Blu-ray Review “Gravity Falls: The Complete Series”

Actors: Jason Ritter, Alex Hirsch, Kristen Schaal, Linda Cardellini
Number of discs: 7
Studio: Shout! Factory
Release Date: July 24, 2018
Run Time: 900 minutes

Our Score: 5 out of 5 stars

“Gravity Falls” was a brave and very different show for Disney XD. I caught an episode of this show by accident one day nearly at the end of the first season and right away I was hooked. This show had it all. It created this wonderful world with these characters. There was great mythology and planning that went behind this show. I loved how each episodes was leading to something bigger in the next. The show really engaged it’s viewer with deeper meanings and hidden Easter eggs. This show was definitely one of a kind and due to that it never really got the love it deserved. I had the chance to chat with the show’s created years ago after watching that first episode and I found, read here, out how much really went into the making of this show and I got a really appreciation for it. If you are a fan of the show, this is a must purchase for all fans! Shout! Factory doesn’t disappoint again!

Official Premise: Welcome To Gravity Falls! Twin brother and sister Dipper and Mabel Pines are sent to the small town of Gravity Falls, Oregon to spend their summer vacation with their great uncle (Grunkle) Stan. Upon arrival, Grunkle Stan enlists the siblings’ help in running The Mystery Shack, a self-owned tourist trap that overcharges unsuspecting customers. While Dipper has a hard time getting used to his new surroundings, Mabel’s upbeat optimism comes in handy in her quest to find true love. But there may be more to Gravity Falls than meets the eye as Dipper and Mabel encounter strange occurrences and weird creatures. When Dipper stumbles upon an elusive book, he discovers it is the answer to uncovering the town’s mysterious happenings. Soon, Dipper and Mabel realize they must rely on each other to navigate this unfamiliar place. Meanwhile, Grunkle Stan guards a secret of his own: one that just might hold the key to unlocking the deeper mystery that is Gravity Falls.

The Collector’s Edition will be a seven-disc Blu-ray box set that includes all 40 episodes of this show. There is also an entire disc of bonus features, including audio commentaries on all 40 episodes with series creator Alex Hirsch and members of the cast and crew…that’s right ALL 40!;. There is a new feature-length documentary “One Crazy Summer,” featuring interviews with Alex Hirsch, actors Jason Ritter and Kristen Schaal, director and storyboard artist Matt Braly, writers Jeff Rowe, Shion Takeuchi and Josh Weinstein, composer Brad Breeck and over a dozen additional members of the cast and crew. This doc is a must watch for all fans. Lastly we have a over an hour of never-before-seen deleted scenes as well as a few shorts and promos from the show’s run.

You can tell  that there was a lot of planning and love that was put into this these extras and the Blu-ray in general. The 1080p transfer of these episodes look great with the animation style and the colors. I love the palette for this show. The exterior slip cover case is a really sturdy hard stock and I  really like it. It feels like they actually delivered a solid product all around here. If you don’t have Blu-ray, there will also be a six-disc retail DVD edition that includes all 40 episodes of the series and the accompanying audio commentaries, but does not include the bonus feature disc.  Shout! has got us fan covered! Don’t miss this!

Bullet For My Valentine Release “Letting You Go” From Fourth-Coming Album “Gravity”

BULLET FOR MY VALENTINE have released “Letting You Go,” the third track from forthcoming album, Gravity. The album is available for pre-order HERE.

Watch it HERE.

“‘Letting You Go’ was a very challenging song to write in so many ways,” said vocalist + guitarist Matt Tuck. “It’s by far the most experimental track I’ve ever written – musically and lyrically. I really wanted to make a track that stood out from the crowd and separated us from any other band in our genre, and that’s exactly what ‘Letting You Go’ does.”

Gravity, out June 29, is BFMV’s first album under the Search and Destroy/ Spinefarm Records banner, and aptly sees the band rewriting their own future – finding new ways to invent heavy noise and remaining unshackled by the legacy that comes with being masters of their trade.

BFMV will play second to headline on the Friday of Download (UK) Festival – their first home-turf festival performance in five years. The band will then headline European summer festivals and venues before travelling to Japan for the Summersonic event.

The band will return to the U.S. in the fall with support acts to be announced. Dates are below.

