Win Passes to the Kansas City Screening of “Labor Day” [ENDED]

Media Mikes has teamed up with Paramount Pictures to offer our Kansas City area readers a chance to attend the advance screening of the new film, “Labor Day,” starring Academy Award winner Kate Winslet and Academy Award nominee Josh Brolin.

The screening will be held on Wednesday, January 29, 2014 at 7:00 PM at the Screenland Armour Theatre in North Kansas City. All you have to do is go to http://l.gofobo.us/CVgFSDpE and register for your chance to win two passes to the screening. Winners will be notified by GOFOBO on Sunday, January 26th.

Official Website: LaborDayMovie.com

Facebook: www.facebook.com/LaborDayMovie

Opening Date: Friday, January 31, 2014

Rating: Rated PG-13 for thematic material, brief violence and sexuality

Synopsis:
“Labor Day” centers on 13-year-old Henry Wheeler, who struggles to be the man of his house and care for his reclusive mother Adele while confronting all the pangs of adolescence. On a back-to-school shopping trip, Henry and his mother encounter Frank Chambers, a man both intimidating and clearly in need of help, who convinces them to take him into their home and later is revealed to be an escaped convict. The events of this long Labor Day weekend will shape them for the rest of their lives.

Win Passes to the Advance Kansas City IMAX Screening of “Jack Ryan: Shadow Recruit” [ENDED]

Media Mikes has teamed up with Paramount Pictures to offer our Kansas City area readers a chance to attend the upcoming advance screening of the new film “Jack Ryan: Shadow Recruit,” starring Chris Pine. The screening will be on Wednesday, January 15, 2014 at 7:00 p.m. and will be held at the AMC Studio 30 Theatre in Olathe, Kansas.

For a chance to win two passes go to http://l.gofobo.us/Lgnmkr4M and register. Winners will be notified by GOFOBO on Sunday, January 12, 2014.

Official Website: ShadowRecruitMovie.com
Facebook: www.facebook.com/JackRyanMovie
Twitter: @JackRyanMovie #ShadowRecruit

Opening Date: Friday, January 17, 2014

Rating: Rated PG-13 for sequences of violence and intense action, and brief strong language.

Synopsis:
Based on the CIA analyst created by espionage master Tom Clancy, “Jack Ryan: Shadow Recruit” is a blistering action thriller that follows Ryan (Chris Pine, “Star Trek”) from his quiet double-life as a veteran-turned-Wall Street executive to his all-out initiation as a hunted American agent on the trail of a massive terrorist plot in Moscow.

Ryan appears to be just another New York executive to his friends and loved ones, but his enlistment into the CIA secretly goes back years. He was brought in as a brainy Ph.D. who crunches global data – but when Ryan ferrets out a meticulously planned scheme to collapse the U.S. economy and spark global chaos, he becomes the only man with the skills to stop it. Now, he’s gone fully operational, thrust into a world of mounting suspicion, deception and deadly force. Caught between his tight-lipped handler Harper (Academy Award-winner Kevin Costner), his in-the-dark fiancée Cathy (Keira Knightley) and a brilliant Russian oligarch (Kenneth Branagh), Jack must confront a new reality where no one can seem to be trusted, yet the fate of millions rests on his finding the truth. With the urgency of a lit fuse, he’s in a race to stay one step ahead of everyone around him.

Complimentary Passes to Orlando, FL Screening for “The Hunger Games: Catching Fire”

THE HUNGER GAMES: CATCHING FIRE begins as Katniss Everdeen has returned home safe after winning the 74th Annual Hunger Games along with fellow tribute Peeta Mellark. Winning means that they must turn around and leave their family and close friends, embarking on a “Victor’s Tour” of the districts. Along the way Katniss senses that a rebellion is simmering, but the Capitol is still very much in control as President Snow prepares the 75th Annual Hunger Games (The Quarter Quell) – a competition that could change Panem forever.

If you would like to enter for passes to the following advance screening:

Log on to www.GOFOBO.com/RSVP

Enter RSVP Code: MEDIAMA22S

Passes are VERY limited and are available on a first-come, first-served basis.

