Interview with Fred Sayeg

Fred Sayeg is the director of the new independent film “The Encore of Tony Duran”. The film is Fred’s feature film directorial debut and was an official selection at the 2011 Palm Springs International Film Festival. “The Encore of Tony Duran” stars Elliot Gould, Cody Kasch and Gene Pietragallo. Movie Mikes had a chance to chat with Fred about working on his first film and what is to come upcoming.

Mike Gencarelli: With the film “The Encore of Tony Duran” being your feature directorial debut, do you feel that you were able to add your unique experience and talent to the film?
Fred Sayeg: Yeah absolutely.  In fact that was the only reason I did it because I knew we had very little money and time.  I felt that I could do it, if I could do it my way…the way I envisioned it and without any outside interference.  Not from any ego standpoint, I just knew you do not have a lot of time to bicker and things can’t go all the way to jury with a little movie like this. I felt from the very beginning I knew that I could get it done well.  I was able to rely on myself for the decisions and I do not have any regrets. I feel very fortunate now [laughs], I wish I could make every movie I do like this.

MG: How did you originally become attached to the project?
FS: A guy I work with on my corporate films, Mitchell Cohen, wrote it based on an idea by our co-producer Terry Fraser. It was a semi-biographical piece about Gene Pietragallo, who we call Tony Duran. I would say that about 40-50% of it is true.  So when he told me about it and what they were trying to do and how they had a director but he fell out, the wheels started turning in my head.  I thought it was doable because the way it was designed.  I went over the script with Mitchell and reworked some stuff. I thought we can actually make this happen.  I felt so strongly that I said I would even help raise the funds and I did in a short time.  It sort of went rapid fire from that point on.  It felt like only a few short weeks from when I started to when it was finished.

MG: The film was shot in just 8 days, was that a grueling schedule?
FS: It was about 9 days [laughs], not that big of a difference. There was a day when I almost did 19 pages in one day.  It was a lot and I wouldn’t recommended it but it was simply this is what we had to do.  You can’t fall in love with a lot of scenes that you would like to cover a few times.  We had to say this is what it is and if we have it covered, then we would move on.  I trust my DP a lot that he got the shots.  We knew that later we might have some problems but mainly we got what we needed.  I needed to make sure we got continuity and luckily we did not run into problems.  There were a couple of things I wish I had more time for but I am sure that happens with everything.  We were lucky to finish in the time we did.

MG: How was it working with such a great cast such as Elliot Gould and William Katt?
FS: Elliot is such a professional.  He walks in the set and everyone stands a little straighter.  He has been around and he knows it all and heard it all.  He knows his lines and he is a professional and he expects everyone else to know their stuff. I had people with a lot of experience and I had people with little experience.  You can’t do a film in this amount of time with people who do not know what they are doing.  You can get the greatest director and crew in the world and it doesn’t really matter.  They guys did such a great job and they are the main reason that we got it done.  It was a great little ensemble we had.

MG: How do you feel about the buzz surrounding “The Encore of Tony Duran”?
FS: Yeah, it is very fun.  You look at each other on set and you don’t really know what you have. We all knew in our hearts that we have this little film with this big message. I think that might be the reason Mike that this resonates. We are in a time when America has some economic problems, everyone has a little Tony Duran in them.  They know somebody that has hit the bottom and thinks they cant get any lower and find maybe they can get out of this.  This is a redemption film but it is a real world redemption film that people can relate to. Tony is not a big ball player, he is just a guy.  He hits bottom and loses everything and thinks it is over.  His old friend Elliot says maybe says “You know what it is really not” and sometimes that is all it takes.

MG: You also started your own production company, tell us about that?
FS: One More Time Productions was formed just for this movie.  Then I also formed Mister Moon Media and will do other films like this under that with similar messages like in this film.

Interview with Kevin Tancharoen

Photo by Alberto E. Rodriguez/Getty Images North America

Kevin Tancharoen is the mastermind behind the short “Mortal Kombat: Rebirth” and its follow-up web series “Mortal Kombat: Legacy”.  Kevin has rebooted the “MK” franchise and has excited the fans with his amazing vision for the web series.  Movie Mikes had a chance to chat with Kevin about his web series and also his plans for the future.

Mike Gencarelli: How did you come up with the idea for “Mortal Kombat: Rebirth”?
Kevin Tancharoen: There were two sides of it. The first was I always wanted to make a “Mortal Kombat” movie.  The other side was I had only been known for doing things in the performing arts world.  I always and always will want to do genre films.  Ever since I was a kid that was always the goal.  I got thrust into the world of performing arts, staging directing and that sort of stuff. I thought I needed to prove to people that I can handle that kind of material or know one will ever give me those opportunities.  I saw “Mortal Kombat” as a double sided adventure there.   I could either get the movie made or become known as the genre guy.

MG: What gave you the idea to make “Mortal Kombat: Legacy” in a web series?
KT: It was never planned.  I had no idea anyone wanted to do such a thing.  Of course the original intention was to do a movie, which I would still love to do.  After the short film came out, it was perfect time for E3 and they were going to release the trailer for the new “Mortal Kombat”.  They had known the video game was coming out and my short film got a lot of traffic online.  They decided to make more short films to promote the game launch, do them all live action and I was totally on board with that.

What was your process for choosing what characters where going to be in the series?
KT: Looking at the broad scope of the project and its budget and other stuff.  I wanted to take all of the characters that made sense and we easy to accomplish with our goal.  Also I wanted to make sure I took care of the most iconic characters in the game franchise.  That is why I chose everyone I did.

MG: Do you have a favorite character
KT: I have a few one I love but Scorpion has always been my favorite.  One of the characters I did not get to do was Kabal. I love Kabal and I think he has a really cool back story.  I really like his whole mask and the fact he was burned and has a respirator.  There is a lot of influence there from the either Tusken raiders or Darth Vadar. It is all pretty cool.  I wish we were able to do that episode. Maybe next time.

MG: Since each character has only one or two episodes, do you feel you are still able to give their stories justice in 10-12 minutes?
KT: I think that for the origin type of stories, it is working.  But I think that any director likes more time to flesh out a character or do more fight scenes or have more action battles. I think for the most part that this 10-12 minute mark was good for this first round.

MG: What is your biggest challenge working on “MK: Legacy”?
KT: I think it always comes down to budget, which ends up affecting time.  It ends up affecting your schedule and how much time you have to shoot fight sequence or having enough time to shoot a good dialogue scene.  It also affects the way you want to complete an entire episode the way you completely planned it out. There are always some alterations you have to make and balance you have to define when dealing with budget for a digital series. That is always challenging and possibly frustrating, but at the end of the day you have to tell the story in the right way.  I say that would be the biggest challenge is you have to act really quick on your feet and make changes when you have to.

MG: How can you reflect on the censoring of the episodes?
KT: That through me completely of guard.  I did not anticipate that at all because there are much worse things on YouTube.  What I think ended up happening is that we ended up becoming so popular that parents started watching it. An enormous amount of parents probably started to flag it and they acted like they are suppose to.  That kind of trickled down to us and all of the sudden we had an age gate up on our second episode out of nowhere.  That was quite the morning, I was frantic.  I mean it is “Mortal Kombat”, you can’t censor it.

MG: Do you have plans for a second season of the series?
KT: Right now it is all speculation.  I think everyone wants to see how it does. Our last episode “Raiden” is a different take on “Mortal Kombat”, it is more in vain of the original short I did with “Rebirth”.  Fans of the original short will hopefully really catch on to that episode and support the rest of the series.

MG: What can the fans to do help this get made into a feature film?
KT: Well they can just really pump up the series as much as possible.  We kind of ran the gamut when it comes to telling the stories this time around.  You can see that it kind of spans from gray realism to fantasy world and anime.  I would say if they could pass around the version that they like the absolutely best.  Whether it is the realistic stuff or the fantasy stuff and what would be the best thing to do.

Interview with Jeri Ryan

Jeri Ryan is know best for her role in “Star Trek: Voyager”. Jeri played the character Sonya Blade in the short “Mortal Kombat: Rebirth” and the web series “Mortal Kombat: Legacy”. She is also playing Kate Murphy Philadelphia’s first female Chief Medical Examiner in the hit TV series “Body of Proof”. Movie Mikes had a chance to chat with Jeri about her new roles as well as her work on “Voyager”.

Mike Gencarelli: Tell us about working on your new show “Body of Proof”?
Jeri Ryan: It has been a lot of fun. The cast is really great. Dana (Delany), of course is such an amazing actress but she is also really cool. She is kind of a broad [laughs], so we have a good time laughing. It is just a fun set. You get some goofy things happening on the set also because you are working with supposedly dead bodies played by actors. So, we had a body fall asleep in the middle of a scene [laughs]. It has just been a lot of fun. Also I am really excited to hear that “Body of Proof” already got picked up for a second season. So I am looking forward to that.

MG: What do you like most about your character Kate Murphy?
JR: What I like about her is that she is tough character. She is the first female Chief Medical Examiner in Philadelphia’s History. She care about what happens in her work and also the victims in the families and what they are dealing with. But also the people that work for her. I like that we are peeling back different parts of her personality as we go.  We are finding out new things like she is a Texas Holdem player [laughs]. There is a lot more to her and that is what I like.

