Ruth’s father shuns her, idiots on the street call them names) are tame compared to when they travel to Africa.

Like last year’s film, “Loving,” which dealt with interracial marriage in the States, “A United Kingdom” rises above other films dealing with the same subject thanks to the performances of the film’s stars. Oyelowo and Pike are both excellent actors and the pair carry this film on their shoulders. Extra credit to Oyelowo who must be firm and tender, often at the same time. Ruth is shocked to learn that, even in a country ruled by a black man, that there are “white only” facilities, including the local hotel. Seretse explains that because he is King he has a special dispensation that allows him to use the front door.

Of course things do not go well in Africa, as Seretse’s uncle, currently in charge, does not agree with his choice of bride. Not so much because she is white, but because he has neglected to understand how important it is and would be for a local woman to ascend to Queen through marriage. Things are further complicated by the fact that Bechuanaland borders South Africa, where the ugly head of apartheid is beginning to rear itself, upsetting the good British government which relies on South Africa for things like gold.

As the film progresses it does begin to drag a little bit, but the cast, both main and supporting, manage to create a strong story flow as far as pacing. And I have to say, there is nothing like watching a film about Africa that eventually gives us a shot of the countryside from an air plane and you see one, single giraffe romping across the plains by itself. Like the giraffe, Oyelowo is both regal and strong and, as this is Oscar weekend, his is a performance likely to be recognized next year.

Behind the Screen – Please, Oscar Winners, Check Your Politics at the Door

The day is April 3, 1978. At the 50th Annual Academy Awards, held that evening, “Star Wars” will be given seven Oscars. Steven Spielberg will receive his first Oscar nomination. “The Turning Point” will set a record, later tied by Spielberg’s “The Color Purple,” by earning 11 nominations and winning nothing. And “Annie Hall” will be named the year’s Best Picture.

But the image that stands in my mind is of the great writer Paddy Chayefsky coming to the podium to present the Screenplay awards. Earlier in the evening actress Vanessa Redgrave had received the Oscar for Best Supporting Actress for her role in “Julia.” Outside the Dorothy Chandler Pavilion, where the award ceremony was being held, members of the Jewish Defense League had picketed the awards due to the fact that Redgrave had narrated the pro-Palestine documentary “The Palestinians.” When Redgrave gave her acceptance speech, she thank the usual people: family, co-stars, director. She then thanked her fellow Academy members for not being phased by “the Zionist hoodlums” they encountered outside. She finished her speech to boos from the audience.

Looking perturbed, Chayefsky stood at the microphone and said the following, “Before I get on to the writing awards, there’s a little matter I’d like to tidy up–at least if I expect to live with myself tomorrow morning. I would like to say, personal opinion, of course, that I’m sick and tired of people exploiting the occasion of the Academy Awards for the propagation of their own personal political propaganda.” As the audience applauded he paused, then continued. “I would like to suggest to Miss Redgrave that her winning an Academy Award is not a pivotal moment in history, does not require a proclamation, and a simple ‘thank you’ would have sufficed.”

And THAT, dear readers, is what I’m looking forward to coming this Sunday night. Award shows are a way to escape from the day to day grind the world holds for us. To sit with friends and try to win the Oscar pool. NOT to hear whose a lousy President or why global warming is coming to kill us. Do you know who I voted for in the presidential election? No you don’t. Do you know why? Because it’s none of your business. And why does it matter? If YOUR decision on who to vote for is based on MY decision – or George Clooney’s or Brad Pitt’s or Ted Nugent’s – then you shouldn’t be allowed to vote. If Jimmy Kimmel has some fun at the expense of the new President, or pokes fun at the current events happening around the world, that’s great. Everyone likes a good chuckle. So I beg you, presenters and winners both, give a little thanks to the man upstairs and head back to your seat. Thank you in advance!

Vincent D’Onofrio talks about his new film “In Dubious Battle”

The Marine recruit slowly going mad. The Norse-God looking garage worker. Orson Welles. A farmer inhabited by an alien bug. A New York detective. These and dozens more are characters created by Vincent D’Onofrio. From “Full Metal Jacket” to “Adventures in Baby Sitting.” From “Ed Wood”, “Men In Black” and the long running television series “Law & Order: Criminal Intent.” From “Jurassic World” to the current “Daredevil” and “Emerald City” series, D’Onofrio is a true chameleon, adapting his talents for every new challenge. In his most recent work, he stars as London, a man with the ability to inspire and lead others, in the new film “In Dubious Battle,” based on a novel by John Steinbeck and directed by James Franco. Mr. D’Onofrio took some time out of his busy schedule to talk about the film, collaborating with Stanley Kubrick and what he’s working on next. Or as much as he can.

Mike Smith: What attracted you to the project?

