Tag: adaptation

Cerina Vincent started her career in TV with “Power Rangers: Lost Galaxy” and got her big screen debut with “Not Another Teen Movie” and “Cabin Fever”. Besides acting Cerina has written screenplays. She is also the co-author of “How To Eat Like a Hot Chick” & “How To Love Like a Hot Chick”. Movie Mikes was able to sit down and talk with Cerina about her career and what’s next for this talented actress and author.

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Mike Gencarelli: You started your career with “Power Rangers: Lost Galaxy”, do you find that you still have a following from this show?
Cerina Vincent: Well, I actually did a few things before the “Power Ranger” series, but it was that kids show that definitely started my fan base. But yes! “Power Ranger” fans are just as loyal and awesome as the horror fans, and I still get quite a few people asking about the show. The kids that grew up with “Power Rangers” seem to always have a special place in their heart for the show and its neat to see that they are still watching it, even though it was over ten years ago! A lot of moms and dads recognize me from the show—as they are forced to watch it with their kids. It’s pretty funny… I’ll be in the grocery store and a mother will walk up to me and say, “I know I know you from somewhere,” and then they say, “Oh yes! I hear your voice every morning…you run around as that little jungle chick and then turn into the yellow ranger!” It was fun to be a part of such a successful kids show when I still was sort of a kid myself.

Mike Gencarelli: Your new film “Complacent” is coming out this year, can you tell us a bit about the movie?
Cerina Vincent: Well, it’s still in festivals right now, in fact on May 5th its screening again at the The Los Angeles United Film Festival. I will be speaking after the screening with writer/director Steven R. Monroe who I just dearly adore. I love this film. It’s a very cool, edgy drama/dark comedy. And the cast is just superb. With the gorgeous Elisa Donovan who’s a dear friend, my bud Joey Kern who was my man in Cabin Fever, Keri Green who I wanted to be from “Goonies” plays my sis, and Kier O’Donnell and Michael Worth are just fantastic in this. Adrienne Barbeau plays my mom and is just soooo good…I could go on and on. Everyone was fabulous and the film really makes you think. Again, I am grateful to Monroe for taking a chance on me. I’ve been dying to play a role like this, and I thank him for letting me bring his words to life.

Mike Gencarelli: Tell me about your experience on the set of “Cabin Fever”? Any memorable moments?
Cerina Vincent: There are too many memorable moments to even count! “Cabin Fever” was a dream to be a part of. And the film changed my life. It was Eli Roth’s first film, and he’s just a fantastic filmmaker, and I am honored to be in such a horror hit. Lauren Moews, our producer, was incredible, and saved the day when the union shut us down, and really brought the film to success with a bidding war at Toronto Film festival. (All of which were crazy days in movie-making and very memorable moments)  Everyone on the set made the experience unforgettable. The whole cast got along famously. We had fun dinners every evening, hot tub nights in the freezing North Carolina Mountains… Eli dressed up as a giant gorilla and scared the S@#! out of me in the middle of the night, deep in the forest on a very cold night shoot. Every day was an adventure on that movie. Shooting the campfire scene sticks out as an incredible memory… the drama with the dog, and of course my leg shaving scene which was a bit complicated to shoot, but so much fun to watch. The editing is perfect, KNB EFX made my bloody legs look creepy, and Eli always knows how to pull out the best performances. The whole shoot was amazing….

MG: You’ve guest starred on various TV shows, most recently “Gary Unmarried”, “Two and a Half Men”, how do you feel that TV differs from movies?
CV: Well, for starters, TV moves really fast. And half-hour comedies (which I love) are shot in front of a live audience. So that changes the dynamic of a set dramatically. You get one (maybe two?) takes and that’s it. Whereas on movies, there are tons of camera set ups and you do scenes over and over. As an actress, I love working in both television and film. TV is great because usually there isn’t much travel involved. It’s nice to be able to get up and go to work from 9 to 5 , (or 8 to 8), like the rest of the world. Whereas movies, you can be on location thousands of miles away from home, for months and months, working fourteen-hour night shoots, which makes for interesting memories and great movies, but they’re all very different experiences. I have a big horror following, but I actually love comedy, and think its one of my strengths as an actress. “Two and a Half Men” and “Gary Unmarried” were some of my most recent guest star roles and sooo much fun. I’ve also done a few half hour pilots that never quite made it to air, but I’d love to do more half hour shows! My first romantic comedy “Everybody Wants to Be Italian” was really cute, “Not Another Teen Movie” was my first studio comedy and it still guest laughs… my books are really funny… I think I do more comedy than most people realize… but it doesn’t really matter, TV or Film, I love it all.

