Interview with Andy Mackenzie & James Duval

Andy Mackenzie & James Duval are co-starring in the film “Sushi Girl”, playing the roles of Max and Francis (respectively).  These guys were so passionate about this film during our interview and it is rare to see such devotion to a film.  Media Mikes chatted with Andy and James about their roles and what it is like working with such an all-star cast.

Mike Gencarelli: James, tell us about your role of Francis in “Sushi Girl”?
James Duval: Yeah, I play Francis and I am part of the old core group members of this group of professional criminals. I play the shifty one in the group, so to speak [laughs].

MG: Andy, tell us about your role of Max in “Sushi Girl”?
Andy Mackenzie: Max is honestly surrounded by all these badass guys, except Max is probably the most badass. He is the guy that shoots first and doesn’t even have time to ask questions later. He has somewhat of a brain and he actually is somewhat multidimensional with his relationship with Mark Hamill’s character in the film. We push buttons all throughout the film.

MG: What drew you to work on this film?
AM: I read the script the first time and I tried to picture who was going to be the actors playing these characters. First off, I pictured Tony Todd because he is the pimp and it would be perfect. Everyone brought so much to the table in a completely different way than you can ever imagine. It just keep getting better and better every day.
JD: Absolutely it just kept growing. Andy was actually signed on to this film before me, like a year and a half ago. I knew Tony before just from the business and I knew who Andy was but never met him. So I was really excited to sit down and looking forward to the rest of the casting. At that point they hadn’t locked the characters down for Fish (Noah Hathaway) and Crow (Mark Hamill) yet. This was an opportunity to sit down a do a real good character piece with the script that Destin (Pfaff) and Kern (Saxton) has written. It is absolutely dynamic. I learned a lot from working across Tony Todd, who just has this presence. Then when you throw in the color of Mark Hamill and Noah Hathaway, honestly it doesn’t get better than that. When you think of Mark Hamill, you really don’t even know what he looks like anymore besides he does a lot of voice work. All of the sudden he shows up at our last table reading with a character completely out of a comic book [laughing]. It was the funniest, scariest and creepiest thing…all at the same time. It turned everything around that I was doing or thinking. I thought now I have to react to this guy [laughs]. Everyone knows Mark and Noah so well from growing up with them in films, but to see them come and deliver on this film is really what acting and making movies are about. This is a character breaking role for Mark Hamill and you will not look at him the same way again.

MG: You both sound so inspired about working on this film, it is really refreshing.
JD: It is just a dream come true. We are working with really dynamic actors that are really some of the best in the business but we also have a really great dynamic script. It has fleshed out character development and twists and turns. As an actor getting to play that is just a blast, you can not ask for more when you are making a movie.
AM: Exactly what Jimmy said, definitely a dream come true. Imagine growing up, you are watching “The Neverending Story” or “Star Wars” or “Candyman”. All of the sudden you walk into this room and all of these guys are in the same room as you and you have to be a badass [laughs]. That is where the inspiration is but how can you actually be a badass when you are surrounded by all these badasses [laughs].

MG: What would you say was your most challenging aspect working on the film?
JD: Every actor wants to shoot as chronological as possible. This was shot over 18 days and the real challenge was that after 7-8 days, you are left exploring and figuring out who you are. You want to go back in time and known that something prior was going to happen and changed a relationship. We spent a lot of time on set and even off camera talking about who these characters really came from. Once you see the movie we are right there in this middle of this crime. You are left wondering where we all came from. We are constantly exploring and seeing where we could take these characters. The film basically takes place in one night with some flashbacks.
AM: We were trying to do the chronological aspect the best we could but then there was a couple of occasions when we had to jump way forward and catch somethings. That was the big problem during those moments, we really didn’t know who we were at that moment and that is when we needed to go back and try to find out.
JD: Can’t talk about the budget, but we didn’t have a lot of money or time. We had to move fast and in the sense of doing so you are jumping from scene to scene quickly. You have the camera setup jumping from shot to shot without changing, so you have to be really on the ball with what was going on.
AM: What I meant to say with the biggest challenge was sitting around the table right next to a hot naked chick with only sushi covering parts of her body…that was really hard [laughs].
JD: Cortney Palm, great young up-and-coming actress, was really amazing having to sit there 15-18 days in the same position. She is going to blow you guys away. I think there are some parts of this film that we can’t say but it is going to go down in cinematic history. The visual shots and certain scenes are very memorable and it is really exciting to be a part of.