Screening Information:
Date: Monday, November 18th
Time: 9:30 PM (View the Live Stream from the LA Red Carpet Premiere); 10:30pm (Film Starts)
Place: Regal Waterford Lakes

THE HUNGER GAMES: CATCHING FIRE is directed by Francis Lawrence, from a screenplay by Simon Beaufoy and Michael DeBruyn, based upon the novel “Catching Fire” by Suzanne Collins and produced by Nina Jacobson and Jon Kilik. The novel is the second in a trilogy that has over 50 million copies in print in the U.S. alone. THE HUNGER GAMES: CATCHING FIRE opens on November 22, 2013. Lionsgate presents a Color Force/Lionsgate production.

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Free Passes to Advance Kansas City Screenings of “Last Vegas” [ENDED]

Media Mikes has teamed with CBS Films to give our readers an advance peek at the upcoming comedy “Last Vegas.” The story of three men meeting up in Las Vegas to celebrate the upcoming marriage of their last remaining single friend, the film stars Academy Award winners Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline.

There are two screenings you can attend:

Monday, October 28
AMC Independence Commons 20
Independence, Missouri
7:00 p.m.
For passes to this screening, go to: http://l.gofobo.us/DGXQjwkY

Wednesday, October 30
AMC Studio 30
Olathe, Kansas
7:00 p.m.
For passes to this screening, go to: http://l.gofobo.us/YOvF01Zf

Enjoy the show!

Theatre Review “Wicked: The Untold Story of the Witches of Oz” Kansas City, Missouri

WICKED: The Untold Story of the Witches of Oz
October 10, 2013
Music Hall
Kansas City, Missouri

Our Score: 5 out of 5 stars

For those not familiar with the story, “Wicked” tells the story of the witches of Oz before they are visited by a certain little girl from Kansas. The two main characters are Glinda the Good Witch (Hayley Podschun) and Elphaba (Jennifer DiNoia) the “Wicked” Witch of the West. The story begins where the well known story of “The Wizard of Oz” ends, Dorothy has just gone back to Kansas and the Munchkins are singing and celebrating now that the Wicked Witch is finally dead. As the celebration and singing continues a question is put to Glinda as to the actual relationship she shared with Elphaba when they were growing up. We are than transported by way of Glinda’s memory to her school days and her first meeting with Elphaba.

As you can probably figure, Glinda and Elphaba were very different from the beginning. Glinda grew up in a higher class family, which made it quite simple to achieve any dream she had. She just had to ask and it was given to her. Even though Elphaba’s father is the Mayor she has a little tiny problem that keeps her from making friends… she is green! Her sole purpose in life is to take care of her beautiful and normal looking sister, Nessarose, who is confined to a wheelchair. We follow Elphaba and Glinda to “college,” where their disdain for each other grows. As time progresses we watch them deal with their differences, their disagreements, their shared following of sorcery and their shared love of the same boy, Fiyero.

What’s most enjoyable about “Wicked” is that the story continually works in the story of “The Wizard of Oz,” with some twists involved that make all to much sense to the story that we already know. We learn how the scarecrow, tin man and cowardly lion all come to be. We learn why there must be good to match evil or, in this case, where there must be evil to match good. What we are all lead to do is to accept the thought that we must unlearn what we already know. You will never watch “The Wizard of Oz” again and feel the same way about any of the characters.

Most impressive of “Wicked” was that the story was all new to me, I went in with only expectations of being entertained and satisfied with the production I saw. What I witnessed was something entirely different. It was an emotional experience that left me drained by the end. You’re not sure if you should choose sides; is there a good and evil in this story? Is it all evil? Is it all good? Do I root for just one character or do I just trust that sometimes there can be two right sides to every story? “Wicked” is a top notch production with great music and a fantastic crew currently running in Kansas City through October 27. It’s a story that you should experience at least once. My only regret about the show is that it has taken me ten years to see it!I

The entire cast of “Wicked” in KC was amazing, with special kudos going to DiNoia and Kansas City native Podschun. Many in the cast had played the same roles on Broadway. I could tell from the beginning that this performance would be like nothing I had seen recently at the theater. “Wicked” was nominated for ten Tony Awards, winning three, and boasts a Grammy winning soundtrack of such memorable tunes as the Act 1 finale “Defying Gravity.” If “Wicked” blows your way I suggest you go see it before a house drops on YOU!

