Disney XD Sets Premiere Date for “TRON: Uprising”

A VISUALLY STRIKING ANIMATED SERIES FEATURING

A NEW HERO BATTLING FOR FREEDOM ON THE GRID

Special Prelude “TRON: Uprising, Beck’s Beginning”

Premieres Friday, May 18 on Disney Channel;

Series Premieres Thursday, June 7 on Disney XD

Disney XD delves inside the computer world of The Grid and the people who live there with “TRON: Uprising,” a visually striking new animated television series that follows the heroic journey of a new character, a young program named Beck, who becomes the unlikely leader of a revolution. The series, produced in CG animation with a 2D aesthetic, is set in the era of “TRON” between the stories in the 1982 feature film and Walt Disney Studios’ “TRON: Legacy.” Disney Channel will present “TRON: Uprising, Beck’s Beginning,” a 30-minute uninterrupted prelude to the series on FRIDAY, MAY 18 (9:30– 10:00 p.m., ET/PT). The special will encore uninterrupted on Disney XD on MONDAY, MAY 21(7:00 p.m. ET/PT), followed by the series launch on THURSDAY, JUNE 7 (9:00 p.m.) on Disney XD.

“TRON: Uprising” stars Elijah Wood as Beck, Bruce Boxleitner as Tron, Mandy Moore as Mara, Emmanuelle Chriqui as Paige, Nate Corddry as Zed, Lance Henriksen as General Tesler, Reginald VelJohnson as Able, Paul Reubens as Pavel and Tricia Helfer as The Grid.

Produced by Disney Television Animation, the series is executive-produced and directed by Charlie Bean (“Robotboy,” “Samurai Jack” and “Powerpuff Girls”) with Edward Kitsis, Adam Horowitz (both screenwriters of “TRON: Legacy” / executive producers of ABC’s “Lost” and “Once Upon a Time”) and Justin Springer (co-producer of “TRON: Legacy”) as consulting producers. The music is composed by Joseph Trapanese (“TRON: Legacy”).

“TRON: Uprising, Beck’s Beginning” introduces Beck, a young mechanic living in Argon City, a growing metropolis in a far off corner of The Grid that has just been occupied by General Tesler, a henchman of the notorious Clu. After his best friend Bodhi is ruthlessly derezzed by Clu’s army, Beck seeks justice for his lost friend and launches a crusade against the regime. His rebellion captures the attention of Tron, the greatest warrior The Grid has ever known, who sees the potential in Beck and trains him to be his successor. Labeled with the moniker of The Renegade, Beck sparks a revolution to fight for the freedom of The Grid.

The multiplatform premiere schedule is as follows:

Monday, April 30

(9:00 p.m., ET/PT) – Disney XD will debut the official trailer for “TRON: Uprising” during the series premiere of “Motorcity” and online at DisneyXD.com.

Friday, May 11

“TRON: Uprising, Beck’s Beginning” will be released on Disney Channel and Disney XD On Demand.

Sunday, May 13

“TRON: Uprising, Beck’s Beginning” will be available on YouTube via Disney XD’s Facebook Page.

Monday, May 14

“TRON: Uprising, Beck’s Beginning” will be available on iTunes as a free download.

Tuesday, May 15

DisneyXD.com launches a new side-scrolling adventure-puzzle game, “Escape from Argon City,” in which players help Beck master his light disc throwing skills to defeat General Tesler’s army.

Friday, May 18

(9:30 p.m., ET/PT) – “TRON: Uprising, Beck’s Beginning” airs uninterrupted on Disney Channel.

Directly following the linear premiere, DisneyXD.com will launch a new interactive video and gaming activity that invites users to immerse themselves in the world of TRON; the special will be split down into 10 micro-episodes in which users take on the role of Beck and help him fight to become the next hero of The Grid.

Monday, May 21

(7:00 p.m., ET/PT) “TRON: Uprising, Beck’s Beginning” airs uninterrupted on Disney XD.

Thursday, June 7

(9:00 p.m., ET/PT) – “TRON: Uprising” Series Premiere on Disney XD

In the premiere episode, “The Renegade Part 1,” Beck’s training with Tron is interrupted when he’s captured by a Recognizer patrol and sent to the Coliseum to fight in the games. There Beck meets a fellow prisoner Cutler, a fierce warrior program who has been inspired by The Renegade’s actions. Recharged by their shared passion for freedom, Beck and Cutler fight their way out of the deadly disc games. Meanwhile, Zed and Mara head out for night on the town, but run into trouble when an enchanted Zed is lured away by Perl (voiced by Kate Mara), a program from the wrong side of the tracks.

Directly following the premiere on air, “The Renegade Part 2” will be available on DisneyXD.com, along with a new game, “Renegade Strike,” where users take on the identity of The Renegade and defend The Grid from Clu and General Tesler.

Friday, June 8

Following the premiere, “TRON: Uprising” will be showcased via Disney XD on Demand, DisneyXD.com, Disney XD Mobile, Sony Playstation, Xbox Live and iTunes.

Disney XD is a basic cable channel and multi-platform brand showcasing a compelling mix of live-action and animated programming for Kids age 6-14, hyper-targeting boys and their quest for discovery, accomplishment, sports, adventure and humor. Disney XD branded content spans television, online, mobile and VOD platforms. The programming includes series, movies and short-form, as well as sports-themed programming developed with ESPN. In the U.S., Disney XD is seen on a 24-hour, advertiser supported network that reaches over 78 million households via its basic cable and satellite affiliates. Disney XD channels are in the UK, France, Spain, Denmark, Sweden, Norway, Poland, Greece, Turkey, Latin America, Japan, Germany, Austria, Switzerland and The Netherlands among other countries.

 

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Book Review “The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond”

Author: Christopher Finch
Hardcover: 504 pages
Publisher: Abrams; New edition
Release Date: October 1, 2011

Our Score: 5 out of 5 stars

Walt Disney has been a major influence on my life. I grew up watching the films and still today adore them all. I really look forward to sharing them with my soon-to-be daughter (due May 23, 2012). In fact, I even moved from NY to FL, just to be closer to the parks. This book is honestly the ultimate tribute to the art of Disney and The Walt Disney Company. This is not a new release though, the original edition was published in 1973 and since then there has been many revised and expanded editions released in 1975, 1995, 2004, and now 2011. If you are a Disney fan and don’t own this book, I highly recommend it. If you own past revisions, I would still recommend it because there is so much content added into this latest edition that it completely makes it worth wild.

The newest edition of the book covers the ever changing and expanding history of The Walt Disney Company. Author Christopher Finch didn’t just slap a few new pages and re-released this. He literally updated every chapter to showcase the achievements of The Walt Disney Company in not only filmmaking but also theater, and theme parks. There are a few new chapters though, focusing on mostly Pixar Animation Studio and the new work from Walt Disney Animation Studio like “Tangled”, as well as updated theme park information.. There are also new extensive interviews CEO, John Lasseter, and president, Ed Catmull. This also includes a foreword by John Lasseter. John is such a legend and has aided so much to the Disney legacy with his work over the years.

For a book that was published originally almost 40 years ago, this still relevant and still packs new information even for super fans like me. That is the other thing actually, even though the film is called “The Art Of”, it isn’t just colorful photos. It comes jam-packed with endless thorough information, I enjoyed that the most. You can really tell that author Christopher Finch is a super fan himself. I really looks forward to future revisions of this book. The Disney company will continue to grow throughout the years and will always have special place in my heart.

When you think about art and animation, Disney is the first to come to my mind. They are easily the most successful and influential in the business. This book contains some really amazing concept art, animation drawings and archival materials. Even if you have seen previous editions of this book, this edition literally contains hundreds of new images capturing, well…The Art of Walt Disney.  Let me just tell you how beautiful these images look.  Abrams did an amazing job with this release and delivers the highest quality images.  Whether you are reading this book for yourself or introducing it to your children, it is a great way to keep the Disney legacy going.