MG: You co-authored “How To Eat Like a Hot Chick” & “How To Love Like a Hot Chick” from Harper Collins with Jodi Lipper, any plans for future books?
CV: Yes! “LIVE Like a Hot Chick” comes out this September! It’s all about how to feel sexy, find confidence and create balance at work and play. Life is hard and stressful for all of us, and we think we all need to have balance, sanity and a bit more fun in life, and this book gives you all the info and inspiration to find that. Plus, we have all sorts of interesting tips, tricks and info on food and body image, exercise, money, how to handle work scenarios, how to have a memorable heyday, and so much more! It really does have it all. We are excited about this 3rd book and our plan is to keep expanding the Hot Chick book series with a book on friendship, a cookbook, a wedding book, the list goes on and on… Plus, we have strong interest in turning this brand into a reality show that’s just as inspiring, sassy, sexy and funny as our books—so that’s been great to explore and develop.

MG: Tell me about your monthly column on The Huffington Post with Jodi Lipper?
CV: We started our column with the release of our first book, “How to Eat Like a Hot Chick”, and we’re still doing it. It’s really great to write about timely things and give our opinions on what’s going on out there in this crazy world on a weekly or monthly basis, or whenever we want. The Huffington Post is fantastic and it’s an honor to be living contributors. We are also guest blogging on popsugar.com for tre`sugar, and we are having a blast with that too! We mostly stick to writing about girlfriend-to-girlfriend advice things… Food, body image, the tabloid world, sex, dating, love, relationships… all the things that drive women (and men) mad…? And we have some fun interviews on there too!

MG: Besides acting and authoring, I hear you also write screenplays, can you tell us about anything you have done?
CV: I’ve written all kinds of things—horror, thriller, comedy, pilots, etc… And I love it! The easiest part is the writing—the toughest part is getting them from screenplays to the screen. One horror I co-wrote with Ben Waller called “ADRENALINE” has been optioned a few times by independent producers, and we keep thinking we’re making it, and then something holds it up. But we own it back again and it looks like that’s the film we’ll make first… It’s a really cool, kick-ass horror that the genre fans will really dig. Fingers crossed…

MG: You won Miss Nevada Teen USA, how did that happen?
CV: Ha! Yep! I did! In 1996 I was Miss Nevada Teen USA, and I finished top 12 at Miss Teen USA. I was born and raised in Las Vegas. And when I was little I used to watch my many beautiful cousins, and my mom’s many dance students in the pageant. It was this huge production in a gorgeous Vegas showroom, it was televised, and I loved the idea of wearing pretty dresses and being a spokesperson for the state. At sixteen, I entered the contest against my parents will (they were pissed) got sponsored, raised money (we didn’t have much), bought myself a pretty gown and to my shock I won the damn thing! It was an eye-opening experience for me. I got to travel around the state and speak to youth about self-esteem and saying no to drugs, I hosted many cool events in Las Vegas, met some fabulous people, and I represented my state at nationals. Although I was from then on hooked and amazed by television production (Miss Teen USA is nothing more than like a giant American Idol episode, but you take a month to shoot it) I realized that pageant life is NOT for me. I am not a beauty queen. I really had nothing in common with most of the other girls, I just wanted to perform, be on stage, have a voice…and wear a pretty dress.

