WE’VE GOT YOUR CHANCE TO WIN TICKETS TO SEE
“DOLITTLE!”
SATURDAY, JANUARY 11
10:00 A.M.
FOR YOUR CHANCE TO WIN A PAIR A TICKETS TO THE FILM, CLICK HERE
NO PURCHASE NECESSARY.
DOLITTLE has been rated PG (Parental Guidance Suggested – Some Material May Not Be Suitable for Children) for some action, rude humor and brief language.
You can’t get away from “them.” The Kardashians. The various Housewives of various counties. “The Bachelorette.” For good or bad, reality television has grabbed a major part of the world’s attention and, like it or not, it’s here to stay.
London Logo (Ms.West) is a CELEBRITY. I use all caps to emphasize her status. Known for her frequent magazine appearances, annual “nip slip” awards and exiting cars sans underwear, London is a mix of Paris Hilton and Jessica Simpson rolled up into one. When things begin to go bad for London, who finds her fame declining with the appearance of the large-assed Kim sisters, she agrees to participate in a documentary about herself which will open the eyes of everyone involved.
As a critic, “Reality Queen!” is the kind of film you love to discover. Cleverly written by a gaggle of writers, including director Bernheim, the film is an amazingly precedent look at the state of “fame” today. Nothing is sacred as zinger after zinger is thrown out and the jokes hit much more often then they miss, a testament not only to the script but to the cast.
As London, Ms. West proves herself to be a fine comedienne. Movies like this often rest on the shoulders of the actors who, if they don’t deliver the lines properly, bring the production down to the level of any recent National Lampoon film that didn’t begin with the words Van and Wilder. She is also breathtakingly beautiful. Denise Richards co-stars as London’s best friend, an actress named Angelina Streisand. She also shows fine comic timing. Other standouts include Loren Lister as London’s put-upon publicist, Cliff De Young and Jill Jacobson as London’s parents, the amazing Charles Fleischer as a Larry King-ish television host, Kate Orsini as the documentary reporter and the late John Witherspoon in one of his final film appearances.
Mr. Bernheim keeps the pace moving smoothly and I must give credit to he and production designer Ryan Henneman, whose production values are amazing for a film you normally wouldn’t consider “big budget.” If you’re not in the mood for football this weekend, I highly recommend checking out “Reality Queen!”
Media Mikes has teamed with their friends at Sony Pictures to give (5) random readers the chance to win a prize package for their latest film, “Bad Boys for Life,” starring Will Smith and Martin Lawrence.
The prize package consists of the following:
All you have to do is let us know in the comments below what screen duo you’d like to see get back together. Batman and Robin? Riggs and Murtaugh? Bill and Ted? Actually, that one is happening! (5) random entries will be chosen on Sunday, January 12, 2020 at 5:00 p.m. CST and those winners will be notified by email. Good luck!
Media Mikes has teamed up with the friends at Sony Pictures to give (25) readers and a guest the chance to be among the first to see the new film “Bad Boys for Life” in Kansas City.
The film, starring Will Smith and Martin Lawrence, will be screened on Tuesday, January 14, 2020 at the AMC Olathe 28 Theatre in Olathe, Kansas. The show will begin at 7:30 p.m.
If you want to attend, just click HERE to register for the screening. (25) random winners will be selected from all that registered and will receive a pass for (2) to attend the screening. You have until 5:00 pm on Saturday, January 11 to register for the passes. Winners will be randomly selected at that time and notified. Good luck!
Award season is in full bloom and once again it’s time for the readers of Media Mikes to vote for their film favorites for the 2019 Media Mikes Awards.
Last year over 3,000 readers submitted their choices in the following categories:
Members of the Media Mikes staff will vote on the following categories:
Votes can be submitted either through our Facebook page or by email. Emails can be sent to [email protected] Votes can be submitted through February 5, 2020, with the winners announced on Friday, February 7th.
Random voters will be chosen to receive some great 2019 movie swag!
Between us I’d have to estimate that Mike G, Lauren, Jeremy, Michael D. Smith, Becki and myself see no less than 150 films a year here at Media Mikes. So when the year comes to an end, many of us like to share with you what films we felt were the Best. And, because they can’t all be winners, we like to tell you which ones we wished we had stayed away from. Ideally, if you haven’t seen any of these particular films you will either be intrigued enough to seek it out…or make the mental note to avoid at all costs! Enjoy!