There are currently two touring companies of “Wicked” making their way around the United States. This cast can next be seen in Des Moines, Indianapolis and Cleveland. For more tour information http://www.wickedthemusical.com/broadway-tickets

 

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Concert Review: The Steel Wheels – Kansas City, Missouri

The Steel Wheels
Record Bar
September 17, 2013
Kansas City, Missouri

The Steel Wheels rolled into Kansas City last week on their way to the Winfield, Kansas Blue Grass Festival. Earlier in the year they completed a leg of their tour by biking to all of their shows, carrying their clothes and their instruments on their bicycles from show to show, often riding upwards of 80 miles and than playing!

The Steel Wheels are a 4-piece string band from Virginia. Their sound could be described as a little bluegrass, a little gospel and very soulful. Their new album, “No More Rain,” is slower with a little gospel feel which is a contrast to their live show, which featured a ton of breakdowns and was very up tempo.

With a stand up bass, fiddle, guitar, mandolin and the occasional banjo, they group has a very old time feel. Using no drums and only one microphone, many of the songs involve the group’s members gathering around the single microphone singing and breaking it down.

These guys were very impressive and extremely talented. Its bands like this that make this job so rewarding. The Steel Wheels aren’t famous; they’re not on the radio and they’re certainly not millionaires. But their music will lift your souls and make you tap your foot and try to sing along with a song you have never heard before.

The current leg of the Steel Wheels’ tour runs through December 2013. If you can catch them live you’ll be glad that you did. If you can’t, check them out on line and spread the word!

Theatre Review: “Miss Saigon” Starlight Theater – Kansas City, Missouri

Miss Saigon
Starlight Theater
Kansas City, Missouri
September 7, 2013

Our Score: 5 out of 5 stars

In April 1991 one of the great “spectacle” musicals opened on Broadway. The show was “Miss Saigon,” which I had the privilege to see shortly after its opening. The show was nominated for 11 Tony Awards, winning three for Lead Actor in a Musical (Jonathan Pryce), Lead Actress in a Musical (Lea Salonga) and Featured Actor in a Musical (Hinton Battle). “The Will Rogers Follies” took home the bulk of the awards that year, including Best Musical. But “Miss Saigon” had the last laugh. While “The Will Rogers Follies” ran for two years, “Miss Saigon” ran for almost ten. In fact, as I write this, it is the 12th longest running show in Broadway history. The current touring production opened this week at the Starlight Theater in Kansas City and it proved a fitting end to a successful season under the stars.

Saigon. 1975. As the war in Vietnam comes to a close we meet Chris (Charlie Brady) and John (Nkrumah Gatling) as they pay a visit to Dreamland, the local club where you can find ANYTHING you desire, courtesy of the club’s owner, who calls himself The Engineer (Orville Mendoza). The club is buzzing with the heat of a steamy night as well as the heat coming off the girls who work there. New to the club is Kim (Manna Nichols), who has just lost her family and now finds herself homeless and alone. As the girls gyrate and compete to win the nightly crown of “Miss Saigon,” Chris spots Kim from across the room. In this terrible place torn apart by war he has discovered an angel. John arranges with the Engineer that Kim and Chris spend the night together and, when morning comes, they are in love. But any plans they make for the future come to a halt when Chris, his fellow Marines and the US Ambassador evacuate Saigon.

Brilliantly staged, this production of “Miss Saigon” is equal in scope to the one I took in more than two decades ago at the Broadway Theater (that is the name of the theater…it’s actually on 53rd Street and is currently hosting the revival of “Cinderella”). I’ve always been impressed with Starlight’s ability to reproduce the scale of Broadway on their stage and they do it again with this show. The cast is well voiced and bring an emotional quality needed to the subject matter. I must give special attention to both Mendoza and Nichols who were, in my opinion, as good as their Tony Award winning predecessors. On an unseasonably hot September night their voices soared high and clear over the audience. Technically the show is also first rate, from the direction to the new choreography by Baayork Lee. Theatre fans may recognize Miss Lee as the original Connie in “A Chorus Line.” She has done an outstanding job or translating the show in her own way.

Recent rumors of a “Miss Saigon” film are running rampant, based on a comment producer Cameron MacIntosh made regarding the success of the recent “Les Miserables.” Since that film made almost $150 million in the US alone, I’m betting that the heat will soon be on at a theatre near you!