BULLET FOR MY VALENTINE ON TOUR:
FALL 2018:
SPECIAL GUESTS TBA:
9/13: Kansas City, MO @ Harrah’s
9/15: St. Paul, MN @ The Myth
9/18: St. Louis, MO @ The Paegant
9/20: Oklahoma City, OK @ Diamond Ballroom
9/21: Dallas, TX @ House of Blues
9/22: Austin, TX @ Emo’s
9/24: San Antonio, TX @ Aztec Theater
9/25: Houston, TX @ House of Blues
9/27: Atlanta, GA @ Buckhead Theatre
9/30: Grand Rapids, MI @ 20 Monroe Live
10/2: Cleveland, OH @ House of Blues
10/3: Syracuse, NY @ SI Hall
10/4: Boston, MA @ House of Blues
10/7: Detroit, MI @ Fillmore Detroit
10/9: Wichita, KS @ Cotillion Ballroom
10/10: Denver, CO @ Ogden Theatre
10/12: Los Angeles, CA @ The Wiltern
10/14: Sacramento, CA @ Aftershock Festival*
10/16: Las Vegas, NV @ House of Blues
*FESTIVAL

For More Info Visit:
https://www.facebook.com/BulletForMyValentine
https://twitter.com/bfmvofficial
http://bulletformyvalentine.com/
https://www.instagram.com/bfmvofficial/

 

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Blu-ray Review “Gravity”

Actors: Sandra Bullock, George Clooney
Directors: Alfonso Cuaron
Rated: PG-13 (Parental Guidance Suggested)
Studio: Warner Home Video
Release Date: February 25, 2014
Run Time: 91 minutes

Film: 5 out of 5 stars
Extras: 4.5 out of 5 stars

I cannot recall an experience that I had in theaters like “Gravity” in a very long time. I was found myself emotionally effected throughout the film. I was blown away and even exhausted after viewing it. Sandra Bullock hasn’t been a favorite of mine but she was outstanding in this film. George Clooney is as charming as ever. Alfonoso Cuaron did such a beautiful job on this film. When you read into it and find out how much work was actually done to make this project come to life it is unbelievable. The visuals are out of this world…literally. If I had to describe this film in one word would be “Breathtaking”. No question, this was the best film of 2013.

Official Premise: Dr. Ryan Stone (Bullock) is a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalski (Clooney) in command. But on a seemingly routine mission, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalski completely alone, tethered to nothing but each other and spiraling out into the darkness. The deafening silence tells them they’ve lost any link to Earth and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left, and the only way home may be to go further out into the terrifying expanse of space.

For this release of “Gravity”, Warner packaged up a combo pack with Blu-ray + DVD + HD Digital Ultraviolet copy. The Blu-ray being reviewed here is not the 3D Blu-ray, which is ashame but “Gravity” was literally the best 3D film that I seen since “Avatar”…and I watch A LOT of 3D films. The 2D transfer is still outstanding and flawless just missing that extra “Wow” for me. The 1080p transfer is perfect and will stand up as one of the best of the year, I am definite. The DTS-HD Master Audio 5.1 track is also absolutely amazing. It is not a 7.1 track, which maybe disappoint some but I was left very satisfied. This track especially complements Steve Price’s score. This score was one of the best scores that I have heard in recent years and it is represented very well. It also plays out like a third character in the film, which I loved.

The special features are absolutely amazing like the film, but I wish they wrapped it all up with a commentary track. “Gravity: Mission Control” is a very in-depth 107 minutes behind-the-scenes look into the prodcution. There are nine mini-featurettes included within this as well focusing on everything from cast to visual effects. “Shot Breakdown” is a nearly 40 minute look into five of the films most impressive FX shots. Amazing stuff here. “Aninigaag: A Short Film by Jonas Cuaron”, which is a short film tieing of the films most emotional scenes together. Lastly “Collison Point: The Race to Clean Up Space” is narrated by Ed Harris and takes about the real-life crisis happening now.

Own Gravity on Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital HD 2/25

Alfonso Cuaron Takes Home the DGA Prize for “Gravity”

Alfonso Cuaron moved one step closer to a directing Oscar when he was named the winner of the 66th Annual Director’s Guild Award. Cuaron took home the Best Feature Film prize for his work on the film, “Gravity.”

Other winners include Vince Gilligan, for the final episode of “Breaking Bad” for television drama; Steven Soderbergh for HBO’s “Behind the Candelabra” for movie/mini-series for television and Beth McCarthy-Miller for television comedy for the “Hogcock!/Last Lunch” episode of “30 Rock.”