#1. 1917
Sam Mendes has created an epic film that thrives on its small cast and “continuous shot” presentation. Cinematographer Roger Deakins, who shot many of the Coen Brothers’ films, will surely earn Academy Award nomination number fifteen for his work here. (He won previously for “Bladerunner 2049”)
#2. JUST MERCY
This film doesn’t open wide for another week but it has been playing in select cities since Christmas. An emotional look at the injustice heaped upon one man and the attorney who works tirelessly to find the truth. Michael B. Jordan and Jamie Foxx give award-worthy performances.
#3. MOTHERLESS BROOKLYN
Edward Norton laid it all on the line as he not only starred in this film but wrote and directed it. His eye as a director is keen and changing the time setting of the story from the present to the 1950s was a masterstroke.
#4. JOKER
Todd Phillips’s look at an almost dystopian society and the people who inhabit it. In my mind, it’s between Joaquin Phoenix and “Marriage Story” star Adam Driver for the Best Actor Oscar.
#5. KNIVES OUT
When I was a teenager I loved the Neil Simon-penned comedy “Murder by Death” and, when I saw the trailer for this film I thought it would be similar. Wrong! Funny? Yes. But amazingly crafted. Extra credit for Daniel Craig pulling off a southern accent.
#6. YESTERDAY
What if you woke up tomorrow and found that the Beatles never existed? A true masterpiece that pays tribute to the universal joy brought to us by the four lads from Liverpool. Also contains the year’s most emotional moment. I won’t spoil it but, if you didn’t tear up, it’s quite possible that YOU’VE never heard of the Beatles.
#7. (tie) LINDA RONDSTADT – THE SOUND OF MY VOICE / DAVID CROSBY-REMEMBER MY NAME
Two amazing documentaries that give viewers an inside look at two of the most influential singers and musicians of their time.
#8. THE IRISHMAN
When people look back at the history of film making they will probably be flabbergasted to see that Martin Scorsese won his first directing Oscar for “The Departed.” The creator of arguably the greatest film of the 1980s (“Raging Bull”) as well as “Taxi Driver,” “The King of Comedy,” “Goodfellas” and “Gangs of New York” just may take home his second one for this 3 1/2 hour masterpiece.
#9. ONCE UPON A TIME…IN HOLLYWOOD
I will admit that, while I enjoyed the film, I didn’t LOVE it when I reviewed it. But a second viewing put it on my list. Great performances and a beautifully recreated Los Angeles, circa 1969. And boy…that ending!
#10. AVENGERS: ENDGAME
The final film in a 23-film series, the likes of that Hollywood will never see again (unless Marvel does it). When Robert Downey, Jr declares, “I AM Iron Man” the emotional explosion in the theater is jaw-dropping.
HONORABLE MENTIONS: US, MARRIAGE STORY, BLINDED BY THE LIGHT, STAN and OLLIE
When a web site includes your name you have the opportunity to stay away from most of the stink-burgers that come out. Luckily (and sadly) these two lured me in.
ANGEL HAS FALLEN:
There is a great “Mean Tweet” in which Gerard Butler reads, “Does Gerard Butler have a lot of student loans to pay off? He’s always doing shitty films?” To which Butler replies, “No, I don’t have any student loans. I just like doing shitty films.” Add this one to the list.
DUMBO:
Damn you, Tim Burton. My wife and I skipped the critic’s screening of this so we could take our granddaughter. She hasn’t talked to us since!
#1. PARASITE
Wild, entertaining, shocking, gripping and a movie you’ll be thinking about for days, if not weeks. This is Bong Joon-ho’s magnum opus. This isn’t just the best movie of 2019, this is easily one of the best movies of the 2010s.
#2. 1917
We’re treated to way more WWII movies than we are WWI. “1917” is not only a visual masterpiece, but the kind of movie that reminds us why WWI shouldn’t be forgotten and just how devastating it truly was for the brave soldiers in it.
#3. THE LIGHTHOUSE
If it wasn’t for “1917,” this would have been the most visually impressive film of the year. Marketed as a horror, I’d say it’s more a suspenseful comedy, with a pair of tour de force performances.
#4. TOY STORY 4
Not to be a narcissist, but to quote my own review earlier this, “I would have never guessed back in 1995…that these plastic toys come to life would make me cry twice later in my life.”
#5. JOJO RABBIT
Channeling Charlie Chaplin and Mel Brooks, Taika Waititi has given audiences one of the most heartwarming, tragic and uplifting films of 2019, and it’s about a boy and his Hitler.