Disney Junior Orders Third Season of Hit Series “Jake and the Never Land Pirates”

Sails to New Heights as Disney Channel’s #1 Preschooler Series of All Time with 100 Episodes and New Consumer Products Line

Disney Junior has ordered a third season of “Jake and the Never Land Pirates,” its #1 series and cable TV’s #1 series among Boys 2-5, bringing the episode tally to 100 thus far, it was announced today by Nancy Kanter, Senior Vice President, Original Programming and General Manager, Disney Junior Worldwide. The series revolves around a crew of kid pirates – leader Jake and pals Izzy and Cubby – and follows their Never Land adventures as they work to outwit two infamous characters, the one and only Captain Hook and Mister Smee, from Disney’s classic “Peter Pan.” The stories emphasize teamwork and features original pirate rock music performed by Sharky and Bones of The Never Land Pirate Band.

Kanter said, “The series is connecting with kids on every level and brings them closer to characters they’re already familiar with and introduces them to new, original characters they have made their friends.” She continued, “The storytelling is adventurous and heartfelt and embeds the kind of learning that we know is important to parents. We’re pleased to be extending viewers’ experience with the stories, allowing them to play the ‘Jake and the Never Land Pirates’ experience.”

The memorable Disney stories and characters, both classic and contemporary, have connected strongly with kids age 2-7 and their parents, and that connection has also led to the creation of brand extensions in other Disney businesses. “Jake and the Never Land Pirates” is a prominent part of the popular Disney Junior Live on Stage! attraction at Disney Parks & Resorts, and is featured in a Disney Junior magazine from Disney Publishing, in a soundtrack and DVD from Disney Studios and a Disney Consumer Products line set to debut in stores nationwide in spring 2012. Included are multiple product categories: party supplies, apparel (sleepwear, daywear), room décor and plush. An exciting toy line releasing in June and showcased this week at American International Toy Fair, will feature plush, role play and accessories from Just Play and action-oriented play sets and figures from Fisher-Price, including Jake’s Pirate Ship, designed after Bucky, Jake’s ship in the series.

A hit since its premiere in February 2011, “Jake and the Never Land Pirates” is cable TV’s #1 series among Boys 2-5 and Disney Channel’s #1 preschool series of all time among Total Viewers, Kids 2-5, Boys 2-5 and Women 18-49.

The series airs daily during Disney Channel’s Disney Junior programming block for kids age 2-7 and will have a major presence on the new 24-hour Disney Junior channel launching in the U.S. on Friday, March 23. The series stars Cameron Boyce as Jake; Madison Pettis as Izzy; Jonathan Morgan Heit as Cubby; David Arquette as Skully; Corey Burton as Captain Hook; Jeff Bennett as Mister Smee and Bones and Loren Hoskins as Sharky. Many of the key creative professionals behind Disney Junior’s Emmy-nominated series, “Mickey Mouse Clubhouse,” are behind “Jake and the Never Land Pirates” including executive producer Rob LaDuca, producer/story editor Mark Seidenberg and director Howy Parkins. The series is produced by Disney Television Animation.

Disney Junior reflects the emotional connection generations of consumers have to Disney storytelling and Disney characters, both classic and contemporary. It invites mom and dad to join their child in the Disney experience of magical, musical and heartfelt stories and characters, while incorporating specific learning and development themes designed for kids age 2-7. Disney Junior’s animated and live action series blend Disney’s unparalleled storytelling and characters kids love deeply with learning, including early math, language skills, healthy eating and lifestyles, and social skills. Disney Junior launched in February 2011 with a daily programming block on Disney Channel. In its first year, Disney Junior posted the network’s biggest yearly audience in the daypart in Total Viewers, Kids 2-5, Boys 2-5 and Women 18-49 and increased by double-digit margins among preschooler demographics over year-ago levels. On March 23, 2012 Disney Junior will add a basic cable and satellite channel in the U.S.

Disney and Disney•Pixar Favorites Poised to Return to Theaters in 3D

DISNEY AND DISNEYPIXAR FAVORITES POISED TO RETURN TO THEATERS IN 3D

‘Beauty and the Beast,’ ‘Finding Nemo,’ ‘Monsters, Inc.’ and ‘The Little Mermaid’ Will Make 3D Theatrical Debut in 2012 and 2013 

BURBANK, Calif. – October 4, 2011 – On the heels of the phenomenal success of The Lion King 3D – which will cross the $80 million mark at the domestic box office today – The Walt Disney Studios has announced limited theatrical engagements for four of its classic films for the first time in 3D. The following titles from Walt Disney and Pixar Animation Studios will be released in 2012 and 2013:

  • Beauty and the Beast – January 13, 2012
  • Disney•Pixar’s Finding Nemo – September 14, 2012
  • Disney•Pixar’s Monsters, Inc. – January 18, 2013 (Monsters University, a prequel to the original film, arrives in theaters in Disney Digital 3D on June 21, 2013)
  • The Little Mermaid – September 13, 2013

“Great stories and great characters are timeless, and at Disney we’re fortunate to have a treasure trove of both,” said Alan Bergman, President, The Walt Disney Studios. “We’re thrilled to give audiences of all ages the chance to experience these beloved tales in an exciting new way with 3D – and in the case of younger generations, for the first time on the big screen.”

Originally released in 1991, Beauty and the Beast is a classic “tale as old as time” that follows the adventures of Belle, a bright young woman imprisoned in the castle of a mysterious beast and his enchanted staff, who must learn the most important lesson of all – that true beauty comes from within. Beauty and the Beast was the first animated film ever nominated for an Academy Award® for Best Picture, earning an additional five Oscar® nominations and winning two. It has grossed $380.4 million worldwide.

First released in 2003, Disney•Pixar’s Finding Nemo takes audiences into a whole new world in this undersea adventure about family, courage and challenges. When Marlin, an overly cautious clownfish living in the Great Barrier Reef, helplessly watches his son get scooped up by a diver, he must put aside his fears of the ocean and leave the safety of his coral enclave to find Nemo. Buoyed by the companionship of Dory, a forgetful but relentlessly optimistic fish, Marlin finds himself the unlikely hero in a seemingly impossible land-and-sea rescue. Finding Nemo won an Academy Award® for Best Animated Feature and was nominated for three others. With a total of $867.6 million worldwide, it was the second highest-grossing film of 2003.

In 2001, Disney•Pixar released Monsters, Inc. Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. But when a little girl named Boo wanders into their world, it’s up to Sulley and Mike to keep her out of sight and get her back home. Monsters, Inc. shattered every DVD-era home entertainment sales record when 11 million DVD/VHS copies were sold during its first week of release. It won an Academy Award® for Best Song and has grossed $526.9 million worldwide.

Released in 1989, The Little Mermaid, stars Ariel, a fun-loving and mischievous mermaid, off on the adventure of a lifetime with her best friend, the adorable Flounder, and the reggae-singing Caribbean crab Sebastian. But it will take all of her courage and determination to make her dreams come true and save her father’s beloved kingdom from the sneaky sea witch Ursula. One of the most celebrated animated films of all time, The Little Mermaid was nominated for three Academy Awards®, winning two. It has grossed $228.9 million worldwide.

ABOUT THE WALT DISNEY STUDIOS

For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company (NYSE: DIS) was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under four banners: Walt Disney Pictures, which includes Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel; and Touchstone Pictures, which includes the distribution of live-action films from DreamWorks Studios. Original music and motion picture soundtracks are produced under Walt Disney Records and Hollywood Records, while Disney Theatrical Group produces and licenses live events, including Broadway theatrical productions, Disney on Ice and Disney LIVE!.  For more information, visit www.waltdisneystudios.com.

 

Interview with Gary Daniels

When you think of actions movies, you should be thinking about Gary Daniels.  He recently co-starred along side Sylvester Stallone in “The Expendables” and Wesley Snipes in “Game of Death”.  Gary took a few minutes to chat with Movie Mikes about working on his films and what he has planned upcoming.

