Win Complimentary Passes to Kansas City Screenings of “Grease,” “Animal House” and “Real Genius” at the Alamo Drafthouse [ENDED]

Media Mikes has teamed up with the Alamo Drafthouse to give our readers a chance to win passes to themed screenings of the following films in Kansas City:

On Tuesday, September 17, join the T-Birds and Pink Ladies in a specially themed presentation of the classic 1978 musical “Grease.” This is a special sing-a-long screening, with the lyrics projected on screen during the film (like you’ll need them)

Text PINK LADIES and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see the GREASE SING-ALONG. (1) winner will be drawn on Monday, September 16.

On Wednesday, September 18, it’s time to join the members of Delta Tau Chi as they throw a Toga Party to celebrate the 35th Anniversary of “National Lampoon’s Animal House.”
Text TOGA and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see the ANIMAL HOUSE TOGA PARTY. (1) winner will be drawn on Tuesday, September 17.

Finally, go back to the 80s and celebrate with Val Kilmer and the fellow braniacs of “Real Genius.”

Text IQ and your ZIP CODE to 43549 to enter for a chance to win a pair of tickets to see REAL GENIUS. (1) winner will be drawn on Wednesday, September 18.

Complimentary Passes to the Kansas City, MO Screening for “The Wizard of Oz” in IMAX 3D [ENDED]

With the 75th Anniversary of the release of the classic film “The Wizard of Oz” approaching, Media Mikes is teaming up with Warner Brothers to send you to see the film as it’s never been seen before.

On Friday, September 20, 2013, Dorothy and her friends return to the big screen in a specially remastered 3D/IMAX presentation of “The Wizard of Oz.” We are giving you and three friends the chance to see it before anyone else.

We are giving away (25) family packs of four passes and if you would like to enter for a chance to win passes to the following advance screening:

Log on to www.GOFOBO.com/RSVP

Enter RSVP Code: MMQJD8

Passes are limited and are available on a first-come, first-served basis.

This is an exclusive one week engagement so be among the first to see it.

Screening Information:
Date: Sunday, September 15, 2013
Time: 10:30 AM
Place: AMC Barrywoods 24
8101 NW Roanridge Rd
Kansas City, MO 64151

 

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Film Review “The Mortal Instruments: City of Bones”

Starring: Lily Collins, Jamie Campbell Bower and Robert Sheehan
Directed By: Harald Zwart
Rated: PG-13
Running Time: 130 Minutes
Screen Gems

Our Score: 1/2 out of 5 stars

I can understand that some movies will always have clichés or that some movies will have to rely on other writer’s imaginations. That being said while watching “Mortal Instruments: City of Bones”, one could easily make two lists. One list would be all the tropes and the other could be all of the stolen movie ideas. If you’re somehow stuck in a movie theater with this movie rolling on the screen, you may consider turning those two lists into a drinking game, but I must warn you. You could die of alcohol poisoning before the halfway point of this flick.

Clary Fray (Collins) is a hip teenager. At least this movie would like you to believe that because she frequents coffee shops with her best friend, Simon Lewis (Sheehan). Recently she’s been seeing a weird symbol everywhere, even scribbling it out on paper and hanging it up all over her room. As she begins to question her sanity, she sees it at the entrance to a nightclub and heads inside to investigate. Next thing you know, she’s witnessed a tall dark stranger by the name of Jace Wayland (Bower) seemingly murder someone in plain view of others. Next thing you know, her mother (Lena Headey) is kidnapped, she’s attacked by a grotesque dog creature from “Resident Evil” and she’s told she’s a shadow hunter (even though they refer to them as demons). Next thing you know, I don’t care anymore.

In the first 20 minutes, I’m already beginning to wonder what I did in a past life to be punished in this manner. The story is muddled, the characters are incredibly stale and the plot laughs at creativity and embraces predictability like an old friend. Every serious moment meant to punctuate a revelation was incredibly comical. That means every attempt at humor in the movie was met with a groan (although I give them credit for a “Ghostbusters” reference). The writers for this movie must have gotten dialogue lessons from one too many ABC Family movies during Halloween. The studio must have hoped those eagerly waiting for the next “Twilight” franchise would eat up every shirtless scene with Bower. They probably also hoped that the romance between characters would once again melt tween hearts across the country, but instead it caused a tremendous pain in my groin. At times tears welled up in my eyes from stifling a laugh at how much this movie took itself seriously.

The dull characters are dressed like they’re about to hit up a gothic S&M bar. Apparently they’ve dressed this way so that they can fight demons who have made an effort to apply eyeliner before heading out. As the plot develops, characters make bone-headed decisions and let pre-pubescent emotions control their actions. The most enjoyable performance in this flick was by Lena Headey. She had very few headache causing lines, but that’s only because her character was in some form of a coma for the majority of the film. In fact once Jared Harris is revealed as the tutor for all these young warriors, you feel embarrassed for him. As for the other actors, they may want to leave this movie off their resume. Tell people this absence from movies was a time of self-discovery and reflection about where you were in life.

