Book Review “Making Tootsie: Inside the Classic Film with Dustin Hoffman and Sydney Pollack – The 30th Anniversary Edition”

Author: Susan Dworkin
Paperback: 160 pages
Publisher: Newmarket Press; Expanded edition
Release Date: August 28, 2012

Our Score: 4 out of 5 stars

Who doesn’t love “Tootsie”. It showcases Dustin Hoffman in one of his best roles to date. It was named #2 of the 100 Best Comedies of the Twentieth Century by The American Film Institute (#1 was Some Like It Hot). This book was originally published back in March 1983. This 30th anniversary edition is presented as a film study. Thanks to Newmarket Press, this book is back in both print and e-book editions.

The writer Susan Dworkin was the only journalist Pollack and Columbia Pictures permitted on the set and in the editing room. She is a playwright, award-winning documentary writer, and Ms. magazine contributing editor. She conducted in-depth interviews not only with its director and star but also with the costume designer, the film editors, costars Teri Garr, Bill Murray, and Dabney Coleman, and many others. She really understands and loves this movie and it shows through her work.

This short but sweet trade paperback is a very each read and very informative. There are also 52 beautiful photos from the film and production. This is a must for all fans of this film and lovers of great cinema. So get ready to travel back to 1982 with director Sydney Pollack and actor Dustin Hoffman and the wonderful collaboration that created one of our best enduring classic.

Founder/Owner of Metal Blade Records’ Brian Slagel talks about 30th Anniversary

Brian Slagel is the founder/owner of Metal Blade Records. This year marks the labels 30th anniversary and Media Mikes had the chance recently to talk with Brian about the labels history and what it has planned to celebrate this monumental occasion.

Adam Lawton: Can you tell us what initially led you to putting together the first Metal Massacre compilation?
Brian Slagel: I was in Los Angeles and saw so many really great metal bands playing around. At that
time there was no way for them to get heard. I was a huge fan of the New Wave of British Heavy Metal in England and its DIY attitude and from there I got the idea to do a compilation of local LA heavy metal bands. I was also working at a record store and I asked the import distributors I bought from if they would buy a compilation if I put one out. They said yes and the album became a reality.

AL: Did the success of that release plant the seed for you in starting Metal Blade Records or was starting/having your own label always something you wanted?
BS: I never intended to start a label. I was working at a record store and also doing a fanzine. After the album was released, I was offered a pressing and distribution deal from one of the importers. That is when it started to become a label.

AL: You gave Metallica their first real exposure with the Metal Massacre release. Was there a specific reason the band did not sign to Metal Blade?
BS: Yes I had no money as did they. So with no money there was no way to record an album. They came to me first, but no money meant it never happened.

AL: What do you feel has been the labels biggest accomplishment in its 30 years of existence?
BS: Probably just being around for 30 years and still going strong. It is a difficult business, but we have been lucky to still be around and doing what we love.

AL: With the 30 year anniversary of the label is their going to be any special edition releases or re-releases from the label?
BS: Yes we are doing special versions, vinyl, picture discs all year long. Also we are doing special sales around the world as well tied into the 30th.

AL: When signing bands to your label are there any specific qualities or characteristics you look for?
BS: There is nothing specific. We always look for bands that sound a bit different and also are willing to work with us. Getting signed these days is the easy part, and then the work really begins. It’s always helpful if the band has something happening before they ever sign with us.

Concert Review “The Toasters 30th Anniversary Tour” Ithaca, NY

“The Toasters 30th Anniversary Tour”
The Toasters, The Rudie Crew, The XSKAVATORS
Date: Friday, February 24th 2012
Venue: The Haunt, Ithaca, NY

Our Score: 3.5 out of 5 stars

The Toasters 30th Anniversary tour made a stop in the eclectic college town of Ithaca, NY on Feb. 24th where they performed to a diverse crowd sprinkled with punks and old school rude boys. The first group to take the stage was The Rudie Crew who like The Toasters hail from New York, New York. The group performed a 40 minute set playing what could be described as Rasta infused ska music. The group provided an upbeat performance which got the crowd instantly off their checker clad feel. Home town favorites The XSKAVATORS would take the stage next performing their own unique version of early traditional ska.

The Toasters would close out the night providing me with some great flash back moments from the first time I saw the band some 13 years ago. Lead vocalist and guitarist Robert “Bucket” Hingley and his band belted out such classic hits as “2 Tone Army, “Dub 56” and “Weekend in LA”. As the crowd continued to skank their way through the evening the band closed out the night with their classic anthem “Don’t Let the Bastards Grind You Down”. Though the band now features a stripped down 5 piece line up The Toasters still provided their signature big band sound. The only negative from the night came in the way of time. The first group did not take the stage until 10:30pm which was an hour and a half after their scheduled time. After two stage changes and 3 full sets of music the show finally wrapped up at around 2 am making for a very long night.