Mike Gencarelli: Tell us how it working with Sylvester Stallone both acting and directing in “The Expendables”?
Gary Daniels: As you can imagine I was kinda excited at the prospect of working with the writer/creator of “Rocky” and the star of “Rambo” and I have to say working with Stallone didn’t disappoint . The man has an incredible energy, whether working out in the gym with him or working on set…the man is full of energy. He is constantly in motion but is very focused.  He knows what he wants, has a clear vision and knows how to get it. As an actor it instills confidence in you when your director is clear about what h e wants and how to go about achieving that result. He is a very intense director but I found him to be very open minded when I had any kind of suggestions about the blocking or the character. I found him to be very inspirational.

MG: What was the most difficult task of working on “The Expendables”?
GD: There wasn’t too much that was difficult about working on “The Expendables”, I have done quite a few action movies now. For me, as someone that has done leads and is used to having a lot of say in the choreography and direction of my fights, I would say the most difficult thing was not having any input in those areas.

MG: Tell us about working on the film “Game of Death”, does Wesley Snipes still have game?
GD: I was hired on “Game of Death” kinda last minute and the script was being re-written as we were shooting…which presented its own challenges. I wasn’t about to turn down the opportunity to work with Wesley Snipes, but I didn’t get to play the character of Zander the way I would have liked to.  But part of being an actor is being mailable and being able to accept direction, so I always give 100% regardless. It’s always fun playing the bad guy, especially one as ruthless as Zander. Plus its always educational when you have a chance to work with such experienced actors as Robert Davi and Wesley Snipes. Wesley was obviously going through turmoil in his life at the time we were shooting, so whether he bought his A game to the film or not I will let the viewers judge for themselves. He is obviously a talented individual or he wouldn’t have reached such heights in his career.

MG: You reunited with “Expendables” cast Eric Roberts and Steve Austin, in “Hunt to Kill”, tell us about working working on that film and with them again?
GD: Most of my scenes in “The Expendables” were with Steve and Eric, so we spent a lot of time together.  They are both very down to earth and funny guys, so we had a blast together. It was Steve that called me and asked me to work on “Hunt to Kill”, so it was an easy choice to say “Yes”. I didn’t have any scenes with Eric in “Hunt to Kill” but was with Steve most of the time. For a bloke that looks so big and intimidating he is one of the nicest guys you can hope to work with on and off the set. On this film I got to choreograph and shoot a fight between us. It is always a challenge to choreograph for the different kinds of athletes, actors, martial artists that you work with in films and this was no different trying to highlight both of our strengths as we are obviously from very different backgrounds.

MG: How was it working with Steven Seagal in “Submerged”, any cool set stories?
GD: ‘Submerged’ was not one of my favourite experiences, my character was originally very pivotal , but Mr Seagal had other ideas and in the end.  They might as well of hired a stuntman to play the role as all the dialogue and relationship between his and my character was cut. Well every actor has their own vision for their films and being the star of the film you will usually get your way so for me I just get on with it and do the best I can under the given circumstances. Actually most of the cast and crew were from England,  so we all had a blast on and off the set. Nuff said!

MG: Tell us about playing Kenshirô in “Fist of the North Star” and working with Tony Randel?
GD: I was a fan of the anime before I was asked to do the film. So I knew it was gonna be very difficult to translate the anime to live action, especially back in 94 before CGI had been so developed. But I loved the character that I wasn’t about to turn it down. The first challenge for me was the physical one, Kenshiro (like most anime characters) has an awsome, huge physique. So I began a regime of training lifting heavier weights than I had worked with before and went from 180 to 192 lbs. Trouble is we were working such long hours during the summer in a sweltering sound stage with no air conditioning, that as the shoot progressed I slowly lost all that weight as I couldnt get in the gym to maintain. I think Tony had a good vision for the film but he certainly wasn’t into martial arts and didn’t like to shoot the fights. He felt the heart of the story was the love triangle between Kenshiro, Shin and Julia and that by focusing on that it would elevate the film above being a mere ‘martial arts’ film. Personally I think the fans wanted to see Kenshiro kicking ass. Again different visions, but overall I like the film and the way it turned out. The trouble when making an adaptation of an anime or video game is that you have to try to make a film that appeases the hardcore fans but also makes sense to viewers that have no idea about the original source material…not easy.

MG: What has been the most difficult film that you have work on to date?
GD: Every film presents its own challenges. Coming from a martial arts background my hardest challenge is trying to convince producers/directors to take me seriously as an actor so sometimes I end up trying too hard. Then when I choreograph action its tough getting the powers that be to let me control how it is shot and edited. When I do the lead in smaller films, I  wish I could work on bigger films that get more exposure. When you get on bigger films but playing smaller roles,  I miss being involved in the film making process.  The grass is always greener on the other side. Some films you get along with everybody but some there is a clash with other cast members, as I say every film presents their own challenges.

MG: Tell us about some of your upcoming projects?
GD: I just spent three months in Thailand working on the 1st two parts of a trilogy , “The Mark – Light 777” and “The Mark – Bangkok Rising” with Craig Scheffer and Eric Roberts…yes Eric again. The 3rd part will be shot in Europe this summer. Next up will be the lead in a MMA project called “Forced to Fight”. I am also waiting to hear on a bigger project that goes this summer but its not locked so I don’t wanna say too much right now. I am training hard and reading scripts ,so as always in this business the future is never easy to plan.

Interview with James Wan & Leigh Whannell

James Wan & Leigh Whannell are the director and the writer of “Insidious” (respectively).  The started their career by creating the “Saw” franchise.  Since then the guys have worked together on various other projects including “Death Sentence” and “Dead Silence”.  James and Leigh took aside some time during their very busy press day for “Insidious” to chat with Movie Mikes about the new film and working together again on this project.

Mike Gencarelli: James, Tell us about how you became attached to “Insidious”?
James Wan: This is a project that happened when I met with one of the producers of “Paranormal Activity”, we hit it off.   I met with the rest of the gang and introduced them to my partner in crime Leigh Whannell.  We said “Guys we want to do a project together”. We all got along so well, we decided to go out there and work on a film together.  That marriage became “Insidious”.

MG: Leigh, Tell us about coming up with this idea for the script?
Leigh Whannell: This idea, like all, James and I came up with it together, even before we came up with “Saw”.  We were trying to find something that we could shot in a really low budget way.  We had a goal for a $5,000 budget for a film and we were trying to come up with idea that would suit that budget.  The core idea at the heart of “Insidious” is what we came up with.  I don’t want to give anything away to the readers but the end is what we essentially came up with.  We thought it was pretty good and almost went with it.  But one day James called me and said he had the idea of two guys chained up in a public toilet.  I thought that was a better idea and I am glad we went with that.  So we filed the idea for “Insidious” in the file cabinet in the back of your brain. When James had the meeting with Steven Schneider, one of the producers of “Paranormal” that he was just talking about… we came to the belief that we would be pretty foolish by not making this film.

MG: You guys have worked together on every project now, would you consider this project to be you’re most difficult?
JW: I think this actually has been the most fun project that Leigh and I have working together on.
LW: I agree, but not easiest in terms of coming up with the idea, writing the film and directing it.  That stuff is hard…and it is definitely hard to do those things on a small budget. But the ease came from great people.  The cast and crew were just so easy to get along with.  The producers were so great and stayed true to there word by letting us make a film we wanted to make, while also giving us great ideas and thoughts.  They were true collaborators. Everything was just so great.  I definitely have had the most fun working on this, the same as James.

MG: Since the film was low budget, did you feel still feel you were able to achieve everything you wanted?
JW: Oddly, this film actually cost less to make than “Saw” and “Saw” was very low budget.  Yet the ironic thing is I managed to pretty much make the movie I wanted to make.  I think this is the reason why, “Saw” was my first film and  I didn’t have a filmmaking infrastructure around me.  I didn’t have the support or a crew that I knew.  Fast forward to four films later… “Insidious” is my fourth movie, even though it is less money, I have brought in a really great team of people and crew.  I got a cinematographer that I love…an AD that is brilliant…costume and production design…hair and makeup…everyone came to work on this film because they wanted to work with me again. I managed to get an A quality film for basically a no-budget movie.

