Today, multi-platinum Danish band Volbeat release their eighth studio album, Servant Of The Mind, which Revolver calls “excellent… the darkest and heaviest Volbeat offering yet,” via Republic Records. For Servant of the Mind, the band, which consists of Michael Poulsen (guitars/vocals), Jon Larsen (drums), Rob Caggiano (guitars) and Kaspar Boye Larsen (bass) took their signature heavy metal, psychobilly and punk ‘n’ roll sound up a notch while showcasing Poulsen’s keen ability for songwriting and storytelling. “Rarely has such a successful band sounded so ravenous,” says Kerrang! Magazine of the album. The new album is now available in standard CD, deluxe 2LP vinyl (in various limited-edition variants, full info below) and a deluxe digital edition here.

Today, Volbeat also share their lyric video for album opener “Temple of Ekur.” Watch it here. The band previously shared music videos for “Shotgun Blues” and “Wait A Minute My Girl”, which became the band’s ninth number one single on the Billboard Mainstream Rock chart and recently spent 4 weeks at number one on the Mediabase Canada Active Rock chart, giving the band their first Canadian number one song.

“I wrote the whole album in three months,” recalls Poulsen, “I was in a good place and mood while at home, and had a captive audience of myself… There are a lot of Volbeat signatures in it. If you go back to the first record and compare it to where we are now, you can hear how the band has developed its style, while keeping the signature sound.”

Other songs on the album weave intricate and fascinating tales. “The Sacred Stones” tells the story of “an earthly being who has committed himself to the dark side. He is on a mission, speaking to darker forces and fallen angels.” Meanwhile, “The Devil Rages On” looks at the idea of the devil taking human form. “Temple of Ekur” returns to the ancient themes explored in past songs such as “The Gates of Babylon,” while the epic album closer “Lasse’s Birgita” explores the story of the first witch burnings to occur in Sweden in 1471.

Volbeat will be returning to the road in January when they co-headline with Ghost across the US with special guests Twin Temple, and the Servant of the Road World Tour comes to Germany, France and the UK this Spring alongside multiple European festival appearances. Tickets for all dates are on sale now at volbeat.dk.

Since forming in 2001, Volbeat has gone from the clubs of Copenhagen to headlining stages around the world, including the famed Telia Parken stadium in Denmark (becoming the only domestic artist to ever sell out the venue). Over the course of seven record-breaking albums the band has picked up number one songs (including nine #1s on the US Mainstream Rock chart and counting, the most of any band based outside of North America), multi-platinum certifications, awards and accolades all over the planet. Their latest album, Rewind, Replay, Rebound, was released on August 2nd, 2019 and has spawned the hit singles “Last Day Under The Sun,” “Die To Live (feat. Neil Fallon)” and “Leviathan.” They recently contributed a cover of “Don’t Tread on Me” to The Metallica Blacklist, with all proceeds from the track benefiting the All Within My Hands Foundation and the Børne Cancer Fonden of Denmark.

SERVANT OF THE MIND Standard Edition Tracklisting:
1. Temple of Ekur
2. Wait A Minute My Girl
3. The Sacred Stones
4. Shotgun Blues
5. The Devil Rages On
6. Say No More
7. Heaven’s Descent
8. Dagen Før (feat. Stine Bramsen)
9. The Passenger
10. Step Into Light
11. Becoming
12. Mindlock
13. Lasse’s Birgitta

Deluxe 2 CD/2 LP and Digital Deluxe Bonus Tracks:
14. Return To None (Wolfbrigade cover)
15. Domino (The Cramps/Roy Orbison cover)
16. Shotgun Blues (feat. Dave Matrise from Jungle Rot)
17. Dagen Før (Michael Vox Version)

Vinyl variants (Europe)
Standard 180g black vinyl 2 LP
Crystal Clear 2 LP, volbeat.dk exclusive, limited to 2,000
Glow In The Dark 2 LP, EMP exclusive, limited to 2,000
Orange and Blue 2 LP, UMG exclusive, limited to 3,100
Danish Red and White 2 LP – only available in Denmark, limited to 2,000 – SOLD OUT