This movie, as well as the book series it is based on, is aimed at the “young adults” audience, but I don’t see “young adults” enjoying this movie. The imagination usually accompanied by this genre is missing and the only thing anyone might take away from this movie is a temporary crush on one of the actors. I love fantasy, but this movie abuses that title. This movie is so painful to watch, they should force prisoners to watch it. I know I’ve been incredibly harsh in everything I’ve said above, but I did take away one positive thing. This movie will make a great future Rifftrax.

Theatre Review “Footloose: The Musical” Starlight Theatre – Kansas City, Missouri

Footloose: The Musical
Starlight Theatre
Kansas City, Missouri
August 5th, 2013

Our Score: 2 out of 5 stars

On a muggy night in the Heartland, it seemed fitting that the production of “Footloose” would be sweat inducing and, for female attendees, steamy. As the title song belted out and a company of extras began to dance to the iconic pop-rock beat of the 80’s, my ears perked up. I’m well versed and cultured enough to know about previous generations, but I’ve never seen the movie “Footloose,” nor had I ever a care to. In that moment of cutting loose and kicking off the Sunday shoes, I found myself interested. I was ready for this glimpse into the 80’s. My expectations jumped up to the par with everyone else that night as the cast showed off their best moves during the opening number. Boy did those hopes fizzle out.

Ren McCormack (Max Clayton) and his single mom, Ethel (Paula Leggett Chase), are heading from the city lights of Chicago to the humble countryside of Beaummont. A stereotypical middle-American small country town. The kind that is drenched from hillside to hillside in golden wheat and pristine corn fields. The residents are set in their ways and are already weary and gossiping about Ren and his mom the morning they arrive at church. Despite the police and other community leaders, Reverend Shaw Moore (George Dvorsky) is the overriding moral, spiritual and political leader of this town. Years ago, a tragic accident took the life of four teens, including Shaw Moore’s son. Since then, the Reverend has imposed a strict no-dancing law in the town. As absurd as this sounds, this has actually happened in the U.S. (the town of Elmore City, Oklahoma banned dancing for over 100 years and was Dean Pitchford’s inspiration for his script for “Footloose”). For the energetic Ren, who expresses his emotions through dance, this is a nightmare. He manages, though, with the help of classmate and friend, Willard Hewitt (Matthew Dorsey Moore) and the pastor’s daughter, Ariel (Taylor Louderman).

For a musical called “Footloose”, it really seems like the big dance numbers are kept to a minimum and dancing in general through the middle part of this story is stifled. It seems like the dance choreographer is playing the part of Reverend Moore during half these songs. If there were more songs like “On Any Sunday”, “Footloose” and “Let’s Hear it for the Boy”, this would have been a grand dance and song musical on par with other greats. That doesn’t mean the other songs aren’t good. When you have Kenny Loggins, Sammy Hagar and Jim Steinman sharing the writing credits, you can’t go wrong with some rockin’ songs and love soaked ballads.

The show has a problem settling on a main idea. On one hand it could be a time capsule of an aging era. On another it’s the story of young vs. adult and traditional vs. new. It also tries to be a sexy, hip look at the lives of teenagers in a small town. Some of those ideas will grab hold and really stick with a viewer. But as for me, I was a bit overwhelmed by all three together and underwhelmed by each on their own. My personal preference would have been a time capsule. Every generation has the conflict of “parents just don’t understand” and very few stories actually have a whiff of creativity when it comes to exaggerated teen comedy/dramas. If these two ideas took a seat back to fun dance numbers and this musical’s catchy 80’s music, “Footloose” would have been a memorable evening at Starlight.

As I stated with Starlight’s previous iconic 80’s musical “Flashdance”, I may have been created in the 80’s, but I’m a product of the 90’s. I haven’t seen the 1984 movie, nor its 2011 remake. Some of the older people in the audience seemed to really dig it, but this is not my cup of tea. I loved the music, the dancing (when it happened) and the creative set pieces by Robert A. Kovach. My view of the 80’s is that it was the last generation with a true rebellious nature. The music struck a nerve in an era of growing morality and Reaganomics. Genres like punk rock, grunge and some sultry pop icons like Madonna festered and spoke to a confused and rambunctious generation. I wasn’t hoping for that style of music or any blatant liberal ideology. I was simply hoping for it to touch upon these ideas in a sentimental manner and sometime comical fashion.

“Footloose” will be at the Starlight Theatre in Kansas City until August 11th.