MG: Have you always wanted to be an actor?
CV: My parents have a home video of me at two begging them to plug the camera into the television. I looked up into camera to my mother crying over and over, “I wanna watch myself on TV, I wanna watch myself on TV, put me on the TV…” in a whiny little two-year-old voice. So, that, coupled with the fact that my mom was a ballet teacher and half hour house was a dance studio where I grew up making up skits and plays with my cousins, brother and sister, I’d say, yes! I have always wanted to be an actor. I just didn’t quite believe it was possible. At ten I realized I had a voice and started singing, which lead to me doing musical theatre where I fell in love with acting. Then I started doing local commercials and a bit of modeling. I did a ton of local plays and musicals growing up in Las Vegas with this really cool theater ensemble called Rainbow Company, and another theatre program that puts on giant outdoor productions at a place called Spring Mountain Ranch, out past Red Rock in the serene desert of Vegas. I also did a bunch of plays in high school… and as soon as I got that diploma I packed up my beat up little Geo, headed south on the I 15 to LA, started college, found and agent, and here we are today.

MG: What has been your most challenging production that you have worked on?
CV: Hmmmm…. Wow. Well, all great roles are challenging in a way because you really always want to nail the characters perfectly and genuinely. I did a really cool short with David Lynch called “Darkened Room”. That was challenging because it was so different and edgy and Lynch is such a legend—I was nervous! But I think I have to add that my most challenging roles are films that that I’ve done where the productions were just disasters. It wasn’t the roles that made them challenging, but I’ve been on a couple low-budget indie films with inexperienced producers and directors, and actors with such behavioral problems that made the film shoots utter nightmares. That’s the most challenging part of show biz… but I won’t name names.

MG: You recently were involved with a top-secret short movie? Anything you can spill?
CV: Well, lets see… I can say that someone who I admire greatly in this business directed it. He’s also a dear friend, and someone who has had a hand in making hundreds of the most incredible films look incredible. There are many recognizable faces in this project, all of whom I admire as well, some who I have worked with before. I play a character from a 1950’s horror classic. Horror fans, sci-fi fans, and all fans will enjoy and appreciate it. It’s clever and charming and was a blast to work on…and I think that’s all I can say for now since I didn’t ask for permission form the director.  It was an honor and a pleasure to be a part of and I cant wait for people to see it!

Click here to view Cerina & Jodi’s column on The Huffington Post
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Felissa Rose Esposito Miller is know most for her role as Angela Baker in the 1983 cult classic, Sleepaway Camp.  Movie Mikes has the chance to track down Felissa and get her to answer a few questions about her passions, her career and the future.

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Mike Gencarelli: At the age of 13, you played Angela in “Sleepaway Camp”, how did you get this role and did you know what you were getting yourself into?
Felissa Rose: I had a local manager and they got me an audition with Robert Hiltzik. He said he had a little horror movie he was making and needed a flat chested, 13 year old girl and there I was! I had no idea what this film was all about!!
Mike Gencarelli: What was your most memorable moment work on the film?
Felissa Rose: My most memorable moment on the film was probably meeting Katherine Kamhi because I was a huge fan of hers from All My Children.

Mike Gencarelli: You did not reprise the role of Angela in “Sleepaway Camp 2 & 3”, what was the reason you didn’t return?
Felissa Rose: I didn’t return for 2 and 3 because I decided to go to NYU and get an education. I really wanted to study acting and live with friends in NYC.

MG: You have worked extensively in the horror genre, is that your favorite genre?
FR: I think horror is my favorite genre but I love drama, thrillers and comedies a lot too.

MG: How was it to reprise the role of Angela 25 years after the original in “Return to Sleepaway Camp”, was it like stepping into old shoes?
FR: It was very surreal and exciting. I had so much fun being back at camp and being able to party with everyone.

MG: Are there any plans for another sequel and would you be involved?
FR: There are some exciting plans for a future “SC” but I can’t talk about it until Robert (Hiltzik) is ready to give the go ahead.

MG: You are not a stranger to the stage, how do you feel it differs from movies?
FR:Film and stage are completely different. With film you have all day to do one line and with stage you’re having to deliver everything on the spot. Stage gives you immediate satisfaction with an audience. Both are wonderful.

MG: If you could work with one person who would it be? and why?
FR: Wow, good question. Probably Meryl Streep because I’ve admired her for so long and I’d love to learn from her.