#6. THE IRISHMAN
I wouldn’t say this is Scorsese’s best, but he certainly has book-ended a beloved genre and given several actors a much-deserved swan song.
#7. MIDSOMMAR
An unsettling nightmare in broad daylight. Besides the unforeseen horrors happening in the sun, there are plenty of laughs to go along with this outstanding horror film.
#8.US
Jordan Peele raved about “Midsommar.” So I’m sure he wouldn’t be upset to see his stellar sophomore outing below “Midsommar.” I can’t wait to see what he does next.
#9. BOOKSMART
I absolutely adored this film and its messages. But just as impressive as the script, were the performances by Kaitlyn Dever and Beanie Feldstein, as well as the direction by Olivia Wilde.
#10. CLIMAX
If you’ve ever been on the fence about trying LSD or any other kind of hallucinogens, I wouldn’t recommend “Climax.” It’s a delirious technicolor nightmare that entrances viewers.
HONORABLE MENTIONS: HONEY BOY, LORDS OF CHAOS, ONE CUT OF THE DEAD, EL CAMINO, UNCUT GEMS, ONCE UPON A TIME…IN HOLLYWOOD, SHAZAM, THE REPORT, MARRIAGE STORY
#1. AFTER
Everyone involved in this should be ashamed of themselves. What’s that you say? They’re making a sequel? This is further proof we’re living in the darkest timeline.
#2. SECRET LIFE OF PETS 2
Illumination knows exactly what it’s doing and they feel no shame. I wish people would stop giving them reasons to make awful sequels.
#3.A DOG’S JOURNEY
Sappy sentimentality tries to mask the flawed and unethical morality. I love dogs, but this is a crap story and film.
#4. MIDWAY
When Michael Bay said, “No one can top my crappy WWII movie,” Roland Emmerich said, “Hold my beer.”
#5. DETECTIVE PIKACHU
Knowing that some people loved this movie makes me hate this cliche, predictable, trite flick even more.
Here’s my Top 9, leaving open that 10 slot as the end of the year has so many films on offer that I’m sure one I’ve missed would be bound to swoop in!
#1. MIDSOMMAR
Oh “Midsommar,” how much did I love this film? Enough to come back for the 171 minute director’s cut at Lincoln Center this August for even more. Ari Aster’s follow up to “Hereditary” showcases yet another powerhouse female performance in Florence Pugh. The film is hard to call a “horror”, unless you’re in the middle of a fight with your romantic partner, but it definitely isn’t for the faint of heart. Aster packs this film with so much visual detail that return trips continue to prove satisfying. This film also has a pitch dark streak of savage humor that gave me one or two of the most morbid laughs of the year.
#2. JOJO RABBIT
I elaborated in my five star review of Taika Waititi’s WW2 satire, but this is for me the funniest film of the year while still tugging on a ton of heartstrings. For me, it is Scarlett Johansson’s best performance (and yes, I’ve seen “Marriage Story”)
#3. KNIVES OUT
Chris Evans and Daniel Craig played wildly against type in Rian Johnson’s murder mystery whose twisty turny finale was a delight, or maybe it was a donut…
#4. AVENGERS ENDGAME
I may not be fully on board with all of the character choices for Marvel’s epic Infinity Saga conclusion, but man, if this didn’t do justice to the 21(!) films whose job it was to wrap up. The “Portals” sequence playing to a sold out crowd on opening night was chills, cheers and tears inducing in a way I have never experienced at a movie theater.
#5. JOHN WICK: CHAPTER 3 – PARABELLEM
In a year without a “Mission: Impossible,” John Wick came to the rescue in terms of just absolutely satisfying stunt sequences. That knife fight IN a knife store alone earned the whole movie’s placement on this list.
#6. FORD v FERRARI
I fortunately saw this one in IMAX where the roar of the impeccably edited racing sequences could be felt in my bones. James Mangold delivered a solid spectacle lead by the always-reliable Matt Damon and Christian Bale.
#7. ROCKETMAN
“Rocketman” was everything I wished last year’s “Bohemian Rhapsody” would have been. From star Taron Edgerton actually recording a slew of Elton John classics himself to the integration of said songs into lively and visually fun musical numbers. Bonus points for a lovely turn from Jamie Bell as Bernie Taupin.