Theatre Review “The Little Mermaid: The Musical” Starlight Theater – Kansas City, MO

The Little Mermaid The Musical
Starlight Theater
Kansas City, Missouri
July 23, 2013

Our Score: 3.5 out of 5 stars

Any time you’re hoping to replicate the success of a Disney production, you’re going to be automatically met with how well you stack up against the original. Even with a hazy memory of how the story to “The Little Mermaid” went, I still had a fairly good idea what to expect and I’m glad to report that not only does this Broadway-style production stays true to the 1989 classic, it is a delight to watch.

For those readers whose memory may be equally fuzzy, let me catch you up to speed. Ariel (Jessica Grove) is a mermaid and also the youngest daughter of King Triton (Edward Watts). Much to his dismay, she constantly visits the ocean’s surface and dreams of not only walking on the shore but living on dry land with the other humans. It doesn’t help when she rescues and falls in love with a Prince Eric (Nick Adams). Anymore information and I will have ruined the first half for those of you who haven’t seen the 1989 film or read the children’s story by Hans Christian Andersen.

The show gets off to a slow start with a song written for the production, but kicks into gear with the song everyone should know, “Part of Your World”. Grove is definitely talented and easily hits the high notes in the song. In fact everyone in the show is well cast in their roles. Still there are some low moments. The film’s most popular song, “Under the Sea”, doesn’t feel as epic or magical as it should in my opinion. My memory may have been blurry but I distinctly remember that song. I will add, in the show’s defense, that I’m sure it’s hard to create a sea alive with song and dance on stage. You could say it’s a tad villainous, but Ursula (Liz McCartney) almost steals the show. Any time she’s on stage, her presence is definitely felt and McCartney really belts out the lyrics in grand style, especially during the songs “Daddy’s Little Angel” and “Poor Unfortunate Souls”.

Major props to the men and women behind the scenes of this production. To add to the effect that they’re underwater and swimming the cast is literally whisked into the air and across the stage. One man who certainly deserves a lot of credit is John MacInnis, who choreographed the show. One of the best instances of perfectly matched movements is during “Sweet Child” when the eels, Flotsam and Jetsam (Scott Leiendecker and Sean Patrick Doyle), move as one entity. Though “The Little Mermaid” lacks a lot of big dance numbers, one thing that really impressed me was watching the the actors constantly “swimming” in place, even when they don’t speak a single word during the scene. On the negative side, someone should send a note to the sound guy. Often times the music was much louder than the singing and I often saw parents covering their children’s ears because of how loud the volume was. I even found myself wincing at the volume a couple of times.

I haven’t seen the animated film in almost 20 years but I may have to after seeing this show. There may be a few things from the film that the production didn’t do justice, but I can guarantee there are plenty they triumphed on. The cast of “The Little Mermaid” should be proud they did the original justice while creating new memories for children of all ages.

This production runs at Starlight Theater until July 28th. For tickets visit www.kcstarlight.com

Concert Review “Unity Tour 2013” with 311, Cypress Hill and G.Love & Special Sauce – Kansas City, Missouri

The Unity Tour
311
Cypress Hill
G.Love & Special Sauce
Starlight Theater
Kansas City, Missouri
July 2, 2013

Our Score: 5 out of 5 stars

I have seen 311 more times than I can count on my fingers (unless I had Bill Cosby’s hands) and as always the only thing I can say after seeing them is AMAZING!!

The 2013 Unity Tour kicked off with G.Love & Special Sauce performing their smooth mix of bluesy, hip hop, and R& B stylings. They played a great set and started the night off perfectly. It was about 80 degrees and sunny and the crowd was in it from the start. Playing “Cold Beverages” had everyone in the audience holding there beers up, resulting in more spilling going on than drinking at that time. G.Love has been a staple in my music collection since college and they did not disappoint in my first time seeing them live.

As more people started filling in the seats I began seeing and smelling many different groups forming. I could only think “what an appropriate welcoming for Cypress Hill.” If you are not familiar with the name Cypress Hill you will be familiar with their largest hit, “Insane in the Brain.” You couldn’t go anywhere in the mid to late 90’s it seemed without hearing that song or
a reference to that song. They lived up to their billing and, after all these years, they still brought a fresh set and energized performance to KC.

As good as the opening performances were I noticed I could hear the sound of people rushing into Starlight as 311 prepared to come on stage. I thought I had seen Starlight packed before.. but not like this! They must have been at capacity by this time of the night and for good reason. 311 has and always will put on one of the best live performances you will ever see! During their annual 3/11 day concerts they’ve been known to play up to 84 song over a two day period. They put together a tight play list for this concert. From the opening “Omaha Stylee” to their encore of “Creatures (For a While),” they had the crowed riled up, jumping yelling, singing. I’d bet the majority of the crowd knew every word to every song… every word.