MG: James, Why did you take on the task of editing as well as directing?
JW: Purely because I love editing [laughs].  It is a simple as that.  I love editing just as much as directing.  I have always edited my own stuff back in film school.  When you get to Hollywood people do not want you to wear yourself too thin.  So usually you have to give up the editing aspect of it.  Due to this being such a small movie and in some way real garage filmmaking for me, it was very experimental.  I got to shoot digital for the first time, which I loved.  It allowed me to do a lot of things that I couldn’t do with film.  I cut it myself in my bedroom on my little Macintosh Apple computer.  It was very liberating.  I thought only I would be able to crop the scare sequences because I shot it knowing how I planned to edit it.  That is the only way I would be able to get around shooting a film in only 22 days. I had a very strong specific way on how I was going to cut.  For me, I felt the scare scenes needed to be very effective and that all comes from how the film is edited and how the sound interacts with that footage.  If you are one second off, then your whole scare sequence is thrown off the curve.

MG: This film looks quite scary especially for PG-13, tell about working within that rating?
JW: Particularly, I know for Leigh he was just setup to write the script and it just so happened to fall into the PG-13 world.  For me it was definitely more conscious.  I didn’t want swearing, I didn’t want blood and guts.  I honestly believe that a lot of it has gotten lost in the last few years.  I think in a big part thanks to the franchise that Leigh and I have created.  People have forgotten that you can make a very scary movie without blood and guts.  You can make a very suspenseful with out throwing buckets of blood at the screen and you can do it this creepy atmosphere that gets into your head.

MG: How was it working with horror genre favorite, Lin Shayne?
JW: I have known Lin Shayne for a while now and there was only one person I wanted to cast for the role.  Most people know here for some of the over the top stuff that she has done but for me I know her and she is more than capable of doing the drama.  She is really great at it.  I really I wanted to give her the chance to do that on this film. Since she comes from a comedic background there is a great quirkiness to the role, which I think is fantastic.

MG: Leigh, did you right the part with Lin in mind?
LW: James told me very early on that he wanted that character set for Lin Shayne to play.  I have worked with her and I was able to write the character for her, which is awesome.  It is always easier to write a character for somebody you know.  You can take years of life experiences, quirks and habits and put it into the character.  That is actually how I build from the ground up. I always like to base characters on people I know because it is the easiest access point.  It was great writing the character having her in mind.  I also wrote the ghost hunters characters for myself and Angus Sampson.  With Rose Byrne and Patrick Wilson’s characters, I didn’t know them so I based the characters on people I know in my life.

MG: Leigh, you not only started the “Saw” franchise but also starred in it, were you always planned to take on both roles?
LW: Yeah, that was our plan! As I said before we were trying to make a film for $5,000 dollars. That was our post film school plan. James wanted to direct something and I wanted to act in something. We were frustrated, so we came up with the idea and went out and did it.  I love acting.  I just enjoy it as much as I do writing.  I am not afraid to say that if I write a film I love to put myself in it, that way I can still be involved in the filmmaking process after the writing is done. The writing is where it all starts.  These are the plans for the house and you can’t build anything without the blueprints. Once I start I want to be there on the building site.  I want to be hammering some nails and helping out.  So the best way to do that is to be acting.

MG: What do you guys have planned next together?
JW: We have separate things we have been working on that we always check with each other about.
LW: Together as the team the Wan/Whannell brand…we are talking about doing a Sci-Fi.  We have come up with an idea and we really like it.  We ran the idea past some investors and they really liked it.  So that is definitely upcoming.

MG: Do you feel nervous going up against this weeks new films?
LW: Yeah for sure! We are always nervous about going against big films.
JW: Our film is a small little film and it is hard to compete with big studio films, “Hop” and “The Source Code”.  Those are big studio films, with huge marketing behind them.  We are here to nip at the hills.

Interview with Robin Thorsen

Robin Thorsen is known for her funny and lovable character Clara on the web series “The Guild”.  The web series is entering in season five this summer and is hotter than ever!  Movie Mikes had a chance to chat with Robin about working on the series and about her character.

Mike Gencarelli: How did you get involved with “The Guild”
Robin Thorsen: I found the casting call online on Actors Access and it just said “The Guild: Pilot”.  The role of Clara [laughs] actually said “ex-cheerleader, fairly ditsy, kind of neglectful mother in an enduring way”. I said say “Hey I can play that!” [laughs].  I went to the audition and there were a lot of older women there, and I was the youngest person.  But I just went in and I guess I did something to make Felicia (Day) like me. It was actually my first big audition since I graduated college, so it was pretty sweet!

MG: What is the thing about Clara that you love the most?
RT: I think the best is… let’s face it she is a neglectful mom [laughs].  She does it though in such a funny endearing way..you have to like her. I loved playing a character that is almost borderline taboo.   She is a mom and she drinks.   She also chooses the game over her kids but at the end of the day, she is this lovable character.

MG: Do you have a favorite season to date?
RT: I think the past two seasons have been quite fun.  We got a bigger budget.  I got to work with Amy (Okuda) in this past season.  It is always best to get to act with the rest of the cast then oppose to trying to act in front of a computer.  I think season four was written exquisitely.  It was so much fun and we got to see how Clara deals with her pregnancy and kind of forgets about it for the first half [laughs], then realizes she shouldn’t do that. Every time we get to work together it is a lot of fun.

MG: Do you find it easy or difficult working on the web series?
RT: “The Guild” has really been the only thing I have done.  I have a done a few guest spots on other web series and a little tiny movie.  It is a little stressful because we have to do so much in such a small amount of time but I love it.  I love being able to go to work and flushing out two or three episodes.  You also kind of at that borderline stress mentality because…you don’t wanna fuck up. Sean (Becker), our director is amazing.  Felicia is so great.  Everything we film I get worried if I am doing the lines right and Felicia always says we wouldn’t move on if it wasn’t good or you didn’t look good.  It is really nurturing and always a good experience filming.  It great to see how this show has come along from being produced from a PayPal account to now being produced by Microsoft.

MG: Tell us about working on the music videos, was it a blast?
RT: Yeah! Of course…What would happen if I actually said, No they were awful, I can’t believe I am part of that [laughs].  No, they were tons of fun to do.  The Bollywood “Game On” video was a little long for me, I was there all day.  Vincent (Caso) and I had to shoot our porition at night.  So our call time was really early and then we were just hanging out.  It was really neat though because I got to see everyone else film.  I really [laughs] don’t have a lot to do in these videos.  I am usually sitting down drinking something [laughs].  That is the extend usually of my participation.  I love being part of them. It just more exposure for the show…and us for that matter. People have come up to me and said “Oh my gosh, your in that music video” and I am just shocked.

MG: What can let us know about upcoming season five?
RT: Oh my gosh, I am stocked about it.  I wish I had information to tell you but I am in the dark. I know they are doing pre-production now.  I am thinking we are going to do some sort of a convention thing due to the end of season four. I can’t wait to get the script and read it and find out what crazy antics we get into.

MG: What else do you have upcoming?
RT: I actually just guest starred on another web series called “Awkward Embraces”.  It is really funny and witty. Jessica Mills is the brain child behind it. It is another kind of nerdy geek girl centered web series, which is awesome.  In the TV world you don’t get many of those.  I am excited to be apart of it.

Interview with Brian Yunza

Brian Yunza is a Director/Screenwriter/Producer known best for his work on the “Re-Animator” and “The Dentist” series. Most of his film work falls into the horror genre. Brian has also started production company, Fantastic Factory. He has worked quite a bit with Stuart Gordon and they are both big fans of H.P. Lovecraft and together they have developed several of his stories into films. Movie Mikes had a chance to chat with Brian about his films and what he has planned upcoming.