Vinyl variants (North America)
Standard 180g black vinyl 2LP
Translucent Rust 2 LP – Volbeat.dk exclusive, limited to 550 – SOLD OUT
Transparent Yellow 2 LP – Revolver Magazine exclusive, limited to 400 – SOLD OUT
Mystery Color LP2 – indie retail exclusive, limited to 100

VOLBEAT/GHOST COHEADLINE TOUR DATES:
Tue, Jan 25, 2022 – Reno, NV – Reno Events Center
Thu, Jan 27, 2022 – Seattle, WA – Climate Pledge Arena
Fri, Jan 28, 2022 – Nampa, ID – Ford Idaho Center Arena
Sat, Jan 29, 2022 – Portland, OR – Veterans Memorial Coliseum
Mon, Jan 31, 2022 – West Valley City, UT – Maverik Center
Wed, Feb 02, 2022 – Denver, CO – Ball Arena
Fri, Feb 04, 2022 – Lincoln, NE – Pinnacle Bank Arena
Sat, Feb 05, 2022 – Minneapolis, MN – Target Center
Mon, Feb 07, 2022 – Columbus, OH – Nationwide Arena
Tue, Feb 08, 2022 – Hershey, PA – GIANT Center
Thu, Feb 10, 2022 – Newark, NJ – Prudential Center
Fri, Feb 11, 2022 – Worcester, MA – DCU Center
Sat, Feb 12, 2022 – Camden, NJ – BB&T Pavilion
Mon, Feb 14, 2022 – Pittsburgh, PA – Petersen Events Center
Tue, Feb 15, 2022 – Toledo, OH – Huntington Center
Wed, Feb 16, 2022 – Grand Rapids, MI – Van Andel Arena
Fri, Feb 18, 2022 – Chicago, IL – Allstate Arena
Sat, Feb 19, 2022 – Cincinnati, OH – Heritage Bank Center
Sun, Feb 20, 2022 – Milwaukee, WI – Fiserv Forum
Mon, Feb 21, 2022 – St. Louis, MO – Chaifetz Arena
Wed, Feb 23, 2022 – Independence, MO – Cable Dahmer Arena
Fri, Feb 25, 2022 – Houston, TX – Smart Financial Centre at Sugar Land
Sat, Feb 26, 2022 – Dallas, TX – Fair Park Coliseum
Mon, Feb 28, 2022 – El Paso, TX – Don Haskins Center
Tue, Mar 01, 2022 – Phoenix, AZ – Footprint Center
Thu, Mar 03, 2022 – Anaheim, CA – Honda Center

VOLBEAT SERVANT OF THE ROAD 2022 TOUR DATES:
21 May – London, UK – O2 Islington
24 May – Strasbourg, FR – La Laiterie
25 May – Rouen, FR – LE 106
27 May – Clermont, FR – La Coop
28 May – Toulouse, FR – Le Bikini
30 May – Lille, FR – Le Spendid
31 Mat – Nancy, FR – L’Autre Canal
02 June – Hannover, DE at Expo Plaza
03-05 June – Rock Am Ring/Rock Im Park*
07 June – Bergen, NO – Bergenjus Fortress
08 June – Solvesborg, SE – Sweden Rock Festival*
09 June – Interlaken, CH – Greenfield Festival*
11 June – Nickelsdorf, NO – Nova Rock 2022*
12 June – Castle Donington, UK – Download*
14 June – Berlin, DE at Wuhlheide
16 June – Dessel, BE – Graspop Metal Meeting*
17 June – Clisson, FR – Hellfest*

*Festival Appearance

http://www.volbeat.dk/us/
http://www.facebook.com/volbeat
Tweets by VOLBEAT
https://www.instagram.com/volbeat/
http://www.youtube.com/user/VolbeatVEVO

Newly inducted Rock & Roll Hall of Famers Foo Fighters will be giving the people a lot more of what they want in 2022. The band has confirmed 17 more marathon evenings of life-affirming rock communion, to take place at amphitheaters, stadiums and festivals across North America during May, July and August of next year.

Tickets for the newly announced headline shows will be on sale to the public Friday, December 3rd at 10am local time.

The 2022 dates will mark Foo Fighters’ most extensive North American run since the February release of the band’s 10th album, Medicine at Midnight (Roswell/RCA) — hailed as “brighter and more optimistic than anything they’ve ever done” (ROLLING STONE)” and “one of Foo Fighters’ best albums of this century” (WALL STREET JOURNAL).