“Miss Saigon” continues at Starlight through September 13.
Additional Dates
Hartford September 16
Detroit September 24
St. Paul October 8

Win Complimentary Passes to Kansas City Screenings of “Grease,” “Animal House” and “Real Genius” at the Alamo Drafthouse [ENDED]

Media Mikes has teamed up with the Alamo Drafthouse to give our readers a chance to win passes to themed screenings of the following films in Kansas City:

On Tuesday, September 17, join the T-Birds and Pink Ladies in a specially themed presentation of the classic 1978 musical “Grease.” This is a special sing-a-long screening, with the lyrics projected on screen during the film (like you’ll need them)

Text PINK LADIES and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see the GREASE SING-ALONG. (1) winner will be drawn on Monday, September 16.

On Wednesday, September 18, it’s time to join the members of Delta Tau Chi as they throw a Toga Party to celebrate the 35th Anniversary of “National Lampoon’s Animal House.”
Text TOGA and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see the ANIMAL HOUSE TOGA PARTY. (1) winner will be drawn on Tuesday, September 17.

Finally, go back to the 80s and celebrate with Val Kilmer and the fellow braniacs of “Real Genius.”

Text IQ and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see REAL GENIUS. (1) winner will be drawn on Wednesday, September 18.

Complimentary Passes to the Kansas City, MO Screening for “The Wizard of Oz” in IMAX 3D [ENDED]

With the 75th Anniversary of the release of the classic film “The Wizard of Oz” approaching, Media Mikes is teaming up with Warner Brothers to send you to see the film as it’s never been seen before.

On Friday, September 20, 2013, Dorothy and her friends return to the big screen in a specially remastered 3D/IMAX presentation of “The Wizard of Oz.” We are giving you and three friends the chance to see it before anyone else.

We are giving away (25) family packs of four passes and if you would like to enter for a chance to win passes to the following advance screening:

Log on to www.GOFOBO.com/RSVP

Enter RSVP Code: MMQJD8

Passes are limited and are available on a first-come, first-served basis.

This is an exclusive one week engagement so be among the first to see it.

Screening Information:
Date: Sunday, September 15, 2013
Time: 10:30 AM
Place: AMC Barrywoods 24
8101 NW Roanridge Rd
Kansas City, MO 64151

 

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Theatre Review “Footloose: The Musical” Starlight Theatre – Kansas City, Missouri

Footloose: The Musical
Starlight Theatre
Kansas City, Missouri
August 5th, 2013

Our Score: 2 out of 5 stars

On a muggy night in the Heartland, it seemed fitting that the production of “Footloose” would be sweat inducing and, for female attendees, steamy. As the title song belted out and a company of extras began to dance to the iconic pop-rock beat of the 80’s, my ears perked up. I’m well versed and cultured enough to know about previous generations, but I’ve never seen the movie “Footloose,” nor had I ever a care to. In that moment of cutting loose and kicking off the Sunday shoes, I found myself interested. I was ready for this glimpse into the 80’s. My expectations jumped up to the par with everyone else that night as the cast showed off their best moves during the opening number. Boy did those hopes fizzle out.

Ren McCormack (Max Clayton) and his single mom, Ethel (Paula Leggett Chase), are heading from the city lights of Chicago to the humble countryside of Beaummont. A stereotypical middle-American small country town. The kind that is drenched from hillside to hillside in golden wheat and pristine corn fields. The residents are set in their ways and are already weary and gossiping about Ren and his mom the morning they arrive at church. Despite the police and other community leaders, Reverend Shaw Moore (George Dvorsky) is the overriding moral, spiritual and political leader of this town. Years ago, a tragic accident took the life of four teens, including Shaw Moore’s son. Since then, the Reverend has imposed a strict no-dancing law in the town. As absurd as this sounds, this has actually happened in the U.S. (the town of Elmore City, Oklahoma banned dancing for over 100 years and was Dean Pitchford’s inspiration for his script for “Footloose”). For the energetic Ren, who expresses his emotions through dance, this is a nightmare. He manages, though, with the help of classmate and friend, Willard Hewitt (Matthew Dorsey Moore) and the pastor’s daughter, Ariel (Taylor Louderman).