MG: How did you get involved with “Mortal Kombat: Rebirth”, playing Sonya Blade?
JR: “Rebirth”, I did as a favor to friend of a friend. Kevin (Tancharoen), the director, is the boyfriend of a friend of mine. We knew he was putting together a project to show Warner Bros. his vision and to sell them on doing a new “Mortal Kombat” project. So we all volunteered our time. I didn’t know him very well before, I knew he did “Fame” and I knew he has a lot of choreography in his background. When you meet him, he is the sweetest, quietest and nicest guy and looks like he is about 14. So at first, I did not expect the project to be anything special. When it came out it was just amazing…amazing! His vision is incredible. He is a really talented director. When they approached me that they were doing a web series, I jumped at it. Again, it is a web series, it is not like they are backing up the money truck for anyone on this. Everyone is doing this because it is so cool and his vision is so amazing. We are all very excited about working on it.

MG: You also appear in “Mortal Kombat: Legacy”, tell us what is it was like playing that character and working on that series?
JR: She is a real kick ass broad, right? It is great to get to play that kind of character. The one downside of doing a web series, compared to a feature or TV series, is the lead time to get ready for it. I think I had a grand total of four maybe five days from finding out the project was happening to being on a plane to Vancouver and shooting the next day. It was literally that fast. There was no time to train and do fight training and things like that. Hopefully it will go further and we will get a second season or something else. Now I am on to them though and I know I need to start training on my own [laughs].

MG: How does it differ between working on web series like “MK: Legacy” to series like “Body of Proof”?
JR: It was really all about prep time. Even though you are doing a short, you may even have more time to shoot it then you do a TV series because you have a week to shoot a much shorter episode. So really we can take our time shooting it and we can get the cool shots and action and things like that, that they wanted to. His vision is just very cinematic and what he has done with this is just crazy. That part of it is great, you don’t feel a web series budget doing that. Just everything is very quick leading up to it.

MG: Going back to “Star Trek: Voyager”, tell us that experience and the aftermath it has had on your career?
JR: Well “Voyager” really gave me a career, it really did. It was my second series, after “Dark Skies”. This was really my launching pad for my career. That is a gift as an actor to be given a character that is so rich to play, interesting and has so much growth. That arc of growth on that character was so huge over the four year period. I mean she started out human and there is a lot of ground to cover. Then to have that character become so iconic is a really rare gift to be given as an actor.

Interview with Darren Shahlavi

Darren Shahlavi is know for his recent role in “Mortal Kombat: Legacy” as Kano. Darren has also starred with many great action stars Donnie Yen and Sammo Hung Kam-Bo in “Ip Man 2” and Steven Seagal in “Born to Raise Hell”. Darren is also in the upcoming SyFy original movie, “Aladdin: The Curse of the Jinn” this year and also has a role in “Mission: Impossible – Ghost Protocol”. Movie Mikes had a chance to chat with Darren about his role in “MK: Legacy” to as working with his childhood heroes to what he has planning upcoming.

Mike Gencarelli: What made you pursue martial arts growing up?
Darren Shahlavi: I started training in judo when I was seven years old. When I was a kid my dad took my younger brother to class and I went along and I just enjoyed it. And after I saw my first Bruce Lee movie I was hooked. I wanted to be like Bruce Lee. So did a lot of kids. I wanted to kick so I moved away from judo to tae kwan do and karate…stuff like that. And since I was a little kid my dream was to be in movies. It was a combination of Bruce Lee films and “Star Wars.” I wanted to be Han Solo. I never dreamed of doing anything else in my life for my career. Actually, my judo classes took place in a drama theater. I’d get there early and see the actors performing… rehearsing their plays. So I kind of discovered both martial arts and acting together at the same time. It was the Hong Kong movies that really inspired me. I found the action in the American movies pretty boring compared to Hong Kong. I wanted to go to Hong Kong and train with the people that Bruce Lee worked with. Jackie Chan and Donnie and Donnie Yen and Sammo Hung. So I went off to Asia when I was 19 years old.

MG: How did you get involved with playing Kano in “Mortal Kombat: Legacy”?
DS: I’d been in touch with the films fight choreographer for a couple of years. There was another movie he was doing that I was going to be a part of but I had something else come up. He let me know he was going to be in Vancouver doing “Mortal Kombat” and I told him if there was anything I could do to just let me know. He spoke with the director and suggested me for Kano. So I met with the director, read for him and he gave me the part straight away. Again, it’s the good fortune of having somebody who has seen your work think you’re good for a part and suggests you. My friend had seen “Ip Man 2” and loved it so I thank him for recommending me for the part of Kano. And I like what the director has done with this rebirth of the “Mortal Kombat” legacy. It’s going to be really exciting.

MG: Where you familiar with the character of Kano?
DS: Absolutely. When I moved to Hong Kong I went over with my best friend. We had met each other 20 years ago at the Donnie Yen seminar. We hadn’t seen each other for a long time but, since we both loved “Mortal Kombat,” whenever we would see each other we’d say “hello baby, did you miss me?” Seriously, what the director got out of the actor playing Kano in the first movie (Trevor Goddard)…there are a lot of good layers to the performance. It was good, it was funny…truly a great performance. So yes, I was well aware of “Mortal Kombat” and Kano. I used to listen to the music when I was working out all the time. The first movie I ever did…a Hong Kong movie called “Guns and Rose”…Robin Shou was the lead in that movie and five years after that went on to play Liu Kang in the “Mortal Kombat” movie. Once I found out that Robin was doing “Mortal Kombat” I was thrilled for him. I’d followed his career and I thought he was wonderful in “Mortal Kombat.” Now I’m doing “Mortal Kombat.” It means a lot to me because the first film was something that brought martial arts back to the main stream public in North America as well as around the world.

MG: Do you think that the success of the web series will cause “Mortal Kombat” to be turned into a feature film?
DS: We hope so. Somebody has put my name down on IMDB but we’ve really had no discussions. I think they’re interested in doing another season of the web series because there are still a lot of backgrounds from these characters that you can explore. You can get the audience up to speed with the characters and their motivations and their intentions and then you can go into the feature film where we can do the tournament. This way people are invested in the characters and it’s not just all fighting. I think it will be cool to do another season, explore the characters further, and by the end of the season they’re all entering the tournament. I believe there is some kind of legal situation that needs to be cleared up but I think there’s a very good possibility of doing a feature and I’d be very proud to be a part of it. The series has so many interesting characters. I mean you talk to anybody and they each have their favorite character so there is really a lot to explore. I just hope that if they do another film that we can release it uncensored. This whole “censoring” thing is really a problem right now.

MG: How do you feel about the recent episode that was taken down so quickly because of the censors?
DS: It’s a problem for a number of reasons. Number one, “Mortal Kombat” fans want to see MORTAL KOMBAT. They want to see it as it was intended. Number two, there’s also the intention of showing Warner Brothers that there is a big demand for this. Fans want to see a new “Mortal Kombat” movie or a second season but not censored. We put the first episode on YouTube and it got 8 million hits. The second episode got 2 million hits. But it should be at 6 or 7 million hits. But the problem is that people have downloaded the uncut version and when they watch it we’re unaware. They’re watching it but not on YouTube because it’s been censored. If we’re going to do another season it needs to be released somewhere so fans can see it uncut. They can put a little warning before it stating that it’s “R” rated or mature…whatever it is. Because that’s what “Mortal Kombat” is. The filmmaker’s vision is what got everybody excited and to kind of quash that is not really fair to the filmmakers or the fans.

MG: How was it working with your childhood heroes Donnie Yen and Sammo Hung Kam-Bo in “Ip Man 2”?
DS: Sammo Hung and Yuen Woo Ping gave me my first lead role in a movie called “Tai Chi Boxer.” Yuen Woo Ping did all of the action in films like “Crouching Tiger, Hidden Dragon” and “Kill Bill” among others. “The Matrix,” of course. He and Sammo Hung have been the premiere fight choreographers in the world for so long. I met Donnie Yen 20 years ago. I was just a kid and I went down to London where Donnie Yen was doing a seminar teaching Hong Kong style film fighting. I lived in Hong Kong for awhile, then I came to North America and began doing films here. But unless you’re a name it’s not easy to get a good lead role in a movie. So I was doing a lot of supporting and smaller roles but not really getting the chance to use any of my abilities fight-wise. So I called a friend of mine who was a casting director asked him to please keep an eye out for me for anything in Asia. I hoped to get back there and really get to use my abilities as a marital artists. And very shortly after that he called me back and said they were getting ready to cast the main bad guy in “Ip Man 2.” Would I be interested in it? And, true story, I actually had “Ip Man” in my portable DVD player as I was on my way to the gym. I take my portable DVD player to the gym with me and I watch movies while I’m on the eliptical machine doing my cardio. So I watched the first “Ip Man” movie, called him back and said, “Listen man…anything I need to do to get on this movie let me know.” And they cast me pretty much right away. So it goes back to that first meeting with Donnie Yen. The first Bruce Lee movie I ever saw was “Enter the Dragon,” and the movie begins with Bruce Lee fighting Sammo Hung. I told Sammo that I’ve known who he was for most of my life. And to get to work on a film that’s about Bruce Lee’s teacher…with Bruce Lee being such an important part of my life…it was almost like going full circle. Getting to come back to Asia and work with two of my heroes in Donnie Yen and Sammo Hung on a movie about Bruce Lee’s master, Ip Man, it was really gratifying. I was thrilled to be a part of it. Not to mention the success of the film worldwide. It was the most successful Asian film of 2010.