Jehane Noujaim won the prize for best documentary feature for “The Square.”

Cuaron’s win puts makes him the odds on favorite to win the Academy Award for Directing on March 2.

Only seven times in the past has the DGA winner not gone on to win the Oscar:

YEAR                  DGA WINNER                                                                    ACADEMY AWARD WINNER
1968                    Anthony Harvey – “The Lion in Winter                     Carol Reed – “Oliver”
1972                    Francis Ford Coppola – “The Godfather”                 Bob Fosse – “Cabaret”
1985                    Steven Spielberg – “The Color Purple”           Sydney Pollock – “Out of Africa”
1995                    Ron Howard – “Apollo 13”                                              Mel Gibson – “Braveheart”
2001                   Ang Lee – “Crouching Tiger/Hidden Dragon”   Steven Soderbergh – “Traffic”
2003                   Rob Marshall – “Chicago”                                            Roman Polanski – “The Pianist”
2012                    Ben Affleck – “Argo”                                                         Ang Lee – “Life of Pi”
Incredibly, in the year they won the DGA award, Spielberg, Howard and Affleck were not nominated for the Oscar.

Oscar Nominated, Composer of “Gravity”, Steven Price Thanks Media Mikes Readers for Honoring Him

Steven Price, whose original score for the film “Gravity” was voted the Best of 2013 by the staff and readers of Media Mikes.com wanted to share these comments with his fans:

“Thank you so much for this honour! I’m thrilled, especially as it comes from this site. I had such fun talking to your colleague earlier in the year, and am an avid reader of the site. Thank you so much for supporting the film, and my score. It’s truly appreciated.”

Next stop for Steven Price…the Oscars on March 2nd!

“American Hustle” and “Gravity” Lead This Yeas Academy Award Nominations

“Gravity,” Alfonso Cuaron’s space masterpiece and “American Hustle,” David O’ Russell’s look back at the ABSCAM scandal of the 1970s, led all films nominated today for the upcoming 86th Annual Academy Awards. Both films received a total of 10 nominations, including Best Picture and Best Director.

A total of 9 films were nominated for Best Picture this year, and those films nominated earned the lion’s share of other nominations. Right on the trail of “Gravity” and “American Hustle” comes “12 Years a Slave,” which earned 9 nominations. Three other Best Picture nominees earned 6 nominations each: “Captain Phillips,” “Dallas Buyer’s Club” and “Nebraska.” Two very difrerent films, Martin Scorsese’s tale of excess, “The Wolf of Wall Street” and Spike Jonze’s technical romance “Her” each had 5 nominations. Bringing up the rear is surprise nominee “Philomena,” which takes home 4 nods. Surprisingly missing from the list is the box office and critical favorite from earlier last year, “Lee Daniels The Butler,” which was shut out of every category it was eligible for.

“American Hustle” becomes the 15th film in Oscar history to receive nominations in all four acting categories. Ironically, director Russell’s previous film, “Silver Lining Playbook,” also duplicated that feat. “Silver Lining Playbook” was the first film to achieve this record since Warren Beatty’s “Reds” did it in 1981. Two of the “American Hustle” actors – Best Supporting Actor nominee Bradley Cooper and Best Supporting Actress nominee Jennifer Lawrence – were nominated in the Best Actor and Best Actress categories last year, with Lawrence taking home the Oscar. They are joined this year by Best Actor and Best Actress nominees Christian Bale and Amy Adams.

“Gravity”‘s only other major nomination was for Sandra Bullock as Best Actress. The majority of the film’s nomination are for technical achievements, including film editing and production design.

Bullock is among four previous Oscar winners in the Best Actress category which includes Cate Blanchett (“Blue Jasmine”, Judi Dench (“Philomena) and three time winner Meryl Streep (“August: Osage County”). Only Amy Adams of “American Hustle” is currently Oscar-less.

Best Actor is a contest between both Hollywood veterans and newcomers. Former Best Supporting Actor winner Christian Bale is nominated for “American Hustle,” while Bruce Dern earns his first Academy Award nomination since 1979’s “Coming Home” for “Nebraska.” Leonardo DiCaprio earns his fourth nomination for his work in “The Wolf of Wall Street.” These three are joined by Oscar newcomers Matthew McConaughey (“Dallas Buyers Club” and Chiwetel Ejiofor (“12 Years a Slave”).

