Film Review “Her”

Starring: Joaquin Phoenix, Amy Adams and Scarlett Johannson
Directed by: Spike Jonze
Rated: R
Running time: 2 hrs 6 min
Warner Brothers

Our Score: 4.5 out of 5 stars

Theodore Twombly (Phoenix) leads a pretty ordinary life. He spends his days at work, where he is known as Letter Writer #612. He is employed by a company known as HandwrittenLetters.com. His job is to write letters for people that either can’t or don’t want to. The rest of his day is spent engrossed in the technology that surrounds him. Currently unattached he “meets” like minded people for…umm…chatting purposes. Then one day he meets Samantha (the sultry voice of Johannson), who voices his new operating system. And before you know it, it’s love at first sound.

Spike Jonze has always amazed me as a filmmaker. His brilliant first feature, “Being John Malkovich,” earned him an Oscar nomination for Best Director. His adaptation of Maurice Sendak’s “Where the Wild Things Are” not only took you into the fantastic worlds of your childhood, it made you wish you were there as an adult. With “Her” he establishes himself as the quirkiest, yet most talented, director to come along since Tim Burton unleashed Pee Wee Herman on the world almost three decades ago! Here he has taken an almost laughable premise and given it a heart.

The film, also written by Jonze, also succeeds thanks to the talented cast. Joaquin Phoenix is pitch perfect here. Best known for playing more serious, and even surly, characters in films like “Gladiator,” “Walk the Line” and “The Master” (and earning Oscar nominations for all three films) here he shows a softer side bordering on sweetness. Seriously, I think this is the first time I can remember seeing Phoenix smile on camera since “Parenthood.” Just as sweet (and seductive) is Johannson, who delivers an amazing and award worthy performance as the voice of Theodore’s dreams. The supporting cast, including Amy Adams, Chris Pratt and Rooney Mara do solid work as well, but the film works best when it’s just Theodore and Samantha alone and center stage. If I had a cell phone company I would hire her immediately. Move over, Siri…Samantha is here!

Film Review “August: Osage County”

Starring: Meryl Streep, Ewan McGregor and Julia Roberts
Directed by: John Wells
Rated: R
Running time: 2 hrs 1 min
The Weinstein Company

Our Score: 4.5 out of 5 stars

Hollywood is full of movies about pushy and/or overbearing mothers. From Mother Bates in “Psycho” to Mama Rose in “Gypsy” to Margaret White in “Carrie” (the original 1976 version), we’ve seen how they manipulate and mold their children through fear and threats. To that short list add Violet Weston (Streep). When Violet’s author-husband Beverly (Sam Shepard) goes missing, their three daughters return to the family homestead. Oldest daughter Barbara (Roberts) brings along her husband, Bill (McGregor) but doesn’t tell her family that they are currently separated. Middle daughter Ivy (Julianne Nicholson) has a new beau but if afraid to spill the beans. And youngest, free-spirited Karen (Juliette Lewis)….well, she’s young and free-spirited. As is her fiancée, Steve (Dermot Mulroney), who sadly has eyes for Barbara’s too old for her own good 14 year old daughter, Jean (Abigail Breslin). With all of these personalities in one house you know the fireworks can’t be too far behind.

Based on the Tony Award and Pulitzer Prize winning play by Tracy Letts, “August: Osage County” could best be categorized as a class in Acting 101. Led by the magnificent Streep, the film takes a grounded play that ran for three and a half hours and compresses it into a two hour showcase of talent. It is during those two hours that stories are told and secrets are revealed.

What can I say about Meryl Streep that hasn’t been said elsewhere? The most honored actress in film history, she adds another jewel to her crown here. Violet is loud and vulgar, with a smart aleck comment always at the ready. “Are you supposed to be smoking,” she’s asked early in the film. “Is anybody SUPPOSED to be smoking,” she retorts. Unbeknownst to Violet, Barbara has learned to give as good as she gets and the verbal battles between Streep and Roberts are better than fireworks on the fourth of July. To be honest, there isn’t a bad performance in the lot, but I’d be remiss not to give credit to Nicholson and Margo Martindale, who manage to shine in front of this all star assembly.

