The Miseducation of Cameron Post Red Carpet Interviews

Desiree Ahkavan’s new film, The Miseducation of Cameron Post hits theaters this week after both winning the Grand Jury prize for drama at Sundance Film Fest and screening at the Tribeca Film Festival earlier this year. The film, an adaptation of Emily Danforth’s 2012 novel, stars Chloe Grace Moretz as Cameron Post, a high school girl who is caught making out with another girl on prom night. Cameron is subsequently sent to a religious gay “conversion therapy” camp called God’s Promise by her conservative American family. From there, Ahkavan’s touching and honest film follows Cameron as she encounters her fellow campers coping with their sexualities and the camp counselors (Jennifer Ehle and John Gallagher Jr.) who may have their own inner reservations about the work that they do. It is a challenging film for its young stars that’s deftly led by Moretz with support from Sasha Lane, and Forrest Goodluck.
I got to speak with some of this talented cast at their Tribeca red carpet premiere about how they came to be in the film and the message believers in these controversial camps could take away from Cameron’s story.

Tony winner John Gallagher Jr. plays Reverend Rick, himself a former camper turned youth counselor who outwardly is a God’s Promise “success” story but clearly deals with suppressing his true emotions.

Lauren Damon: Your character has so much going on under the surface, how did you work on playing him?

John Gallagher Jr: Yeah! A lot of it was just trusting the script and trusting Desiree. You know it was a very complicated role who’s living right on the edge of something. And I just really looked to [Desiree] to kind of be the leader and to be my guide throughout all of it. And to just try and kind of tell the truth as we had deemed it fit for the film.

LD: What was the most difficult part of working on this?

JGJ: I think, you know living on that edge…of like really preaching something that, I think you start seeing throughout the film, that the character may or may not actually even believe. And that kind of crisis of faith, and that doubt and that second guessing. And really like the guilt that comes with that…I think he’s a guy that really is struggling to do what he believes is the right thing. And I think that his awakening in the film is that he doesn’t know what the right thing is.

LD: I watched this in an admittedly liberal NYC screening room and I think the reactions to a lot of what happens in the camp was that it was ridiculous, but both in the film, and in these real places, it’s really not…

JGJ: It’s not. There is no spin on it, that is their earnest belief. And as I can’t even fathom having that kind of opinion on matters of sexuality, that’s a very real thing. And people do have those exact kind of beliefs.

LD: What would you tell someone with these kinds of beliefs if you could speak to them?

JGJ: Gosh. I would tell them to watch this film and think it over a second time, you know?

Quinn Shephard plays the small but crucial role of Coley Taylor, the girlfriend who Moretz’s Cameron is caught with before she is sent for conversion.

LD: Your role isn’t big in terms of screentime, but it’s so pivotal to the film, how was it to know that going in?

Quinn Shephard: It was great! I was very happy to be a part of the film in any way possible. I keep saying, I just wanted to be a part of the movie because I really believed in it. I think it’s one of the best scripts I’ve ever read and I wanted to be in it. And I’m excited that I got to play this role.

LD: As in actress in this film, if you could get a message to people who believe these camps are effective, what would it be?

QS: Oh man. I think it’s like…I mean, look–Some people I think have a lot of fears and they justify things like conversion camps out of fears. But I think that if you come at something from a place of love, it’s impossible to justify. I think if you’re really someone who feels love in your heart and you challenge yourself to love someone who’s gay and imagine…putting that person through that and telling them that they’re not okay, I think it’s impossible to justify. I think people get caught up in their rhetoric and they get up in religious justification. But when it’s human and it’s in front of you, it’s very hard to agree with, you know? And I think that if somebody sits through this movie who believes in it, they’ll change their mind.

LD: How did you go about preparing for the intimate scenes between Coley and Cameron?

QS: I read the book, I read about my character…I’m somebody who’s very comfortable with who I am and it was just about creating a place in myself where I was very happy for what was happening, but at the same time very ashamed of it. I think that’s who [COLEY] is, she’s that duality and that was a difficult place for me to go. It was a very sad place. But it was something that was very important to her. There was a fragility to the relationship because she is not okay with it yet. And then I think as far as the actual intimacy of the scene, we just went into it was a sense of humor. And Desiree was very accommodating and she made us very comfortable and we had fun.