For a musical called “Footloose”, it really seems like the big dance numbers are kept to a minimum and dancing in general through the middle part of this story is stifled. It seems like the dance choreographer is playing the part of Reverend Moore during half these songs. If there were more songs like “On Any Sunday”, “Footloose” and “Let’s Hear it for the Boy”, this would have been a grand dance and song musical on par with other greats. That doesn’t mean the other songs aren’t good. When you have Kenny Loggins, Sammy Hagar and Jim Steinman sharing the writing credits, you can’t go wrong with some rockin’ songs and love soaked ballads.

The show has a problem settling on a main idea. On one hand it could be a time capsule of an aging era. On another it’s the story of young vs. adult and traditional vs. new. It also tries to be a sexy, hip look at the lives of teenagers in a small town. Some of those ideas will grab hold and really stick with a viewer. But as for me, I was a bit overwhelmed by all three together and underwhelmed by each on their own. My personal preference would have been a time capsule. Every generation has the conflict of “parents just don’t understand” and very few stories actually have a whiff of creativity when it comes to exaggerated teen comedy/dramas. If these two ideas took a seat back to fun dance numbers and this musical’s catchy 80’s music, “Footloose” would have been a memorable evening at Starlight.

As I stated with Starlight’s previous iconic 80’s musical “Flashdance”, I may have been created in the 80’s, but I’m a product of the 90’s. I haven’t seen the 1984 movie, nor its 2011 remake. Some of the older people in the audience seemed to really dig it, but this is not my cup of tea. I loved the music, the dancing (when it happened) and the creative set pieces by Robert A. Kovach. My view of the 80’s is that it was the last generation with a true rebellious nature. The music struck a nerve in an era of growing morality and Reaganomics. Genres like punk rock, grunge and some sultry pop icons like Madonna festered and spoke to a confused and rambunctious generation. I wasn’t hoping for that style of music or any blatant liberal ideology. I was simply hoping for it to touch upon these ideas in a sentimental manner and sometime comical fashion.

“Footloose” will be at the Starlight Theatre in Kansas City until August 11th.

Theatre Review “The Little Mermaid: The Musical” Starlight Theater – Kansas City, MO

The Little Mermaid The Musical
Starlight Theater
Kansas City, Missouri
July 23, 2013

Our Score: 3.5 out of 5 stars

Any time you’re hoping to replicate the success of a Disney production, you’re going to be automatically met with how well you stack up against the original. Even with a hazy memory of how the story to “The Little Mermaid” went, I still had a fairly good idea what to expect and I’m glad to report that not only does this Broadway-style production stays true to the 1989 classic, it is a delight to watch.

For those readers whose memory may be equally fuzzy, let me catch you up to speed. Ariel (Jessica Grove) is a mermaid and also the youngest daughter of King Triton (Edward Watts). Much to his dismay, she constantly visits the ocean’s surface and dreams of not only walking on the shore but living on dry land with the other humans. It doesn’t help when she rescues and falls in love with a Prince Eric (Nick Adams). Anymore information and I will have ruined the first half for those of you who haven’t seen the 1989 film or read the children’s story by Hans Christian Andersen.

The show gets off to a slow start with a song written for the production, but kicks into gear with the song everyone should know, “Part of Your World”. Grove is definitely talented and easily hits the high notes in the song. In fact everyone in the show is well cast in their roles. Still there are some low moments. The film’s most popular song, “Under the Sea”, doesn’t feel as epic or magical as it should in my opinion. My memory may have been blurry but I distinctly remember that song. I will add, in the show’s defense, that I’m sure it’s hard to create a sea alive with song and dance on stage. You could say it’s a tad villainous, but Ursula (Liz McCartney) almost steals the show. Any time she’s on stage, her presence is definitely felt and McCartney really belts out the lyrics in grand style, especially during the songs “Daddy’s Little Angel” and “Poor Unfortunate Souls”.