If there is a problem with the film it’s because of its running time. You can almost sense that there are some things not told, but when the story begins to run over three hour longs you have to cut when you can. Director Wells does open the show up some, but the words and situations are all Letts, who also scored a cult hit last year with the film version of another one of his plays, “Killer Joe.”

Win Passes to the Kansas City Screening of “Labor Day” [ENDED]

Media Mikes has teamed up with Paramount Pictures to offer our Kansas City area readers a chance to attend the advance screening of the new film, “Labor Day,” starring Academy Award winner Kate Winslet and Academy Award nominee Josh Brolin.

The screening will be held on Wednesday, January 29, 2014 at 7:00 PM at the Screenland Armour Theatre in North Kansas City. All you have to do is go to http://l.gofobo.us/CVgFSDpE and register for your chance to win two passes to the screening. Winners will be notified by GOFOBO on Sunday, January 26th.

Official Website: LaborDayMovie.com

Facebook: www.facebook.com/LaborDayMovie

Opening Date: Friday, January 31, 2014

Rating: Rated PG-13 for thematic material, brief violence and sexuality

Synopsis:
“Labor Day” centers on 13-year-old Henry Wheeler, who struggles to be the man of his house and care for his reclusive mother Adele while confronting all the pangs of adolescence. On a back-to-school shopping trip, Henry and his mother encounter Frank Chambers, a man both intimidating and clearly in need of help, who convinces them to take him into their home and later is revealed to be an escaped convict. The events of this long Labor Day weekend will shape them for the rest of their lives.

Win Passes to the Advance Kansas City IMAX Screening of “Jack Ryan: Shadow Recruit” [ENDED]

Media Mikes has teamed up with Paramount Pictures to offer our Kansas City area readers a chance to attend the upcoming advance screening of the new film “Jack Ryan: Shadow Recruit,” starring Chris Pine. The screening will be on Wednesday, January 15, 2014 at 7:00 p.m. and will be held at the AMC Studio 30 Theatre in Olathe, Kansas.

For a chance to win two passes go to http://l.gofobo.us/Lgnmkr4M and register. Winners will be notified by GOFOBO on Sunday, January 12, 2014.

Official Website: ShadowRecruitMovie.com
Facebook: www.facebook.com/JackRyanMovie
Twitter: @JackRyanMovie #ShadowRecruit

Opening Date: Friday, January 17, 2014

Rating: Rated PG-13 for sequences of violence and intense action, and brief strong language.

Synopsis:
Based on the CIA analyst created by espionage master Tom Clancy, “Jack Ryan: Shadow Recruit” is a blistering action thriller that follows Ryan (Chris Pine, “Star Trek”) from his quiet double-life as a veteran-turned-Wall Street executive to his all-out initiation as a hunted American agent on the trail of a massive terrorist plot in Moscow.

Ryan appears to be just another New York executive to his friends and loved ones, but his enlistment into the CIA secretly goes back years. He was brought in as a brainy Ph.D. who crunches global data – but when Ryan ferrets out a meticulously planned scheme to collapse the U.S. economy and spark global chaos, he becomes the only man with the skills to stop it. Now, he’s gone fully operational, thrust into a world of mounting suspicion, deception and deadly force. Caught between his tight-lipped handler Harper (Academy Award-winner Kevin Costner), his in-the-dark fiancée Cathy (Keira Knightley) and a brilliant Russian oligarch (Kenneth Branagh), Jack must confront a new reality where no one can seem to be trusted, yet the fate of millions rests on his finding the truth. With the urgency of a lit fuse, he’s in a race to stay one step ahead of everyone around him.

MediaMikes.com Awards Set To Be Announced


After three weeks of voting, with hundreds of submissions sent in by Media Mikes.com readers, the winners of the 2013 Media Mikes.com Awards for the years best films and performances have been finalized. The reader-voted winners will be announced later this week on the weekly “Behind the Mikes” Podcast and will be posted on the site on Friday, January 10.