For further information on Foo Fighters’ 25th 26th 27th anniversary tour—including special guests to be announced soon—keep an eye on foofighters.com and the band’s socials.

Citi is the official presale credit card of the Foo Fighters Live in the USA Tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, November 30 at 12pm ET until Thursday, December 2 at 10pm local time through Citi Entertainment. For complete presale details visit www.citientertainment.com.

FOO FIGHTERS
2022 NORTH AMERICAN TOUR

5/14 – The Pavilion at Star Lake – Burgettstown, PA
5/20 – Coastal Credit Union Music Park – Raleigh, NC
5/24 – PNC Music Pavilion – Charlotte, NC

7/17– Citi Field – New York, NY
7/19 – Saratoga Performing Arts Center – Saratoga Springs, NY
7/22 – Rogers Centre – Toronto, ON
7/24 – Lincoln Financial Field – Philadelphia, PA
7/27 – Maine Savings Amphitheater – Bangor, ME
7/29 – Osheaga Festival – Montreal, QC

8/1 – Ruoff Music Center – Noblesville, IN
8/3 – Huntington Bank Stadium – Minneapolis, MN
8/6 – Empower Field at Mile High – Denver, CO
8/8 – USANA Amphitheater – Salt Lake City, UT
8/10 – Big Sky Events Arena – Big Sky, MT
8/13 – T-Mobile Park – Seattle, WA
8/18 – Banc of California Stadium – Los Angeles, CA
8/20 – Banc of California Stadium – Los Angeles, CA

The old saying “If you can’t say anything nice, don’t say anything at all” is definitely lost on some people these days. Ever the ones to try and bring out the sunshine of life, Texan pop punk favorites Bowling For Soup return armed with their brand new single Killin’ ‘Em With Kindness. Delivered with their usual impeccable charm, there is at the heart of their new song a very important, serious message.

Here is Bowling For Soup frontman Jaret Reddick to tell us all more and explain the motivation behind the new track:

“Watching the news these days is a nightmare for me. It seems that everyone ‘believes’ so greatly on certain issues, that we forget the people on the other side are still human beings. It’s so easy to be kind to one another. And a little kindness does go a very long way. So let’s take the streets and kill some MFers with kindness!!”

Killin’ ‘Em With Kindness is available to stream or download on your digital platform of choice – available on this link.

Watch the video here: https://youtu.be/EtxCPQP00uU

Killin’ ‘Em With Kindness follows on from Bowling For Soup’s previous single Getting Old Sucks (But Everybody’s Doing It). Released earlier this year, it was hailed as one of their best songs in almost two decades. The track has been viewed and streamed millions of times across YouTube, Spotify and Apple Music, and the video can be enjoyed below:

Bowling For Soup will return to the UK in Spring 2022 for a full band tour – the Crowdsurf The UK Tour. Details of which can be found below:

Bowling For Soup Crowdsurf The UK – April 2022 Tour Dates

12th – Empress Ballroom, Blackpool
13th – O2 Academy, Glasgow*
14th – Grimsby Auditorium, Grimsby
15th – Scarborough Spa, Scarborough
16th – O2 Academy, Birmingham*
17th – O2 Academy, Bournemouth
18th – Riviera International Centre – The Forum, Torquay
19th – Swansea Bragwyn Hall, Swansea
21st – De La Warr Pavilion, Bexhill
22nd – Margate Winter Gardens, Margate
23rd – O2 Brixton Academy, London*

* Extra shows added due to huge demand

Tickets for all shows are on sale now from AEG – https://www.aegpresents.co.uk/events/detail/bowling-for-soup-3.

DASHBOARD CONFESSIONAL LOOK TOWARDS THE FUTURE
WITH “HERE’S TO MOVING ON” – LISTEN

OPTIMISTIC NEW SINGLE HERALDS EAGERLY-AWAITED NINTH STUDIO ALBUM,
ALL THE TRUTH THAT I CAN TELL

EARLY-ALBUMS PRODUCER JAMES PAUL WISNER BACK IN THE FOLD

ALBUM TRAILER STREAMING NOW – WATCH

ALL THE TRUTH THAT I CAN TELL ARRIVES
VIA HIDDEN NOTE RECORDS/AWAL ON FEBRUARY 25

Dashboard Confessional is setting out towards a brighter tomorrow with today’s premiere of an inspiring new single. “Here’s To Moving On” is available now at all DSPs and streaming services. “Here’s To Moving On” heralds the eagerly awaited arrival of the first all-new Dashboard Confessional LP in four years, All The Truth That I Can Tell, due via Hidden Note Records/AWAL on February 25. The album is available to pre-save and pre-order now. An album trailer premieres today via YouTube.