MG: How did you get involved with working with Uwe Boll on his films?
DS: I had done a couple of films for a German filmmaker named Olaf Ittenbach, who is known for his splatter effects and quite hardcore depictions of physical violence. It’s very, very gruesome stuff but he’s very, very good at it. The first film I did for him was called “Legion of the Dead.” I’m sure the version you saw was the cut version that Artisan released here. Talking about censorship, when some of the more gruesome stuff was about to come up the screen would go black. So a lot of the stuff was actually taken out of the movie. The second film I did with him was called “Beyond the Limits.” It was censored almost every place it was released in. And I think the only uncensored versions you can find of it are in Germany and Austria. And Japan. So my agent let me know that Uwe was here and was looking to cast “House of the Dead.” So I went in and met with him. I don’t know what happened. He offered me a role but it wasn’t a big role so I went and did something else. Then “Alone in the Dark” came along and he asked me to do a part in “Alone in the Dark.” But what I understand is that I was going to be in a scene fighting with Christian Slater. But Stephen Dorff was going to be in a different scene and was willing to work for free to be in the movie more so my fight with Christian Slater got cut so I’m barely even in “Alone in the Dark.” Then there’s”Bloodrayne,” though I really didn’t get a chance to do alot in “Bloodrayne.” Then when “Dungeon Seige” came about Uwe gave me a script and told me he had a really good role for me. But when the time came to shoot the role he had already cast someone else in the part. Uwe was very insistent that he have “name” actors in all of his movies so that he could sell them. And if you look at “Dungeon Siege” you can see that those 10 big name actors got the movie $2 million opening weekend. So now he’s gone back to doing the movies he should be doing…smaller, personal films. Good actors don’t have to be movie stars if they can act. I like Uwe a lot. He’s really an intelligent guy. And he’s a good filmmaker. But I’ve done three projects and he’s never really used me properly…never gave me a good role. The stunt coordinator on “Dungeon Siege” said to me “if Uwe is not going to use you we can use you here” so I did stunts and ended up being Ray Liotta’s stunt double in the movie. In the end fight between Jason Statham and Ray Liotta that was me doubling Ray Liotta.

MG: How was it working with Steven Seagal in “Born to Raise Hell”?
DS: I was in China doing “Ip Man 2” when I got a phone call from Lauro Chartrand, the director, who said “I’m heading to Romania to direct my first movie with Steven Seagal and I want you to play the bad guy in it.” And I told him “I’m in China right now…I don’t think it’s going to work out.” But thankfully they were able to finish with me on “Ip Man 2” so I got on a plane from China to Romania, got a little sleep and the next day went to wardrobe fitting and began shooting. It was a very low budget movie, which puts a lot of limitations on what you’re able to do. I was happy with the way everything went, filming wise, but unfortunately they left the end fight between me and Steven for the end of the day. They kept shooting other stuff. So when it came time to do the fight scene Steven had to go off somewhere so we really only had an hour or two to shoot it because Steven had to go. It was really a shame that we couldn’t get a good final fight scene shot at the time but that’s the problem with low budget stuff. Steven was great. I really enjoyed working with him. He invited me into his trailer before I left and we had a really good talk about a lot of stuff. He was really cool. I don’t think he was too happy with a lot of the films he’d been doing recently and as a result I don’t think he really gives as much as he should be on a lot of the films he’s been working on. He could certainly help the film making process go a lot smoother and easier if he was able to give more time and commitment. He really doesn’t seem to have his heart in it anymore. Which is a shame because I think the guy still…he’s still very fast. He’s very good in his fight scenes. And he’s still a really good actor. He’s underrated in what he does. And I think that comes out in his commitment to the film and his character. He doesn’t want to put too much into it. But when it comes to the process he’s very natural. But I liked the experience. It was a chance to work with Lauro Chartrand, whose a good friend of mine. And I think that, with what he had to work with, he did a very good job. Because, seriously, it was not easy shooting a movie that quickly in Romania.

MG: Does one project stand out at being the most challenging for you?
DS: Well, there’s most challenging in a good way and most challenging in a bad way. Most challenging in a good way was working on “Ip Man 2.” I had to be in the best shape I could be in. That was a 72 day shoot and I shot for about 23 days. Pretty much every day I was fighting. I worked with Donnie Yen for 10 days. Sammo Hung for 7 or 8 days. All of the other guys in the ring. So that was very challenging. I was getting up at 5 in the morning, going for a run, coming back, having my breakfast. The driver would pick me up and drive me to the set. It would be an hour’s drive every morning and close to three hours drive back because of the traffic. So I was filming for 12 hours. Add in another 4 hours for travel. An hour for working out. I was on a really strict diet. So I was working out twice a day, shooting 12 hours, traveling for 4 more. By the time I’d get back to the hotel and Skyped for a little bit I’d go to bed. So I was working on about 4 hours sleep every day for five weeks. Then there’s challenging in a bad way, when you don’t really get to do much. Like not getting able to fight Steven Seagal at the end of “Born to Raise Hell.” We had no time. It’s tough just shooting things so quickly. We had a little time for rehearsal…Steven and I rehearsed. It’s a pleasure to work with people you really admire. It’s a lot of hard work. And sometimes it’s not enough hard work because there’s not enough time.

MG: What is your involvement in the upcoming “Mission: Impossible – Ghost Protocol”?
DS: Here again it’s another unfortunate incident that happens in this business. The stunt coordinator called me up and said they wanted me to come in and do a fight scene with Tom Cruise. I said, “I get to fight Tom Cruise?” They said yes so I said, “fantastic…I’m there.” Then I get to the set and it’s Tom Cruise and Jeremy Renner and they’re going to be fighting three guys. I was going to fight with Tom and the other two were going to fight with Renner. Then Tom wanted to fight two guys so he was going to fight the two guys and I was going to fight Jeremy Renner. But the whole point of this fight scene was to show how good Jeremy Renner’s character was at fighting so the fight we’re in is very quick. It’s a nice scene. I mean I got to hang out with Tom Cruise and Jeremy Renner for three days and watch them work, which was a thrill. Renner was fantastic. He picks up the fighting really well. He’s such a great actor. He comes across really well. Very strong and very capable. Trust me in the new “Bourne” movie he’s going to be awesome! Seriously, he’s going to surprise a lot of people. So even though it’s really just a cameo…you get paid good money and you get to hang out for three days with two of your favorite actors. It’s a great gig!

MS: Anything else on the horizon?
DS: I just got my first lead role in an American film called “Aladdin: The Curse of the Jinn.” It’s a SyFy original movie. They’re just finishing up the visual effects and I think it will air at the end of summer, first on SyFy then on a Blu Ray DVD release. I play Aladdin and it’s a very adult version of the story. The genie here is a real evil genie. He’ll grant your wish but whatever it is, he’ll turn it around so that you ultimately get killed. So the object is to get the genie back into the lamp and toss him back to hell. It’s a pretty good film. And it’s going to look good because we shot it on 35mm film and they’re taking their time on the visual effects. I’ve also got a movie called “Hanger 14” with “Stone Cold” Steve Austin. Plus it was nice to work with Michael Jai White again. It should be out by the end of the year, though it might have a new title…keep an eye out. (According to IMDB the film is now
titled “Tactical Force”).

Interview with Michael Rogers

Michael Rogers currently appearing the “Mortal Kombat: Legacy” playing the character Quan Chi. Michael is also starring in the this years Tribeca favorite “Beyond the Black Rainbow”, which will be next showing at Cannes. Movie Mikes had a chance to chat with Michael about his roles in both projects.

Mike Gencarelli: How did you get involved with “Mortal Kombat: Legacy”?
Michael Rogers: I just auditioned for it.  Originally I had auditioned for the role of Kabal.  They ended up bringing me back for Quan Chi, which I was thrilled about because I absolutely loved the role. If had a pick of any of the roles that would be the role I would choose.  There is just so much juice in there.  So then I was cast and two weeks later we shot it.

MG: Where you familiar with the character Quan Chi?
MR: You know what, I wasn’t at all.  I wasn’t a gamer.  I have obviously heard of it but was not familiar with the characters.  Right away when I read it I was very attracted to the role since it was so rich.  Once I got the role I tried to actually stay away.  Of course I watched “Mortal Kombat: Rebirth”, which was phenomenal but outside of that I stayed away from looking at the game, the TV series or the movies.  I did not want any influences and wanted to come in with a fresh perspective.

MG: How do you compare working on web series to TV and film?
MR: My approach is always the same.  With this project, they obviously had to get it done fast.  I think that that environment spawns a lot of creativity.  You have to be very alive and spontaneous and that really allows for some great moments.

MG: Do you have a favorite genre to work in?
MR: I really don’t.  As long as the role has depth to it and it is interesting to me, I think it would be interesting to me no matter what genre it is.  Ironically, I have never been a huge fan of sci-fi, but I actually just a film called “Beyond the Black Rainbow” which just screened at Tribeca.  I have certainly gained a better appreciation for sci-fi from that.

MG: Tell us about working on “Hellraiser: Hellseeker”, one my favorite in the series?
MR: Thanks man, that is great to here.  It was a fantastic experience. Rick Bota, who directed it, was a great guy and was fantastic to work with.  Dean Winters was also phenomenal to work with and trade pushes with.  It was really just a great experience.