Media Mikes.com readers had the opportunity to submit their choices in seven different categories – BEST PICTURE, DIRECTOR, ANIMATED FEATURE, ACTOR, ACTRESS, SUPPORTING ACTOR and SUPPORTING ACTRESS. Media Mikes.com staff voted on four additional categories – BEST ORIGINAL SCORE, BEST DOCUMENTARY FEATURE, BEST ORIGINAL SCREENPLAY and BEST ADAPTED SCREENPLAY. These categories will be open to readers beginning in 2014.

The top-5 vote getters in each reader chosen category are listed below in alphabetical order. Thanks to everyone that voted!

BEST PICTURE
12 Years a Slave
Act of Killing
American Hustle
Gravity
Nebraska

BEST DIRECTOR
Alfonso Cuaron – Gravity
Paul Greengrass – Captain Phillips
Spike Jonze – Her
Alexander Payne – Nebraska
Martin Scorsese – The Wolf of Wall Street

BEST ANIMATED FEATURE
The Croods
Despicable Me 2
Frozen
Monsters University
The Wind Rises

BEST ACTOR (due to the closeness of the vote, there are seven nominees)
Christian Bale – American Hustle
Bruce Dern – Nebraska
Leonardo DiCaprio – The Wolf of Wall Street
Chiwetel Ejiofor – 12 Years a Slave
Tom Hanks – Captain Phillips
Hugh Jackman – Prisoners
Matthew McConaughey – Dallas Buyers Club

BEST ACTRESS
Cate Blanchett – Blue Jasmine
Sandra Bullock – Gravity
Judi Dench – Philomena
Julie Delpy – Before Midnight
Emma Thompson – Saving Mr. Banks

BEST SUPPORTING ACTOR
Daniel Bruhl – Rush
Bradley Cooper – American Hustle
Michael Fassbender – 12 Years a Slave
Jared Leto – Dallas Buyers Club
Sam Rockwell – The Way, Way Back

BEST SUPPORTING ACTRESS
Scarlett Johansson – Her
Jennifer Lawrence – American Hustle
Jena Malone – The Hunger Games: Catching Fire
Lupita Nyong’o – 12 Years a Slave
Julia Roberts – August: Osage County

Media Mikes Critics Choose the Years Best Films (and the Worse)

With voting almost over for the 2013 Media Mikes.com awards, the site’s main critics got together and chose their favorite films of the past year. And a few that weren’t anyone’s favorite. As always, it’s a rather diverse grouping of movies. Agree? Disagree? Let us know below!

Mike Gencarelli’s Top 5

FROZE
GRAVITY
THE HOBBIT: THE DESOLATION OF SMAUG
PACIFIC RIM
THE CONJURING

and

Worse 5
MOVIE 43
BYZANTIUM
AFTERSHOCK
BEAUTIFUL CREATURES
THE HOST

Lauren Damon’s Top 4
Lauren’s original list contained a film that she actually saw this year but will not be released until some time in 2014. Rather than possibly give a look at next year’s list, here are her top four:

12 YEARS A SLAVE
THE WORLD’S END
AMERICAN HUSTLE
INSIDE LLEWYN DAVIS

Phillip Smith’s Top 5
CAPTAIN PHILLIPS
MANDELA
12 YEARS A SLAVE
AMERICAN HUSTLE
DALLAS BUYERS CLUB

Jeremy Werner’s Top 5
12 YEARS A SLAVE
THE WORLD’S END
GRAVITY
THE SPECTACULAR NOW
FRUITVALE STATION

and

Worse 5
MORTAL INSTRUMENTS: THE CITY OF BONES
WALKING WITH DINOSAURS
PERCY JACKSON: SEA OF MONSTERS
A GOOD DAY TO DIE HARD
ONLY GOD FORGIVES

Michael Smith’s Top 8
I couldn’t stop at five so I thought I’d do my five favorite mainstream titles as well as three more independent features.