#8. LITTLE WOMEN
Greta Gerwig’s sterling adaptation of Louisa May Alcott’s classic assembled one of the strongest acting ensembles of the year and showed the March sisters in a whole new light.
#9. THE LIGHTHOUSE
Robert Eggers’s follow up to 2015’s “The Witch” was just as steeped in atmosphere–this time of an isolated New England lighthouse in the 1890s where Robert Pattinson’s Thomas is taken under the lunatic wing of Willem Defoe who may or may not have a supernatural connection to the beacon they tend to. In stunning black and white, Eggers produced some of the most memorable imagery of the year.
In lieu of a Worst list–since I don’t see enough to pull a whole list confidently–I’m sorry to say MEN IN BLACK: INTERNATIONAL was the biggest disappointment. Taking Hemsworth and Thompson, who have a proven comedic chemistry and just throwing them into this lazy script was a huge wasted opportunity.
#1. 1917
Selected by the Kansas City Film Critics Circle as the year’s Best Film, “1917” is simply a stroke of genius. Nominated for three Golden Globes, “1917” is not only a masterful example of the war film genre, but it is also a masterpiece of cinema in general. Directed by Oscar-winning British filmmaker Sam Mendes (“Skyfall,” “The Road to Perdition”), who co-wrote the screenplay with Krysty Wilson-Cairns (“Penny Dreadful”), “1917” is an accurate depiction of the Great War with an edge-of-your-seat plot that is essentially Great Britain’s “Saving Private Ryan.”
#2. KNIVES OUT
An impressive piece of creative writing, “Knives Out” deserves to be in the pantheon of great murder mystery flicks. With a terrific cast including Jamie Lee Curtis, Don Johnson, Christopher Plummer and Michael Shannon, “Knives Out” is led by Daniel Craig in a wonderfully entertaining performance that makes you forget all about his more famous alter egoJames Bond. Whether you guess who done it within 15 minutes or not until the very end, “Knives Out” provides a great way to spend the night out at the movie theater.
#3. JOKER
Featuring by far the best male lead performance of the year, “Joker” is the most in-depth character study captured in cinema in 2019. Joaquin Phoenix goes to Herculean lengths to tap into the essence of a man so ostracized by society that when his last thread to sanity is cut, he becomes something that lies somewhere in the middle of being a villain and a hero. Dark, gritty and violent, “Joker” is not your typical comic book or even graphic novel movie. It eclipses both. Phoenix is supported by a memorable supporting performance from Robert De Niro.
#4. MOTHERLESS BROOKLYN
Edward Norton’s effort is a triumph of cinematic art and deserves to be an Oscar contender in multiple categories. Adapted from the 1999, National Book Critics Circle Award-winning novel of the same name by American novelist Jonathan Lethem, “Motherless Brooklyn,” written and directed by Norton, is a brilliant, throwback detective story with an all-star cast that delivers the goods. It mirrors early 1950s Brooklyn in such a palpable way that it makes you feel like you are there. Despite its arguably long, two-hour plus running time, the puzzle-like central story is so engrossing with its twists and turns that you can end up losing yourself in it.
#5. US
Academy Award-winning writer Jordan Peele followed up his magnificent horror thriller “Get Out” with another stroke of genius thatwhich should not be watched immediately before bedtime. An inventive work that will give you goosebumps throughout as the Wilson family, led by Lupita Nyong’o and Winston Duke, tries to stay alive in the face of eerie doppelgangers who want them all dead. Nyong’o was recently selected by the Kansas City Film Critics Circle as 2019’s Best Actress for her memorable performance.
#6. ONCE UPON A TIME IN HOLLYWOOD
Love or hate him, there is no denying the talent of Quentin Tarantino. In this, his ninth and allegedly next-to-last film, Tarantino pays tribute to Hollywood’s Golden Age by putting his own unique spin on the August 1969 Sharon Tate murders. With enthralling performances by Leonardo DiCaprio and Brad Pitt, Tarantino dug deep into his imagination with an entertaining “what if?” story with a climax that will drop your jaw to the floor and imagery that will be stuck in your head for days afterwards.
#7. THE IRISHMAN
At three hours and 29 minutes, “The Irishman” is a Martin Scorsese film not to be tackled lightly. However, if you are a fan of not just mafia-related stories but also a trio of iconic actors – Joe Pesci, Robert De Niro and Al Pacino – then you will be greatly rewarded. It is the supposed story of mob hitman Frank “The Irishman” Sheeran who worked closely with the mob for decades and claimed that he was the one who made labor union leader Jimmy Hoffa famously disappear. Of the three, it is Pesci who outshines everyone as a mob boss. It is nothing less than the greatest performance of Pesci’s long career.