MG: James, What is the deal with “Mondo Holocausto!”?
JD: I know we were planning on doing it a couple of years ago. It is still in pre-production and I just received an email from the director, so it might be moving forward again. It was put on the back burner for a while. It was going to be down in the style and spirit of the 70’s Mondo campy horror films with badly dubbed over purposely. I do not know if it would work but I love the idea and the concept. I saw some test shots with the actors voice dubbed and I couldn’t stop laughing. I thought it was incredible. If we are fortunate enough, I hope he gets the money and we still get to do this film.

MG: Andy, do you still get a chance to work on your music as well as acting?
AM: Yeah, I am still playing drums in a band. Everyone is currently busy with other things so we haven’t been playing live recently. It is such a great outlet for me and I totally need to get back out there.

MG: You both have a few films in the works, so what’s next?
JD: I actually just finished filming my first script that I wrote with a friend of mine. It is a totally different film that “Sushi Girl” and it was great writing it. We really explored the characters in the film. We started editing this week, so we will see how it goes. I am really excited. I also have a film that I produced that premiered at Raindance Film Festival in London, called “The Black Belle”.
AM: I have two films in post right now. One of them is called “Knifepoint” that just premiered at Fantasia in Montreal and next it is moving to Chicago Horror Film Festival. There is another film I did which is also hitting the circuits, called “American Joyride”. I also just did a Civil War TV pilot called “Reconstruction”.

 

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DVD Review “Superheroes”

Directed by: Michael Barnett
Distributed by: New Video
MPAA Rating: Not Rated
Running Time: 81 minutes

Overall Score: 1 out of 5 stars

Let me start with…GIVE ME A BREAK. I know everyone wants to be a superhero when they are kids but these sickos take it to a whole new level. I get the idea behind the film is to show their good intentions by helping people and “protecting” the streets but honestly I can’t believe this. So in case you don’t get it, these people believe that they are real superheroes. I find myself laughing at them and think its time they pack up their Spidey underoos up and leave this to the professionals.

The documentary itself is a tale about these peoples courage as they merge fantasy into reality and patrol the mean streets to fight crime. They focus on a group of these costumed avengers and their real-life stories. Some of these clowns use names like Mr. Xtreme, Dark Guardian and Vigilante-Spider. They really need to get a grasp on reality and realize that these superhero characters like Batman and Spider-Man are fake and started as comic book characters.

The special features included are deleted scenes, which are additional tales of these “superheroes”. There is also the theatrical trailer. I wouldn’t suggested watching these deleted scenes unless you really enjoyed this film. Overall I think the film itself is well done by Michael Barnett but just the topic is a joke with these tools.

DVD Review “Hollywood Party”

Directed by: No director credited
Starring: Jimmy Durante, Laurel and Hardy, Jack Pearl, Polly Moran, Charles Butterworth
Eddie Quillan, June Clyde, Mickey Mouse, Lupe Vélez, George Givot, Richard Carle, Robert Young, Arthur Treacher, Joe E. Brown, Frances Williams, Ben Bard, Tom Kennedy
Ted Healy and His Stooges
Distributed by: Warner Bros. Archive
Running time: 68 minutes

Our Score: 4 out of 5 stars

This film really represents the classic MGM films from the 30’s. It is packed with such an amazing cast including all the greats Jimmy Durante, Laurel and Hardy, The Three Stooges and even an appearance from the animated Mickey Mouse. There is also a great animated short, “The Hot Choc-late Soldiers”, created by Walt Disney. This film is funny over the top and completely fun. Even though the talent is fantastic…the music in the film is simply fantastic and you can actually thank the great Irving Berlin for that.  Overall this is a must purchase for this classic gem.

I have to say that this is my first viewing of this film and I am very happy that I came across it. It is also the first time it is appearing on DVD, thanks again to the amazing WB Archive. The special features on the DVD are honestly amazing. There is the original trailer, which is cool to see especially since this film is from 1934. The best feature is an audio vault with 10 audio outtakes from the songs in the film. It also includes unused versions and alternate performances. It is really great to have a feature like this.

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Synopsis
The screen’s great Schnarzan (Jimmy Durante) wants to wow the visiting Baron Munchausen (Jack Pearl, reprising his familiar vaudeville and radio character) by throwing him a big, bustling Tinseltown bash. Hollywood Party – 8 directors and 8 writers (2 credited) strong – is the wild, wildly inconsistent but ever fun musical-novelty result, packed with kicky dance montages offering pre-Code chorines and Berkeley-like kaleidoscopic shots, spiked with a color cartoon insert from Walt Disney, muscled up with Schnarzan’s lion-wrasslin,’ and thronged with notables (including Mickey Mouse, Ted Healy and his Stooges and Mr. Laurel and Mr. Hardy, who put an egg in Lupe Velez’s shoe and are duly repaid). Dress to impress!