What separates 311 from other acts I have seen is they know what the fans want to hear. They have consistently put out records since 1993. They still have current singles on the radio but they don’t push all of their new material. Their set list spawns 20 years now and they hit every album, playing not only songs considered their greatest hits but songs that only the most die hard fans would know. There isn’t a new song they are trying out. It is just straight hits: “Down,” “All Mixed Up,” “Amber,” “Don’t Tread on Me,” “Logo,” and “Behind the Gray Sky.” While they can’t play every song (remember they’ve been known to do 80-plus songs at a concert) I never thought ” aw man they didn’t play that song.” I was as pleased with this concert as the others I’d attended.

This group of acts is something you shouldn’t sit on, They are hitting tons of cities and great venues, GO AND GET YOUR TICKETS! They will sell out everywhere and you will hear your friends just rant about the concert. Especially 7/21(West Palm Beach), 7/23,(Tampa) 7/27(Houston) and 8/3 (Chula Vista) when they pickup Penny Wise and Sublime w/Rome on those dates. Extremely jealous that I will not be around those cities on those dates.

You can check out all the tour dates at http://www.311.com/shows

They will have a different set list at all the cities so if you get to see them I would love to see your comments and their set list.

311 Set list:
1. Omaha Stylee
2. Sunset In July
3. Freak Out
4. Misdirected Hostility
5. Beautiful Disaster
6. Wild Nights
7. Random
8. My Stoney Baby
9. Come Original, Loco
10. Time Bomb
11. Applied Science
12. Amber
13. All Mixed Up
14. Wake Your Mind Up
15. Taiyed Hey You
16. Beyond The Gray Sky
17. Freeze Time
18. Visit
19. Down
20. Jackpot
21. Creatures

Theatre Review “Flashdance: The Musical” Starlight Theatre – Kansas City, Missouri

Flashdance: The Musical
Starlight Theatre
Kansas City, Missouri
July 9, 2013

Our Score: 2.5 out of 5 stars

I’ve never seen the 1983 film “Flashdance.” I wasn’t even sure what the story was about as I strolled to my seat to watch the musical production, appropriately titled, “Flashdance: The Musical”. The only thing I knew about the film was that it featured the song “Maniac” as well as the famous and steamy scene featuring a 20-year-old Jennifer Beals dousing herself in water. After watching “Flashdance: The Musical” I think I’ll stick with that sultry movie image and the few musical numbers from the stage show that really stuck out.

It’s not that the story is terrible. It’s that nothing feels spectacular about it. Alex Owens (Jillian Mueller) toughs it out with other men at a steel mill during the day, but at night she flashdances at Harry’s Bar. She works alongside some sassy ladies by the names of Kiki (Dequina Moore), Gloria (Kelly Felthous) and Tess (Katie Webber). One day at the steel mill she meets the boss’s grandson, Nick Hurley (Matthew Hydzik). He immediately takes a liking to her, but she’s not interested. She’s far more entranced by the Shipley Academy, where professional dancing dreams are fulfilled. The rest of the story is fairly predictable. That’s not necessarily a bad thing since the theme of the plot is about pursuing your dreams and at times realizing what’s most important in your life. The problem lies in some of the unnecessary side plots. One about the strip club owner, C.C. (Christian Whelan), who’s trying to lure Harry’s women to his establishment down the street. Another about the falling out between Gloria and her boyfriend Jimmy (David R. Gordon). Of course I get the impression people aren’t there for the supposed drama unfolding on stage. I assume they’re in attendance to relive the decade that brought us new wave, hip hop and the popularization of hard rock.

The music does a fantastic job at blending different genres of 80’s music, accompanied by some entertaining dance numbers. Sadly not all songs are like this. Some are just dry ballads or poorly written songs. The musical really succeeds when background sets are constantly changing, when an ensemble of dancers and singers flow in and burst with excitement. The fun is poured on when costume changes occur. They’re quick and incredibly sexy. It’s frustrating when songs like “Steeltown Sky”, “Manhunt” and “Chameleon Girls”, are followed with numbers that trip and fall flat like “Just Out of Reach”, “Remember Me” and “Where I Belong”. It’s not that the actors in this did a poor job; many were fantastic and showed great vocal range. It’s just that the lyrics were confining and didn’t give the performers room to grow. Veteran stage actress Jo Ann Cunningham, who plays Hannah, Alex’s mentor, is given her own song, but the balance between lyrics and music seemed incredibly wobbly.