MG: Tell us about the film “Beyond the Black Rainbow” and your role?
MR: I play Barry Nyle, it is a primary lead role.  It takes place in a dystopian 1983 and it is a beautiful, stunning film.  It is fairly abstract and probably the most reward film that I have been a part of.  It was rewarding and challenging at the same time.  It was a pleasure to have it been received so well at Tribeca. As far as we know we have been picked up by distribution and from what I understand it is looking to be sold at Cannes.  So it is moving a long and hopefully it will be out later this year.  It is really a piece of art and I am super proud of that one.  It was a real labour of love.

MG: What do you consider is your favorite experience in your career?
MR: Definitely like I said, the most rewarding and challenging has to be “Beyond the Black Rainbow”.  Without giving too much away, I had to play two incarnations basically the same role.  It was such an abstract film and the preparation for it was really intense.  So far this one takes the cake.

Interview with Peter Shinkoda

Peter Shinkoda is currently appearing the “Mortal Kombat: Legacy” playing the character Sektor. Peter is also part of the ensemble cast of this summer’s highly anticipated “Falling Skies” on TNT. Movie Mikes had a chance to chat with Peter about his roles in both projects and also what he has planned next.

Mike Gencarelli: How did you get involved with the series “Fallen Skies”?
Peter Shinkoda: I went through the usual channels after hearing about the part fairly late in the game. A very long audition process had already been held and at the last minute I locked down the job. I guess there were a few other actors that had been considered for the job as well but casting saw my audition tape and gave me a contract.

MG: Can you tell us about your role on the show?
PS: I play Dai who is like a lot of the characters on the show. He is a civilian turned resistance fighter fighting against the invading alien forces. Dai is often seen with Noah Wyle’s character, Tom Mason, who is History professor turned resistance leader. My character is his most trusted confidant and friend he is also the most effective fighter in the unit.

MG: How was it working with Noah Wyle and the rest of the cast?
PS: It was a complete pleasure. There wasn’t one minute where I did not like being on set. Working with Noah was an incredible experience and I hope it will be on going. As a person, he is very generous and sweet and probably one of the most intelligent people I have ever met. Craft wise, I am constantly in awe of his professionalism and how easy he makes acting look. Noah is just an all around great guy on and off camera.

MG: Did you get a chance to meet Steven Spielberg during production?
PS: I did! He made it to location a few times when we were shooting in Canada. The fortunate actors got to be directed and overseen by him while he was there which was really great. Even when he wasn’t there his input was being received via Skype or telephone. I was actually able to meet him one other time at Dreamworks when we did a screening of the pilot and it was really cool because we got to watch the show with him. That was an incredible pleasure.

MG: How do you feel this show differs from other sci-fi alien shows that are on television?
PS: I think a majority of the films out now dealing with similar subject matter start from the same point. A typical all American town is attacked by aliens and decimated and a military response follows. In the case of “Fallen Skies” the attack has already happened and we see the response from a civilian’s point of view and how they are dealing with being over powered.

MG: How did you become involved with “Mortal Kombat: Legacy”?
PS: Just like any other guy who is surfing the net looking for interesting content related to sci-fi and gaming. I saw some news clips about this “Mortal Kombat” thing that was going viral. I went and checked it out for myself and was blown away! It was so brilliant I almost fell out of my chair. It was just so dark. I watched it a bunch of times and then left it alone for a bit. Every once in awhile I would hear little bits about it trying to be developed. Early February I read an article that Warner Bros had green lit the project. I immediately called my agents who still hadn’t heard anything about the project and then in just 24hrs later the info for casting came out. Fortunately I was friends with one of the casting director Tiffany Mack. So between Tiffany and my agents I was able to get a meeting with the Kevin Tancharoen. We met at the studio and had a conversation about the direction they wanted to take “Mortal Kombat” and a few days later I got an offer to play Sektor.

MG: Were you familiar with the character prior to being cast?
PS: Yes. I was familiar with the core characters from the game and movies. I had seen Sektor however I didn’t know much about his back story.  I don’t think anybody really did other than he is a cyborg ninja. I think he is one of the more interesting characters and plus Sektor has some really cool weapons.

MG: How do you feel doing a web series differs from a television project?
PS: Production wise and shooting on location is all the same. The big difference is in the speed of which things are shot. Television works quite fast and this being my first web series I found this shoots even faster than television. The idea is to get as much production value in the can and to the screen as possible.

Interview with Ryan Robbins

Ryan Robbins is currently appearing the “Mortal Kombat: Legacy” playing the character Raiden. Fraser is also know for his role of Henry Foss in SyFy’s “Sanctuary”. Movie Mikes had a chance to chat with Ryan about his roles in both projects and also what he has planned next.

Mike Gencarelli: Tell us how you become involved with “Mortal Kombat: Legacy”?
Ryan Robbins: I just got a phone call about it. Actually it was originally for another character but they didn’t end of using that character in the show. So I thought I missed my chance, but then I got a call that they want me to play Raiden. I told them of course I was interested. I got to be a kid again and got to play one of the coolest characters in video games. I didn’t even meet the director till the first day, but Kevin (Tancharoen) was such a cool guy. He is definitely a visionary. I know that word gets thrown around a lot but it is true.  He has this clear vision and talked about what our version was going to look like. To some degree you want to say true to the original but you want to make it a little more relatable and give the characters back stories and struggles to overcome. I think it turned out really great.

MG: So you where you familiar with video games series prior to working on it?
RR: I was familiar with the games, the films and the TV series. I have seen Kevin’s short film he did and it was really good. I really liked the edge it had. It is hard to adapt video games though. You always have visually elaborate costumes and everyone is always big and buff and sometimes these things are hard to identify with. I like his vision and he makes the characters feel like somewhat regular people for the most part and he gives them qualities to identify with.

MG: How was it working on a web series, compared to TV and movies?
RR: I have done a few now especially with “Sanctuary” starting off as a web series. Since they are kind of new, you have a bit of a broader parameter but the downfall is the budget is not there. These guys on “MK” have amazing production value, especially with the budget constraints they have. More people also have access to web series as well, for example episode one is well over 8 million views already. That is huge and it is bigger than some network shows.

MG: Tell us about working on SyFy’s “Sanctuary”?
RR: “Sanctuary” is an amazing show to work on. It is an incredible group of people to work with. We have no divas and no attitudes. It is almost like working on an independent film. We have all the best parts of that and even though it does not have a huge budget since it is independently financed, we love doing the show. We really are passionate about the show and its fans. It has been a great ride. We just started shooting season four now and like every other season, we hit the ground running. When we get some of the scripts, I look at them and wonder how are we going to do this? This is insane! But sure enough every time they make it work and it great.

MG: What do you like most about playing the character Henry Foss?
RR: I like that he is somewhat unpredictable. He has so many levels. At one end he seems like a funny smart ass but on the other end he is a very capable badass werewolf. He really has a lot of range in that character and it is really fun to play. He is really emotional and passionate. He also has secrets and it is always fun to play a character that has secrets.

MG: What can we expect from the last few episodes of season three and upcoming in season four?
RR: I do not think people are going to expect the ending they will get from season three. People are going to be pretty blown away by it and also then how season four begins. I think the last part of season three gets pretty epic and some of the stuff with the character Adam is just great, who is played by Ian Tracey. Ian is just such a great actor. It will definitely leave you jaw-dropped. I was really excited to see how the fans react to it.

MG: Tell us about what you have planned next?
RR: I recently just did three films. The first was called “Cold Blooded”, the next is called “Everything and Everyone” and then I did a short film I am really proud of called “Pleased to Meet You”. The short has a really great cast and it is fantastic. Lastly I am getting a final cut soon for a film I starred and produced with Allison Mack from “Smallville” and it called “Marilyn”. It has been a labor of love. We financed this feature film ourselves. It is in post production right now and we are hoping to get it out for the festival circuit soon. It is such a great film and it is inspired by a true story. I can’t wait for people to see it.

Roy Scheider: The Lost Interview!

In September 1977 I was given permission by Roy Scheider to start his Official Fan Club. As a 16 year old kid whose favorite film was (and still is) “JAWS,” I was in the proverbial hog heaven. Roy passed away on February 10, 2008 at the age of 75. This weekend I was going through a box of some old fan club material (fan letters, etc) and came across an interview I did through the mail with Roy in February 1980 shortly after he was nominated for an Academy Award for “All That Jazz.” He was also appearing on Broadway with Blythe Danner and Raul Julia in the play “Betrayal.” The papers are yellowed but Roy’s handwritten answers to my question are still bold. Unless you were a member of the Fan Club you are reading this for the first time in what is truly a MovieMikes exclusive. Enjoy!

Mr. Scheider, let me first say congratulations on your Academy Award nomination!! I found your performance to be fantastic!! (NOTE TO THE READERS: Please excuse all of the exclamation points. I was 19 years old at the time) I am crossing my fingers from now until April 14th (the night the awards were presented) Though your ability is all that’s necessary to win the Oscar a little luck also helps! Congrats again!