#8. QUEEN & SLIM
Ideally, a great work of art, especially one that is controversial, will have a deeply emotional and/or intellectual impact on the viewer. It is no different with the genre of cinema. Erroneously labeled by some as a Bonnie and Clyde-type story, “Queen & Slim” explores the fear and outrage felt by many in America over numerous fatal shootings in recent years of black men, often young ones, by white law enforcement officers. While its climax is heavy-handed and the overall portrayal of the police is too generalized, “Queen & Slim” remains a terrific specimen of cinematic art.
#9. A BEAUTIFUL DAY IN THE NEIGHBORHOOD
Last year, I had the fantastic documentary “Won’t You be My Neighbor?” in the eighth spot of my 2018 top ten list. This year, another Mister Rogers film makes my year-end highlights. Inspired by true events, Tom Hanks puts in a mesmerizing supporting performance as the late, beloved PBS show host as he tries to help a jaded newspaper reporter remember what is most important in life. It is a sweet, lovely story amidst harsh times.
#10. AVENGERS: ENDGAME
Ten years’ worth of Avenger-related movies, some better than others, culminated with “Endgame” and it was all worth it with a tremendously rewarding finale. What made it so spectacular was not that it had great special effects or a cast with enough stars to fill up the nighttime sky. Rather, it contained an emotional story that did not have a neat and tidy ending. It was a true struggle of good vs. evil with many of those on the side of good having to pay a terrible price for their collective success. It does leave one to wonder how the gang at Marvel Studios will do with the next phase of Avenger flicks.
HONORABLE MENTIONS: AD ASTRA, I AM MOTHER, PEANUT BUTTER FALCON
JUST MERCY
Starring: Michael B. Jordan, Jamie Foxx and Brie Larson
Directed by: Destin Daniel Cretton
Rated: PG 13
Running time: 2 hrs 16 mins
Warner Bros
Recently here in Kansas City a gentleman was released from prison after serving 17-years for a crime he didn’t commit. Naturally, your heart goes out to him and his family but, even in your worst dreams, there is really no way to understand what he went through. I mention this because injustice is the theme from the new film “Just Mercy.”
Monroeville, Alabama. Fans of the book “To Kill a Mockingbird” will recognize the town as the birthplace of author Harpee Lee. It was also the birthplace of Walter McMillan. We meet Walter (Foxx, in a top notch performance) in the woods, cutting down a tree and enjoying the freedom of nature. However, Walter’s life takes a dark detour when he is arrested for, and convicted of, the murder of a young white woman. I mention the victim’s race because that is an important part of the story. You see, Walter is black. Found guilty (in an amazing precedent the jury sentenced Walter to life in prison and the trial judge overrode the decision and sentenced Walter to death) he’s sat on death row for the past six years, waiting for the horrible dream his life has become to end. Enter Bryan Stevenson (Jordan, equally strong) a young, Harvard-educated lawyer who has received a grant to start an advocacy program for inmates on death row. To say Bryan is welcomed with open arms would be a lie. More like welcomed with clenched fist – and closed minds.
A powerful film that pulls at your emotions, “Just Mercy” is based on a true story, one of racial bias and unscrupulous people. It’s almost fate that the story takes place in the birthplace of “To Kill a Mockingbird,” That bit of information is played up by the locals, who urge Bryan to visit the Mockingbird Museum and stand in the same courthouse as Atticus Finch. But “Mockingbird” also deals with the trial of an innocent black man, Tom Robinson, who is falsely accused and, even though there is mounds of evidence to prove his innocence, is found guilty. Bryan, like Atticus Finch before him, believes in the system and can’t understand how that system has failed Walter.
As noted above, the performances from Mr. Jordan and Mr. Foxx are powerful. Jordan continues to add great work to his resume’ and this is easily Mr. Foxx’s best performance in years. As Bryan’s assistant Eva Ansley, Brie Larson delivers in a true supporting role and Tim Blake Nelson is well cast as a fellow convict whose testimony sent Walter to prison. The film is well paced and Mr. Cretton’s direction is spot on, his camera capturing the little things that help make the story a powerful one. He has definitely created one of the best films of 2019.