Mike Gencarelli: Can you reflect your favorite film in the “Re-Animator” series?
Brian Yunza: My favorite of the “Re-Animator” films is the first one because that not only invented the thing but it was also the first movie I had produced. Not to mention that it was the most successful. When you make a movie for the first time everything is new, every situation is unique, each challenge is fresh. Just like a first love, a first film is a process of discovery that can’t be repeated. If “Re-Animator” had turned out badly perhaps I would have buried the memory and moved on to another movie for my fond reminiscences. The sequels have a place in my heart, of course, but I am well aware that each of them had the goal of fulfilling certain expectations created by the first film.

MG:Tell us about working on “The Dentist” series? Would love to see that series continue?
BY: The first film in the series originated as an idea by the head of Trimark Pictures, Mark Amin. I agreed to develop and direct his idea and at that time my company would have also produced it for him. Mark didn’t insist on a particular story, only that the film should focus on the fear of sitting in the dentist chair, not on some fantastical or sci fi type of twist. We listened to pitches from over two dozen writers before settling on the story, and even then the script didn’t give us what we wanted. The process of working with Trimark was a very supportive and congenial one, and when I went off to Canada to produce Crying Freeman I was happy for them to make the movie without me if that worked out better for their schedule. When I returned and new writer had made some interesting improvements in the script and Pierre David had come on board to produce. I rejoined the project even though the budget had been slashed and worked on the script with on of Pierre’s executives while we were in pre production. Trimark did a great job of helping us find an appropriate and talented cast for the movie, and I can’t say enough about Corbin Bersen and his contribution to the film. He was more than just a lead actor, he was always there to help solve problems with creative solutions. I was insecure about The Dentist- I just didn’t know if it was going to work. I had never had such a minimalist situation for a story which led me to design the shooting of the movie more than I ever had before. It also had something I was not experienced in which was a ‘body count’. I was concerned that the killings be stylish and visual. All the sound and music was done by Alan Howarth in his studio in a very short time. Finally, when it was all over and I had seen it with a few audiences my fears were allayed and I realized that it did work and Corbin’s dentist character was truly memorable. The sequel was more difficult in many ways, not just because the budget was even smaller, but because I was unable to work with the script until the weekend before we began shooting. So, Corbin (and leading actress Julian McWhirter) would have dinner each evening after work to review and amend the scenes for the next day. The sequel is less successful than the original, but a lot of fun in its own way- mainly because the Dentist character is so much fun to watch. Corbin and I have discussed often our desire to continue the series. But we can’t because we don’t control the rights. Corbin is determined to revive the character. It was the character that introduced him to genre films and he now he loves the genre.

MG: When making “Return of the Living Dead III”, how much did you lean on the prior films in the series?
BY: I don’t think I “leaned” on the previous “Return” films at all. I admire the first one greatly, and was very aware that it was an unofficial sequel to “Night of the Living Dead”- so I wanted to respect both of those movies while doing something original. The straight forward horror of Romero’s film and the EC Comics style of O’Bannon’s film both influence “Return 3″”, but I think that the film that screenwriter John Penney and I fashioned goes its own way. Some fans were not happy that “Return 3” wasn’t as comedic as the first, but as a fan myself I find “Return 3” to be a very satisfying, fun horror film. I changed interpreted the underlying mythology of the living dead in a way that I felt did justice to both Romero and O’Bannon- the Trioxin gas remains as the reanimating agent, but the saliva of the living dead was able to turn victims into zombies. The studio, Trimark, insisted on only one requirement- that the movie contain “brain eating”- so I decided that the living dead ate flesh, not for the meat, but for the nerves in it, and the biggest bundle of nerves was the brain. So, you can see that I wanted to take the story a little more seriously that “Return 1”.
I didn’t draw on “Return 2” for inspiration as I thought it had been burdened by the requirement to carry on characters from the first film and to be wildly comedic. I was actually more inclined toward an ironic humor and especially the character of Julie as a living dead heroine. After making “Bride of Re-Animator” I realized that I was most interested in the character of the “Bride” and she only showed up in the third act. So with “Return 3” I was able to make that kind of character the core of the movie.

MM: Going from working in the horror genre, how did you get involved with Disney and “Honey, I Shrunk the Kids” as co-producer and writer?
BY: After making “Re-Animater”, Stuart Gordon (director of “Re-Animator”) and I were having a BBQ at my house and decided that we should make a movie for our young children. I recalled imagining myself to be smaller than a blade of grass as a kid, riding on an ant, and how exciting that would be. Stuart immediately saw it as a Disney movie and we quickly came up with the idea of an inventor who shrinks his kids. We were able to get a meeting with a development executive at Disney and on a plane ride back from Rome (where we were shooting “From Beyond and Dolls”) Stuart and I wrote out the whole story on a legal pad and pitched it upon arriving in LA. Surprisingly Disney loved the idea and immediately and put it into development. For the next year we worked on the project making set designs and storyboards, casting and special FX. We built all the sets in Mexico (full sized since there were no digital FX back then). Unfortunately, a few weeks before shooting Stuart had health problems and had to bow out.

MG: What was the most challenging film you have worked on?
BY: That’s almost impossible to say because there have been so many difficult ones. But, I would say that the first film I did in Spain, the one that kick off the Fantastic Factory and demonstrated whether the idea of producing genre films in Spain using Spanish crew and talent would work, is one of the candidates for most challenging. That was “Faust: Love of the Damned”. One that would top “Faust” is the one I just finished, “Amphibious 3D”. Shooting in Indonesia with Indonesian crew and some Dutch key personnel, doing it in 3D and having lots of creature FX and CGI- well that was incredibly challenging. The guys who built the 30 foot long sea scorpion lived in the middle of the island of Bali, worked on the floor and had never been on a movie set before. But the main thing that made the production difficult was the collapse of the financing in the middle of the production. This is one of the main reasons for disorganization and insanity on a movie set: the lack of a solid financing structure. Everything is in flux. It is like building a house with a faulty foundation. However, maybe by challenging you don’t mean difficult, but, well, “challenging”. In that case certainly “Re-Animator” qualifies because it was the first movie I produced, and it was immensely challenging to try to do something one has never done before. Or “Honey, I Shrunk the Kids”. Designing a movie for a mass audience with the Disney tradition to live up to is pretty challenging. Or how about “Beyond Re-Animator”? Making a “Re-Animator” movie that isn’t a complete failure when the only other person on the set that has an inkling of what we are trying to achieve is Jeffrey Combs. Shooting with a completely Spanish crew with mostly Spanish actors and trying to live up to the expectations of the fans was seriously challenging. You know all the movie productions have been involved with been very challenging, and a lot of that has to do with the goals we set for ourselves. One each one I try to raise the bar as high as I possibly can – and that’s the challenge.

MG: Do you think you will ever continue the “Re-Animator” franchise?
BY: I have been doing my best to continue it. After my years doing the Fantastic Factory I came to LA with the plan to get financing for a trilogy of “Re-Animator” sequels that would continue and bring the saga to a close. It was kind of shocking to be to not find a strong desire to participate at places like Lionsgate and New Line. Well, even then the business was changing. I continued developing the stories for the three films, and at one time thought that we had the financing in place for the first of the trilogy, “House of Re-Animator”. That was to be Herbert West in the White House. Stuart Gordon was going to direct and William Macy agreed to play the re-animated president. I wanted to have Dan Cain come back so we could have a good confrontation between him and West. But, the financing fell through. Then Obama got elected and Stuart lost his enthusiasm because he enjoyed the idea of using some of the irony in the film in political satire. The political angle to me was less interesting because I am of the opinion that politics works fine in sci-fi, but horror is more the domain of psychology and religion. At present I am actively developing a script for “Re-Animator Unbound”! It is the story of what happens after Herbert West’s adventures in the White House and he has gotten black ops funding for an experimental project. For the first time he has a fully equipped laboratory. Once I get the script in order I will try to get Jeffrey Combs to agree to do it and, one way or another, get the financing for it.
By the way, Stuart Gordon is presently presenting his adaptation of “Re-Animator” into a musical comedy- entitled, believe it or not…”Re-Animator :The Musical”. It is really entertaining and should be a big hit.