DVD Review “Frosty’s Winter Wonderland”

Narrated by: Andy Griffith
Starring: Jackie Vernon, Shelley Winters, Dennis Day, Paul Frees
Studio: Warner Home Video
Running Time: 25 minutes

Overall Score: 3.5 out of 5 stars

I think that the Rankin-Bass Christmas specials are honestly the best. The only special that has come close recently is Disney’s “Prep and Landing”. This film is the sequel to the 1969 special “Frosty the Snowman”. I hold the original very high as on of my favorites and this one is fun and cute but doesn’t compare. At least we get the return of Jackie Vernon voicing Frosty the Snowman. In this sequel, Frosty gets a girlfriend and also an enemy, Jack Frost. The DVD is clear and the sound is decent especially for DVD but I wish they transferred this on to Blu-ray and included more extras.

The only special feature is called “Fun Filled Look At The History Of Snowmen And The Birth Of Frosty”. It is a decent feature but the same goes for the recently released “‘Twas the Night Before Christmas”, no idea why they are being pitched as “deluxe edition”. They are far from deluxe and at least “‘Twas the Night Before Christmas” was transferred to Blu-ray. For the last DVD release of this film in 2003, it was paired with the “‘Twas the Night Before Christmas”. So you might be better picking up that edition rather than this one if you are looking for best value.

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Synopsis: From beloved song to animated holiday classic: Frosty meets his match in a glistening Remastered Deluxe Edition! Andy Griffith, Shelley Winters and Jackie Vernon lend their voices to this captivating cartoon about the Snowman’s winter return to the children of a small town for a winter season of fun and games. But he?s lonely at night when left by himself. So the grateful kids build him a beautiful snowlady companion. Jealous of the attention given Frosty, Jack Frost blows up a blizzard and swipes Frosty’s magical, life-giving hat. Only true love can bring Frosty back to his old fun-loving self. Two songs that have proven to be enduring seasonal favorites highlight the soundtrack: Frosty the Snowman and Winter Wonderland.

DVD Review “The Smurf’s Holiday Celebration”

Studio: Warner Home Video
Episodes: 2
Run Time: 48 minutes

Overall Score: 3.5 out of 5 stars

Got to admit I am a sucker for a Holiday special and to top it off I love me some Smurfs. This DVD comes with not one but two specials from “The Smurfs” television series.  Warner Home Video is known for keeping The Smurfs alive through releasing numerous volumes over the last year.  This DVD definitely does the job and gets you in the holiday spirit.  If you are a fan of The Smurfs and looking for a little holiday cheer this is a no-brainer.

The first episode included is  The Smurfs’ Christmas Special, originally aired on December 12, 1982, shows its age a little bit but delivers the smurfing goods.  It is the classic story featuring Gargamel plotting to destroy Christmas for the Smurfs.  This is easily the better of the two on the disc.  The second special is called “‘Tis The Season To Be Smurfy”, originally aired December 13, 1987.  It follows Sassette Smurf who helps an elderly human couple celebrate Christmas and discover the true meaning of the season.  This one is missing my favorite character, Gargamel, but does contain some decent holiday spirit.

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Synopsis: Deck the halls with Papa Smurf, Smurfette, Brainy, Jokey and all the other true blue friends in these absosmurfly charming animated specials from The Smurfs TV series. In ‘Tis the Season to be Smurfy, young Sassette Smurf discovers the true meaning of the season when the Smurfs befriend an elderly human couple who have no money to celebrate Christmas. Then, in The Smurfs Christmas Special, the wicked Gargamel plots to ruin Christmas for the Smurfs and with the help of an evil stranger, he destroys the Smurf’s village. But even with no Christmas decorations or holiday feast, the Smurfs still have a smurfy song in their hearts. Will Gargamel feel the Christmas spirit this year? Dash through the snow to give your family the smurfiest gift of the season!