THE WOLF OF WALL STREET
AMERICAN HUSTLE
THE HOBBIT: THE DESOLATION OF SMAUG
PRISONERS
THE CONJURING
AIN’T THEM BODIES SAINTS
THE WAY, WAY BACK
THE SAPPHIRES

and

Worse 5
THE HOST
CARRIE
OUT OF THE FURNACE
A PLACE BEYOND THE PINES
21 AND OVER

Film Review “Grudge Match”

Starring: Robert De Niro, Sylvester Stallone and Kim Basinger
Directed by: Peter Segal
Rated: PG 13
Running time: 1 hour 53 mins
Warner Brothers

Our Score: 3.5 out of 5 stars

In the 1980s, there was no greater sport than boxing. And two of its best champions were Billy “the Kid” McDonnen and Henry “Razor” Sharp. Each man only lost once in their professional career: to each other. With a third meeting on the horizon, Sharp suddenly retired. He went back to his old job at a foundry, while McDonnen opened a restaurant, where he entertains patrons nightly with a puppet, mostly talking about how Sharp ducked him. But as is always the case in sports, there’s more than meets the eye to the truth.

Fun to watch, with enough action to go along with the laughs, “Grudge Match” could have been billed as Jake Lamotta vs Rocky Balboa, the boxing alter egos that earned De Niro and Stallone Oscar nominations (and the prize in De Niro’s case). In the most off-putting part of the film we are shown early boxing footage of the two, clearly taken from “Raging Bull” and “Rocky III.” This is fine. But in the scenes where the two “fight” each other, it’s obvious that the filmmakers have tried to digitally put the two actor’s faces on much younger bodies, an effect that makes the two look like they’re boxing in front of a fun house mirror.

When a young promoter (Kevin Hart) approaches both men with a deal to appear in a video game, they both reluctantly agree. It’s while throwing a few friendly jabs that the two let their dislike for each other show. The ensuing scuffle ends up on YouTube and soon the world is clamoring for the real thing. Billing it as “Grudgement Day,” Billy and Henry finally agree to the rematch that has eluded them for decades. As they prepare for the fight we learn that Henry retired after his girlfriend, Sally (Basinger), slept with Billy and had his baby. All grown up, the boy (Jon Bernthal, who looks like he could be De Niro’s son) takes on the job of training his pop while Henry turns to his old trainer, Louis Conlon (a very funny Alan Arkin). Of course things go badly when Sally also re-enters the picture.

The cast is well suited to the material, with both De Niro and Stallone showing a knack for comedy (De Niro has done it in the past with the “Meet the Parent” films but I’m pretty sure I’m the only person reading this that actually liked Stallone in “Rhinestone” or “Oscar”). Arkin has apparently snagged all of the great “aging wise-ass” roles in Hollywood, including last years’ Oscar nominated turn in “Argo.” He’s just as good here. Bernthal gives a solid performance as does Basinger, who seemingly hasn’t aged since the 1980s. And both De Niro (age 70) and Stallone (age 67) show some stamina during the climactic fight that ends the film. If there is a false note here it’s the young boy that plays De Niro’s grandson, He’s too precocious and cute to be a part of this family!

Film Review “The Wolf of Wall Street”

Starring: Leonardo DiCaprio, Jonah Hill and Matthew McConaughey
Directed by: Martin Scorsese
Rated: R
Running time: 2 hours 59 mins
Paramount

Our Score: 5 out of 5 stars

Earlier this month Paramount Pictures announced to film exhibitors that “The Wolf of Wall Street” would be the last film they will release on 35 mm. The digital age is here and from now on film is no more. My only thoughts is that they saved the best for last.

Jordan Belfort (DiCaprio) is a man on his way up. He has gotten caught up in the Wall Street boom of the mid 1980s and taken a job at a firm where he soon hopes to be making big bank. He is taken to lunch by, and under the wing of, the firm’s owner (McConaughey) and it is here that he learns the important part of Wall Street: you’re not making THEM money, you’re making YOURSELF money! When the Market crashes on Black Monday, Jordan finds himself out of work and searching the want ads. He applies to a firm that he learns is located in a strip mall. The main staple being sold are penny stocks…companies on the way up (allegedly) that consumers can get for pennies a share. Learning that his commission is 50% of what he sells, Jordan follows his mentors advice and makes himself $3000 on his first deal. Soon he decides to form his own firm, taking a few of his co-workers with him. Among them is Donnie Azoff (Hill, once again back in Oscar territory). Together they start a company where the money rolls in, the drugs roll out and Dwarf tossing is a competitive sport!