MG: What are your passions besides making movies?
FR: My family is my biggest passion. I love music, travel, anything on the history channel, and hanging with good friends. Suddenly I sound like I’m on e harmony. I’m really passionate about life. Anything that presents itself to me is exciting and inspiring. I live in the moment.

MG: Do you want to tell us about any upcoming films you have planned?
FR: I have “Breath of Hate” coming out from Sean Cain. Just filmed, “Poe” from Francis Xavier and I’m cast in a new remake this summer. I will also work on “The Perfect House” in June so things are busy. Very fun times right now!!

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Grant Cramer is most known from his iconic role in “Killer Klowns From Outer Space”. The film has been such a cult classic over the years and only continues to grow. Since “Killer Klowns”, Grant has been acting, producing, directing and working hard on getting “Killer Klowns 2” made. Movie Mikes had the opportunity to sit down with Grant and he told us about his career starting with “Killer Klowns” and since and also how to not trust his IMDB account for an accurate filmography since he is merged with another “Grant Kramer”.

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Mike Gencarelli: What did you think when you got the role in “Killer Klowns From Outer Space”?
Grant Cramer: I always thought it has potential to be neat, cool, wacky movie. I do not think anyone had any idea that it would going to creep up and become this cult weird sensation that it became. The movie is ten times more popular now then when we made it 20-something years ago

Mike Gencarelli: Can you believe the film has latest over 20 years and become such a cult classic.
Grant Cramer: What’s weird is that as more times goes by the more popular it gets. More people has seem to come up to me and say “Dude man, ‘Killer Klowns’ is my favorite movie”, while reciting lines. This happens more to me now then it did when the film came out. As a matter of fact, some people liked it but most people considered it just to be a silly movie. Now people fanatically love that movie.

Mike Gencarelli: How was it working with the Chiodo Brothers?
Grant Cramer: It was great. Those guys are still really good buddies of mine.

MG: Are there any talks over a “Killer Klowns” sequel? Would you be interested if it ever happens?
GC: As a matter of fact, we have been working very hard the last few years on the sequel for “Killer Klowns”. We are hoping to make it pretty soon. It took a long time to get the rights, then it took a long time to come up with the story we were all happy with. Everything takes a freaking long time. Then it took a little while to get a script done, budget ready, and artwork done. We now feel like we have all of our ducks in a row. Now is the most important thing, we have to get money to make the movie. We are suppose to start our first meetings, basically right away. Our one partner, who in charge of the meetings is in the process of doing that right now. Knock on wood, some executives will bite on. It has a massive fan base but it is a weird industry. We have to find someone that not only has the money actually gets what it is. We are confident about it. You search “Killer Klowns” on Google it comes up with 100,000’s of hits that come up. When it was released on DVD it sold like 700,000 units in the first few weeks, without any publicity. We are armed with some decent numbers and we have a decent script. All the original filmmakers are attached to it, though I am the only original cast member.  We have a brand new story and we really want to keep it in the spirit of the original movie. We don’t want it to become the CGI sequel of “Killer Klowns”. Keep it with the costumes, Keep it with the old school effects. It needs to be an homage with the 1950”s aliens from outer space, blob-esque monster movies.

MG: You starred in soap “The Young and The Restless” for ten years, how does it compare to movies?
GC: When you start out ion acting everything is different for while, but everything becomes the same. In another words, you are just applying techniques that become unconscious. Hitting marks used to be really hard for me, now I really do not think about hitting marks. Acting becomes easier after a while, you are not putting the same focus that you were when you started out.  You also aren’t worrying about all the technical aspects like, How do I find my light? How do I hit the mark? You also have to deliver a performance at the same time. It is so nice when these things become pretty unconscious. I guess the biggest difference with soaps is if your story line is pretty big you got a lot of lines to learn every day. If you are doing the soap all the time, they seem to repeat themselves a lot. The lines are a lot easier to learn then the movies. Half of your lines are “You know, when Bobby killed Judy” and “Right before Stella’s wedding,  I really didn’t like it when you had dinner with Sissy’s brother”. You are basically repeating for the people that missed yesterday’s episode. With a movie you are saying everything for the first time. It’s all just acting.