Blu-ray Review “‘Twas the Night Before Christmas”

Director: Jules Bass
Narrated by: Joel Grey
Studio: Warner Home Video
Rated: G
Run Time: 25 minutes

Overall Score: 3.5 out of 5 stars

“‘Twas the Night Before Christmas” is one of the little known Christmas classics.  It has always been a fun short special, another great from Rankin-Bass.  The video on this Blu-ray is decent and showcases some rich color. The sound is original with Dolby Digital 1.0 mono but has some problems.  One cool aspect of this set is that it comes with the Blu-ray and the DVD of this special.  The only issue I have with this is that is it really worth the upgrade to Blu-ray for a short 25 minute.  If you are looking to get in the Christmas mood and do not own this yet, I recommend it for sure otherwise stick with the DVD.

The only really extra included on the “deluxe edition” is a feature called “Christmas: A Global Tradition”. It is an animated comic book exploring Christmas traditions around the world. Not really great but would have loved to see a feature instead on Rankin/Bass.  I am not sure whey they are calling this the deluxe edition when it is barely deluxe and they even removed the “Frosty’s Winter Wonderland” special from the previous release.  Overall the special is great but the overall set is not amazing.

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Synopsis:
For some unexplained reason, letters to Santa Claus are being returned to the children of Junctionville. It seems some sour soul has angered St. Nick, calling Christmas “a fraudulent myth!” The skeptical rodent Albert Mouse has to be brought to his senses “and let up a little on the wonder why.” How Albert is persuaded to change his tune paves the way for Santa’s jolly return to Junctionville — and the joyous finale of this charming animated fable inspired by Clement Moore’s poem. Joel Grey, Tammy Grimes, John McGiver and George Gobel are featured voices. Approx. 23 minutes. Year: 1974

Film Review “J. Edgar”

Starring: Leonardo DiCaprio, Armie Hammer and Judi Dench
Directed by: Clint Eastwood
Rated: R
Running time: 1 hour 50 mins
Warner Brothers

Our Score: 4 out of 5 stars

For the past two decades, Hollywood has been on the Clint Eastwood bandwagon. After he won an Oscar for directing “Unforgiven,” (the film also won Best Picture), Eastwood was finally accepted as a filmmaker of the highest order. Never mind that Warner Brothers dumped “Unforgiven” in theatres in the first week of August. To the studio it was just another one of “Clint’s projects”…in exchange for Eastwood doing an action film or a variation on Dirty Harry, the studio would finance a more personal film. Films like “Honkytonk Man,” “Bronco Billy” and “White Hunter, Black Heart” emerged from that deal. Well made films that showed a side of Eastwood that surprised many. Since “Unforgiven,” Eastwood has directed some of the best films of the past 20 years, among them “Mystic River,” “Million Dollar Baby” (Oscars for directing and picture), “Flags of our Fathers” and “Gran Torino.” Now, as he approaches his 82nd birthday, Eastwood gives us “J. Edgar.”

The time is the 1960s. FBI director J. Edgar Hoover (DiCaprio) has decided to recount his story and that of the bureau. It begins in 1919, where we find J. Edgar still living at home with his mother and sister and traveling via bicycle. He is gung ho about his career in the justice department. So much so, that his idea of a date includes taking his girl to the crime library to show off the card-catalog system he designed. In 1924 the 29-year old Hoover is named acting director of the Bureau of Investigation (renamed in 1935 as the Federal Bureau of Investigation). At the time of his appointment, Hoover’s agents had no police powers. They could not arrest, nor were they issued firearms. When a group of agents gathers for a raid, Hoover produces a suitcase full of pistols, telling the men they are a gift from him. After the kidnapping of Charles Lindbergh’s (Josh Lucas) son, the bureau gets noticed because of the various ideas (finger printing, studying varying woods) Hoover promotes that helps solve the case (another story altogether). As the years progress, Hoover orders his personal secretary Helen Gandy (Naomi Watts), the former library date, to begin storing his “confidential” files. These contain the dirt he has dug up on various politicians and businessmen. “Information is power,” he tells her. He also interviews and hires a young man named Clyde Tolson (Hammer). Hoover is piqued by the note in Tolson’s background report that states he’s never seen in the company of women. Hmmmmm.

Directed with a steady hand, “J. Edgar” is a film with much more flash then substance. A straight-forward biography, the film moves along evenly. But with no emotional high or low point, there is nothing that makes you sit up and take notice. The fault lies in the script by “Milk” Oscar winner Dustin Lance Black. The story is compelling, but with little color to draw you into it. The cast, however, is first rate. DiCaprio, his blue-green eyes hidden behind brown contacts, immerses himself in the role of Hoover, giving one of the best performances of his career. Hammer, so good as the Winklevoss twins in “Social Network,” gives Tolson a quietness that lets the audience into his thoughts. Dench is strong as Ma Hoover. She’s all too aware of Edgar’s peccadilloes, and none too happy. “I’d rather have a son be dead instead of a daffodil,” she tells Edgar one night, using the slang of the period. But daffodil or not, the film belongs to DiCaprio, who even in makeup commands the screen.