The Toasters Set List:
1.)    House of Soul
2.)    Two Tone Army
3.)    Shocker
4.)    I’m Running Right Through the World
5.)    East Side Beat
6.)    Run Rudy Run
7.)    Social Security
8.)    Pirate Radio
9.)    Sitting on Top of the World
10.)  Dub 56
11.)  History Book
12.)  Talk is Cheap
13.)  Dog Eat Dog
14.)  Ploughshares Into Guns
15.)  Matt Davis
16.)  One Track Mind
17.)  Weekend in LA
18.)  Decision at Midnight
19.)  Don’t Let the Bastards Grind You Down

Concert Review: Queensryche “30th Anniversary” Tour – Orlando, FL

Queensryche
“30th Anniversary” Tour
House of Blues, Orlando, FL
November 12, 2011

Our Score: 5 out of 5 stars

Over the course of their career since forming in 1981, Queensryche have gone from playing large arenas to support huge-selling albums like “Operation: Mindcrime”, “Empire” and “Promised Land” to playing smaller theatres and clubs to promote a roster of spotty and occasionally downright awful releases since the departure of lyricist and guitarist Chris DeGarmo in 1997. Since then, the band has tried various means to attract crowds including a tour in which the set lists were mostly comprised of covers (to support the “Take Cover” album), a massive theatrical stage show that resembled a Broadway musical (the “Operation: Mindcrime II” tour) and even an adults-only cabaret tour that featured go-go dancers, contortionists, drag queens and a dominatrix.  To paraphrase Forrest Gump, “Life is like a Queensryche concert.  You never know what you’re gonna get.”

So, it was with great trepidation that I walked through the doors of the Orlando stop of their “30th Anniversary” tour – one that, in theory, was also embarked upon to support their most recent studio album “Dedicated to Chaos”. Given that “Chaos” is one of their weakest efforts to date, I very much hoped that the show would be retrospective in nature and cover a variety of their finest songs from the past three decades rather than one that would be dominated by the latest misfire. So, as the houselights dimmed, I crossed my fingers and prayed for the best.

From the now darkened room, two video walls on either side of the stage sprang to life and, underscored by a digitized sea of flames, the covers of every studio album the band had released materialized and faded, the hit albums receiving huge amounts of applause; the misses…well…not so much. After the appearance and disappearance of the “Chaos” cover art, Queensryche blasted into action with the appropriately titled “Get Started”, the opening track from that album. While the song caused me to speculate that the concert might indeed be dominated by the new release, “Started” played quite well live and lead vocalist Geoff Tate immediately established a dominating larger-than-life animated stage presence that would keep the audience in his clutches throughout the entire show. But would it remain “Chaotic”?

Luckily, it didn’t.

Only one other song from “Chaos” was played (“At the Edge”) during which Geoff Tate donned a saxophone and added his own instrumentation to mixed results. The rest of the 19-song set featured the classic songs that fans of the band regard as their greatest – and ones that could easily convert newcomers to do the ‘Ryche thing from there on in.

The show was probably the tightest that I’ve seen the band play since the “Hear in the Now Frontier” tour in 1997, the last that DeGarmo would participate in. Tate’s voice is still in peak form and the core rhythm section since the group’s inception, bassist Eddie Jackson and powerhouse drummer Scott Rockenfield, remains one of the best in the heavy metal genre. Guitarist Michael Wilton has also been a constant, but the post-DeGarmo years have seen him trade licks with three other axemen. The most current, Parker Lundgren, is undeniably the best of the batch and the synergy between the two guitarists rivals that of the band’s banner years.

Because of this, this iteration of the group was able to infuse new life into their staple songs. As could be expected, tracks from “Operation: Mindcrime” and the hugely successful “Empire” dominated the set list. Their 9 other studio albums were represented as well and included classics from early in the band’s career such as “NM 156”, “Screaming in Digital” and even “The Lady Wore Black” and “Queen of the Ryche” from their 1982 self-titled debut EP. The band truly seemed to enjoy this trip down memory lane and their assembled legion of followers reacted with huge enthusiasm as the group dished out mutual favorites.

One can only hope that Queensryche can maintain the level of lucidity and intensity they so readily exhibited at the House of Blues. At their peak, the band brought a level of sophistication and intelligence to heavy metal that hadn’t been seen before and, in so doing, raised the bar so high for the genre that the group itself frequently couldn’t clear it. As Queensryche enters into their fourth decade, the future could be a very bright one for them – as long as they continue to remember how it started.