Based on the memoirs of the real-life Belfort, “The Wolf of Wall Street” is a humorous, depraved and intriguing look at the excess of the 1990s and the effect it had on people. When we first meet Jordan, his voice over tells us that he made $49 million last year. But he’s not proud of that fact, he’s annoyed. Another $3 mill and he could have said that he made a million dollars a week. Poor guy! As portrayed by DiCaprio, Belfort is a fun loving guy who is more than happy to share the wealth…and drugs…and hookers. His firm becomes so successful that competitions are held between prospective employees before they are even seen for an interview. DiCaprio has done his best work with Scorsese (this is their 5th collaboration) and he knocks it out of the park here. If a fourth Academy Award nomination (and first Award) aren’t forthcoming the Academy and I are going to have a stern conversation. From emotional highs to dramatic lows to some incredible physical comedy, DiCaprio gives Belfort something he probably didn’t have in real life: a soul. Hill is excellent as the nebbish Azoff. Also turning in great supporting work is Kyle Chandler, as an FBI agent on Jordan’s trail, Jean DuJardin as Jordan’s Swiss compatriot and, in a rare on screen appearance, Rob Reiner, who plays Jordan’s father.

Technically, this is Scorsese at his best. Is there a better storyteller working today? Armed with his usual sidekicks, including film editor Thelma Schoonmaker, Scorsese has fashioned another masterpiece, just in time for the holidays. In my humble opinion, this is the best film of 2013.

Cast Your Votes and Win an Instant Blu-ray Collection! [ENDED]

As 2013 comes to an end it’s time to cast your votes for the Best Films and Performances for the annual Media Mikes Awards.

One random reader will receive a prize package of (25) review copy Blu-rays released in 2013. Below is a list of nominees in (7) major categories. Click to email or leave a comment below to cast your votes. You can vote in one category or all seven. Voting ends on Sunday, January 5th at noon EST.

The voting consists of the following categories: BEST PICTURE, BEST DIRECTOR, BEST ANIMATED FEATURE, BEST ACTOR, BEST ACTRESS, BEST SUPPORTING ACTOR and BEST SUPPORTING ACTRESS.

Film Review “Saving Mr. Banks”

Starring: Tom Hanks, Emma Thompson and Paul Giamatti
Directed by: John Lee Hancock
Rated: PG
Running time: 2 hours 5 mins
Walt Disney Pictures

Our Score: 3 out of 5 stars

It’s hard to believe that one of the most beloved films of all time, “Mary Poppins,” almost wasn’t made. It took 20 years of convincing by Walt Disney himself until author P.L. Travers agreed to consider the project. Of course, she had some ideas of her own. No animation. No music (“Mary Poppins does NOT sing”) And no way on that dreadful Dick Van Dyke. History, of course, tells us that these fears were unnecessary. “Saving Mr. Banks” does the same, but with a little help from the players involved.

Told in current period time and, too often, in flashbacks, “Saving Mr. Banks” is a fine film when the subject of “Mary Poppins” is being discussed. The flashback scenes, of the author as a young girl in Australia and her alcoholic father (Colin Farrell), are too often just there to interject something familiar into the story. Yes, I understand. Mother used to say “spit-spot” just like Mary Poppins does. These scenes actually slow the film down. It’s the magic of films that Walt Disney was known for and when “Saving Mr. Banks” addresses that process the film begins to soar.

The film is well cast. Who better than Tom Hanks, arguably his generations Jimmy Stewart, with a little Henry Fonda added for good measure, to play “Uncle” Walt? Hanks’ performance is just right, capturing the filmmaker as those of us who used to watch him every Sunday night remember him. As Travers, Thompson has created the perfect snob. She is never happy with anything, be it her stuffed animal filled hotel room to the poor grammar included in the script. You can imagine her reaction when she first hears “Supercalifragilisticexpealadocious!” The supporting cast is equally strong. B.J. Novak and Jason Schwartzman play the musical Sherman brothers, Bradley Whitford is screenwriter Don DaGradi and Giamatti is the always cheerful limo driver who finally helps melt Travers’ icy persona.