DVD Review “Neverwhere: 15th Anniversary Edition”

Created by: Neil Gaiman, Lenny Henry
Starring: Gary Bakewell, Laura Fraser, Hywel Bennett, Clive Russell, Paterson Joseph,
Trevor Peacock, Elizabeth Marmur, Tanya Moodie, Peter Capaldi
Distributed by: BBC
Episodes: 6
Running Time: 180 minutes

Overall Score: 3 out of 5 stars

Neil Gaiman definitely has a very unique eye for storytelling. One of my favorites of his work is “Coraline” and its stop action animation movie. This BBC miniseries celebrating it’s 15th anniversary definitely shows its age in its production. This is the first time in fact I am viewing this series and it doesn’t have the same visual feel that I loved from “Coraline”. I did catch a little feeling of “Alice in Wonderland” throughout but the magic just wasn’t there. I know this series had issues with production and suffers due to that but I think this would have served better as a feature then miniseries. One thing I did enjoy quite a bit is the music from Brian Eno, he is one of my favorites.

The special features on this 15th anniversary edition are worth the upgrade though especially if you are a fan of Gaiman. It includes a new audio commentary with Neil Gaiman, Lenny Henry and Clive Brill. It is a great retrospective looking back on the series. It goes into decent depth on the production. There is also an introduction to the 15th anniversary edition, which is a fun tribute. I think the coolest thing about this release is there is a huge pull out map of “Neverwhere”. There is also recycled bonus features from the last release includes an interview and audio commentary with Neil Gaiman. I enjoyed the new commentary better. I would have liked to see a new interview with Gaiman as well. Lastly there is the photo gallery and character descriptions included.

Synopsis: Neil Gaiman’s (The Sandman, Coraline) first TV miniseries, co-created with Lenny Henry (The Lenny Henry Show, Chef!), brings viewers to an ambitious exploration of a London with two worlds. When office drone Richard Mayhew (Gary Bakewell) rescues a mysterious girl named Door (Laura Fraser, He Knew He Was Right), he unwittingly finds himself part of her quest to learn why her parents have been killed. The next thing he knows, Mayhew?s life changes forever as he’s pulled into the fantastical world of London Below, far from his mundane life in London Above. Pursued by the murderous Messrs. Croup and Vandemar, Door and Richard, with the help of Hunter and the Marquis de Carabas, attempt to find the Angel Islington, who knows the secret behind the murder of Door’s family, and possibly a way for Richard to go home.

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Interview with David Dastmalchian

David Dastmalchian is playing Nelson in the upcoming film “Sushi Girl”.  David appeared in “The Dark Knight” opposite Heath Ledger as part of his team. Media Mikes had a chance to chat with David about his role in “Sushi Girl” and also what he has planned next.

Mike Gencarelli: Tell us about how you got involved with “Sushi Girl” and the role of Nelson?
David Dastmalchian: Well I came across the breakdown for the film when I first got to LA and was really intrigued. I ended up tracing it back to Destin Pfaff on Facebook of all places. I reached out to him about meeting up and talking about the film on a professional level. It turned out that he’d recently seen me in something and the next day we were having lunch. I met with him and Kern Saxton and the other producers and we just sat around and chatted for hours about the film. I was really excited. So from there I got the role of Nelson. He is the driver of the group. He is trying to fit in with the gang and be a part of the team, not just the driver. No one really gives Nelson the respect that he deserves, so he’s going to find a way to get it. It is a really cool part.

MG: How was it working with such an amazing variety of talent?
DD: It was amazing. Everyone involved is so legendary and well known. You are going to get to see a whole other side of Mark Hamill, he is really fantastic in this film. I have just been blessed to work with so many great people. I came down to LA over a year ago after coming from Chicago and New York and I really have had some wonderful opportunities.

MG: Have you had a chance to see the film yet and if so what was your reaction?
DD: Yes, I saw a rough cut and I was blown away. The ensemble is a blast, the look of the film is gorgeous. It is just like nothing I have ever seen before. It does everything that I want to see in a movie like this. It’s fun, scary, disturbing and I can’t wait to see it again.