Q: There is much talk of “All That Jazz” being almost a Bob Fosse biography. What is your opinion? I noticed some similarities.
ROY SCHEIDER: Yes – in New York there is too much “bio” talk. It is somewhat biographical but only 1/3. The rest of the nation identifies with the character of “Joe Gideon” as just another crazy workaholic.
Q: You were nominated for an Oscar for Best Supporting Actor for “The French Connection” but lost out to Ben Johnson in “The Last Picture Show.” Now you’re nominated as Best Actor for “All That Jazz.” What do you think, truthfully, your chances are for the Oscar? I personally think your closest competition is Dustin Hoffman (nominated that year for “Kramer vs Kramer”), who you worked with in “Marathon Man,” and the closest he is second!
RS: Ben Johnson won because he had a very dramatic private scene and because he was a veteran actor. We all pay our dues. Dustin will win – – -he has paid his dues. (Of course, Roy was right. The winner on Oscar night was Dustin Hoffman)
Q: I recently saw your first film, “The Curse of the Living Corpse,” on television. What, in your opinion, have been the major breakthroughs in films and production qualities since then and “All That Jazz?”
RS: “Living Corpse” was my first. It cost $35,000. “Jazz,” my last, cost $10.5 million and was directed by a genius filmmaker.
Q: There was talk some time ago about a film from the people who did “Animal House” and Zanuck/Brown to be titled “Jaws 3, People 0.” Were you approached to perform in this film and, if you weren’t, would you? I am aware of your reluctance to do “Jaws 2.” Also, hope you didn’t mind the “All that JAWS” poster!! (I had sent Roy a mock up poster combining his characters from “JAWS” and “All that Jazz” entitled “All That JAWS.” As this was early 1980 I’m going to go ahead and lay claim to being the first person to come up with that).
RS: 1. Definitely NO! 2. Not bad – – “J’s” seem to be lucky for me.
Q: What was the hardest part of making “All that Jazz?” I’ll assume it was the dancing.
RS: Yes. Not the learning or the doing but the repeating, again and again, for the camera angles. I’m getting older and those were muscles I’d never used.
Q: What was it like returning to the stage in “Betrayal?” Did you realize you had missed the live audience? Would you like to do another play in the near future?
RS: It is refreshing. Like getting on a bicycle again. It’s good to be dealing with ideas. I’ll be tired of it by June. Yes – – I’ll do it again in the future.
Q: What other projects do you have in the works? Films, plays…giving dance lessons?
RS: Reading film scripts.
Q: Finally, when you win the Oscar can I have the carnation you wear in your lapel?
RS: I won’t, so there goes your carnation. If I do you’ll get it!

Interview with Jim Krut

Jim Krut is well known for his small but very notable role as the Helicopter Zombie in “Dawn of the Dead”. Since then Jim has not done many films but he has been quite involved with the genre. Movie Mikes had a chance to ask Jim a few questions about his working on “Dawn of the Dead” and his career.

Click here to purchase “Dawn of the Dead”
Click here to purchase “Deadlands 2: Trapped”

Mike Gencarelli: Tell us how you got the role of the Helicopter Zombie in “Dawn of the Dead”?
Jim Krut: I got the role of Helicopter Zombie in “Dawn of the Dead” when Tom Savini asked me to do the role.  At the time, I was living in the Oakland section of Pittsburgh, working in live theater with a traveling repertory company called the Ironclad Agreement.  I was literally on my way to see a movie in Oakland, when I ran into Tom.  Tom said, “Jim I have a great role for you in the George Romero film that’s being made here in Pittsburgh.  I think you’ll really like it.”  I told him, “Tom, in a few minutes I’ll be in a movie.” Tom said, give me a call and we’ll set up the makeup sessions.

MG: How long have you know Tom Savini?
JK: Tom and I had had known each other for a number of years, since we were in college together in Pittsburgh.  There, we acted in student productions.  Tom and I were the two actors in a version of Edward Albee’s “The Zoo Story.” During that run, the real knife that we used made a real impact on Tom’s midsection.  But, as they say, show must go on.  Tom didn’t flinch; we finished the show and no one ever knew that he’d been injured.

MG: Tell us about the makeup process for your character?
JK: We got together for the makeup sessions in Tom’s workshop, in the basement of his home.  He needed to do a head cast of me.  This entailed my breathing through a straw for about 20 min. while plaster was slathered all over my face until it hardened.  Then, the back of the head was done the same way.  It helps you appreciate the old movies where fugitives are hiding in a stream and breathing through a hollow reed while they stay concealed.  In this case, however, Tom called me a few days later and said that the plaster cracking we need to repeat the process.  I returned to Tom’s workshop.  He completed the plaster molding of my head and from that was able to build the rest of the prosthetics.  To make the removable headpiece proportional to the rest of my head, Tom applied the beard, mustache and a bit more hair.  It seems like only a few days from that point that we were on set at the Monroeville airport.

MG: How long did it take to shoot your scene?
JK: In my recollection, I was there two days.  The first day was pretty drizzly and a lot of the indoor shooting was done at that time.  There may have been some uncertainty about the helicopter arriving if there was rain.  I believe the first shooting day at the Monroeville airport was a Sunday and I pretty much stayed inside the little office building for most of that.  It gave me a chance to watch how others were working and how George Romero was directing.  It was my first time on a movie set.  As a struggling actor in Pittsburgh, it was also great to have access to the lunch wagon from craft services.  As for the costume, there were at least two identical sets of clothes for me. We only needed one, since everything was done in one take.  Applying the makeup and appliances took about an hour, as I recall.  Tom had everything ready to go and seemed to be everywhere on the set at the airport.  As for direction, I believe that Tom had worked far enough in advance with George that George trusted Tom to pull off the effect.  I’m pretty sure George directed all of the camera angles, but Tom worked on the timing and the execution of the effect.  Again, everything was done in one take.  Time may have been a factor, but everything seemed to go very smoothly because of the earlier planning.  Both Tom and I are Vietnam veterans.  We were both familiar with helicopters from that experience. Stepping up onto the loosely arranged boxes, while focusing on the “meat” refueling the helicopter was probably the trickiest part of the shot for me.  I wanted it all to be right.  Even if this would be my only time ever in a movie, I was going to give it my best.  It was surprising, but very gratifying, to learn we didn’t have to repeat the shot.  People on the set said it looked great and seemed to be really happy with the way it turned out.  I believe the shooting involving the Helicopter Zombie scenes took about an hour altogether.

MG: Although being in the film for only a short time, you character is definitely well known form the series, how do you feel about that?
JK: As for being so well known for this relatively short sequence in a cult film, all I can say is I’m extremely happy to have been a part of it!  You have to remember, at the time, George Romero was breaking a lot of new ground.  From what I saw of the effects, language and action, I figured that my family and friends at the time might never go to see this movie.  But, that’s what taking a chance is all about.  I’ll always be grateful to Tom Savini for including me in this movie.  My being part of this George Romero classic has since become a huge source of conversation and pride for my family and friends.  Once the shooting was done, then came the nervous before the screening in downtown Pittsburgh.  Inside the packed theater were the actors, crew, friends and hundreds of zombies it seemed.  There was the nervous anticipation of wondering if my scenes would actually make it up onto the big screen or end up on the cutting room floor.  It was a huge thrill to see how the scene worked into the grand scheme of “Dawn of the Dead.”

MG: You didn’t do many films post “Dawn”, what was the reason?
JK: Within a year after the release of Dawn, I was married to my wife Linda.  When our first daughter was born, we left Pittsburgh to find a place with cleaner air and less traffic.  We settled in central Pennsylvania, where I worked for a time in audiovisual sales for 3M company.  Then I was hired as an editor for a weekly newspaper, making use of my journalism degree from point Park University.  Within two years we moved to the Harrisburg, Pennsylvania area.  There I had a job as editor of the statewide magazine for the Pennsylvania Rural Electric Association.  I love the work and travel, but it didn’t leave time for other pursuits such as acting on stage or in film.  Seven years later we moved to Gettysburg, where I became involved with a startup theater company.  Around the year 2000, I was invited to Cinema Wasteland in Cleveland, from “Dawn of the Dead” reunion.  It was great to see some friends I worked with in theater in Pittsburgh, who also happen to have been in “Dawn of the Dead”.  It was also a chance to get to know some of the other actors from the from the movie.  The really amazing thing, however, was the fans.  I knew Dawn had become a cult classic, but it was hard to appreciate just how widespread the reach of that movie had become.  For the Cleveland show, someone had flown in from Japan.  People had driven in from California, Texas, New Jersey and other states.  It was overwhelming!  I’ll always be grateful to Ken Kish, who runs Cinema Wasteland, for tracking me down and bringing me back to the public eye!  That horror convention led to other appearances over the last several years.  Between those appearances and some of my theatrical performances, I was asked to take on roles in other movies.  First came “The Guatemalan Handshake” in which I had a small role, but it was great working with the cast and the director.  That I met Gary Ugarek, who offered me a lead role in his film “Deadlands 2: Trapped.”  I love the role and a chance to play an evil government official.  It seemed there were so many role models to work from!

MG: Where you a fan of the horror genre before working on the film?
JK: As for being a fan of horror movies, I have been since I was a kid.  I would stay up late at night and watch them on television.  I would go to the movies and watch “Dracula”, “Frankenstein”, “The Wolfman”, and more on the big screen.  The Thing, Them, all sorts of monsters and creatures! Boris Karloff, Lon Chaney, and the classic horror actors were my idols. My scene from “Dawn of the Dead” has been classified by Bravo Network as one of the top 100 moments in horror movies.  No matter what else I’ve done or where I’ve traveled, nothing seems to be as well known in my life as the role of the Helicopter Zombie.  It’s absolutely been great!  And, I remain grateful to Tom Savini, George Romero and especially the fans who helped to keep the “dead” alive!