Film Review “Inside Llewyn Davis”

Starring: Oscar Issac, Justin Timberlake and F. Murray Abraham
Directed by: Ethan and Joel Coen
Rated: R
Running time: 1 hour 45 mins
CBS Films

Our Score: 4 out of 5 stars

In the early 1960s folk music began its rise. Musicians from all over would come to New York City to play small clubs in Greenwich Village, hoping to make a few bucks and get their messages out. One of them is Llewyn Davis (Issac). Talented, but clearly unlovable, we meet Llewyn as he sings in a small club. After his performance he’s told that “his friend in the suit” wanted to talk with him in the alley. He soon finds himself being beaten. It is this event which bookends the latest film by the Coen brothers, “Inside Llewyn Davis.”

Sharply written and filmed with the Coen’s usual sharp eye for detail, the film follows Llewyn (Isaac) as he attempts to make a living with his music. On the street and walking around with a neighbor’s cat, Davis plays little clubs and passes the hat most of the time. And while it’s agreed that he’s quite talented, it’s also agreed that he’s a real horse’s ass! His musical partner gone, his career stalled and his agent now representing others, Davis realizes his one chance is to audition and play at a club run by the legendary Bud Grossman (Abraham) outside of Chicago.

Filled with great performances, including Timberlake and Carey Mulligan as a folk duo, the film’s high point is its outstanding musical score, overseen by Oscar winner T. Bone Burnett (“Crazy Heart”). The songs fit the time and mood of the country, from anti-war protests to a song asking President Kennedy NOT to send a man to the moon. All involved, from pro JT to actor Isaac sing beautifully and if you enjoy the film you’ll surely want to go out and buy the soundtrack CD. As Llewyn is a person better heard, and not seen, you may go ahead and thank me now for the suggestion.

How I Met Your Mother’s most loved supporting characters: What are they up to?

Nobody needs to tell us what TVs How I Met Your Mother has done for its core cast – Jason Segel, Neil Patrick Harris, Alyson Hannigan, Cobie Smulders and Josh Radnor – but what about the supporting cast of TV’s most popular half-hour? Well, they’re doing crazy good too!

LYNDSY FONSECA (‘Ted’s Daughter’)
Though her part on the show is a fairly thankless part, Fonseca’s seemingly done quite well out of having the series on her resume. In recent years, the 26-year-old has starred in such movies as Kick-Ass 2 and Hot Tub Time Machine, and also played a lead role on the series Nikita.

CHARLIE AMOIA (‘Wendy the Waitress’)
Amoia, whose comic timing on the series is amazing, displays her versatility in the dramatic short She, playing a depressed young woman who finds an unlikely friend in a rescued dog. The film played at festivals, and has also been featured in several major magazines. Amoia will also be seen in several diverse feature films, including Fat.

JOE MANGANIELLO (‘Brad Morris’)
Though he only did a few episodes (the first in 2006), Manganiello’s appearance on How I Met Your Mother was enough to get him on the radar of near every TV network in town. The actor has played Bon Temps’ resident werewolf on HBO hit True Blood for the past few years, and next appears opposite Arnold Schwarzenegger in a big-time flick called Sabotage.

JAMES VAN DER BEEK (‘Simon’)
Though he was already well-known at that stage (for Dawson’s Creek), former TV heartthrob Van Der Beek wasn’t known for his comedy work. His 2006 appearance on the sitcom changed all that, and before too long he was headlining his own half-hour sitcom – well, a starring role on one anyway (Don’t Trust the B*itch in Apartment 23). Van Der Beek recently returned to the show to reprise the character.

CRISITN MILOTI (‘The Mother’)
Ok, so Cristin only recently made her first appearance on the show but all of a sudden she’s gone from ‘who is that?’ to ‘the How I Met Your Mother actress that’s now appearing opposite Leonardo DiCaprio in The Wolf of Wall Street’. Can only imagine the ‘Mother’ gig helped the 28-year-old actress get the gig.

Related Content

Film Review “Anchorman 2: The Legend Continues”

Starring: Will Ferrell, Christina Applegate and Paul Rudd
Directed by: Adam McKay
Rated: PG 13
Running time: 1 hour 59 mins
Paramount

Our Score: 4 out of 5 stars

I don’t know how to put this, but…Ron Burgandy is still kind of a big deal. And as portrayed by Will Ferrell he brings a hilarious dose of good news with him in the new film, “Anchorman 2: The Legend Continues.”