All the right pieces are here, except a good script and solid set of songs. At one point I wondered if maybe this was a movie that never really needed a stage adaptation. But maybe I’m missing something. The 80’s was when female artists like Whitney Houston and Madonna shined and really helped pave the way for other musicians. Also it was a continuing and growing age of women in the workplace. I grew up in the 90’s. I watched the birth and death of music videos on TV. Grunge, punk rock and gangsta rap became mainstream. It’s hard for me to feel nostalgic or relate to the show being put on. So if you’re a Generation X child or enjoyed the 80’s, you’ll enjoy this musical. But if you’re a product of the 90’s like me, you’ll be dreading the day when they make “Spice World: The Musical”

The show is currently running in Kansas City through July 14th. The current tour continues into next year. The next three stops are:

Chicago — August 6th-18th
Memphis — September 17th-22nd
Indianapolis — October 1st-6th

A complete list of tour dates can be found at: www.flashdancethemusical.com

Media Mikes Heads to Radio in Kansas City and Florida

With the overwhelming success of the weekly “Behind the Mikes” Podcast, it’s only fitting that Media Mikes now represent themselves over the airwaves. This week listeners in Kansas City will get a chance to hear “Movie” Mike Smith as he discusses current and future trends in movie-going on the KMBZ Business Channel (1660 AM). He will appear on The Kansas City Power Lunch program, hosted by Krista Klaus, beginning at 11:45 a.m. (CST) this coming Wednesday, July 3rd.

On Saturday morning, July 6th, he’ll be heard on the inaugural broadcast of Dispatch Radio, which will be broadcast on the following stations in Central Florida: WTAN 1340 AM, WDCF 1350 AM and WZHR 1400 AM in the Clearwater, Lakeland, Zephyrhills and greater Tampa Bay area on the Tan Talk Radio Network. The program begins at 8:00 a.m. (EST). Smith will be a regular contributor to the program, offering reviews and commentary on new film releases.

311 to Kick Off Unity Tour 2013 in Kansas City

311, Cypress Hill and G Love & Special Sauce will join forces for Unity Tour 2013, which kicks off this Tuesday, July 2, at the Starlight Amphitheatre in Kansas City. This marks the 11th consecutive summer that 311 has headlined amphitheatres with their summer Unity Tour.

This year’s installment of the annual summertime trek hits amphitheaters nationwide through August 4th. Tickets for select shows are now on sale starting April 12. On-sale dates listed at www.311.com/shows.

After years of incessant touring, 311 have developed a reputation as one of the most entertaining live bands in the U.S. Their celebratory live shows and hybrid sound have earned them a massive grassroots following and a catalog of modern rock hits, including “Down”, “All Mixed Up”, “Amber”, “Come Original” “Beautiful Disaster” and “Sunset in July”.

Asked about this summer’s tour, 311 vocalist Nick Hexum commented, “We’re super excited for Unity Tour 2013! We had a blast touring with Cypress Hill in ’96 and with G Love in ’03…and we’re really glad we can all hit the road together this summer. Will make for a killer show. Lots of sick hip-hop beats and summertime grooves. Gonna be fun!”

Cypress Hill have sold over 18 million albums worldwide. With hits such as “Insane in the Brain”, “(Rock) Superstar” and “Hits from the Bong,” the band has been nominated for three Grammy awards and is heralded as one of the best known and most respected groups in all of Hip-Hop.

G Love & Special Sauce bring their alternative-blues-hip-hop sound back to the Unity Tour – after joining 311 for the summer 2003 tour. G Love’s unique sound has led the group to major festival appearances (Bonnaroo, Lolapalooza, etc) – and to collaborations with artists such as Jack Johnson and the Avett Brothers.

UNITY TOUR 2013
311 with CYPRESS HILL and G LOVE & SPECIAL SAUCE

JULY
7/2 Tues Kansas City, MO Starlight Theatre
7/3 Wed Chicago, IL Charter One Pavilion at Northerly Island
7/5 Fri Cincinnati, OH Riverbend Music Center
7/7 Sun Detroit, MI DTE Energy Music Theatre
7/9 Tues Holmdel, NJ PNC Bank Arts Center
7/10 Wed Philadelphia, PA Penns Landing
7/12 Fri Mansfield, MA Comcast Center
7/13 Sat Wantagh, NY Jones Beach Amphitheatre
7/14 Sun VA Beach, VA Farm Bureau Live Amphitheatre
7/17 Wed Charlotte, NC Verizon Wireless Amphitheatre
7/19 Fri Bristow, VA Jiffy Lube Live Amphitheatre
7/20 Sat Atlanta, GA Aaron’s Amphitheatre at Lakewood
7/21 Sun West Palm, FL Cruzan Amphitheatre **
7/23 Tues Tampa, FL Ask Gary Amphitheatre **
7/24 Wed Pensacola, FL Civic Center
7/26 Fri Austin, TX ACL Live at Moody Theatre
7/27 Sat Woodlands, TX Cynthia Woods Mitchell Pavilion **
7/29 Mon Morrison, CO Red Rocks Amphitheatre
7/30 Tue Salt Lake City, UT USANA Amphitheatre
AUGUST
8/1 Thurs San Francisco, CA American’s Cup Pavilion
8/2 Fri Irvine, CA Verizon Wireless Amphitheatre
8/3 Sat Chula Vista, CA Sleep Train Amphitheatre **
8/4 Sun Las Vegas, NV The Joint @ Hard Rock Hotel