MG: Tell us what other upcoming projects are you woking on?
BY: I am currently working with The Little Film Company’s Robbie Little on the financing plan for “The Men”, a sci-fi thriller by Dan O’Bannon (“Alien”, “Total Recall”) which Stuart Gordon will direct. The script is really great, about a woman who discovers that all men are aliens – so you can see that even though it is a thriller it will have a good dose of irony. It is a project that I worked with Dan on way back twenty years ago so I am really thrilled to be seeing it finally get going. Of course, I am working on “Re-Animator Unbound!” I am developing a 3D immersion film called “Necronauts” based on the short story of the same name. And I just finished co-writing with John Penney a pretty wild script called “The Pope”. Mainly I am working on arranging for a financing facility for making another label, or line, of films.

Interview with Whitney Able

Whitney Able is starring in this fall’s sci-fi drama “Monsters”. She is co-starring in the film with her husband Scoot McNairy. Whitney really shines in this film and she is going to have a fantastic career in this business.  Movie Mikes had a chance to chat with Whitney about working on the film and her adventures in Mexico during the shoot.

Click here to watch “Monsters” right now on Video on Demand

Mike Gencarelli: Tell us about how you got involved with the film “Monsters”?
Whitney Able: Scoot told me about it, he got an email from Vertigo. They said that they have a script and they want a real couple to go down to Mexico and shoot this film. We were looking at the treatment and they told us that they wanted us for the film. It was really exciting.

MG: What was the most difficult part of working on the film?
WA: Initially the hardest part was how we were going to film it. We basically had a treatment and everyday we will show up and try and figure everything out. We didn’t know how to approach it. Neither of us have ever done anything like this. We have done improv before but with this we just had free range. We just developed a back-story for our characters and worked on that for two months before we left. We did some exercises together. Pretty much we just had to be exactly who we were and understand our story arc, try and hit those points in order to keep the story moving. With the exception of Emelie Jeffries everyone in the movie was locals. So they were just people we sort of found and approached in the film. Emelie played the homeless woman at the end. Emelie flew down to help us work on our back-stories for the characters. She is my mentor. I grew up watching her in the theater in Houston, TX. I was so excited to be working with her.

MG: How was it working with your husband Scoot McNairy?
WA: Even though we were a couple, we had a fear of what kind of strain this would put on our relationship. We were just newly dating at the time, about five months or so. We wanted to be sure this wasn’t going to be the kiss of death by working with each other in this strenuous environment. Scoot said if we can do this and get through it and still love each other, we should get married. So we did. It was great working with Scoot. He has a wonderful charisma about him. I am not sure if I would have been able to do it anybody else. I think so much had to do with me knowing Scoot and knowing his abilities. He is just a great improv actor. He is very outward and I am very inward, it really helped create these dynamic characters.

MG: What was it like shooting in Mexico?
WA: I have been to Mexico many times before the shoot but I loved seeing it during the shoot. We weren’t going to touristy places. We were going to small towns that nobody goes to. It was really inspiring.

MG: You worked in a few other genre films “Unearthed” & “All the Boys Love Mandy Lane”, are you a fan of the genre?

WA: I am new fan of the genre. I was movie-goer as kid. My dad loved the classics like “Jaws”. I remember watching “Nightmare on Elm Street”. I didn’t really know how to identify a genre when I was younger. Later I realized I like intense dark films. I am not really a comedy person. I realized after working on this I am a big sci-fi fan. I started watching more sci-fi films. I am actually even writing a sci-fi script right now which won’t be done for like five years probably [laughs]. I am not a blood and guns girls. I like also like action films with guns and fast cars.

MG: Tell us about some of your recent TV projects?
WA: I just wrapped an episode of “Criminal Minds”. That is pretty dark stuff. I worked on an episode of “Nikita” that just aired recently. That was really cool. I got to shoot guns and be a bad guy. I even had a Ukrainian accent. I really love accents and doing deep character studies. The problem with TV is that it is so fast. I like to build a library. I take a tape recorder wherever I go in different countries. I am slowly building library of accents and dialects.

MG: I guess that came in handy for you shooting in Mexico for “Monsters”?
WA: Yeah, I lived in Spain for a year, when I was younger. I learned to speak Spanish there. When I came back to Texas which is where I am from, nearly half the population speaks Spanish. I got to speak Spanish throughout my teens and into my twenties, especially living in LA.

Click here to watch “Monsters” right now on Video on Demand

 

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Interview with Tyne Stecklein

Tyne Stecklein, who made her memorable debut starring alongside one of her greatest mentors in Michael Jackson’s documentary film “This Is It”, has spent her life dedicating her mind, body, and soul to the art of dance. November 24th all of her hard work will pay off when she co-stars in the star-studded film “Burlesque” along with such greats as Cher, Kristen Bell, and Christina Aguilera. Movie Mikes had a chance to chat with Tyne about her love for dancing and her upcoming roles.

Click here to purchase “This Is It” on DVD/Blu-Ray

Mike Gencarelli: Have you always wanted to be a dancer?
Tyne Stecklein: Yeah, I started dancing when I was three. My mom was a dance teacher. I have done it my whole life. I think by the time I was twelve that I knew it was what I wanted to do professionally.

MG: How did you end up mentoring with Michael Jackson?
TS: Well that was a dance audition I got through my dance agent. The audition was by request only. There was dancers from all over the world there. I think there was like 400 girls auditioning for it.

MG: How was it working on the film “This is It”?
TS: It was really amazing working with Michael (Jackson). While we were working with him, we knew that he was filming but it was originally just suppose to be for his own personal collection. We never thought it will be made into this giant feature film. He was great to everyone. He was really just such a nice guy, very professional and knew exactly what he wanted. He was very hands on with all of us working on the show. Just getting to work around him was just amazing.

MG: Tell us about your role of Jesse in this fall’s “Burlesque”?

TS: I play Jesse, she is one of the lead dancers at the “Burlesque” club. My character is pretty sweet and innocent but me and the other girls that work there are not a big fan of Christina Aguilera’s character when she arrives. We do not like her being a new person there. But the club is going downhill at this point so she ends up having this hidden talent that could help the save the club. One of my funny traits is my character wears big frame glasses throughout the movie, even when I am dancing so that was fun.

MG: What was it like working with Cher and Christina Aguilera?
TS: Yeah, it was amazing. I actually had worked with Cher before for a year in Vegas. I danced at her show in Caesar’s Palace. It was really cool for me to work with her again but in a different setting. That was her as an artist and this is her as an actress. She is incredible at both. It is really inspiring because I would also like to be an actress. It was really cool to be around such amazing talent like that. I had a little scene with her and Stanley Tucci, which was awesome to be apart of. Christina is talent is so many different areas as well and this is her first acting role. She is such a great job with it. That was really inspiring to be around as well.

MG: Tell us about your upcoming film “Friends with Benefits”?
TS: In that film, I play the role of Victoria. Aston Kutcher is one of the leads, he works on the production set of television show. The TV show is has a high school setting and my character is the head cheerleader. She is the brat of the group. I actually auditioned for that as a dancer and then the director Ivan Reitman asked me if I would read for a role as role. I got to do both things, which was really cool.

Click here to purchase “This Is It” on DVD/Blu-Ray

MovieMikes’ "Hatchet II" Interviews

*UPDATE* 10-14-10

We have a new entry to our “Hatchet II” interviews. Movie Mikes was able to chat with Tom Holland, who plays the role of Bob in the film. This actually marks Tom’s first acting role in a film since 1982 (despite cameos). Thanks to Robert Galluzzo, director of the amazing documentary “The Psycho Legacy” for making this happen!