MG: What is your favorite genre to work in? You’ve done a bit in the horror genre.
GC: No, I like good parts. I like parts that I look at and go “That is going to be fun to play”. I don’t care if it is a drama or a zombie movie. There are certain genres I would like to work.  I would love to be in a western, which is something I’ve always wanted to do. I would like to ride around on a horse and shoot things as a cowboy. I would love to do a real space sci-fi movie. It depends I am like a little kid when it comes to movies and acting. I would want to do things that are fun and that I haven’t done before.

MG: In recent years you’ve switched gears to writing, directing and producing. Can you tell us about anything upcoming? How about “The Fallen”?
GC: There is different stuff. I just finished and editing right now a six episodes of a really cool
cooking show. It is something I produced and directed, called “Cooking is For Play”. A buddy of mine came up to me and told me he wanted to do a cooking show for guys. He said because “All guys love to cook and they pretend it is not a cool thing, but they are all sneaking and looking how to cook from the cooking channel”. The best way to get laid is to be able to cool an amazing meal for a girl.  It has been really fun. I have also got the “Killer Klowns” sequel that I just finished writing and getting ready to do. I’ve got a book, like a drama/romance that I want to direct, called “Chasing Windmills”. It is by the same writer who wrote, “Pay it Forward”. I have also got a movie that I am producing that will probably end up on Sci-Fi Channel movie called “The Fallen”, it stars Dean Cain, Peter Stormare, Mark Dacascos and Tito Ortiz. It has some really good actors and we just had a really cool creature made for it. Lots of different stuff, what ever interests me at the moment is what I get into to.

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Robert Kurtzman began his career when he formed K.N.B. EFX Group, with Gregory Nicotero and Howard Berger. The special effects studio has worked on over 400 film and television projects. After working with special effects for years, Kurtzman turned to directing and producing. His first project was “From Dusk till Dawn”, for which he wrote the original story, served as co-producer, and created the special effects. “The Demolitionist” marked Kurtzman’s directorial debut. He went on to direct Wishmaster. In 2002, Kurtzman left K.N.B. EFX. Kurtzman started his own production company, Precinct 13 Entertainment. “The Rage” was their first in-house, fully-financed, independent feature film. Kurtzman most recently directed the action/thriller film “Deadly Impact”, which is out on DVD April 20th, 2010. Movie Mikes has the chance to talk to Robert about his movies, his move from Hollywood to Ohio, and his very busy future.

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Mike Gencarelli: Out of all the films you worked on with K.N.B. EFX, pick one films that stands out as your favorite?
Robert Kurtzman: It would have to be “From Dusk Till Dawn” and then “Dances with Wolves” as far as the movie itself and the experience. “Dances with Wolves” was such a big movie, won Oscars. It was our first kind of crossover film out of sequel B-horror films and gore films, to something that had more realistic effect in it.

Mike Gencarelli: Do you have a least favorite?
Robert Kurtzman: It would have to be “Doctor Hackenstein”. Which you cannot even find anymore, I doubt it is even available. It was this real small movie we did, kind of really bad and cheesy.

Mike Gencarelli: What was the hardest production you’ve worked ever worked on?
Robert Kurtzman: There has been several but “Army of Darkness” was grueling. We had so much stuff to build in a set period of time. The set was in the desert. We were running puppets every night, with a 15-20 man crew on set. We were digging trenches and having puppeteers in them for the Deadite skeleton army. It was a rough shoot, we have to get in the groove of going to the hotel sleeping, getting right up and going to work. We tried to squeeze in some drinking time after we got off set which was usually six o clock in the morning.