When we last left Ron (Ferrell) and his news team, he had just regained his job back and was happily co-hosting the San Diego evening news with his beloved Veronica (Applegate). As we meet him again, he has just been fired, replaced by Veronica and reduced to hosting the hourly dolphin show at Sea World. After a disastrous interaction with the crowd (“children and women hate you, Ron” a young boy calls out), Burgundy finds himself, literally at the end of his rope. However he is saved by a visit from a representative of an all new, 24 hour news station, hilariously played by the usually very serious Dylan Baker. Offered an anchor position, Ron accepts with the condition he can assemble his old news team. Sportscaster Champ Kind (David Koechner) now operates a fried “chicken” restaurant. Feature reporter Brian Fantana (Paul Rudd) has made a successful living by photographing kittens. And weatherman Brick Tamblin (Steve Carell) is dead. At least he thinks he is. The newly reunited team head for the Big Apple and new found fame!

I had one fear when I sat down to watch this movie: that I had seen so much of it already in the incessant promotional on-slaught that has been running since Labor Day that I’d already seen the funny stuff. Not to worry. In the capable hands of writers Ferrell and McKay, Ron Burgundy’s world has more than enough room for laughs. Originally scheduled to helm the 2 a.m. news shift, Burgundy finds success by, in his words, “telling the people not what they NEED to hear but what they WANT to hear. Couple this idea with Ron bottle feeding a shark and experiencing interracial dating and you have the makings of one outrageously funny film. All of the returning actors are funny and strong, with Rudd’s Brian Fantana a standout. New guest stars, including Kristen Wiig, James Marsden and Harrison Ford shine just as bright as the story’s regular cast members. Add to these stars a strong performance by Dobby the Shark and you’ve got yourself one damn funny movie!

“12 Years a Slave” Dominates Kansas City Film Critics Circle Awards

“12 Years a Slave,” the harrowing true tale of a free black man who is kidnapped and sold into slavery, took home the lion’s share of awards at the 47th Annual Kansas City Film Critics Circle Awards, earning nods in six categories, including Best Film of 2013.

Other films recognized include Spike Jonze’s “Her,” Alfonso Cuaron’s “Gravity” and the documentary feature “The Act of Killing.” Cuaron and “12 Years a Slave” director Steve McQueen tied for the Robert Altman Award as Best Director. Another tie saw “Frozen” and “Despicable Me 2” sharing the Best Animated Feature prize.

The Kansas City Film Critics Circle, of which I am a member, was formed by Dr. James Loutzenhiser and is the 2nd oldest critics group in the nation.

The award winners:

BEST PICTURE: “12 Years a Slave”

ROBERT ALTMAN AWARD FOR BEST DIRECTOR: Alfonso Cuaron – “Gravity” and Steve McQueen – “12 Years a Slave”

BEST ACTOR: Chiwetel Eliofor – “12 Years a Slave”

BEST ACTRESS: Sandra Bullock – “Gravity”

BEST SUPPORTING ACTOR: Michael Fassbender – “12 Years a Slave”

BEST SUPPORTING ACTRESS: Lupita Nyong’o – “12 Years a Slave”

BEST ANIMATED FILM: “Despicable Me 2” and “Frozen”

BEST FOREIGN LANGUAGE FILM: “Blue is the Warmest Color”

BEST DOCUMENTARY FEATURE: “The Act of Killing”

BEST ORIGINAL SCREENPLAY: Spike Jonze – “Her”

BEST ADAPTED SCREENPLAY: John Ridley – “12 Years a Slave”

VINCE KOEHLER AWARD FOR BEST FANTASY, SCIENCE FICTION OR HORROR FILM: “Her”

Remembering Peter O’Toole and Tom Laughlin

It was a sad day for movie fans the world over as word came of the passing of Peter O’Toole and Tom Laughlin. O’Toole, 81, passed away earlier today in London after a long illness. A year older Laughlin, 82, passed away this past Thursday surrounded by his family. No cause of death was given. Both men shared an August birthday, with Laughlin 357 days the older.