Like always, Movie Mikes love their horror films. With October now started, this month is sure to be packed solid with horror flicks. This week Adam Green is releasing “Hatchet II” which is a follow-up to his already cult classic “Hatchet”. Being a fan of the first “Hatchet. I was really excited to have seen the follow-up. Thanks to Adam Green the film was actually in fact better than the first unlike most slasher sequels. Movie Mikes was lucky enough to be able to interview the director Adam Green and the star of “Hatchet”  Kane Hodder, who plays the new horror icon Victor Crowley.

Enjoy and please leave comments!

Click here to read Mike G.’s review of “Hatchet II”

HATCHET II INTERVIEWS:

 

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Interview with Tom Holland

Tom Holland is well known in the horror industry for his work throughout this fantastic career. He wrote the script to for “Psycho II”, the sequel to one of horror’s beloved films. Tom has also written and directed such great films such as “Child’s Play” and “Fright Night”. Tom was recently featured in Robert Galluzzo’s must see documentary “The Psycho Legacy” which chronicles his work on “Psycho II” and celebrates one of horror’s greatest series. Movie Mikes was able to chat with Tom about his fantastic career and his return to acting in the recently released “Hatchet II”.

Click here to purchase “Hatchet”  merchandise”

Mike Gencarelli: You wrote the script for “Psycho II”, you must have been nervous creating a sequel to one of the most beloved horror films?
Tom Holland: I was a nervous wreak. I may have never been scared in all my life. I have also never worked so hard in all my life on a script. You knew walking in the reviewers were going to kill you no matter what. Everyone was saying at the time “How can you make a sequel to the greatest horror film ever made?”. I did everything I could to remain faithful to the original. I think that there is nothing in the sequel that doesn’t logical fit in with the original. We wanted to do something intelligent. It was based on creating a part for Tony Perkins that allowed Norman Bates to be sympathetic at the same time he was a serial murderer. We couldn’t have gotten it made without Tony. It started out as a cable movie for Oak Communication in San Diego.  Since we got Tony Perkins to say “Yes”, the worldwide publicity was so high it convinced Universal to make it into a feature film. This was done before they had all these sequels or remakes or anything like that. We were doing an original movie standing on the shoulders of the greatest film in the horror genre. It was an enormous success and spawned two sequels. It has grown and grown over the years on cable and DVD. It has really been an amazing experience.

MG: Tell us about revisiting “Psycho” in Robert Galluzzo’s “The Psycho Legacy” documentary?
TH: You have someone like Rob Galluzzo who comes along and has this amazing love for the “Psycho” series.  This is really a brilliant documentary. It is also an act of love on Rob’s part. I think he spent four or five years working on this film.  He really did such a beautiful job. The editing on the project is amazing, it was done by a guy named Jon Maus. It is a real labor of love.

MG: Most of the films you directed also came from your own scripts i.e. “Fright Night” and “Child’s Play”, did you find it easier to direct from your own scripts?
TH: Yes, if you write a strong script you have already taught yourself so much about what you will have to know to direct it.  You have already fought half the battle but it all depends on if the script is strong.  That is a key factor.

MG: How do you feel that “Fright Night” appeals to even non-horror fans?
TH: Fright Night is really an homage. It is a love letter to horror films. I think that people pick up the warmth, the good feeling and the humor from the film. I think it is a horror film about horror films.  I am glad that it is able to appeals to people outside the genre.

MG: How do you feel that your films “Fright Night” and “Child’s Play” are now being remade?
TH: OH, God bless them. What do I say at this point. I think it is terrific and I will take it as an homage. If not to be personally then to at least to my commercial instincts. On the other hand, I think it is bankrupt creatively. I would rather them do originals. This is where we are right now and this is how they lessen the risk. I feel that if you keep on doing these reboots or sequels, it doesn’t offer as much room for new guys coming up.

MG: You recently are in front of the camera in “Hatchet II”, how was it working on that film?
TH: Adam Green met and I became friends at the Mick Garris’ “Masters of Horror” dinners. Since the show went off the air, a bunch of us get together for an occasional dinner at Mick’s behalf. Adam asked me if I would want to act in “Hatchet II”. I was a fan of his work.  You could have knock me over with a feather. I started out as an actor, but I haven’t had a paying acting job since “The Winds of War” in 1982. I’ve done some cameos but this is the first time in 28 years that I had a real part. I had a ball doing it. I was terrified during the big dialogue scene but I had Danielle Harris to get me through it. I felt much more confident acting in the action scenes because as a director, I know what Adam needs to cut it together.

MG: Tell us about being honored at the 2010 Reaper Awards?
TH: I won a Grimmy for Lifetime Achievement. I want to thank Steve Barton, Dread Central and Home Media Magazine. They did a beautiful job at the Hollywood Roosevelt Hotel. You go to a horror function and everyone is very supportive and wonderful, it is so different from normal Hollywood events. It was a really pleasant experience for me.

MG: Are you currently working on any projects now?
TH: Yes, I am currently working on “Tom Holland’s Twisted Tales”. I am actually working on it with Rob Galluzzo. In one story, we got William Forsythe and Danielle Harris. In another I have A.J Bowen, who is becoming a big genre star. I like casting within the genre. We are in production now and hope to have them distributed some time next year.
Click here to purchase “Hatchet”  merchandise”

Interview with Garret Dillahunt

Garret Dillahunt is the star of Fox’s new hit TV show “Raising Hope”.  The show was the first this season to receive a full order for new episodes.  Garrett has also been in films such as 2009’s horror remake of “Last House on the Left” and The Coen Brothers’ “No Country for Old Men”.  Movie Mikes had a chance to chat with Garret about his new hit show and his upcoming films from this year’s Toronto Film Festival.

Click here to purchase Garret’s movies

Mike Gencarelli: Tell us about your new show “Raising Hope”, you play Burt Chance?
Garret Dillahunt: I do play the character named Burt  Chance.  I guess I am at the patriarch of the show.  I am also a grandfather on the show.  We are a blue collared family.  We are hard working and we love each other very much, but we aren’t the best parents.  My wife and I had our kid in our teens, she was 15 and I was about 17.  We didn’t do a great job raising him, even though we love him.  Now our son has a kid.  With his new baby we all have a chance to do a better job than we did first time around.

MG:
What has been the best part of working on this show?
GD: It is not an awful thing to go to work and try to make each other laugh all day.  We are doing a show that a lot of people can relate to.  It is a good thing.  I feel lucky to be apart of it.  It is not just a comedy show but a really good one.  It is really unique.  I feel like I will be able to look back on this show and think it is one of the top things I am proud of.

MG: Congratulations on Fox giving the show a full season order, what can we expect from the rest of the season?
GD: I am really happy about that.  It is the kind of show that will build a following.  People are going to want to buy the box set of this show.  I am really happy that they recognized that and they are grooming us for a long life.  We are shooting our Thanksgiving episode right now.  We did a Halloween one.  We also have a Christmas episode in the pipeline.  It is not all baby jokes [laughs].  You really get to know this family.  Everyone takes stage at one time or another.  There are all kinds of stories to be told here.  Keep tuning it and keep telling your friends.

MG: What was it like working on such an intense film like “Last House on the Left” remake?
GD: It was great.  I like to find ways to challenge myself.  With this one in particular the source material is so revered.  The challenge there is to make a film that is respectful and worthy of the fans expectations.  I have also never done a horror film before either.

MG: Where you a fan of the original film?
GD: To my shock and I am a movie watcher, I had no knowledge of the original.  I even like horror movies.  I didn’t know about it.  I thought it was an ok candidate for a remake, since some remakes are dicey.  I thought I am in this business and I was not familiar with this film.  I also thought I was not alone in that and I thought it might bring some attention to it.  I believe now the original has probably received a lot more attention now that it has had in a long time.