** Sublime with Rome and Pennywise added to lineup.

Theater Review “Catch Me If You Can” Starlight Theatre – Kansas City, MO

Catch Me If You Can
Starlight Theatre
Kansas City, MO

Our Score: 2 out of 5 stars

“Catch Me If You Can” is a true story based on Frank Abagnale Jr (Stephen Anthony), a quick talking fast learning teenager who, in the 1960’s, was an airline pilot, doctor, and a lawyer, all before the age of 21! Frank spends the majority of the story being tailed by FBI Agent Carl Hanratty (Merritt David Janes), a devoted and stubborn man who has made catching Abegnale his number one priority.

Following the divorce of his parents and the loss of his father, Frank Sr. (Dominic Fortuna), Frank Jr, decided being on his own is better than living in a broken home. He starts out by faking a Pan Am Pilots badge. He flies to over 26 different countries and helps copilot over 250 flights. He cashes his fake Pan Am checks all over the world under different aliases to stay a step ahead of the feds. This catches the attention of Agent Hanratty who is the only agent in his department who really feels this “shadow” pilot is trouble. He doesn’t realize that his cat and mouse game will one day land one of the most notable imposters of the 20th Century. While on the run from Hanratty, Frank decides to drop the pilot job and starts practicing medicine as an overnight ER physician. Here he meets Brenda Strong (Aubrey Mae Davis) who not only steals his heart but makes him think about dropping the whole charade he has been living and be an honest husband. Well that doesn’t go just as planned when, while meeting Brenda’s parents, he decides to announce that he will be practicing law thus starting another career as lawyer.

Frank will eventually be caught but the relationship that Abagnale and Hanratty have developed over the years does not let the story end with Frank’s capture. Abagnale was arguably the greatest ever at forgery and impersonation so, after a short stint in prison, he ishired on by the FBI and today is still very good friends with Agent Hanratty.

If you have read the book or seen the movie you know that “Catch Me If You Can” is nothing short of a brilliant story. Unfortunately the stage performance I witnessed was far from brilliant. I felt that Frank’s cracking voice was just unnecessary. I understand that he was a teen but short of a having a deep baritone voice the performance would have been much more believable if he (Anthony) would have just used his real voice. The jokes were corny, the songs sub par, and only a couple actors were not guilty over completely over acting.

That being said Hanratty (Janes) and Frank Sr. (Fortuna) kept me in my seat while watching this play. They give great performances and are really the only good performers I saw on stage. Both actors have experience on Broadway and it showed. Their actions matched their characters and emotions and their performances were effortless in a good way.

“Catch Me if You Can” is truly is great story and Starlight is a great venue to experience musical theater but if you would like to know the story of Frank Abagnale Jr. I would advise you rent the movie or read his book.

 

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Win Passes to the Kansas City Premiere of “The Kings of Summer” [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!

As the weather gets hotter where else would you rather be than inside a cool movie theatre seeing a new film before your friends. Media Mikes and CBS Films have teamed up to bring you the chance to see the new film, “The Kings of Summer,” at a special screening on Tuesday, June 18th. The film, starring Nick Robinson, Gabriel Basso and Moises Arias, opens in Kansas City Friday, June 21st.

All you have to do to win a pair of passes to the premiere is tell us below what your favorite summer activity is. Playing ball. Going on a picnic. Or just soaking up the sun. The first (50) people to give us their comments will receive a pass for (2) to the screening. Winners will be notified NLT noon on Monday, June 17th.

Screening Information
Date: Tuesday, June 18th, 2013
Time: 7:00 p.m.
Place: AMC Studio 30
Olathe, KS

Blu-ray Review “Broken City”

Starring: Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Kyle Chandler, Barry Pepper, Justin Chambers
Director: Allen Hughes
Rated: R (Restricted)
Studio: 20th Century Fox
Release Date: April 30, 2013
Run Time: 109 minutes

Film: 2.5 out of 5 stars
Extras: 2.5 out of 5 stars

Both Mark Wahlberg and Russell Crowe had big years in 2012, with “Ted” and “Les Misérables”, respectively. Wahlberg gives a a solid performance with the messy story that he is given. The film keeps switching being being a cop drama to a political war film. I didn’t really hate this film but I do not think that I will give it a second thought after this first viewing. The drama is not very intense and you really don’t fall in love with these characters. So it is worth checking out if got nothing else to do but like I said nothing special.