MG: What made you want to start your own production company, Precinct 13 Entertainment?
RK: Once I started breaking more directing, I wanted to explore the digital world as well as the creature effects. As a filmmaker I wanted to explore how to integrate those things together. I didn’t want to live in L.A. anymore after twenty something years there, I was burned out. I wanted to get back and really do some grassroots productions, which was “The Rage”. Trying to figure out how to make it on a shoe-string budget and how to pull a team together, kind of like what we did with Evil Dead. I put the financing together and figured out everything about doing a movie just not directing them. I’ve produced and directed but it was in the Hollywood system. They have a lot of people that do things so you aren’t exposed to certain thing, like the nuts and bolts of putting a movie together from the ground up. I wanted to experience that. I couldn’t afford to do what I wanted to do in L.A., I couldn’t have my studio and put a sound stage together. It was too cost prohibitive, it came down to I am going to honker down and leave and setup my studio here in Ohio and that’s what I did.

MG: During the production of “The Rage”, you took on every role possible, Was it hard to juggle all those roles?
RK: Yes and no, we sold the movie to Screen Media and they distributed. We did promote the movie for a good six to eight months prior to selling it to get the genre fans backing it and get it out there. We had a low budget movie and had to make the best out of it. The reason I did everything else on it was out of necessity. I looked at some DP’s and talked to some guys but it just came down to it is going to cost too much and plus I wanted to experience it myself. The whole thing was kind of liberating in some ways to just grab the camera and figure out my shots as I was going. We story boarded very little of the film, just a few sequences with John Bisson. A lot of the movie was prepped by my crew and Gary Jones took over, he was basically the line producer. He had to get the crew all setup and got everything rolling because I was shooting “Buried Alive” in New Mexico. While we were cutting the rough cut of “Buried Alive”, I fell back in OH and two weeks later finished directing the rest of “The Rage”. We shot a week initially and then winter came, so we went into effects prep on part of the film. We planned it again for a summer shoot, and then I got “Buried Alive”, so we pushed it to the end of the summer. The crew got all the effects under way and built all the sets. I just dropped in and started shooting. We didn’t have to follow any normal script development. If we came up with any ideas we just put it in. It was a very organic process.

MG: You worked with Andrew Divoff on “The Rage”, how was it working with him again after “Wishmaster”?
RK: I love working with Andy. He is just one of those guys that I would hopefully be able to work with over and over. I don’t always get my choice depending on the studio and the politics involved as far as casting. Anytime I can work with him, it is a total joy. We kind of have this thing together, we don’t have to talk very hard. We can talk in a short hand and skip some steps. I can take him aside and throw him a few things and he goes “Yeah, Yeah, I got it!” We worked really well together. He has a lot of really great ideas and brings a lot to the table.

MG: Tell me about your upcoming film, “Deadly Impact”?
RK: It comes out April 20th on Fox Home Video, produced by MGM. David Greathouse, who is a producer I worked with on “Buried Alive”, he thought after seeing “The Rage” that I would make a great action director. He said “Hey man, who don’t you take a crack at doing an action/thriller picture”. I was really excited because I am a big action fan and was a good opportunity for me to show something else and do something different. I am known as a horror guy and would be nice to be known for doing any kind of movie. Basically he brought me on and I found out a short time later that the writer, Alex Vesha was from Columbus, OH and he lives like an hour from me. That was cool. It was good to get some guys from Ohio on the project. I got an editor and writer from Ohio, so that was cool.

MG: What challenges did you face in making “Deadly Impact”?
RK: We shot the movie in Albuquerque, New Mexico. We shot it in 24 days and it was pretty fast shoot. Basically, I shot a big studio picture in the same amount of time we shot “The Rage” in. We obviously had more money but still the same challenges, like how do we fit all of this in this movie and shoot it. We were doing a lot of 40 to 60 setups a day and we shot HD with the Viper. So it was no tape right to drives which was how we shot the “The Rage” and it is a very liberating way of shooting HD. Robert Rodriguez shoots that way. You can let the camera roll, let the actors do their things and not break the moment, drop them back to their number 1 positions. You do not have to worry about how much film you are burning, because film is money. On “Wishmaster” on my first day, I had huge setups for the dock sequence. I had like five or six cameras shooting stuff at once and the next day the footage count came in and the bond company was down on day two, saying I burned through too much footage. On HD, I do not have to work about that cost, its hard drive space only. Stopping and doing a take again and again drags down their momentum. It really worked great.