MG: Compare working on a film like “The Dark Knight” to “Sushi Girl”?
DD: That is a good question. Believe it or not they are not too much different. “The Dark Knight” had a very large budget and mammoth crew but when I was doing my couple of scenes, it felt like an indie that just happened to have a great deal of support. The atmosphere that they created was very conducive to making discoveries and being able to play. Same with ‘Sushi Girl’. And even though “Sushi Girl” didn’t have that kind of money, it’s so well planned and thought through that it feels like it does. When films like these have a strong idea behind them and a team of people who really care, who think outside the standard box in creating it, it shows on the screen. When you go on set and the people making the film are so ready to go then it doesn’t really feel much more different to me. I am working on a film with friends called “Say When”, it’s a micro budget but there are incredible things happening because the director can use the obstacles of budget restraint as a way to come up with some imaginative solutions. The creative process, if approached the right way, can really thrive under restrictions. So I guess I keep learning that some amazing work can get done when the creative team has strong ideas and talent and vision to execute those ideas – whether it’s five thousand, a million or a hundred million dollars behind a film.

MG: What do you have in the works next?
DD: Oh man, trying to keep busy. I just finished a film called “Brutal” in New York with Kamal Ahmed (a former “Jerky Boy” who now makes indie films). That was really great and challenging. I also did a film called “Death Method” with Malcolm McDowell, written and directed by Frank Merle. Getting to throw down with Malcolm was definitely one of the highlights of my life as an actor thus far. Richard Day’s hilarious, insane sequel to his cult hit, ‘Girls Will be Girls’. The last year and a half, I’ve been working with my friend, Greg Fitzsimmons (‘Miss Ohio’) on his next feature, ‘Say When’. I can’t even describe this film right now. It costars several close friends, including Grace Rex (Contagion, The Dilemma) and we had to go to some pretty dark places. I am so fortunate to work with close friends who happen to be brilliant, as well. Grace and I are getting ready to launch our new comedy series for the web, “Premature”, which shoots in NYC. I’ve got an upcoming collaboration with Hugh Schulze in Detroit in which I play a painter who is really struggling and forms a strange bond with an unlikely friend. I can’t say much about it yet, but my long-time collaborator and friend, Jimmy McDermott and I have something pretty insane in the works. It’s been very cool getting to do the film festival circuit with Jimmy with our short film, KEEN.

DVD Review “Reckless (1935)”

Director: Victor Fleming
Starring: Jean Harlow, William Powell, Franchot Tone, May Robson, Ted Healy, Nat Pendleton, Robert Light, Rosalind Russell, Henry Stephenson
Distributed by: Warner Archive
MPAA Rating: Not Rated
Run Time: 97 minutes

Overall Rating: 3 out of 5 stars

This the film first time that this 1935 classic has been released on DVD. It has been newly remastered by Warner Brothers. They definitely did a decent job for sure, there are some small issues but what do you expect from a film that is over 75 years old. The film was never one of my favorites and I feel that the story is very jumpy and unfocused. The story really only gets started in the third act and doesn’t leave enough time to develop.

Since the film is from 1935, I am very happy to see that special features included on this release. The first extra is a radio promo called “Leo is on the Air”, definitely worth a listen to. The other extra is a production session pre-recording from on the MGM stage. This one is very cool to watch and to see the whole film behind the scenes. Overall if you are a fan of Jean Harlow and William Powell, you might want to pick this up to see this classic remaster

Synopsis:
By 1935, every movie fan in the world knew Jean Harlow as both a blonde bombshell and a delightful comedienne. To expand her range, the studio gave her a dramatic role in Reckless – and Harlow was a hit. She plays musical star Mona Leslie, the bride of a champagne-stewed blueblood. When he blows his brains out, Mona is suspected of his murder, igniting media frenzy. The film is also notable for its Jerome Kern-Oscar Hammerstein title tune (Harlow, whose considerable skills didn’t extend beyond acting, was dubbed and body doubled in the musical numbers), plus a cast that includes Franchot Tone, Rosalind Russell, and as a hotshot promoter, William Powell, who would become the last love of Harlow’s tragically short life.

Blu-ray Review “Bellflower”

Directed by: Evan Glodell
Starring: Evan Glodell, Jessie Wiseman, Tyler Dawson, Rebekah Brandes
Distributed by: Oscilloscope Laboratories
MPAA Rating: Not Rated
Running time: 103 minutes

Overall Score: 3.5 out of 5 stars

This film is really Evan Glodell’s baby. He not only directed but he also co-produced, wrote the screenplay, edited and of course starred in the film. The film also shows-off Evan’s real life obsession with building a flamethrower and he even built a custom camera. The film definitely has a unique approach when it comes to the cinematography, which is notable handled by Joel Hodge. The acting in the film is also very deep and really intense. You can tell the actors really cared about their roles and really dove deep into character. The story starts off slow but it finishes really strong.