While both men had completely different careers they both left their mark on Hollywood in their own way. Born in 1932 in Ireland, O’Toole carved out a career that culminated in eight Academy Award nominations for acting. Sadly, he never won the award competitively and holds the record for most nominations without a win. He received an Honorary Oscar in 2003, though he almost turned down the honor, claiming there was still time for him to win the trophy outright. Fittingly, he earned his eighth and last Best Actor nomination four years later for his work in the film “Venus.”

Discovering acting at the age of 17, O’Toole began his career by appearing on the stage. This experience led him to appearances on British television and the occasional film. In 1961 he achieved international stardom when he appeared in the title role of David Lean’s Oscar-winning epic “Lawrence of Arabia.” The film, which won Seven Academy Awards, including Best Picture, introduced the handsome, blonde haired O’Toole to a world of movie fans and earned him his first Oscar nomination. His next film, “Becket,” earned him his second nomination, pitting him against co-star Richard Burton, who ironically is second on the list of most nominated actors without an award with seven nominations. Both lost the award that year to Rex Harrison in “My Fair Lady.”

O’Toole earned two more nominations in the 1960s for his work in “The Lion in Winter” and “Goodbye, Mr. Chips.” He began the 70s with roles in films like “Murphy’s War,” “Man of La Mancha” and “The Ruling Class,” which earned him his fifth Oscar nod. He closed out the decade by appearing in the controversial film “Caligula.” A production of “Penthouse” magazine owner Bob Guccione, the film featured such distinguished performers as O’Toole, Malcolm McDowell and John Gielgud. The movie earned much of its notoriety when Guccione inserted hard-core sex scenes. O’Toole began the 1980s with two films that he will always be associated with. In “The Stunt Man,” he played a dictorial movie director who would risk everything (and everyone) to get the shot he wanted. He followed that with the classic comedy “My Favorite Year,” playing former swashbuckling actor Alan Swann, who is making his debut on a live comedy variety show. For his work here O’Toole earned Oscar nominations six and seven. He spent the majority of the 1980s in a series of big budget comedies including “Supergirl,” “Creator,” “Club Paradise” and “High Spirits.”

The 1990s were a slower time for O’Toole, with appearances mostly in small roles on both the big and small screen. He continued to work after receiving his honorary Oscar and, in 2006, he earned another nomination for his work in the film “Venus.” The next year he voiced critic Anton Ego in the smash Disney animated film “Ratatouille.” He continued to work up until his death and will be seen next year in the film “Katherine of Alexandria.”

Born in Milwaukee, Thomas Robert Laughlin probably did every job imaginable on a film set at one time or another. A highly spiritual man, Laughlin once contemplated leaving Hollywood and started a Montessori School for pre-school aged children. He began his career in the mid-1950s, appearing on episodic television and in small film roles, including Lt. Buzz Adams in the musical “South Pacific.” He continued on in small roles on television and in films until 1967, when he first appeared as Billy Jack in the biker film “The Born Losers.” Laughlin also directed the film under the pseudonym T.C. Frank (taken from the names of his children, Teresa, Christina and Frank). In 1971 he changed the way films are marketed with the popular film “Billy Jack.” The story of a former Marine who takes it upon himself to protect the students at a school run by a friend, Laughlin again directed (under his pseudonym) and co-wrote the film with his wife and co-star, Delores Taylor. Not able to find a studio to release the film, Laughlin took the film from town to town and rented out theatres with his own money. He then paid for the advertising and kept the profits the film earned. This is what is now referred to as “four walling” in the industry. The film went on to gross over $30 million and remains a cult classic. He later wrote, directed and starred in two more “Billy Jack” films: “The Trial of Billy Jack” and “Billy Jack Goes to Washington.” He capitalized on his new fame by appearing in such films as “The Master and the Gunfighter,” The Littlest Horse Thieves” and “The Big Sleep.” He attempted to make a fifth “Billy Jack” film but was injured during production. The film was never restarted. His last on screen role comes in 1981’s “The Legend of the Lone Ranger.”

Laughlin spent his later years involved in politics, psychology and medicine. He ran for President of the United States in 1992, 2004 and 2008.