CATS
Starring: Idris Elba, Rebel Wilson and Judi Dench
Directed by: Tom Hooper
Rated: PG
Running time: 1 hr 50 mins
Universal
I lived on the east coast for many years – from 1982 through 1995. I was a frequent visitor to New York City and, every time I would walk by the Winter Garden Theater I would see the words “Now and Forever.” These words were very true when it came to the show playing at the Winter Garden: the musical “CATS,” as it ran on Broadway for a then-record 18 years! This week, 37-years after it opened on Broadway, “CATS” has finally come to the big screen.
We open on a London street where we see a car pull into an alley. A woman takes a bag out of the car and casually throws it towards the garbage bins. The bag lands with a thud and begins to move. As the woman drives off the bag is surrounded by a motley group of cats. They open the bag to discover a young cat who is obviously frightened. One by one the cats introduce themselves. So begins the film adaptation of the Tony-award winning Best Musical, “CATS.”
How do I describe this film? When the trailer first premiered many people, myself included, were confused by what the film was being portrayed as. It seemed almost like a joke, the way the cat characters were jumping around on over-sized furniture. But it wasn’t a joke. Unlike the Broadway show, which takes place in a junkyard, director Tom Hooper has opened up the sets, allowing the feline characters to jump on beds, sing on library steps and even tap dance across a railroad tie. Fun stuff, to be sure, but creepy as heck. And while the cast gives its all, the show seems to almost come to a stop in between musical numbers.
The cast is phenomenal, featuring everyone from revered actors like Dame Judi Dench and Sir Ian McKellen to pop singer Taylor Swift. Others spinning a yarn include Rebel Wilson, Jennifer Hudson and Ray Winstone. Heck, even Idris Elba gets in on the action. The actors are fine…they just don’t have shoulders enough to carry the film.
The high points here are the make-up, special effects and choreography. Rather than follow in the footsteps of Broadway, where the cast wore unitards, here the very expressive faces of the cast are modified with whiskers and CGI. Most of the makeup is fine, but Judi Dench comes off looking like Bert Lahr’s older sister from “The Wizard of Oz.” The musical numbers, of course, are superb, which is a no brainer when you’re dealing with Andrew Lloyd Weber. Sadly a few people in my screening fell asleep but those of us who stayed awake were treated to a very different way to tell a story.
If you’re a fan of the musical, or a member of the cast, then by all means go see “CATS.” If you’re not a fan of musical theatre, go stand in line and see “Star Wars” again.
The first thing that popped into my head when Will Muse got on the phone was “no way this kid is 16!” With a voice, and a heart, that belies his youth, Muse is quickly becoming one of the most exciting talents to watch in 2020.
The music video for his first single, “I Can Change,” has been viewed more than two million times. His sophomore release, “Spend,” was released in April of this year and received heavy airplay on Radio Disney. This past month the singer/songwriter released his third single, an expressive song about falling in love called “Shape of Your Faith.” He also created the Music for Wishes Foundation, which helps the Make-a-Wish Foundation grant wishes for children in his Somerset, Kentucky town. Again…no way this kid is 16!
Will recently took some time out of his busy schedule (he attends school daily, concentrating on his music once homework is done) to talk to me about his new song and his plans for the new year.
MIKE SMITH: What triggered your interest in music?
WILL MUSE: When I was growing up my parents were always listening to a lot of cool, classic music. It definitely influenced me. From the age of three years old I was listening to Guns and Roses, Pearl Jam, Aerosmith…great classic rock like that.
MS: How old were you when you wrote your first song?
WM: When I wrote my first song I was about 12.
MS: Was it good enough, in your opinion, that you realized this was something you not only enjoyed but had a true talent for? Something you not only could do but could do well?
WM: Yes. Songwriting has always been a great outlet for me to express myself and my feelings. To explain my passions through music.
MS: As a singer/songwriter there are two different parts of what you do. Do you have a preference between creating and performing?
WM: I love to create music. To create the lyrics and the melodies. But I really love giving a good live performance. That really excites me. One time I was performing my first single, “I Can Change,” and a lady in the audience came up to me after the show. She was crying because she had been so moved and so touched by the message of the song. It’s moments like that that bring me joy with my music.
MS: What was the inspiration for your latest single, “Shape of Your Faith?”
WM: I wrote it with a fun, groovy and retro vibe in mind, musically. Lyrically I wanted to talk about how love can take different forms in the way it shapes your life.
MS: Can you talk about your Music for Wishes Foundation?