The film tells the story of two friends who only goal in life is to build a “Max Max”-inspired flamethrower in order to fight in case the apocalypse comes. They also are in an imaginary gang called Mother Medusa. Sounds interesting right? Woodrow (Evan Glodell) meets Milly (Jessie Wiseman) and everything changes, as they fall in love. The film is love story at heart but definitely is much more deeper than that. There is something very dark about this film and that part really keeps you interested throughout.

This is release is another great one from Oscilloscope. There cases are 100% recyclable and come with both a Blu-ray and a DVD of the film. It also comes with amazing artwork from the film (remember that…artwork…not the usual empty case). The extras on the Blu-ray are also very notable. There is a very informative behind the scenes packed with great cast/crew interviews, set footage and more. The next extra is something I really wanted to see from the film, it is called “Medusa Rundown”. It is a look into the custom car that was built for the film, very cool feature. There are outtakes from the film as well, nothing special. Lastly original theatrical trailer wraps up a great release for one very interesting film.

DVD Review “Panic Button”

Director: Chris Chow
Starring: Scarlett Alice Johnson, Jack Gordon, Elen Rhys and Michael Jibson
Distributed by: Cine-Britannia
Cert: 18
Running Time: 92 minutes

Overall Score: 2 out of 5 stars

These days, who isn’t involved with social networking. Your friends, parents and even grandparents are all involved. It has become the norm in today’s society. This film aims to show the consequences of living on social network websites. The film tries to deliver a suspense horror film but ends up wasting to much time and fails to entertain. The story feels very drawn out and claustrophobic, especially taking place 99% of the film in a airplane. This could have been interesting but fails, even the twist is weak and very predictable.

The story four lucky (or unlucky in this case) winners of a trip to New York from a social networking site called ‘All2gethr’. The group is set to play a game to win a grand prize but their deep dark secrets are reveals and challenged. they very quickly also find out that the people behind this trip have a different agenda for them. The film doesn’t fall into horror genre and leans more toward dramatic thriller at best.

The extras included on this release includes a gallery of trailers and teasers. Not sure where a gag reel fits in with this film but this has one. There is two short deleted scenes and also an outtake scene called “Jack Loses It”. They are all not very special. There is a featurette on the making of the film, which talks about the films background but overall the production is not very exciting. Lastly there is a gallery of images. Take a pass on this one.

 

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Interview with Destin Pfaff

Destin Pfaff is the writer and producer of the new film “Sushi Girl”.  Destin is also the COO of the Millionaire’s Club and co-star of “The Millionaire Matchmaker”.  Media Mikes had  a chance to chat with Destin about his new film and what we can expect next.

Mike Gencarelli: How did you come up with the idea for the film, “Sushi Girl”?
Destin Pfaff: Alcohol [laughs].  As much good idea usually come from alcohol.  Kern Saxton, my writing partner and also director of “Sushi Girl”, just came off a thriller project.  It was this rock n’ roll good time but when we were about four or five days into production, we had to shutdown.  The crew walked out of the set and the producer pretty much said “Hey guys I am out of money you should just go home” and that was it.  We wanted to do something that would be more contained and we could just do ourselves and not have to depend on anyone.  I have been lucky enough to option some script but nothing every gets made.  You don’t have a career if nobody knows about it.  So we decided to create this intimate little movie that we could fund and make ourselves.  We both like sushi, we both like naked girls and we both like bad guys.  All three of those put together and out pops “Sushi Girl”.  It just kind of got bigger and bigger…I bugged Tony Todd to the point where he had to do the film and he made it even bigger.

MG: How did you get such a great cast including, Noah Hathaway, Sonny Chiba, Mark Hamill, and Tony Todd in “Sushi Girl”?
DH: I loved our cast.  Not only did we have so many genre heavy and very cool people that I grew up watching, but I am honored and blessed to be four or five months past principal and they are all still my friends.  I was at Mark’s house for a BBQ and hanging out with Noah this week and Tony literally just called me before this interview.  This never happens on a film set and it just blows me away.  They are just good people.  Noah is back full force from being retired for like two decades.  He was tattoo artist in Amsterdam when we brought him back.  Mark Hamill said no to the project a few times until his daughter harassed him into doing the movie.  He was an amazing professional and he really got his hands dirty.  Jeff Fahey came on board for a couple of day from out of nowhere.  He said he wanted to be in the movie, so we went it and expanded a role.  He turned this little thing that I wrote into this amazing and memorable character piece.  Everyone will remember Jeff Fahey from this movie.  Andy McKenzie and Jimmy Duval were great..love them.  Tony Todd deserves an award for his performance in this film.  He is a really brilliant actor.