MG: What else are currently working on?
JK: I’ve done a few other independent films since then.  One was a short, “Squirrel,” that has not yet been released but has appeared at a few film festivals.  Another, “Dead Island,” was directed by Josh Davidson.  He shot the entire feature-length film on iPhones.  That was just a few months ago.  Another indie film, with the working title of “Bunnyman Bridge,” was being shot entirely with digital SLR cameras.  I’m not sure about the release date on those.  There was also Joe Shelby’s “The Green Man” being shot in Pittsburgh.  Joe was one of the motorcycle raiders in Dawn of the Dead.  My role in that film is just a brief appearance.  There possibly three films that I may become involved with in 2011.  I can’t say much about them at this point, but I’m just happy to know that there are folks interested in having me work with him.

Click here to purchase “Dawn of the Dead”
Click here to purchase “Deadlands 2: Trapped”

MovieMikes’ “$#*! My Dad Says” Interview Series

In case you do not know “$#*! My Dad Says” started as a Twitter feed authored by Justin Halpern and it just consisted of quotes made by his father, Sam. Luckily, CBS was the first studio to produce a show based on a twitter feed and today we have one of the funniest shows new show on television.

The show stars William Shatner as Ed Goodson, Jonathan Sadowski as his son Henry, Will Sasso plays his other son, Vince and Nicole Sullivan plays Vince’s wife Bonnie. Ever since the pilot, the show has improved with each episode and that is rare for a show definitely a first year show.

Movie Mikes has been able to interview this show’s fantastic cast. You can check out the interviews below.  If you have not checked out this show, support it and let’s keep our fingers crossed for season two!!

$#*! MY DAD SAYS CAST INTERVIEWS:

Jonathan Sadowski

Official premise for show via Wikipedia:
“Ed is a very opinionated 72-year-old who has been divorced three times. His two adult sons, Henry and Vince, are accustomed to his unsolicited and often politically incorrect rants. When Henry, a struggling writer and blogger, can no longer afford his rent, he is forced to move back in with Ed, which creates new issues in their tricky father-son relationship. As weeks go by Henry is unable to find a job as a writer, mostly due to the lack of good material. He finally lands a job, when during his interview Ed interrupts with an irrational phone call that sparks the interest of the eccentric editor conducting the interview. Henry is ultimately hired, but is forced to continue living with Ed in order to be able to continue to write about his father’s unsolicited rants, hence the title “$#*! My Dad Says”.”

<p style=”text-align: center;”><strong>$#*! MY DAD SAYS CAST INTERVIEWS:</strong></p>
<table class=”tblInterviews” border=”0″ cellspacing=”0″ cellpadding=”0″ width=”100″>
<tbody>
<tr>
<td></td>
<td><a href=”/2011/02/interview-with-jonathan-sadowski/”><img src=”/wp-content/uploads/2011/02/jonathan_sadowski.jpg” alt=”” hspace=”7″ width=”100″ height=”100″ /></a><a href=”/2011/02/interview-with-jonathan-sadowski/”>Jonathan Sadowski</a></div>
</td>
<td><a href=”/2011/02/interview-with-nicole-sullivan/”><img src=”/wp-content/uploads/2011/02/nicolesullivan1-300×269.jpg” alt=”” hspace=”7″ width=”100″ height=”100″ /></a></p>
<div><a href=”/2011/02/interview-with-nicole-sullivan/”>Nicole Sullivan</a></div>
</td>
<td><a href=”/2011/02/interview-with-will-sasso/”><img src=”/wp-content/uploads/2011/02/will_sasso.jpg” alt=”” hspace=”7″ width=”100″ height=”100″ /></a></p>
<div><a href=”/2011/02/interview-with-will-sasso/”>Will Sasso</a></div>
</td>
<td></td>
</tr>
</tbody>
</table>

Interview with Peter Stormare

Peter Stormare has appeared in over 100 films which include such memorable roles as Gaear Grimsrud in “Fargo” and Lev Andropov in “Armageddon”. Movie Mikes had a chance to speak with Peter recently about his career and what he has in store for the future.

Adam Lawton: What made you get into acting?
Peter Stormare: At the time in Sweden, there were really no other alternatives for me. It was either become an outlaw, a poet or an actor.

AL: Can you tell us what it was like working with the Coen Brothers?
PS: It was sheer pleasure. They are always so prepared and know exactly what they are doing. They kind of have an old school way of thinking in that 90% of the movie is made during the preparation stage. A lot of young directors never seem to do their homework. As an actor it’s very disturbing to come prepared for a shoot only to meet a director who doesn’t have a clue where the camera should be or what they want the scene to be about. More so lately I say “If you don’t do your homework…why should I do mine!”

AL: What was it like being a part of such a great movie and cast in “Armageddon?”
PS: I love Michael Bay and all of his craziness. He let me improvise throughout that whole movie. We really found some golden nuggets which made it into the film. The crap we cut out. That line “American components, Russian components they’re all made in Taiwan”. That was all me!

AL: What was it like returning to work on the “The Imaginarium of Doctor Parnassus” after Heath Ledgers passing?
PS: It was sad and strange all at the same time. There was a gathering of people around Terry Gilliam who wanted to rejoice in the sheer energy Heath had and shared with everyone. The entire cast from one liner’s to the bigger parts came on board for little to no pay. We did it for Heath and for Terry Gilliam. I had the privilege to get to know heath. He was so talented even beyond acting. He was an artist in all ways. He made some amazing photos, drawings and music. Sadly some of us have to say good bye early. Heath was one of them. During “The Brothers Grim”, I used to sit and watch him on the monitor. He reminded me of Johnny Depp. To me Johnny is one of the most innovative actors in the history of filmmaking. No disrespect to Brando, DeNiro or Pacino but for me Johnny Depp has it all and so did Heath Ledger.

AL: If you had to pick one of your performances as a favorite. What would it be?
PS: I think it’s impossible to pick. I hope the next project will bring that to the tale. The past is forgotten and will never return. I am a today kind of guy mixed with a little bit of future on the side.

AL: Can you tell us about any of your upcoming projects?
PS: No! They are all top secret. Just kidding…I have many projects in the works right now. Hopefully some of them will become real. I do want you to watch “The Superball” as there might be a cheese head that shows up holding a beer in his hand.

Interview with James Arnold Taylor

James Arnold Taylor is known best for his voicing of Obi-Wan Kenobi in Cartoon Network’s “Star Wars: The Clone Wars”. Besides voicing Obi-Wan on the show is also voices numerous other characters, including Plo Koon. James is a very talented voice actor who also does voices ranging for the show “Johnny Test” to Fred Flinstone commercials to Emmett Brown in the recent “Back to the Future: Video Game”. Fighting a terrible cold and with barely a voice, Movie Mikes had a chance to chat with James about his role of Obi-Wan in “The Clone Wars” and his various other projects. James was nice enough to bare with me through my lack of voice and provide one of the most fun and easiest interviews to date.

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Mike Gencarelli: Tell us how you originally got started with “Star Wars: The Clone Wars”?
James Arnold Taylor: When I was first introduced into the “Star Wars” world and “Clone Wars” was for the micro series that Genndy Tartakovsky had done. I auditioned like many other people had. I thought it was just for a line here or there that they needed to replace. I had done some Ewan McGregor voice doubling in the past. When I found out I got the job and found out what it was, it was really quite a shock to me. I was so humbled by it all. We got to do that series which was great, then from that point I started doing video games. I did video game for “Revenge of the Sith”, which mirrored the film mostly. I got to see a lot of the movie as it was being made which was really cool, since I had to kind of redo what Ewan was doing in the film. Then I moved into the new series of “The Clone Wars”. I remember the first meeting with Dave (Filoni) and Henry Gilroy. I told them that I was just flattered to be involved. It has been about eight years since that I have been involved and I am just thrilled to be in it.

MG: Your character has a great storyline this season, can you tell us about it?
JAT: Season three has been so awesome. As a cast, we all have gotten to know each other better through the years. We are all very comfortable with each other. When we get into the studio to record each other it is like a reunion and a bit of a party. It was really a new direction this season. We are dealing with things that “Star Wars” has never really dealt with before especially with the “Mortis” episodes. We have the final one of the three part series airing this Friday. I can’t wait for everyone to see it and then we can talk about it more. Clearly these are new territories that we have never taken these characters into before. Not even in the films, we find out what the force is really all about and Anakin being the truly labeled as the chosen one throughout the galaxy now. So for Obi-Wan, it is kind of fun when we were doing these episodes. He had a lot of [speaking in Obi-Wan’s voice] “Yes…Well…I don’t know…Let’s check over here” [laughs]. I was wondering how it was all going to come together and then you see it and it is just brilliant.

MG: How does it work for you about getting the scripts in advance?
JAT: I was keep in the dark like everyone else. When we get the scripts, if we have more than ten lines we get them in advance by 24 hours. If we have less than ten lines we usually get them just the day of the record. For me what I try to do is not to read outside of Obi-Wan’s parts. I do not want to know the ending. I want to be surprised like everyone else and I have been really blown away. It is just a blast because we always work as a cast and is it a treat to be involved with this “Star Wars” universe.