MG: Tell us about work with the Coen Brothers in “No Country for Old Men”?
GD: Well they are the Coen Brothers man, no question it would be a great time.  They are really cool dudes.  They are funny and know exactly what they want to do.  They let you do your own thing.  I was determined to be in this movie in some form.  I got along really well with Tommy Lee Jones.  It was really a blast.  I learned so much from the set as well.

MG: What else do you have in the works?
GD: Well “Raising Hope” is taking up a lot of my time but I do have a couple of films.  I actually just saw them at the Toronto Film Festival.  I ended up doing “Hope” because I wanted something can could help me pay for my film career.  The kind of movies I like, get drawn to and get offered are usally low budget affairs.  Even though I love them, I also need to pay the rent.  Thank God, I have found this incredible comedy.  It could end up being the best job of my career.  One of the films is called “Oliver Sherman” and the other is called “Amigo”.  “Amigo” is a John Sayles film about the Philippine-American War.  They are actually having a screening in LA on Nov.6th at the Grauman’s Chinese Theatre.  “Oliver Sherman” is with me and Donal Logue and Molly Parker.  It is about a couple of veterans and dealing with coming home.  I am really proud of that one.

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Interview with Alan Ritchson

Alan Ritchson is the star of Spike TV’s hit show “Blue Mountain State”, which is returning for season two this month. Alan also has a recurring role on The CW’s “Smallville” playing the character of Aquaman. Also little known fact, but he provided the facial image and movement for the title character in Robert Zemeckis’ “Beowulf”. Movie Mikes had a chance to chat with Alan about his roles and his love for what he does.

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Mike Gencarelli: Tell me about your role in Spike TV’s “Blue Mountain State”, you play Thad Castle?
Alan Ritchson: Thad Castle is the overzealous captain of the team. People think he is crazy when they watch the show. I find the character as somebody that has a different set of logic. He cares about the football team and leading them, just in a different way. That is where a lot of the hilarity ensues. It is funniest character I have ever had a chance to play. Before we even shot the pilot, I am reading the script and I thought this is the funniest thing I have ever read. I thought there was no chance they would be able to keep some of the stuff in the show that made it so funny. There is no way you are going to be able to have a cookie race with oreos in your butt-cheeks and running down field. But there we were shooting the episode and I asked “How are we going to do the cookie race?”. They told me “You are going to wear a jock strap and run down the field”, [laughs] I was shocked. We are waiting to get to the point where the writers come up with an idea that basically is a challenge for Spike’s standards department. We haven’t been able to get to that point yet.

MG: With the show entering its second season, what is in store for this season?

Photo by: Philippe Bosse/Spike TV

AR: Oh man, there is some good stuff. It is a more explosive season. Some episodes we did were just so epic. I do not want to give away what happens but some of the situations we get into are just so crazy. All I can say is it is a hard hitting season.

MG: What has been the hardest part of working on the show?

AR: That is a great question. I do not think anyone has ever asked me that. It is such a fun show. It has such a great cast and crew, it is such a collaborative effort. We have so much input in the show. If I were to complain about something on the show, I have to be the worst person alive because there is really nothing to complain about. As far as difficulty, there was a scene we did where we were tunneling out of a facility in the ground. We are shooting this scene where we are coming out of the mud. They built this giant mud stage. It was physically insane. I was wondering if I was going to die in this mud. I had no idea how I was even going to get out. The rain was like two degrees, it was freezing. It had to be the most physically demanding thing I have had to do on the show. It was still fun though. I slept like a baby that night.

MG: Tell about about working on the show “Smallville” as Arthur Curry/Aquaman?
AR: It has been a really cool run for me. I started out as a little guest star. It has been really well received. I mean a show that has been on for ten years, are you kidding me? It is so rare.  As far as coming back for this last season. I think this is where is it going to get really exciting. They are finally starting to take some of those layers off and you are really getting to the gritty stuff. That is exciting for me as an actor. It is going to be really cool.

MG: Tell us about your involved with the film “Beowulf”, your were the character model?
AR: What you were looking at on the screen that was me. I didn’t get to do the voice though.  I was fresh into LA and would have loved to have been a part of that though. You have someone like Ray Winston to come in and voice it, which is great. The main difficulty for them is that he was the only actor voicing the part who didn’t look anything like their character. They brought me in to be Beowulf. It was great for me since it was one of my first projects. Getting to work on a Zemeckis film and getting to be around all the great talent. It was a really cool start. The process is so insane. They are photographing you moving, not moving, with clothes and without clothes. It was unbelievable.

MG: What else are you currently working on?
AR: I have worked on a couple of projects that have yet to hit. There is a comedy called “Spring Break ’83”. I do not know exactly when it will be done. That was a fun project to work on. It was sort of a Thad-esque character but in the 80’s. It is like a throwback to “Animal House” and “Revenge of the Nerds”.

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Interview with Erin Gray

Erin Gray is well known for her role in the short lived but cult classic sci-fi series “Buck Rogers in the 25th Century”.  Erin also starred in the TV series “Silver Spoons”.  Movie Mikes had a chance to talk with Erin about her feelings on the shows popularity still after decades and what she is currently working on.

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Mike Gencarelli: How did you get involved with the show “Buck Rogers in the 25th Century”?
Erin Gray: Where do I begin?  I have just made the transition from being a model in New York and moved to Los Angeles.  Within a couple of months, I started working with Universal Studios.  Shortly after, I was starring in mini-series called “Evening in Byzantium” with Glenn Ford.   Once I finished production on that I was asked to come in and do a screen test for a project called “Buck Rogers”.

MG: Although any lasting two seasons are you supposed that the show was such a cult classic, how do you feel about that?
EG: It absolutely amazes that it has become such a cult classic.  We certainly did not know at the time that it would resonate for so many more decades.  Obviously “Buck Rogers” had a great history to begin with.  A lot of fans were familiar with the comic books and the previous TV series.  We brought a new look, feel and humor to “Buck Rogers”.  It still blows my mind that after 30 years it is still in the hearts of minds of so many fans.

MG: How was it switching gears from sci-fi “Buck Rogers” to “Silver Spoons”?
EG: It was a major shift.  As a matter, I didn’t realize what a shift it was until I meet fans and they don’t put the two shows together.  It is the same girl.  I guess it is a bit different.  For me I guess the idea of learning comedy was different.  I am more of a method actor and more comfortable in the world of drama. Comedy has its own beat, rules and process.  I really loved it.  I loved the live performances.  I loved my cast and crew I worked with.  It was a really enjoyable 5 years of my life, a really enjoyable mix of work and family.

MG: Tell us what it was like working on the film “Jason Goes to Hell”?
EG: It was fun.  “Friday the 13th” was a fun to work on due to the exuberant feelings of the cast and the crew. Working with Sean Cunningham was great.  He brings a certain sense of humor and a ‘don’t take life too seriously’ attitude to the set as well.  He talked me into doing “Friday the 13th” by telling me it was a dark comedy [laughs].  I usually don’t go to horror film or act in them for the reason that I am so easy to scare.

MG: What can you tell us about “Buck Rogers Begins” and your involvement?
EG: Yeah, that project was put together by James Cawley.  He put together the “Star Trek New Voyages: Phase II” webisode series that has had a certain amount of success.  He got the rights to “Buck Rogers.  He raised enough money.  The wrote a  beautiful script but we were able to complete half of it.  They are trying to raise more money to finish it.  It was a wonderful opportunity.  It was fun for Gil and I to play Buck Rogers parents.  I also got to work with my daughter, who played Buck Rogers girlfriend.  This was a prequel to the TV series.  It leads up to the start of the comic book.  This is who Buck was in the late 1900’s before he went into the cave.  It is a period piece and it was great.

MG: What else do you have currently in the works?
EG: I just finished an independent movie called “Nesting”.  I play a business woman who owns real estate.  She gets annoyed by a couple that nests on her property, let’s put it that way.  That will be coming out shortly.  I also have a couple of television commercials floating around.  My primary focus is my talent agent company “Heroes for Hire”.  I also teach Tai Chi 5 days a week.

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