Major props to the men and women behind the scenes of this production. To add to the effect that they’re underwater and swimming the cast is literally whisked into the air and across the stage. One man who certainly deserves a lot of credit is John MacInnis, who choreographed the show. One of the best instances of perfectly matched movements is during “Sweet Child” when the eels, Flotsam and Jetsam (Scott Leiendecker and Sean Patrick Doyle), move as one entity. Though “The Little Mermaid” lacks a lot of big dance numbers, one thing that really impressed me was watching the the actors constantly “swimming” in place, even when they don’t speak a single word during the scene. On the negative side, someone should send a note to the sound guy. Often times the music was much louder than the singing and I often saw parents covering their children’s ears because of how loud the volume was. I even found myself wincing at the volume a couple of times.

I haven’t seen the animated film in almost 20 years but I may have to after seeing this show. There may be a few things from the film that the production didn’t do justice, but I can guarantee there are plenty they triumphed on. The cast of “The Little Mermaid” should be proud they did the original justice while creating new memories for children of all ages.

This production runs at Starlight Theater until July 28th. For tickets visit www.kcstarlight.com

Concert Review “Unity Tour 2013” with 311, Cypress Hill and G.Love & Special Sauce – Kansas City, Missouri

The Unity Tour
311
Cypress Hill
G.Love & Special Sauce
Starlight Theater
Kansas City, Missouri
July 2, 2013

Our Score: 5 out of 5 stars

I have seen 311 more times than I can count on my fingers (unless I had Bill Cosby’s hands) and as always the only thing I can say after seeing them is AMAZING!!

The 2013 Unity Tour kicked off with G.Love & Special Sauce performing their smooth mix of bluesy, hip hop, and R& B stylings. They played a great set and started the night off perfectly. It was about 80 degrees and sunny and the crowd was in it from the start. Playing “Cold Beverages” had everyone in the audience holding there beers up, resulting in more spilling going on than drinking at that time. G.Love has been a staple in my music collection since college and they did not disappoint in my first time seeing them live.

As more people started filling in the seats I began seeing and smelling many different groups forming. I could only think “what an appropriate welcoming for Cypress Hill.” If you are not familiar with the name Cypress Hill you will be familiar with their largest hit, “Insane in the Brain.” You couldn’t go anywhere in the mid to late 90’s it seemed without hearing that song or
a reference to that song. They lived up to their billing and, after all these years, they still brought a fresh set and energized performance to KC.

As good as the opening performances were I noticed I could hear the sound of people rushing into Starlight as 311 prepared to come on stage. I thought I had seen Starlight packed before.. but not like this! They must have been at capacity by this time of the night and for good reason. 311 has and always will put on one of the best live performances you will ever see! During their annual 3/11 day concerts they’ve been known to play up to 84 song over a two day period. They put together a tight play list for this concert. From the opening “Omaha Stylee” to their encore of “Creatures (For a While),” they had the crowed riled up, jumping yelling, singing. I’d bet the majority of the crowd knew every word to every song… every word.

What separates 311 from other acts I have seen is they know what the fans want to hear. They have consistently put out records since 1993. They still have current singles on the radio but they don’t push all of their new material. Their set list spawns 20 years now and they hit every album, playing not only songs considered their greatest hits but songs that only the most die hard fans would know. There isn’t a new song they are trying out. It is just straight hits: “Down,” “All Mixed Up,” “Amber,” “Don’t Tread on Me,” “Logo,” and “Behind the Gray Sky.” While they can’t play every song (remember they’ve been known to do 80-plus songs at a concert) I never thought ” aw man they didn’t play that song.” I was as pleased with this concert as the others I’d attended.

This group of acts is something you shouldn’t sit on, They are hitting tons of cities and great venues, GO AND GET YOUR TICKETS! They will sell out everywhere and you will hear your friends just rant about the concert. Especially 7/21(West Palm Beach), 7/23,(Tampa) 7/27(Houston) and 8/3 (Chula Vista) when they pickup Penny Wise and Sublime w/Rome on those dates. Extremely jealous that I will not be around those cities on those dates.

You can check out all the tour dates at http://www.311.com/shows

They will have a different set list at all the cities so if you get to see them I would love to see your comments and their set list.