Official Premise: Seven years after being forced to resign as a New York police officer, private detective Billy Taggart (Wahlberg) takes on his toughest case yet: following the wife (Zeta-Jones) of the city’s hard-nosed mayor (Crowe), who’s convinced she’s cheating on him. But by the time the mayor reveals his true intentions, Billy is already in too deep. Now, with his freedom – and quite possibly his life – on the line, Billy will risk it all in a desperate bid to expose the truth, and seek redemption in a city where second chances don’t come cheap.

Despite the film, 20th Century Fox delivered a nice release with a combo pack including Blu-ray + DVD + Digital Copy. The digital options include both an Ultraviolet digital streaming and and iTunes digital copy. The film was shot digitally and still looks very impressive and well-detailed with it’s 1080p transfer. The DTS-HD Master Audio 5.1 works with what it is giving here. There is nothing epic that happens here but the dialogue at least sounds great.

The special features included decent but nothing special like the film itself. “Putting It All Together” is an in-depth making-of documentary blended with nice behind-the-scenes footage and interviews. There are six deleted scenes, including an great alternate ending. I saw great since I was not a fan of the ending at all. There is also a theatrical trailer included and also a sneak peek at other upcoming 20th Century Fox titles.

Theater Review: “Mary Poppins” The Music Hall – Kansas City, Missouri

MARY POPPINS
The Music Hall
Kansas City, Missouri
April 9th, 2013

Our Score: 5 out of 5 stars

The wind picked up on the mid-west plains last week, and that magical, singing, cleaning nanny we all learned to love growing up was blown right into Kansas City. Mary Poppins delivered one of the most colorful and musically brilliant shows I can ever remember seeing. Led by the outstanding performances of Madeline Trumble as Mary Poppins and Con O’shea-Creal as Burt, the jack of all trades famously played by Dick Van Dyke on the big screen. This Broadway worthy performance had me captivated and taken right into early 1900’s London. Fantastic acting by all players, great use of accents when speaking and singing and phenomenal dance numbers are among the highlights of this production.

“Mary Poppins” was a film that most everyone has seen and hopefully remembers quite well. I was relieved that the play did not run word for word, scene for scene as the movie; for if it did it would have been a bit boring, as anything would be if you knew what to expect the whole time. There are some familiar songs featured in the film but not included in the production such as ” I Love to Laugh.” But the addition of some originally cut songs such as “Practically Perfect” made me completely forget all about that. You can’t top the great Dick Van Dyke’s performance in the film, but in this production Con O’shea-Creal was dead on in character. He had such a great presence on the stage that he actually stood out to me more than the title character. He had the audience laughing, clapping along and received great ovations after most of his numbers.

This play had one thing that I have never made notice of before at a live theatre event. The scene changes that happened the whole night and the colors! The brilliance of the lights and the colors made me wish I would have brought my sunglasses into the theater especially during the carnival with the ever so popular and classic song “Supercalifragilisticexpialidocious.” The staging made me drop my jaw and say WOW!! Something I would never expect, or have experienced, at live theater. Every scene change happened flawlessly and so quick you didn’t even notice. Trust me I think that is as weird as you do reading this to make note of something like that. That was just another reason that I felt that this show was outstanding in every way. You could say it was “Practically Perfect”.

I would advise anyone that lives near a city that this show is coming too to get out and find a seat in the theatre. If you have kids great. If not, “Mary Poppins” is still a show that you will not regret seeing.

The tour continues in the following cities:
May 1 – 5 – Denver, Colorado
May 8 – 12 – San Francisco, California
May 21 – June 2 – Anchorage, Alaska

For more information on upcoming shows: http://www.marypoppins.com/

Win Passes to the Kansas City Screening of “Star Trek: the Next Generation – The Best of Both Worlds” [ENDED]

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Last November, Media Mikes provided passes to a special in-theatre presentation of a celebration of the second season of the groundbreaking television series “Star Trek: The Next Generation.” This weekend we’ve teamed up again with Fathom Events and CBS Home Entertainment to bring the third season episode, “The Best of Both Worlds,” to the big screen.

One lucky fan will receive (2) passes to the Kansas City screening at 7:00 p.m. on Thursday, April 25, 2013, at one of six Kansas City area theatres (AMC Barrywoods, AMC Independence, AMC Studio, AMC Town Center, Cinemark Merriam, Kansas City 18). Also presented that night will be an exclusive “behind the scenes” look at the making of “The Best of Both Worlds,” as well as the entire third season of the popular series.

“The Best of Both Worlds,” in which Captain Jean Luc Picard is assimilated by the Borg, consisted of two episodes – the season three finale and the first show of season four. The show has been remastered for the big screen and is considered one of the best “ST:TNG” episodes EVER!