MG: What is the most challenging part for you playing Obi-Wan Kenobi?
JAT: Yeah, actually that is a great question. I am always trying to give homage to Ewan McGregor, of course…but also to Sir Alec Guinness. I take [speaking as Ewan McGregor] ” a little bit of Ewan McGregor’s voice and” [speaking as Alec Guinness] “a little bit of Alec Guinness’ voice”. I try to combine them into my Obi-Wan. I have been watching so many of the episodes lately and listening to my performance, myself being the most critical. I see that I am not necessarily doing Ewan McGregor any more, I am just doing an “Obi-Wan” voice. I get a lot of feedback from my fans on my Facebook and Twitter pages. Everyone has been saying its great because it is just Obi-Wan. I tell myself to take that as a complement. I naturally want to be matching and give the actors the respect they are due. But it is pretty amazing to think that I have voiced more of Obi-Wan than any other actor now. It is fun to think that this character is a part of me now. I really am so thankful to George Lucas and Dave Filoni for giving me the ability to do that. Funny enough, I recently had a cold as well and I was in the studio and was having trouble getting some of the lines out. I have always said that Obi-Wan has had those two different kinds of voice that Ewan McGregor gave him. [Speaking softly as Obi-Wan] “You seem a little on edge, relax be patient Anakin”, he has that kind of calm and then he has [screaming as Obi-Wan] “You are the chosen one!!”, which has a little more knife to it to his voice. There are always those two different levels of Obi-Wan that you want to do and hit them at the right time. There is some pressure in that. The most fun is coming up with different voices. I try and challenge myself, so the people watching the show don’t go “Oh that is just James Arnold Taylor doing that voice there”. I love it when there is an episode where you do not know that it was actually me as another character and Obi-Wan having a conversation. I also voice Plo Koon, so when two of my voices are talking to each other it is cool. Plo has a life of it own and a fan base of its own as well. It is fun to challenge myself in that way.

MG: You also play various other roles for “Clone Wars”, do you ever find it difficult to distinguish between roles?
JAT: What I do is that I have my scripts and I will distinguish each of the lines. Obi-Wan gets a circle around all of the lines. Plo Koon gets a line on the left and the right and a scribble on the top and bottom. If there is a third character I will do something else. I will be able to look at the script and if they are all talking to each other I can distinguish it. Since I was about four years old, I knew I wanted to do voice over in general. My brain works pretty well in switching back and forth. Every once in a while you can get confused on a character. I do a show called “Johnny Test” and I was just recently doing one which featured three characters I voice talking to each other. You had [Speaking as Johnny Test] “Johnny Test who is right here [speaking as Darth Vegan] and you have Darth Vegan who is almost like a Darth Vadar character and [speaking in British voice] and then I was doing a character more like this”. So I was switching back and forth between the three characters and I did get a little confused at one point. I think I went to Johnny when I was suppose to go to Darth Vegan or something. It happens everyone once in a while.

MG: In 2010 alone, you not only worked on “Clone Wars” but also “Batman: The Brave and the Bold”, “Johnny Test” and a few others, do you have any free time?
JAT: Yeah [voice of Obi-Wan] “I am always on the move” as Obi-Wan would say. I am very blessed to say I am always working. Between the animation work with the shows you mentioned, I am actually even working on a pilot for a Disney show that is going to be for the UK, but I do not think I can give too much info on it yet. Then you have the video games and promo work. I do a lot of regular promo work for the Fox network [in announcer voice] “Coming up next, it is a full hour of “Cops” or for SpikeTV “It’s a thousand ways to die on Spike”. I have got all those things, so I try and juggle them all throughout the day. Luckily I am able to do a lot of my work out of my home studio. It makes it easier. I like busy though, it keeps you moving. It also helps people realize that voiceover work is not just standing there talking and thinking it is easy. There is a lot of work to it, but it is very rewarding and so much fun.

MG: You voice the iconic character Emmett Brown in the recent “Back to the Future: Video Game”, how was stepping into that role?
JAT: Boy, what an honor. I got the audition from my agents and they said “James, come on this is the “Back to the Future” game, you are a shoe-in for this”. I have a stage show I am working on and you can see bits of it on my YouTube page. I do a live scene from “Back to the Future” playing and switching between both Doc and Marty. [speaking as Marty McFly] “Well wait a second Doc, you built a time machine out a a Dolorian…[speaking as Doc Brown] The way I see it Marty, if you are going to build a time machine out of a car, why not do it with some style!” I go back and forth to picture. I sent them that. Then I got in touch with Bob Gale, who is the writer of “Back to the Future” and is involved with the game and I said I really hope to be involved with this project. I had actually done some much of Michael J. Fox’s voice doubling in the past. The young man, AJ LoCascio, who had been doing Marty in the game is just brillant. He and I have been in touch and he said to me “I hope you don’t mind me stepping on your toes” but I told him he is just great and sounds so much like Michael J. Fox. For me it fun to be a character was not so known then since it was Emmett Brown, the young Doc Brown at the age of 17. So I was trying to figure out what would he sound like. It gave me the opportunity as a voice actor to take Christopher Lloyd’s voice, who is actually voicing Doc Brown in his older normal age, and take that try and figure out what would he sound like as a kid. We played around with it a lot. It is tricky, basically I had to blend some of Doc that you know and love from the films.  So he might sound a little older at times than a 17 year old might but Doc Brown is an old soul anyway. So you get [speaking in Doc Brown’s voice] “Dr. Emmett Brown here and you know when [speaking in Doc Brown’s voice at age 17] when he is a little younger he gets a little more crack and squeek in his voice every once in a while”. It has just been great fun getting to do that and we are still recording some of it too. The folks at Tall Tale Games have been great. It has just been such a fun project. I have been successfully managing to work my into every big film franchise that I can. From “Star Wars” to “Back to the Future” to “Jurassic Park” to “Transformers”, whatever I can get in there. It is really cool.

MG: What has been your favorite character to voice in your career to date?
JAT: Well Obi-Wan Kenobi has certainly become the one that I have grown the fondest for. I guess for so many reasons, one being seven years old and seeing “Star Wars” for the first time. I never dreamed at that time when the first film came out that I would be Obi-Wan Kenobi. Especially because Alec Guinness was playing him and he was this old guy. So I would have never guessed. I like what the character represents and that means a lot. I have been so blessed, I got to tell you Mike, to be all of these very famous characters.  I am still doing some commercials for Coco Pebbles as the voice of Fred Flinstone, and then also you got Tidus from the “Final Fantasy” game series. It is like choosing your favorite child, it is just really hard. Leonardo from “TMNT” is also a favorite. I am looking out the window in my studio and looking at all different action figures I have lined up and I am just like “Wow, I get to be all these different characters”. I do not know if I have a favorite but I certainly love voicing Obi-Wan and Johnny Test is also great. As a voice actor, every day or every hour is a different time and a different character and different person to be and that is what makes it so much fun. At times it is a thankless job to be an voice actor because if we do our job right nobody knows we exist. I can’t tell you how many times I am in a restaurant and the kids at the table next to me have Obi-Wan and “Clone Wars” shirts. I just think [speaking as Obi-Wan] “If they only knew” [laughs]. I just love whoever I am voicing at the time. I am just grateful to be getting that opportunity.

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Interview with Kelly Asbury

Kelly Asbury is the director and co-writer for Touchstone Picture’s “Gnomeo & Juliet”, which is a modern day take on William Shakespeare’s Romeo and Juliet…but with garden gnomes. Kelly has directed previously with “Shrek 2” and “Spirit: Stallion of the Cimarron”. He has also worked with Disney on various films ranging from “Beauty and the Beast” to Tim Burton’s The Nightmare Before Christmas” to “Toy Story”. Movie Mikes had a chance to chat with Kelly about working on his latest film “Gnomeo & Juliet”.

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Mike Gencarelli: You are no stranger to animation, what drew you to “Gnomeo & Juliet”?
Kelly Asbury: Well, my producer Baker Bloodworth, who I have known since my days back on “Beauty and the Beast from Disney, gave me a call and said he had a project for me.  He said he thought it had a lot of potential if it was handled right and he thought I was the guy to handle it.  He told me about Elton John, who I am huge fan of.  He told me about the gnomes and I said “Ok, they haven’t done that yet”.  They when he said they were taking “Romeo and Juliet” and putting a twist on it with the gnomes, I thought “Well, that hasn’t been done either”.  I thought it could be a good challenge and thought it was worth a try. That is really what drew me to it.  From that I was given the opportunity to start with a clean slate and we started over and re-wrote the script.  We turned it into what I and my team thought was the better way to go.  We had fun with it.

MG: How did the red vs. the blue come into the story?
KA: Red vs. blue was always there.  I came up with idea that the blue garden would be owned by old lady Montague and the red garden was old man Capulet.  She has a blue themed garden and he has a red themed garden.  I have been asked if there was some political message and there is not.  Red and blue are the best opposite colors and it is common for gnomes to have either red or blue hats.

MG: How does working on “Gnomeo & Juliet” for you differ than your other projects?
KA: For me, it was great because I got to live in London for almost two years.  Then I got live in Toronto for almost two years. I got to meet a lot of different people from a lot of different cultures.  There were fewer people involved in the decision making process. I really felt supported by the people I was working with.  It was done outside of the normal studio system.  It almost had one foot kind of in the independent film boat.  It was something I have never done before, so that was really the difference for me.

MG: The film is filled with celebrity talent voices, can you tell us about the casting of them?
KA: Yeah, the way that I like to cast…is to design the character first.  I would then keep that character in mind as casting director Gail Stevens and her group would send us voice samples.  But I wouldn’t let them tell me the name of the actors.  We didn’t cast for box office draw or marquee value.  We didn’t cast for star voices.  We tried to get voices that were appropriate to the character.  That is how we cast everyone of them.  In some cases we knew the character of Terrafirminator was made for Hulk Hogan.  Some others we wrote the part of Dolly Gnome for Dolly Parton.  But besides them, the others were created by really listening to the voice and made sure it was the right voice for the character design.