“I think in this song I find myself understanding what brought me to the mat and what it takes to get up off the mat,” says DC founder, frontman, and songwriter Chris Carrabba. “Sometimes what brought you to the mat are outside forces and sometimes it’s you, yourself. Or it can be all those things. But it does seem the only thing that gets you up off the mat isn’t outside forces – it’s always you.”

LISTEN TO “HERE’S TO MOVING ON”
WATCH ALL THE TRUTH THAT I CAN TELL ALBUM TRAILER

All The Truth That I Can Tell will be available in a variety of formats including digital, CD, cassette, standard black vinyl, an exclusive limited edition “Burning Heart” transparent red and black vinyl at the DC official store, a “Cold Night” transparent blue/green vinyl exclusively at participating indie retail, a baby pink vinyl with limited edition “Burning Heart” Flexi disc exclusively at Walmart, a limited edition “Sunshine State” opaque gold nugget vinyl exclusively at Urban Outfitters, and Bandbox will be releasing an exclusive variant of All The Truth That I Can Tell on “Starting to Storm” cloudy dark green vinyl, which is accompanied by the record club’s signature artist fanzine, featuring an interview with Chris Carrabba, his track-by-track guide to the new album, rare photos and much more.

PRE-SAVE/PRE-ORDER ALL THE TRUTH THAT I CAN TELL

Written and recorded pre-Covid, Dashboard Confessional’s ninth studio album, All The Truth That I Can Tell is both a remarkable renewal and fortunate step forward for Chris Carrabba. Having ascended great heights over the past 20 years, Carrabba found himself at a distinct crossroads as the last decade came to an end. Running on fumes, unsure if he’d ever release another album, he waited. The songs eventually came, and though the project might’ve easily come to a screeching halt following a near-fatal motorcycle accident in June of 2020, All The Truth That I Can Tell stands among Carrabba’s finest – both an achievement of vision and a vital burst of artistic clarity, a strikingly potent musical look at Dashboard Confessional through a rediscovered keyhole. For the album’s production, Carrabba tapped James Paul Wisner who produced the band’s first two studio albums, The Swiss Army Romance and The Places You Have Come to Fear the Most.

“Honesty was at the heart of the writing process, at the heart of the recording process, and at the heart of this collection of songs,” Carrabba says. “I had the rare opportunity to be unflinchingly honest. But I think I would have thought in the early days that that would be commonplace. Now, I realize it’s some kind of cycle within your life and there’s great personal reward in accepting that.”

“All The Truth That I Can Tell” Tracklist:
Burning Heart
Everyone Else Is Just Noise
Here’s To Moving On
The Better of Me
Southbound and Sinking
Sleep In
Me and Mine
Sunshine State
Pain Free in Three Chords
Young
All The Truth That I Can Tell

Today, British metal giants Bullet For My Valentine, have released their explosive,self-titled album!

Launched on the Spinefarm/Search and Destroy label, Bullet For My Valentine’s seventh studio offering marks their heaviest, most visceral yet.

“We’re beyond excited for our new self-titled seventh record to finally be released,” says Bullet For My Valentine frontman Matt Tuck. “So much love, passion, creativity and energy went into making this record and it’s hands down our best and most ferocious record to date. We hope you all enjoy it as much as we do, we can’t wait to see you all at a show near you. Thank you so much for all your support. Turn it up!!”

Check out the album with accompanying visuals, here.

Tuck’s exclusive interview at SiriusXM’s Octane runs this weekend, while the band will also go live with Nik Nocturnal on Twitch this morning.