Best Supporting Actor nominees include newcomer Barkhad Abdi (“Captain Phillips”), Cooper, Michael Fassbender (“12 Years a Slave’), Jonah Hill (“The Wolf of Wall Street”) and Jared Leto (“Dallas Buyers Club”). Best Supporting Actress noms went to Sally Hawkins (“Blue Jasmine”), Lawrence, Lupita Nyong’o (“12 Years a Slave”), previous Best Actress winner Julia Roberts (“August: Osage County”) and June Squibb (“Nebraska’).

Joining Cuaron and Russell in the Best Director category are Alexander Payne (“Nebraska”), Steve McQueen (“12 Years a Slave”) and previous winner Martin Scorsese (“The Wolf of Wall Street”).

“Frozen” leads the nominees for Best Animated Feature, which also includes “The Croods,” “Despicable Me 2,” “Ernest and Celestine” and “The Wind Rises.”

The 86th Annual Academy Awards will be presented live on March 2, 2014 on ABC Television.

Steven Price talks about composing the score for “Gravity”

I am a huge fan of film scores, always have been. I am always keeping my eyes open for a new favorite. Well, I have found him…enter Steven Price. Steven has three film scores currently under his belt including “Attack of the Block” and “The World’s End”. His latest score for the hugely successful film “Gravity” is no question the best score of the year! I have a feeling it is going to be winning many awards in the coming months. Media Mikes had a chance to chat about developing the score for this film and his involvement with the film.

Mike Gencarelli: Where you ever concerned about delivering the sound to the soundlessness of space with your score for “Gravity”?
Steven Price: It was one of those things that looking back on it I should have been absolutely terrified. At the time we were so into trying things and experimenting that I didn’t realize what a ridiculous thing that I had attempted to do until I finished it really. This was actually lucky cause otherwise I would have sat frozen to my chair and never written a note. At the time it felt like it was a great opportunity to take on this daunting task but I can see now that it was perhaps now quite an ambitious task to undertake.

MG: I felt like the score was the third member of the cast in the film; was that a goal of yours?
SP: The hope for the music was that it was going to add to this idea of immersion. The camera was floating up in space, weightless like the characters and the music was there to follow through with that. You were up in space with them and you felt like you were immersed in that. For me it is the third character in some ways but I was always closely tied to the character of Ryan. A lot of what the music was trying to do was express her emotions and feelings. The hope was certainly that it would have this immersive feel and the sense that it would really all come together as a whole experience.

MG: What did you use for inspiration to come up with this amazing score?
SP: From the word “Go”, Alfonso (Cuarón) was really clear that he didn’t want this to be a traditional film score. I didn’t go and listen to other film scores about space. I avoided things like that actually. We would listen to all types of different music and draw specific aspects from each. You might be listening to rock music one week and then the next some really extreme electronica. All of these things would trigger off little experiments that I would use to apply during the writing process. Everything was really open and we had a lot of freedom. There was no one telling us how we had to create the sound. We got to make something that really fitted this film well and that was also very distinctive.

MG: I read that the score was mixed to be enhanced with the Dolby Atmos technology; tell us about that process?
SP: Yeah! That was the last thing that we did. We came back this past summer and did a new mix for that. This film really suits with Dolby Atmos and the whole thing about it is that you are completely surrounded by speakers. They are all around you. I based a lot around the knowledge that we were doing that when I wrote it as well. You can take it to another level. So if the camera enters the helmet of Sandra Bullock, then all of the sudden the score can feel like it compressed around your head. We had a lot of fun doing that and it is easily my favorite mix. There are so few Dolby Atmos screens in the UK but it is the one that I recommend to my friends for sure in America!

MG: “Don’t Let Go” is one hell of an emotional 11+ minute track; give us some background on its development?
SP: When I wrote it originally it started as 4 or 5 cues. They all did separate things but were designed to flow together. It became the bit that I was most proud of, so that is why I put it on the album as one continuous track. It just felt like it worked so well. It starts off with the introduction of the most dramatic stuff. You’ve had all this chaos and disorientation in the film for the first 20 minutes and this was the first time when you can take a breath. So it let me do a little bit of that kind of writing style which then went into a really choreographed action section. This idea came along early in the writing process that as the actors move around that I can reflect their movement within the music. I thought that that aspect was sort of a breakthrough and I was very excited during mixing that one. I was just so happy with how it all came together and how the emotions carried through it.