MG: You also appear as a voice in the film as well?
KA: I do.  I play the little red goons and I also play the goon that gives the prologue.  It was really out of necessity.  We did what is called scratch dialogue, which is using local talent till we get the real actors.  I did the goons and everyone would laugh at them.  So I said “You can’t argue with a laugh”.  So we just used my voice and that was fine with me because I enjoyed doing it.

MG: Who came up with the idea to include the music from Elton John in the film?
KA: Well originally I wasn’t around for that.  The film had been in development for some years before I came in.  It was Elton John’s company that originally brought the project to Disney.  It was always pictured that some way Elton John’s music would be incorporated.  There wasn’t a clear vision at first for it, there was always a questions as to “How?” I decided to use the music like they did with Simon and Garfunkel in “The Graduate”.  We wanted to let the music and the score incorporate familiar songs but at the same time get you in the emotional life of the characters.  It helps the cue the audience into the emotions that they are seeing as well as feeling throughout the film.

MG: What do you have planned next?
KA: I am looking around.  I am thinking about all kinds of things.  I do not have a full decision yet.  I am getting married in May.  So, I am going to take the Spring off and let things gestate and by Summer I will know what is up next.

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Interview with Jonathan Sadowski

Jonathan Sadowski is the star of CBS’ new hit comedy “$#*! My Dad Says”. The show is definitely one of my favorite shows on TV and since the shows pilot it has only seems to better and better with each episode. Movie Mikes had a chance to chat with Jonathan about working on the show and what it is like to be playing William Shatner’s son.

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Mike Gencarelli: Tell us how you got the role of Henry in “$#*! My Dad Says”?
Jonathan Sadowski: So back in February, I auditioned for the role. I was suppose to screen test for it but Larry Charles had this unscripted sitcom and he offered me a role. I ended up working with Larry for this pilot. That show ended up not being picked up and they wanted to recast the role in “$#*! My Dad Says”. So like two months went by and I will never forget it was a Friday, Max (Mutchnick) and David (Kohan) wanted to meet me on that Monday. So I went in on Monday…Tuesday I did a screen test for Warner Bros…Wednesday I did a screen test for CBS…and Thursday I got the call that I got the role.

MG: What did you originally think about the show since it was based on a Twitter feed?
JS: I never had a Twitter account or anything like that. But I had a lot of friends who were big fans of that Twitter feed. Everyone once in a while, they would send me one and of course, I thought it was hysterical. I think it is something that everyone can relate to. Everyone has one of those family members that says things that are a little off color or make you just want to bury you head in a hole. I think it is cool that network television was the first to explore that.

MG: How has it been having Willam Shatner play your dad in the show?
JS: He is awesome. He is a lovely man. We talk about life and love. We have breakfast together. I even watched the Super Bowl at his house and like Monday Night Football. He is just fantastic. He is a totally pro. It is like winning the lottery being able to work with someone like that everyday. The guy is like a TV icon, he has been acting longer than I have been alive. It is just amazing. It is the best apprenticeship ever getting to follow around someone like that all day on set.

MG: Everyone on the show seems very close on the show, have you all formed good friendships?
JS: On Tuesday, we taped our season finale and everyone was bummed. Like really really bummed. At the end we were all sitting around and me, Nicole, Will and Bill all kind of gave each other a big hug. We were thinking who knows it could be the last day ever for our show. It was really emotional. So yes definitely.

MG: Do you think we will be seeing a season two?
JS: Look there is a lot of positive energy for the show and a lot of positive push behind us. But who knows what can happen between now and May.

MG: What has been your favorite episode to date?
JS: I would have to the pilot episode is the most memorable. Having my family in the audience for the first taping and knowing the show was going to be on the air. It was cool for me because I was the new one in the show and the show was about that too. I was the new one coming up to this family I haven’t seen in years. So it was very true in that sense, plus I got to slow dance with William Shatner. In those moments when we were shooting those scenes, I keep thinking “ask me a year ago about what I would be doing”. I never taught I thought when I moved to LA, I would be slow dancing and playing William Shatner’s son in a show for CBS. I would have never guessed that.

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Interview with Michael-Leon Wooley

Michael-Leon Wooley is know best for his role as Louis the Alligator from Disney’s “The Princess and The Frog”.  Michael-Leon is also known for his various commercial voice-overs ranging from Radio Shack to Subway and Broadway roles and other stage productions.  Movie Mikes had a chance to chat with Michael-Leon on what it was like playing Louis and found out what else he is up to.

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Mike Gencarelli: Your character Louis steals the show in “The Princess and the Frog”, tell us about playing him?
Michael-Leon Wooley: It took a long time to find out who Louis was going to be. At first he was like a germaphobe, but he lived in the swamp. He was also really Cajun like the firefly, Ray. But they axed that idea, probably because my Cajun accent isn’t as good as Jim Cummings. Essentially, he is crazy, fun and just a big kid. He is the most fun I have ever had in a recording studio ever! I loved playing Louis the Alligator.

MG: Do you actually play the trumpet?
MLW: I am not playing it in the movie. It is a guy named Terence Blanchard. He is a great trumpet player from New Orleans. I am doing all the singing though.

MG: How did you get involved with the movie?
MLW: Well it started really crazy. I got a phone call like a few years ago from Jen Rudin, who was casting for Disney. She used to cast for theatre on Broadway. She called me and asked me to record myself saying a few lines and singing a song. I got a couple of friends and we setup a camera, one of them played the piano and I sang a song. I’ll never forget the song, it was “Frim Fram Sauce” a very funny Nat King Cole song. I also had about four or five pages of dialogue they sent me to read. So I recorded it and sent it off.  I didn’t hear anything for months. Shortly after rumors were spreading online that John Goodman was voicing Louis the Alligator. So I said “I guess that’s over” but obviously the rumors were wrong. John Goodman was playing ‘Big Daddy’ La Bouff. In September that year, I got the call from Disney saying they wanted to fly me out for some tests. After a couple of tests, I got the call saying that I am Louis the Alligator. That was a pretty good day…I must say. As a voice over guy, I do voice overs for a living. But to be a Disney character, that is like the brass ring. It doesn’t get better.

MG: How was it working with Disney?
MLW: I have been at recording studios a lot. But I feel that after doing Louis at Disney’s original sound stage and working with Doc (Kane), Ron and John and the rest of the creative team, it was kind of like graduate school for voice over. I walked away from there with a lot of tools I did not have before. Not a bad thing to say. It was great, such a great experience.

MG: Did you get to work with the other cast in the recording studio?
MLW: It was all done separately. Usually we have people standing in though reading the lines. Expect for the songs, Anika (Noni Rose), Bruno (Campos) and myself were all together in the studio for that. It was a lot of fun.

MG: Any cool stories from the recording studio?
MLW: There was a scene that was cut where Louis gets caught in the wheel of a riverboat. I had to make the sounds of him going up and down and through the water, the whole time while screaming. I had like two huge bottles of water and I was like pouring them all over myself, while screaming. There was water all over the studio and the microphone but it was the best working day of my life.

MG: Did you have any footage to refer to during your sessions?
MLW: There was some footage. But a few months before the film came out I had to do some ADR in which I had to match some changes to the already finished product. It was me in a big studio watching Louis and matching the lines. The first time they put me up for testing it was so exciting! I get there and they have like a wall of like twenty images of alligators and showing me the process through to the final design for Louis. By far the best moment was my second session in the studio though. Before we started, Ron and Jon asked me if I wanted to see some footage of me doing Louis to some pencil sketches. I was like [screaming] “YES!!”. It was only about seven seconds. Eric Golberg, Louis’ animator, he had drawn this using pencils during my session. For me it was life changing. At that moment there, I realized I was the voice of a Disney character.

MG: You also lend your voice to the popular TV series “Ugly Americans”, do you enjoy working on that show?
MLW: Yeah, that is a lot of fun. Right now we are in the middle of recording our second season. I just recorded a draft of a script over the weekend. When I get sent scripts for this show, I never know what to expect. It is usually completing out there. If you have ever seen the ‘man-birds’ episode, even though I recorded it, when I watched it I was slack-jawed and laughing hysterically. It is cutting edge and exciting.

MG: How did you become involved with “Ugly Americans”?
MLW: I was working on a project with Matt (Stone) and Trey (Parker) from “South Park”. I did a reading for their Broadway show, “The Book of Mormon”. During that somebody from Comedy Central saw me at the reading and that was that. So I actually have to thank Matt and Trey for that.

MG: Do you prefer working on the stage or on film?
MLW: Like everyone else I am trying to work less and make more money [laughs]. I think that is the goal in life. I think I would like to focus on film right now. I love Broadway and I have done like five or six shows. But Broadway is really hard. It is six shows a week and the roles are usually very demanding. It takes a toll on the body to be screaming and dancing eight times a week for up to a year or how ever long it goes for. But it is great and exciting much more than TV or film. As it looks now, I will probably be back on Broadway come this Fall. So you never know.

MG: What is next for you? Any upcoming features or stage productions?
MLW: I just finished on a movie called “Premium Rush”, with Joseph Gordon-Levitt and it comes out January 2012. It is an adventure movie. Besides that I got “Ugly Americans”. I am also being called in to do some writing for the show “Jump for Joy” which will be opening in the City Center this November. I am constantly on call for various advertising agencies, ranging from Radio Shack to Subway. So it is all good.

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