MG: How did you feel to switch gears to an action/thriller?
RK: The process for me is always the same, it doesn’t change. What changes was I didn’t have to concentrate so much on the create effects or makeup effects. That burden of concentrating on that was taken off my shoulders. I was able to concentrate on the action, the characters and the pacing. The process is still the same; I approach it the same way. I still break down the script and figure out my shot list, my overheads, lighting and my basic ideas to convey to the DP and everybody. Especially when you are shooting a movie in 24 days, you do not have time to mess around. You have to know what you want and drive your troops forward. There is no time for indecision; you have to focus on just getting the shots.

MG: How was it working with such an amazing cast on “Deadly Impact”?
RK: The two leads Joey (Pantoliano) and Sean (Patrick Flanery) came out of L.A and New York. They were the only out of state crew, the rest of the actors were from New Mexico and that had to do with the tax incentive package. Working with Joe and Sean was an experience, sometime pleasurable and sometimes not just like any movie. It was great Sean is awesome, he is one of those guys comes it and nails it every time. Joey has this strange method but it works really well to bring out the whacked out evil villain he plays. He is kind of funny in the movie, but at the same time he is so sinister it’s funny. I thought that he brought a lot to this picture. It was rough because it was such a short period of time. Everyone really came to play and it was one of those once in a lifetime experiences for me.

MG: How did you get involved with Midnight Syndicate to compose the music for “The Rage”?
RK: When I came to Ohio, I wanted to get “The Rage” going. I wanted to make it in Ohio with as many Ohioans as I could. I wanted to basically see what type of film community that was here. I didn’t even know it at the time but I had some of their CD’s, that I picked up at conventions. Someone told me that Ed (Douglas) and his partner lived in Cleveland. I called them up and asked them if they wanted to be involved with our independent movie. That is really how the relationship started.

MG: You are actually producing Midnight Syndicate’s first feature film, “The Dead Matter”, what can you tell me about it?
RK: After working on “The Rage” with us, they brought us on to produce their movie. It comes out July 30th, 2010. You can check out their website http://www.midnightsyndicate.com, they have a whole thing about the press. They are doing contests on there as well. It is an independent film we shot in Ohio. Ed directed and wrote it. We put Gary Jones who is my line producer; he basically did the same thing as “The Rage”. He went down put the crews together, and got the whole ball rolling. Even on a low budget, when we do movies here, it is kind of a real production. We had Reggie Bannister on “The Rage” and he thought we he got here that it was going to be working out of a garage and we would all be splitting one trailer, because he is used to that. When we got here we had real trailers and he was like “How did you guys do this?” and I was like “Man, we are in Ohio, that’s the difference”. We outfitted the whole set out of a surplus store that our buddy owns. I got off subject a bit, but it is a different vibe when you get out of a film community like L.A. that is so used to making movies. As you get into a place where they do not make as many movies like in Ohio, it is a new thing for people. They get into it and are really helpful.

MG: Tell me about your upcoming film with Fangoria of their comic adaptation “Bump”? You are working working about with Sean Patrick Flanery?
RK: Fangoria isn’t really involved with that anymore. The comic is at back at Scream Factory. So everything has been reverted back to the artist and the creators. Over the last two year, the whole independent film scene has changed with financing and the banks not loaning money out. We are still in the process of setting that movie up. We are working real hard and I would love to work with the cast again especially Sean (Patrick Flanery) and Tobin Bell, who I worked with on “Buried Alive”. We are out there hustling it, trying to set it up and make it happen.

MG: What else do you have planned for the future?
RK: We are working right now on a movie called “Jinn”, a horror film we are shooting up in Michigan. I am also doing a picture called “Sucker”. We are getting ready to start up another project in Cleveland, that will be announced shortly, a sequel to a very popular film. We just did a movie called RA-One staring India Superstar Shahrukh Khan, which is a big Indian superhero movie. We built all these superhero suits for it, while we were doing that we launched our Creature Corps costume line for the haunted attraction industry. It is all on the new website we just launched which is http://www.creaturecorps.net. We are just trying to keep busy in between movies.

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