WM: Back in 2017 I wanted to combine my passion for music with my passion for helping people. Here where I live in Somerset, Kentucky I saw the need for a Make-a-Wish fundraiser so we put on an event that year that consisted of a concert, a dinner and a silent auction. Besides myself, several other artists perform at the concerts. This past year we had Pam Tillis, which gave me the opportunity to do a finale’ song with her. We’ve raised over $85,000.00 to help grant wishes for the local children.
MS: What’s next for you musically?
WM: I have a couple more singles I hope to release including a really fun duet. I’ve also shot a few more music videos and I have a tour coming up in the spring (2020). I’ve got a lot of great things coming up that I’m really excited about.
STAR WARS: THE RISE OF SKYWALKER
Starring: Carrie Fisher, Daisy Ridley and Adam Driver
Directed by: J.J. Abrams
Rated: PG 13
Running time: 2 hr 21 mins
Walt Disney
In 1977, theatre owners everywhere were excited about an upcoming film from 20th Century Fox that they were sure was going to fill their theatres for weeks.
That film was “The Other Side of Midnight.” Based on a very popular best-selling book, the demand for the film was so great that the studio was able to do a little quid-pro-quo with the owners. If you promise to play this little space movie we have coming out in May we will make sure you get “The Other Side of Midnight.” That “little space movie” was, of course, “Star Wars.” The punchline to this story is that “Star Wars” proved to be so popular that, when “The Other Side of Midnight” opened two weeks later, many theatres NEVER played it as they were still filling the house. I’m pretty sure I can guarantee that the final installment in the original series will do the same.
Let me begin by saying this will be a spoiler-free review. Not only because the studio asked critics not to give anything away but also because if, like me, you’ve got 40-plus years of your life invested in the saga you don’t want some pencil neck with a computer spoiling your fun. The story begins with our heroes Rey (Ridley), Finn (John Boyega) and Poe Dameron (Oscar Isaac) still trying to defeat the First Order, led by Kylo Ren (Driver). While Rey continues her Jedi training, Kylo Ren is raging his way through the galaxy, hoping to confront the all-powerful Emperor, the leader of the evil Sith. Things are getting bleak for the resistance and General Leia Organa (Fisher) is out of ideas. Will the final pieces of the rebellion be destroyed? Sorry, the studio won’t let me tell you!
Here’s what I can tell you. Director J.J. Abrams, who co-wrote the screenplay with Oscar-winning screenwriter Chris Terrio (“Argo) has crafted a story that should satisfy every “Star Wars” fan in the galaxy. Old friends return while new friends extend the story. You would have to have a heart colder than a Wampa not to enjoy this movie.
The cast is top-notch, with the three principal actors having grown into their roles. It is obvious they are much more comfortable here than they were in Episode VII (“The Force Awakens”). Rey is certainly my grandchildren’s version of “Alien” crewmember Ellen Ripley, a strong, young woman that others can look up to and admire. Fisher’s Princess Leia in the original trilogy was the same kind of character and Ms. Ridley gives her both an outer and inner toughness, though the goodness she possesses is also visible. Both Boyega and Isaac have larger roles here. Finn is much more decisive in his actions while it’s nice to see Poe NOT in a spaceship for the majority of the film. The filmmakers were able to include Carrie Fisher in the story by reshaping scenes she filmed for “The Force Awakens” and it is a joy to see her on the big screen one last time.
Driver has also grown into the role. To me he came off as a little wimpy when he was introduced in “The Force Awakens” but here he is downright terrifying. The man has some serious anger (and family) issues and you don’t want to be near him when he snaps. To counter the intensity of some scenes Abrams has also included some good, old fashioned humor and the jokes play well.
Visually, of course, the film is a masterpiece. Battles between literally hundreds of ships take your breath away and the musical score, by the great John Williams, is a perfect accompaniment to the action on screen.
In the spring of 1977 some friends of mine and I wrote away to 20th Century Fox for some information on “Star Wars.” We each received a beautiful full-color campaign book, which I still have. I was 16 when “Star Wars” came out. Like many people my friends and I went to the theatre not knowing what to expect and walked out hooked. I enjoyed the films so much that half of my basement is crowded with “Star Wars” memorabilia. I was even asked to moderate the 40th Anniversary Q&A event that was held in Kansas City. “Star Wars” is, and has been, a very important and memorable part of my life and I must say that “Star Wars: The Rise of Skywalker” is the perfect ending to my childhood!