MG: What was your timeline on this film?
SP: I started back in December 2011 and we finished the main film mix November/December of last year but then came back like I said this year and did a little more. So I have been involved for the better part of two years now, which in the great scheme of this project is nothing. There are people that have spent around four or five years working on it. But it was great that since it was in fact so much longer than the typical composing project on a film where you are always in a race against time that with this film you got a chance to go back and try different things. I was also involved with temp mixes with the sound crew, so we all sort of evolved the sound together. It was pretty rare and really great to see the whole project develop over the years.

MG: It’s been a busy year for you with “Gravity” and “The World’s End”, tell us about how ?
SP: I had done a film called “Attack of the Block”, in which Edgar Wright produced a few years ago. So “The World’s End” came from that basically. It was just great to work with Edgar on that film. He is so interested in his music. The whole film is so cleverly structured and the music is a part of that. You get really involved really early. Again, I got a script way before they even shot that one and got to discuss how they were going to do things and how we could adapt the sound. That was great fun and a lot of my role in that was around the energy of how everything happened in one night in the film. We got to play into a bunch of different styles since there were comedy bits, action bits and even romantic bits as well. It was just good fun to be able to press different buttons. From being in this very immersive “Gravity” world, it was great to break out and do something different.

MG: What do you have planned after this film?
SP: There are a few things that I have knocking about. Since I am relatively new to this whole composing thing and I am not one of these people that have done like 50 films, I still feel incredibly lucky to be doing it. But also I feel paranoid that it will stop all of the sudden [laughs]. So there are a few things in the works but I don’t want to curse them by talking about them just yet. But there is definitely some exciting stuff coming up!

Film Review “Gravity”

Starring: Sandra Bullock and George Clooney
Directed by: Alfonso Cuaron
Rated: PG 13
Running time: 1 hour 30 mins
Warner Brothers

Our Score: 4 out of 5 stars

Silence.

Remember the poster for “Alien?” “In Space, No One Can Hear You Scream,” it proudly proclaimed. Very true. The world is silent. Unless you’re Dr. Ryan Stone (Bullock), who can’t help but here the incessant chatter of her companion on her space walk, veteran astronaut Matt Kowalski (Clooney). The two of them are floating hundreds of thousands of miles above the earth, tethered to a shuttle. While Stone works diligently on a project Kowalski zooms around her with his jet pack, filling her helmet with stories about his ex-wife and visiting the Mardi Gras. Things go well until the receive a message telling them that a Russian satellite has been destroyed and now the debris is heading towards them. Stone wants to scream. Too bad no one will hear her?

Amazingly filmed (the entire film takes place in zero gravity), “Gravity” is a technical masterpiece. It is quite possibly the greatest visual knockout since the first star destroyer flew over the audience in “Star Wars.” The story in a (space) capsule: when their shuttle is damaged by debris Stone and Kowalski must find their way through space in order to find a place safe to seek refuge. However not only is there no sound in space, there is no gravity and soon Stone finds herself floating aimlessly in the darkness with only the sound of her breathing in her ears.

The story can best be described as “Cast Away” in space. And like that Tom Hanks starrer, “Gravity” is pretty much a one person show. But there’s a lot more to see than just one person against the vacuum of space, including a stunning performance by Bullock. With only her training and the sometimes soothing voice of Mission Control (played, with a wink to fans of “Apollo 13,” by Ed Harris), Stone is literally the last person in the world. Bullock manages to capture all of the emotions necessary and project them on to the audience. It’s a performance of sheer brilliance which should bring her Academy Award nomination number two!

On the other side of the spectrum, things in space can get very monotonous. Traveling from one shelter to another or quickly taking a crash course to maneuver repeatedly can make ninety minutes seem much longer. Even the outstanding special effects (as she cries to herself Stone’s tears literally “fall” off of her face and float softly around her) can’t keep the film continuingly moving. It is a credit to director Cuaron that the audience puts themselves in Bullock’s place, if even for a moment. Script-wise there are a few holes, including how someone with such a short training period can learn to not only read but understand Russian technology, but the more you give yourself to the visual aspect of the film the better off you’ll enjoy it.