The Miseducation of Cameron Post opens in New York on August 3rd and expands to LA and other cities on August 10th.

2015 Tribeca Film Festival Red Carpet Interviews

The 14th annual Tribeca Film Fest was held from April 15th to 26th in lower Manhattan. Media Mikes had the opportunity to speak to many of the creative minds behind the films making their premieres over the course of the Fest. You can read my coverage by clicking on any of the posters below and check back to see more additions:

About the Tribeca Film Festival:

The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enabling the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. It is well known for being a diverse international film festival that supports emerging and established directors.

Founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001, following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music, and culture, the Festival brings the industry and community together around storytelling.

The Tribeca Film Festival has screened more than 1,600 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 4.9 million attendees, and has generated an estimated $900 million in economic activity for New York City.

 

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RiffTrax Live! discuss “The Room” on the Tribeca Red Carpet

RiffTrax Live! took the stage at the Tribeca Film Festival for their first ever New York show on April 17th. The crew consisted of the talent behind classic TV show Mystery Science Theater 3000, Mike J. Nelson, Kevin Murphy and Bill Corbett. Although MST3K went off the air officially in 1999, their particular brand of humor, consisting of running commentary on classic terrible B-movies got a new life in the form of RiffTrax. With RiffTrax, the guys have shed their MST3K alter-egos (Bill as Crow T Robot, Kevin as Tom Servo and Mike as…Mike) and have broadened their scope to include live shows and downloadable tracks riffing on mainstream studio films. For their Tribeca audience, the guys presented Tommy Wiseau’s 2003 “disasterpiece” The Room. I caught up with the trio on their red carpet. In true RiffTrax fashion while Mike posed in front of photographers, Kevin and Bill stalled off ­to the side to riff on his technique before all heading over for a hilarious chat about what they do:

Lauren Damon: So…why The Room?

Mike Lawrence: Have you seen it?
LD: Yep
Mike: Yeah. I mean it’s the weirdest movie ever, it has to be done.
Bill Corbett: It is the Citizen Kane of bad movies.

 

LD: Have you guys ever met Tommy Wiseau, does he know what you’re up to?
Mike: Oh yes.
Bill: Yeah, he has to agree to this, believe it or not.

 

LD: Does he think the movie is good?
Kevin Murphy: I think he was confused at first. He didn’t know exactly—He thought we were stealing his film at first—
Bill: He thought we were stealing his soul!
Kevin: But then he realized we were just having fun with it and he already knows people have fun with the film.
Bill: Yeah
Kevin: He’s accepted it and he’s embraced it so—
Bill: He decided to call it a comedy.
Mike: He’s a good sport about it.
Kevin: He’s a very good sport about it.

 

LD: And you’ll be doing this again live?
Kevin: We’re doing it live, May 6th, Rifftrax.com for all the information
Bill: Across the land!

 

LD: And you’ll have new material on this same film every time?
Bill: Yeah, this will probably change, yeah. This is very different from the one we recorded before, yeah, it’ll change a lot.

 

LD: Can you also talk about how with Rifftrax you switched from Mystery Science 3000 riffing on B-movies to now these downloadable tracks for mainstream movies?
Mike: Well we’ve never had a chance to do them, since we can’t get the rights to them, and the technology allowed it was just like there’s a whole bunch of movies out there that are opened up by doing it that way.
Kevin: It helped us to get some of these big, more recent films for our live shows. Like we’re doing Sharknado 2 in July. Yeah and then what’s that big blockbuster? Santa and The Ice Cream Bunny. [laughing]
Bill: George Lucas’s, I believe?
Kevin: [laughing] I think so, yes, in December.

 

LD: I enjoy downloading your tracks on my favorite movies. I have all your Marvel universe ones, because I’ve seen them a ton of times and I like to get a ‘new take’ on them.
Kevin: Yeah [all laughing] I’m glad we can provide that for you!
Bill: If we can do NOTHING else, it’s talk about the Hulk’s schlong.