“1917,” Sam Mendes’ look at a secret mission during World War I, was named the Best Film of the Year by the Kansas City Film Critics Circle. The film also took home honors for Mendes’ direction and for its cinematography. “1917” and “Us” were the only film to receive multiple awards, with “Us” star Lupita Nyong’o being named Best Actress while the film was chosen to receive the Vince Koehler Award for the year’s Best Science Fiction, Fantasy or Horror Film.
Each year the Kansas City Film Critics Circle, the second oldest critics organization in the United States, votes on their choices for the groups James Loutzenhiser Awards. 2019 marks the 54th time the group has passed out its awards. The South Korean film “Parasite” was named the year’s Best Foreign Film while “Toy Story 4” joined the first three films in the series by also being named the year’s Best Animated Film, an amazing achievement.
Below is a complete list of the winners of the 54th Annual James Loutzenhiser Awards
Hello…it’s me!
A few weeks ago I noted in a review of a concert I attended that Todd Rundgren was CRIMINALLY NOT IN THE ROCK AND ROLL HALL OF FAME. The time has come to change that.
Apparently someone at the hall took notice because this year Rundgren is one of the nominees for election. Right now he’s trailing in the vote (apparently only five performers/bands are inducted each year) so I’m asking everyone of our readers to click HERE and vote for Rundgren. The man has been a major influence on the rock and roll scene, both as a performer and a producer, for almost five decades. He deserves a place among the very best because he is among the very best. Thank you!!
Media Mikes has teamed with their friends at Lionsgate to give (50) readers and a guest the chance to be among the first in Kansas City to see the new film “Bombshell,” starring Nicole Kidman, Charlize Theron and Margot Robbie.
The film will be screened on Wednesday, December 18th, at the Screenland Armour Theatre in North Kansas City and will begin at 7:00 pm
To attend, all you have to do is click HERE. The first (50) readers to do so will receive a pass for (2) to attend the screening. This is a first come/first serve giveaway. Once the allotted number of passes have been claimed the giveaway is ended. ENJOY THE MOVIE!
Social Media: @BombshellMovie
Hashtag: #BombshellMovie
Website: https://bombshell.movie/
This week we talk movies, movies, movies with reviews of DOLEMITE IS MY NAME, THE IRISHMAN, THE REPORT and more!! Want to listen in? Click HERE!
FROZEN II
Starring: Kristen Bell, Idina Menzel and Josh Gad
Directed by: Chris Buck and Jennifer Lee
Rated: PG
Running time: 1 hr 43 mins
Walt Disney
Call me Nostradamus. In 2015, in a book I published, I commented on the proliferation of sequels in today’s Hollywood. I also noted that, as the original “Frozen” was such a big hit, you can rest assured there will be a “Frozen II.” And now there is. And it’s pretty darn good.
The film begins with a flashback of the two young princesses being told the story of how their kingdom was founded by their father. It’s not a pretty tale and their mother calms them down with a lullaby. Jump to the present. We join our Princesses (Anna – voiced by Ms. Bell and Elsa – voiced by the Marvelous Ms. Menzel) as they enjoy a nice day outside with their snowman pal Olaf (Gad). Apparently Olaf has been “permafrosted” so the sun no longer bothers him. The story takes a turn when Elsa vanishes, having left to discover the secret behind her power (for the uninformed, she has the ability to conjure up snow and ice at will). Adventure, and several songs, ensue.
“Frozen II” sticks to the Disney tradition of the sequel – familiar characters doing different things. The story (and songs) aren’t as strong as the original, but it is enjoyable. I may be unfair in doing this comparison, but the songs here are not as strong as in the first film. “Let It Go” was a powerhouse of a song, deservedly earning the Academy Award for Best Original Song. The best number here is “Into the Unknown,” which is delivered in full throat by Ms. Menzel. As someone who would pay to hear Idina Menzel sing the phone book, her range and power on this tune is breathtaking. Great for me, but it kind of takes the wind out of the sails of the other numbers. The cast is in great form (and voice), with both Bell and Menzel giving life to their characters while Josh Gad is at his best comic timing as Olaf.
Visually, the film is perfect. When I think back to the hand-drawn animation of my youth I can’t believe the progression that has been made up until today. Directors Buck and Lee, who took home the Oscar for “Frozen,” return and keep the story moving, always a good thing when your target audience is youngsters. They have delivered an early holiday present to princesses’ everywhere.