The contest is simple. All you have to do to be eligible to win these passes is let us know your favorite “Star Trek: The Next Generation” character. Is it the brave and strong Captain Picard? The fully functioning android Data? Or are you strangely attracted to the beautiful Counselor Deanna Troi?

One random selection will be chosen at 8:00 p.m. EST on Sunday, April 21st. The winner will be notified by email. Only one entry per person please. Good luck!

For more information on the event: http://www.fathomevents.com/#!star-trek-best-of-both-worlds

Jackie Robinson Returns to Kansas City – Hollywood Style!

KC Royals Hall of Famer George Brett

My first memory of Jackie Robinson is also one of my earliest baseball memories. Watching game 2 of the 1972 baseball World Series there was a ceremony held before the game, commemorating the 25th Anniversary of Robinson becoming the first black baseball player in the major leagues. Assuming that black players had always been around (heck, I was wearing a pair of Lou Brock model Converse sneakers that I had begged my parents for) I was surprised at the story my father told me about Robinson and his battle to play in the majors. Before signing a contract with the Brooklyn Dodgers of the National League Robinson was the shortstop for the Kansas City Monarchs in the Negro Leagues. So it was only fitting that “42,” the motion picture that honors his life, premiere in Kansas City. The event, held at the AMC Barrywoods 24 theater, gave almost 1,400 fans the first opportunity to see the new film.

Linda Paige, daughter of Satchel Paige

The weather was as brisk as you would expect on an early April day. Dignitaries, including Kansas City mayor Sly James, mingled with past and current members of the Kansas City Royals, as well as other baseball greats from the past, including Hall of Famer Lou Brock! Also attending was Linda Paige, the daughter of Hall of Fame pitcher Satchel Paige as well as Jackie Robinson’s son, David. Bob Kendrick, the president of the Negro League Baseball Museum, which is also based in Kansas City, attended as did cast members from “42,” including Harrison Ford, Derek Phillips, Chadwick Boseman and Andre Holland.

Hall of Fame third baseman George Brett was amazed at the red carpet experience and the honoring of Jackie Robinson. “Being a baseball player also, people just assume that I know who Jackie was. But I don’t know all of the things he had to endure. It’s going to be an education for me tonight to watch this (film).” I asked Brett, who is a strong supporter of the Negro League Museum, what the benefit showing would do for the organization. “I hope it brings more awareness to it,” he said. Brett’s said his biggest regret was that Buck O’Neil, one of the best known former Negro League ballplayers, was no longer alive to enjoy this moment. Featured in the highly popular Ken Burns documentary “Baseball,” O’Neil was the first black coach in Major League baseball and a fan favorite. Brett also noted that if O’Neil were still alive tonight’s event would have been twice as big!

David Robinson, Jackie Robinson’s son

Best known for his work on television’s “Friday Night Lights,” Phillips talked about playing a different sport on screen. “I probably hadn’t played baseball since I was seventeen and to get the opportunity to do a film like this at thirty-five…to get out there and throw the ball around…was a great experience. We had a run-down scene that we shot in multiple angles…chasing the runner to third and back to second then back to third. It was 106 degrees in Atlanta and I got a little gassed, I’ve got to be honest.”

I asked Mayor James how important it was that this event was being held in Kansas City. “It’s huge,” he replied. “And it’s the appropriate place to have it when you think about it. But for the Negro Leagues there wouldn’t be a Jackie Robinson. The Negro Leagues started here…the Monarchs were a great team and Jackie was a part of that team. He was the person that was selected. He not only broke the color barrier in baseball but he also broke the color barrier in society. He was a high-profile African-American…something that many people in this country hadn’t seen before. He forced people to reexamine their thoughts and beliefs. The fact that it all started in Kansas City makes this event very special.”

Actor Andre Holland

When I spoke to Negro League Museum president Kendrick I informed him of what Brett had said about mourning the absence of Buck O’Neil. I asked him how he thought Buck would enjoy this evening’s events. “He would be so excited,” he said, letting out a laugh. “He would own the red carpet. And he would be so proud. This is such a major accomplishment for the museum. And to be connected to a project of this magnitude…one that is shedding new light on one of the greatest American heroes ever as well as shedding light on the playing ground that allowed Jackie to play. The Negro Leagues. Because we don’t get Jackie if not for the Negro Leagues. I hope this film reminds people of just how special the Negro Leagues were and how much talent was there in the Negro Leagues.”

When I spoke to actor Andre Holland, who plays famed sportswriter Wendell Smith in the film, I noted that he was pretty much the only person in the movie that doesn’t get to throw a baseball. Did he ever just wander down to the field and start playing catch? “There were a couple of times, I will not lie to you,” he replied. “I played a lot of baseball growing up and sometimes when I was sitting in the stands…between takes I’d go down, grab a bat and take a swing or toss the ball around. It was hard to be in a baseball stadium and NOT be playing baseball.”