CD Review: “Gravity” Original Motion Picture Soundtrack

Composer: Steven Price
Release Date: October 1, 2013
Running Time: 72 minutes
16 Tracks
Label: Watertower Music

Our Score: 4 out of 5 stars

When I saw the trailer to “Gravity”, I was just blown away. I knew it was going to be something special. I was really hoping that the score was going to be equally as amazing. I just had a feeling…and I was completely right! Already one of my favorite scores of the year, no question. The score is simple and calm yet packs a certain suspense and will keep you on your toes. Having seen the film already, you are able to visualize the score as it plays out in your head. It sets up the scene very well for the final tracks with are heart-pounding. I left this score on loop and it only gets better with each listen. Highly recommend this score.

Steven is definitely a composer to keep an eye out for. His previous work including 2011’s “Attack the Block” and this summer’s “The World’s End”.  I have to admit, I have not heard those scores but I know that I will be checking them out now for sure. I really like this style on this score and I think it really suits the movie very well.  For me if you are listening to the score and it makes you want to stop what you are doing and watch the movie then it has achieved its purpose. It is mysterious and calm like the dead of space and I really felt those themes in the music. I think that there is going to be a lot of greatness coming from this guy and I can’t wait to see what he does next!

Alex Hirsch talks about recent trip to get inspiration for Disney’s “Gravity Falls”

Photo by Todd Wawrychuk

Alex Hirsch is the creator/executive producer/star of “Gravity Falls”. The show is currently airing its first season on Disney Channel and has already developed a huge fanbase since it started airing. Alex and his creative team recently took a trip to Oregon to gain inspiration and to discover new hidden treasures including a few fun “tourist traps” for upcoming episodes of the show. Media Mikes had a chance to chat with Alex and ask him his top five discoveries/hidden gems from his trip and how he may incorporate them in the show.

Mike Gencarelli: Let’s chat about why you took a recent trip to Oregon with your crew of “Gravity Falls”?
Alex Hirsch: Our art director, Ian (Worrel), is having a baby and I am keeping my fingers crossed for a second season, which is sort of like having a baby. So we both realized that our lives are basically going to be over soon and that we should do a fun trip with the crew while we still have the time. So we booked a big ‘ole van and got twelve of our “Gravity Falls” artists to pile in. We even went to Party City to get glow sticks, disco lights and did the whole thing up right. We basically went up US Route 101 and spent four days visiting this stretch of road between California and Oregon that is known for having some of the craziest tourist traps on this coast. We just went up to the Southern tip of Oregon and back down hitting every single one of those. We were staying in weird hotels, eating at “Twin Peaks” style diners, taking photos for reference and basically goofing off as much as possible!

MG: Tell us about your top five discoveries/hidden gems from the trip?
AH: I would have to say that the most amazing thing we saw on this trip was called Trees of Mystery in Klamath, CA. Everyone knows this due to the lumberjack and the big Babe the Blue Ox on the road. It is huge and can be seen from a mile away and most people think that that is all it is. But in fact, it is just a facade for this great and incredible redwood forest. It looks like the kind of thing that would dwarf even some dinosaurs. It is beautiful, strange and filled with lumberjack lore. There are these bizarre wooden sculptures with the faces of famous lumberjacks carved into them. It sounds like I am promoting it but literally, I want to have my wedding here. It was beautiful. That was probably my absolute favorite place that we visited.

We also visited two tourists traps, so this would be two and three: The Oregon Vortex, at the Southern tip of Oregon and Confusion Hill, at the tip of California. Both of them are of the Mystery Shack mold. Basically they show you a weird slanted shack where a ball will roll uphill and people look like they are growing or shrinking based on where they stand in the shack. Depending who the tour guide is they will tell you it is an unbelievable dimensional spot in the universe where the laws of gravity don’t work…or they say “Yeah, it’s an optical illusion…buy a keychain!” There are different takes on it. I would say that “The Oregon Vortex” is more for people that are hardcore into this stuff and want to believe. Confusion Hill is more for people with a sense of humor and more of Grunkle Stan-type scenario.

The fourth one is It’s a Burl, in Northern California. It was almost like a mirage. I almost don’t believe that it existed. There was this little old dude that wore a newsy baseball cap and drove a golf cart. It was this enormous campus of treehouses and wood carvings that him and his hippie commune had built themselves. It can’t really be described. It can really only been seen. I actually bought, and this is my favorite souvenir, this phone made out of wood. It is a trunk of tree cut in half with buttons coming out of it. It is something that a gnome king would use to wage war on another gnome king. It is sitting on my desk. I haven’t figured out how to use it but it is pretty amazing.