 

LD: Do you miss your Mystery Science Theatre 3000 alter-egos, your robots?
Bill: I miss being Mike. I played Mike, you realize that don’t you?
Kevin: It’s amazing.
Mike: Make up. Hours in the chair.
Kevin: And Mike was Crow but he wasn’t a puppet, it was make up. It was just all make up. No, I had the opportunity to bring one of the show puppets home after the show was over and I said I don’t want that thing around my house. It would be like Anthony Hopkins in Magic [in presumably a demon puppet voice] “Chop your head off Kevin, CHOP YOUR HEAD OFF!”
Bill: KEVIN! KEEEEEVIN!

 

 

When you started MST3K almost 30 years ago did you ever think you’d be doing anything similar all this time later?
Kevin: No
Bill: I thought I’d work as like a bus boy or a porter or be, I don’t know on the Bowery.
Mike: I was sure I’d be back at TGIFridays. I still remember all the codes for extra broccoli.
Bill: Something to fall back on.
Kevin: We kinda were in job transitions and it seemed like fun so we did it and boom, we’re still here.
Bill: Well At this point we have no other discernible skill set. So we kind of have to do it.
Kevin: Yeah we kind of boned ourselves here!

 

LD: Do you go to see ‘real movies’? Are you in MS3TK mode, how  are you about people talking during films?
All: Oh yeah.
Bill: By all means, oh yeah. I hate people who talk in the movie theater! I’m really a prig and a tight-ass when it comes to that.
Kevin: “SHUSH!!” It’s true.

 

LD: Do you think, with rights issues, there will ever be a return to the MS3TK characters or that format?
Kevin: Really not up to us because we’re not really controlling—or owners of the company in any way. So…
Bill: I think they will be resurrected on the last days of EARTH. Like…the living and the dead…
Kevin: All the immortal souls.
Bill: Definitely that!

 

LD: Because it continues to have such life with dvds…
Kevin: Well, wait for the rapture, we’ll see what happens!
Bill: And this movie [The Room] will be the thing that kicks off the rapture.
Mike: Luckily you don’t have to wait very long at all.

Fortunately, the presentation at Tribeca did not bring about the rapture–although I can’t make any promises for the May 6th nationwide broadcast–but it was a hell of a good time. Not only were audiences treated to The Room, but the gang pre-gamed with a black and white children’s safety film, “Live and Learn” that featured more lessons than you can shake a dangerous pointed stick at. My face hurt from laughing and the crowd gave the trio a standing O.

 

Tickets for the May 6th broadcast of Rifftrax Live: The Room are available via Fathom Events

Tribeca Film Festival 2013 – Red Carpet Coverage & Film Reviews

The 12th annual Tribeca Film Festival is being held from April 17-28 in New York City. The festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors. The Festival has screened over 1400 films from over 80 countries since its first festival in 2002. Since its founding, it has attracted an international audience of more than 4 million attendees and has generated an estimated $750 million in economic activity for New York City.

Check out the following link for the 2013 film schedule

A Single Shot: The writer and director join stars Sam Rockwell, Kelly Reilly and Heather Lind at the thriller’s TFF premiere. Rockwell stars as John Moon, a man caught in a tense cat-and-mouse chase after stealing money from a woman he accidentally shot while hunting in rural West Virginia. Check out our review here!

Lil Bub and Friendz : Documents the rise of cat videos on the internet as both a subculture and in some cases, a potential goldmine. Bub and owner Mike Bridavsky joined doc directors Andy Capper and Eisner on TFF’s red carpet.

Trust Me: Clark Gregg’s second directorial effort after 2008’s Choke finds the actor also starring as Howard Holloway a down on his luck agent to child stars. The film’s premiere at Tribeca included Gregg, newcomer Saxon Sharbino, and co-stars Felicity Huffman (“Desperate Housewives”) and Paul Sparks (“Boardwalk Empire”).

V/H/S 2: Follow-up to last year horror film, which is an anthology film that is comprised of horror shorts by different directors strung loosely together by a framing story. Click here for our review.

What Richard Did: Director Lenny Abrahamson joined star Jack Reynor to talk about their Irish drama which made it’s Stateside debut at Tribeca. Check out our review here!

Click each poster below for our red carpet coverage from the following films:

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