311 Set list:
1. Omaha Stylee
2. Sunset In July
3. Freak Out
4. Misdirected Hostility
5. Beautiful Disaster
6. Wild Nights
7. Random
8. My Stoney Baby
9. Come Original, Loco
10. Time Bomb
11. Applied Science
12. Amber
13. All Mixed Up
14. Wake Your Mind Up
15. Taiyed Hey You
16. Beyond The Gray Sky
17. Freeze Time
18. Visit
19. Down
20. Jackpot
21. Creatures

Theatre Review “Flashdance: The Musical” Starlight Theatre – Kansas City, Missouri

Flashdance: The Musical
Starlight Theatre
Kansas City, Missouri
July 9, 2013

Our Score: 2.5 out of 5 stars

I’ve never seen the 1983 film “Flashdance.” I wasn’t even sure what the story was about as I strolled to my seat to watch the musical production, appropriately titled, “Flashdance: The Musical”. The only thing I knew about the film was that it featured the song “Maniac” as well as the famous and steamy scene featuring a 20-year-old Jennifer Beals dousing herself in water. After watching “Flashdance: The Musical” I think I’ll stick with that sultry movie image and the few musical numbers from the stage show that really stuck out.

It’s not that the story is terrible. It’s that nothing feels spectacular about it. Alex Owens (Jillian Mueller) toughs it out with other men at a steel mill during the day, but at night she flashdances at Harry’s Bar. She works alongside some sassy ladies by the names of Kiki (Dequina Moore), Gloria (Kelly Felthous) and Tess (Katie Webber). One day at the steel mill she meets the boss’s grandson, Nick Hurley (Matthew Hydzik). He immediately takes a liking to her, but she’s not interested. She’s far more entranced by the Shipley Academy, where professional dancing dreams are fulfilled. The rest of the story is fairly predictable. That’s not necessarily a bad thing since the theme of the plot is about pursuing your dreams and at times realizing what’s most important in your life. The problem lies in some of the unnecessary side plots. One about the strip club owner, C.C. (Christian Whelan), who’s trying to lure Harry’s women to his establishment down the street. Another about the falling out between Gloria and her boyfriend Jimmy (David R. Gordon). Of course I get the impression people aren’t there for the supposed drama unfolding on stage. I assume they’re in attendance to relive the decade that brought us new wave, hip hop and the popularization of hard rock.

The music does a fantastic job at blending different genres of 80’s music, accompanied by some entertaining dance numbers. Sadly not all songs are like this. Some are just dry ballads or poorly written songs. The musical really succeeds when background sets are constantly changing, when an ensemble of dancers and singers flow in and burst with excitement. The fun is poured on when costume changes occur. They’re quick and incredibly sexy. It’s frustrating when songs like “Steeltown Sky”, “Manhunt” and “Chameleon Girls”, are followed with numbers that trip and fall flat like “Just Out of Reach”, “Remember Me” and “Where I Belong”. It’s not that the actors in this did a poor job; many were fantastic and showed great vocal range. It’s just that the lyrics were confining and didn’t give the performers room to grow. Veteran stage actress Jo Ann Cunningham, who plays Hannah, Alex’s mentor, is given her own song, but the balance between lyrics and music seemed incredibly wobbly.

All the right pieces are here, except a good script and solid set of songs. At one point I wondered if maybe this was a movie that never really needed a stage adaptation. But maybe I’m missing something. The 80’s was when female artists like Whitney Houston and Madonna shined and really helped pave the way for other musicians. Also it was a continuing and growing age of women in the workplace. I grew up in the 90’s. I watched the birth and death of music videos on TV. Grunge, punk rock and gangsta rap became mainstream. It’s hard for me to feel nostalgic or relate to the show being put on. So if you’re a Generation X child or enjoyed the 80’s, you’ll enjoy this musical. But if you’re a product of the 90’s like me, you’ll be dreading the day when they make “Spice World: The Musical”

The show is currently running in Kansas City through July 14th. The current tour continues into next year. The next three stops are:

Chicago — August 6th-18th
Memphis — September 17th-22nd
Indianapolis — October 1st-6th

A complete list of tour dates can be found at: www.flashdancethemusical.com

Media Mikes Heads to Radio in Kansas City and Florida

With the overwhelming success of the weekly “Behind the Mikes” Podcast, it’s only fitting that Media Mikes now represent themselves over the airwaves. This week listeners in Kansas City will get a chance to hear “Movie” Mike Smith as he discusses current and future trends in movie-going on the KMBZ Business Channel (1660 AM). He will appear on The Kansas City Power Lunch program, hosted by Krista Klaus, beginning at 11:45 a.m. (CST) this coming Wednesday, July 3rd.