The fifth thing is that we stayed at this place called the Benbow Inn. It is this spooky hotel that looks like it is from “The Shining”. It is out in the middle of the woods. It is huge, very fancy and ornate. It also is said to have a lot of ghost legends. I asked the waiter where we were having dinner to talk to me about the ghosts and he sort of went white and said “You really don’t want to know”. But we had a lot of fun running around taking photos of ourselves re-enacting scenes from “The Shining” in that hotel.

MG: Are you able to tell us how these items from your trip will be incorporated into the show?
AH: I’ll say that it is highly likely that a very large inanimate lumberjack could come to life in the series. After visiting that attraction, it has sort of been haunting my dreams and the things in my nightmares usually make their way into the series. So that is entirely possible. One thing that surprised me greatly was that when we visited Confusion Hill was how many things that we didn’t know have already been put into the show. There were a lot of strange parallels. Grunkle Stan is sort of this old guy that is into Grandpa humor, like the kind of plaques and T-shirts you find at a bait and tackle store. There was this episode, [speaking in Grunkle Stan’s voice] “I’ve got the complaint department here” and he holds up a trash can. Sure enough at Confusion Hill, there was something that said “Press this button” and it was a mouse trap. There was also an episode where he says [speaking in Grunkle Stan’s voice] “Look behind this curtain to see the most terrifying monsters” and it was a mirror. They had they exact attraction at Confusion Hill. I was shocked at how well we managed to psychically pick up on this corny tourist trap humor that really exists. Just being up in those trees and seeing nature, I feel that it really reinvigorated our artists. We got a chance to see how beautiful the Pacific Northwest really is. We will probably explore the woods more as well in future episodes, since we were really inspired by them.

MG: You not only work as creator/executive producer but also voice Grunkle Stan, Soos, Old Man McGucke and various others. What is your biggest challenge?
AH: I would say the top five most challenging and important tasks for me on the show is writing, writing, writing, writing and writing. Then everything else sort of falls underneath that. My primary role is to make sure that the stories and the characters feel like they are from the same voice and each episode has something for the characters and also a piece of magic that we haven’t seen before. Beyond that there are so many things from working with the artists on the design to doing the voices to final mix and directing the actors. It is a huge responsible and a ridiculously difficult job. So it was nice to get to spend four days doing absolutely nothing on this trip. Our crew is really a big group of friends and we all have this great bond. It was just very fun to spend time with friends and we really bonded well. It is sort of this amazing culture that we have created at Disney of young talent like-minded weirdo crazy artists that like to have fun and then work really really hard on something.

MG: Are you surprised with the success and following of this show after only a few episodes into the first season?
AH: That blew me away. I had very humble expectations about what would happen with the series. It is an unusual kind of show and there really isn’t a model for it. Just the fact that it is a half-hour animated comedy in the kids show genre. I mean those do not exist. These kids shows are 11-minutes like “Adventure Time”, “Spongebob” and…you name it. Those are short formed shows. Doing a longer show and one with some continuity, each episode has a little bit left over with a broader story to be told, all those things are huge experiments. I tried them because they were hard and I wasn’t sure if I could do them. But I wanted to try and pull them off because that made it interesting. I have worked on other 11-minute shows and I respect those. But I have seen them already so I wanted to try something new. I have been really just humbled and grateful from the fan response to this show. I get fan letters everyday and I feel like Santa Claus when I come to my office and there is a stack of letters. I have been doing my best to write back to each physical letter that comes to my desk that someone has taken out the time to write. I just got one recently from Japan. People also send me some amazing stuff. I got a few sewed gnomes that someone made by hand. A kid built an actual Mystery Shack and it is the size of a TV. The kid and his father actually drove to the studio and left it for me. I was on vacation at the time and I returned to my desk to see an actual Mystery Shack on my desk. Our fans are just amazing. My theory was that if you fill the show with secrets and hidden stuff and gave people a reason to pay close attention, then they would. My theory turned out to be more right than I had ever imagined. I am very grateful for it.

MG: Well, the first season is amazing and I can’t wait to see what you guys come up with next.
AH: I appreciate that. I will say that there are four episodes left in this first season. I would say that this series has some mystery, continuity and there is this broader underlying story. They found this mysterious journal…who wrote it? Grunkle Stan has secrets of his own. Gideon is up to something. A lot of those big questions, those series mysteries, will finally be addressed in the final episodes leading to the end of the first season. I think fans are going to be pretty excited to see the answers to those questions and also some of the new questions that arise out of those. So keep watching!