Vincent D’Onofrio: Well, James is just an awesome dude. There’s that. And it’s something different. To do this kind of movie, out in the fields with a very low budget. No frills. Everybody there is there because of the author of the novel. The novel itself and what it means today. Just wanting to be there and participate. Knowing that it’s going to be a very unique variation of this novel in a style that lends itself to what the novel stands for in the first place. Unity.

MS: Had you read the novel before you were cast? And if not, did you read it to get a sense of Steinbeck’s take on your character, London?

VD: That’s a good question. I’m pretty sure I read it when I was younger because when I did read it a lot of it seemed familiar. Maybe because I’ve read so many other Steinbeck novels it seemed familiar. I can’t say for sure I read it as a youngster but I did read it.

MS: You have also directed in the past (Mr. D’Onofrio directed the 2010 horror film “Don’t Go in the Woods”). Is it easier – or more comfortable – for an actor to work for a director who has a true understanding of the acting process?

VD: No. All directors are different. You have to learn that. As a young actor I think you want a director who understands acting but you actually want to work with different kinds of directors. Some directors want nothing to do with your performance. Stanley Kubrick wanted nothing to do with your performance. He didn’t want to discuss the story other then how you were going to approach a particular scene. But that had to do with the writing of the scene and not the performance of it. Not what the result of it was going to be. He didn’t want to discuss it. Now we did re-write some scenes. Not just me but Matthew Modine and Lee Ermey with Stanley. We would come up with dialogue and Stanley would sit there with a typewriter and write it all. And once he wrote it would stick. There was no improvisation after that. It’s different each time and you actually welcome that as an actor. Different kinds of directors are exciting to work with. I loved that James was an actor and that he was in the film and directing at the same time. It’s really comforting to act with the director.

MS: The film has a great cast of actors. Is there anyone you haven’t worked with yet that you’d like to?

VD: Oh my God…there are so many. It would be ridiculous of me to even start the list. We could talk about that all day, Mike. All day. There are so many great actors that have since passed away. There are so many young actors today that I love. There are so many actors from my generation that I love that I haven’t worked with. From the generation right before me…it’s a thrilling business to be in and to be the peer of great actors is so interesting and so uplifting.

MS: What do you have coming up next?

VD: My gosh! I think the last thing I did that isn’t out yet – I think it’s still in editing – is the remake of “Death Wish.” Eli Roth directed it. Bruce Willis plays the lead in it and I play his brother. Not much more I CAN tell you. Everything is so hush-hush. I may do a play before the summer. But I Tweeted about it and got in trouble. You can’t talk about anything these days. It’s such a bummer. I’ll just say I have a lot of stuff coming out. A lot of stuff in the can.

Film Review: Fist Fight

Starring: Ice Cube, Charlie Day and Tracy Morgan
Directed by: Richie Keen
Rated: R
Running time: 1 hr 31 mins
New Line Cinema

Our Score: 2.5 out of 5 Stars

Ah, the last day of the school year. A time to clean out your locker, turn in your books and get ready for the summer. Unless you’re a student at the high school featured in the new film “Fist Fight.” Then it’s a time to rebel.

Andy (Day) is an English teacher whose last day of school starts with a student parked in his parking spot. Andy is an expectant father and is worried that school budget cuts may affect his job. Andy is pretty easy going and it’s easy to root for him. Then there is Strickland (Cube – wait, is that right? Is “Ice Cube” all inclusive? Is “Ice” his first name and “Cube” his last?” How about if I call him O’Shea Jackson?). Strickland is a no-nonsense teacher who’s not afraid to challenge his students. Physically. When a classroom altercation gets reported to the principal, Andy inadvertently gets Strickland fired. Angered, the man challenges Andy to a fight after school. Place your bets.

I don’t know what it is about Hollywood and films set in high school. From “3 O’clock High” to “Big Bully,” it seems like kids (and teachers) can’t get along. And who would want to in this school. It’s one thing to pull a few pranks but what the students are doing here would normally result in criminal records. Especially in a world were bullying is prevalent. Have the principal followed around all day by a Mariachi band? Funny. Destroy his car? Jail.

The story is the result of a script by two first-time feature writers and it shows. Jokes, or what are supposed to be jokes, flow quickly and some hit their mark. But many more miss it. When Charlie Day can’t make you laugh you have a serious problem with your material. Day tries hard, as does Mr. Cube (how’s that?) but they needed better dialogue. The fact that Cube is named Strickland makes me wonder if he’s named after the bald teacher that terrorized Marty McFly in “Back to the Future.” Though I wonder if the writers were that clever.

On the plus side, Charlie Day does well in a comedy he’s there to carry and it’s nice to see Tracy Morgan back on the big screen.