On Saturday morning, July 6th, he’ll be heard on the inaugural broadcast of Dispatch Radio, which will be broadcast on the following stations in Central Florida: WTAN 1340 AM, WDCF 1350 AM and WZHR 1400 AM in the Clearwater, Lakeland, Zephyrhills and greater Tampa Bay area on the Tan Talk Radio Network. The program begins at 8:00 a.m. (EST). Smith will be a regular contributor to the program, offering reviews and commentary on new film releases.

311 to Kick Off Unity Tour 2013 in Kansas City

311, Cypress Hill and G Love & Special Sauce will join forces for Unity Tour 2013, which kicks off this Tuesday, July 2, at the Starlight Amphitheatre in Kansas City. This marks the 11th consecutive summer that 311 has headlined amphitheatres with their summer Unity Tour.

This year’s installment of the annual summertime trek hits amphitheaters nationwide through August 4th. Tickets for select shows are now on sale starting April 12. On-sale dates listed at www.311.com/shows.

After years of incessant touring, 311 have developed a reputation as one of the most entertaining live bands in the U.S. Their celebratory live shows and hybrid sound have earned them a massive grassroots following and a catalog of modern rock hits, including “Down”, “All Mixed Up”, “Amber”, “Come Original” “Beautiful Disaster” and “Sunset in July”.

Asked about this summer’s tour, 311 vocalist Nick Hexum commented, “We’re super excited for Unity Tour 2013! We had a blast touring with Cypress Hill in ’96 and with G Love in ’03…and we’re really glad we can all hit the road together this summer. Will make for a killer show. Lots of sick hip-hop beats and summertime grooves. Gonna be fun!”

Cypress Hill have sold over 18 million albums worldwide. With hits such as “Insane in the Brain”, “(Rock) Superstar” and “Hits from the Bong,” the band has been nominated for three Grammy awards and is heralded as one of the best known and most respected groups in all of Hip-Hop.

G Love & Special Sauce bring their alternative-blues-hip-hop sound back to the Unity Tour – after joining 311 for the summer 2003 tour. G Love’s unique sound has led the group to major festival appearances (Bonnaroo, Lolapalooza, etc) – and to collaborations with artists such as Jack Johnson and the Avett Brothers.

UNITY TOUR 2013
311 with CYPRESS HILL and G LOVE & SPECIAL SAUCE

JULY
7/2 Tues Kansas City, MO Starlight Theatre
7/3 Wed Chicago, IL Charter One Pavilion at Northerly Island
7/5 Fri Cincinnati, OH Riverbend Music Center
7/7 Sun Detroit, MI DTE Energy Music Theatre
7/9 Tues Holmdel, NJ PNC Bank Arts Center
7/10 Wed Philadelphia, PA Penns Landing
7/12 Fri Mansfield, MA Comcast Center
7/13 Sat Wantagh, NY Jones Beach Amphitheatre
7/14 Sun VA Beach, VA Farm Bureau Live Amphitheatre
7/17 Wed Charlotte, NC Verizon Wireless Amphitheatre
7/19 Fri Bristow, VA Jiffy Lube Live Amphitheatre
7/20 Sat Atlanta, GA Aaron’s Amphitheatre at Lakewood
7/21 Sun West Palm, FL Cruzan Amphitheatre **
7/23 Tues Tampa, FL Ask Gary Amphitheatre **
7/24 Wed Pensacola, FL Civic Center
7/26 Fri Austin, TX ACL Live at Moody Theatre
7/27 Sat Woodlands, TX Cynthia Woods Mitchell Pavilion **
7/29 Mon Morrison, CO Red Rocks Amphitheatre
7/30 Tue Salt Lake City, UT USANA Amphitheatre
AUGUST
8/1 Thurs San Francisco, CA American’s Cup Pavilion
8/2 Fri Irvine, CA Verizon Wireless Amphitheatre
8/3 Sat Chula Vista, CA Sleep Train Amphitheatre **
8/4 Sun Las Vegas, NV The Joint @ Hard Rock Hotel

** Sublime with Rome and Pennywise added to lineup.