MG: Tell us about juggling the role of writer, producer and actor in the film?
DH: My first passion is writing.  Anything that is pulpy, juicy, delicious and fun…writing is an event.  It is where you can put all those nasty dirty ideas in your head on to paper.  That is my therapy.  Producing was kinda of cool but nobody likes to crunch numbers and be responsible to force things to happen.  We were able to problem solve and actually work with other people that we trust.  We always made sure we had a clear path and democracy…and it works.  Producing doesn’t have to be madness. On this film producing was more of a breeze than a headache.  I love acting also.  In my opinion you cannot be a good writer, director or producer…unless you can act.  I love it all man…life is too short to just do one thing.

MG: Tell us a little bit about the production of the film?
DH: We were lucky enough to shoot at Universal Studios. We shot for just over three weeks.  The special effects company, V.G.P., they came out they did shit for us that was so beyond what our little movie was anticipating to get.  They would come on days when they didn’t have to be there…show up and just make sure everything went smooth.  We had car crashes and it was really amazing.  We got to do some really cool stuff.  I mean they let us play with fire.  The whole thing was just so much fun. We are hoping for a release in early 2012.

MG: How do you go from COO of the Millionaire’s Club and co-star of “The Millionaire Matchmaker” to working on a film like this?
DH: I have been writing for close to twelve years now and producing shorts.  I have been around the game enough to know that making movies is a blessing.  No matter how big your film is it is just a blessed to get it made.  Everyone has to have a day job and in this industry.  I started helping out helping Patti Stanger with the company and then there was a pilot for the reality series.  It was this whole kind of entity.  It has been a good time and also good exposure.  It is a lot of work to run that company plus it is a lot of work to do the TV we do. In the end, we are very tired but it is all worth it.

MG: Tell us about your script “RIPP” and what is happening with the feature?
DH: “RIPP” is on the back burner right now by choice.  We are working on a top secret script right now.  “RIPP” would also involve Tony Todd, as I am his biggest fan.  It something that he wants to do and I want to do but maybe next year we will revisit that one again.

 

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GWAR’s Cory Smoot – RIP 1977-2011

It is with great sadness that Media Mikes was notified of the passing of long time Gwar/Mensrea guitarist Cory Smoot aka Flattus Maximus over the weekend. Cory along with the rest of Gwar were the first music group interviewed by Media Mikes. Cory was very gracious with his time during the interview process and had been helping me in the mastering process of my own bands upcoming CD. I and the rest of the Mediamikes.com staff would like to send our deepest condolences to Cory’s family, friends and band mates during their time of mourning

To read our interview with Cory you can check out his interview here.

Film Review “The Other F Word”

Starring:Jim Lindberg, Fat Mike, Flea
Director: Andrea Blaugrund Nevins
Oscilloscope Laboratories
Runtime: 98 minutes

Film Review: 5 out 5 stars

“The Other F Word” was directed by Andrea Blaugrund Nevins and was Executive Produced by Jeremy Chilnick and Morgan Spurlock. “The Other F Word” centers on Pennywise vocalist Jim Lindberg and several other prominent punk rock artists as they struggle to balance their lives as parents while still staying true to their bands original messages. “The Other F Word” does more than just scratch the service of parenting and musicianship as it takes a fresh and at times emotional look at a genre that has often been discredited and tossed to the side.

The second I heard about this film I couldn’t wait to see it. Here were all the guys in the bands I grew up listening to talking about what I myself will soon be…A father. It was really great to see guys like Fat Mike of Nofx and Flea of the Red Hot Chili Peppers in a completely different environment than that of the one we as the general public normally see them in. The film was more than just about being a father in a punk rock band. The interviews with those involved in this were filled with in depth, and at times emotional stories of what it was like growing up and how they were treated by their families. This film also features some great archival footage coupled with new footage that really compliments the film as a whole. Great footage an awesome sound track and some really great messages is what you will find in “The Other F Word”. Even if you are not a fan of punk rock or never heard of any of the people in this film I recommend you still go see it as this is more than just another music themed documentary.

For more info on the film go to www.theotherfword.com