BULLET FOR MY VALENTINE TRACK LISTING:
“Parasite”
“Knives”
“My Reverie”
“No Happy Ever After”
“Can’t Escape The Waves”
“Bastards”
“Rainbow Veins”
“Shatter”
“Paralysed”
“Death By a Thousand Cuts”

BULLET FOR MY VALENTINE ARE:
Matt Tuck — Vocals + Rhythm Guitar
Michael “Padge” Paget — Lead Guitar
Jamie Mathias — Bass
Jason Bowld — Drums

19TH ALBUM “ROCK BELIEVER” OUT FEBRUARY 25, 2022

German rock icons SCORPIONS are set to release their brand-new single “Peacemaker” today, November 4, to whet their fans’ appetite for their upcoming album Rock Believer, scheduled to be released on February 25, 2022 — an amuse-gueule of the rock music variety straight from the metal quintet’s brand-hot kitchen.

Mind you, “Peacemaker” has turned into much more than simply a lead single. It’s a showcase number that has SCORPIONS celebrate their legendary tried and tested DNA in a fresh, tough sonic guise, a musical foretaste of their new album that promises to forge an arc between yesterday and tomorrow.

Listen to “Peacemaker” here.

Does a band whose musical career will span 50 years from the release of their first phenomenal album success Lonesome Crow to the arrival of Rock Believer in February 2022 still have the bite, the toughness, and the brute force that it takes to create and record one or two dozen brand new tracks? Aren’t their 18 studio albums to date, their platinum and double-platinum awards, garnered around the globe, enough for these relentless musicians? Is there still enough gas in the tank to keep going? One of their songs provides the answer to these questions: “Let’s play it louder play it hard / Laid back and a little dark / Give me a dirty riff my friend / There’s gotta be more gas in the tank.”

And indeed, “Peacemaker” sounds like it’s been freshly reimported from the heyday of a legendary hard rock band. “The first thing that came to my mind,” remembers SCORPIONS singer Klaus Meine, who wrote the lyrics to the song (music courtesy of Rudolf Schenker and Pawel Maciwoda) and produced the band with the support of Hans-Martin Buff, “was the hook line. ‘Peacemaker, peacemaker / Bury the undertaker.’ I was just playing around with those words. At a time when so many people have died and are still dying of COVID, from devastating wars and other senseless crimes, it makes you feel that the undertaker must be working overtime. In a peaceful world after the pandemic, it will be time for the peacemaker to rule… that’s an image that really appeals to me,” says Meine.

SCORPIONS are one of the world’s most important rock bands of recent decades, having sold more than 120 million records to date, played over 5,000 concerts, and created a timeless classic in their legendary single “Wind of Change,” which dominated the international charts and still is the best-selling single worldwide by a German artist. Countless awards, a star on the Hollywood Rock Walk of Fame, and more, hits such as “Rock You Like a Hurricane” and “Still Loving You,” among others, followed. Their success to date impressively underlines the influence that the SCORPIONS continue to have on the rock music scene. Their latest album Rock Believer will be out on Universal’s Spinefarm label in the U.S.

Rock Believer, the credo of their new album, will also be the moniker of their upcoming tour. In March and April 2022, the band is set to perform at the Planet Hollywood Resorts & Casino in Las Vegas as part of its residency, followed by a European tour scheduled to kick off with a number of shows in Germany in June 2022 — with more concerts on a global level in the pipeline.

Human Scum! After years of waiting, it is now time to return to the venue of your choice to worship your Lords and Masters GWAR. Tomorrow night sees the kickoff of the “Scumdogs 30th Anniversary Tour.” Support on the tour is coming from the legendary Napalm Death and EyeHateGod. The tour will cross North America starting in Norfolk, VA and runs through December 14th with a second stop in New York City.

Earlier this week, GWAR dropped their second set of NFT’s. They are almost sold out, see what’s left HERE. If any of you lazy Bohabs missed a chance at getting one, you’re in luck, as GWAR will be offering a limited edition NFT on this tour only! You can only get the NFT by purchasing a “Scumdogs 30th Anniversary Tour” Poster at the VENUE. This is limited to 500 posters/500 NFT’s.

GWAR’s latest release “Scumdogs XXX Live,” is available now via Pit Records. Order it HERE.

Tour Dates:
x – with Napalm Death / Eyehategod supporting
# – Festival
10/28/21 – Norfolk, VA – The Norva x
10/29/21 – Worcester, MA – The Palladium x
10/30/21 – Philadelphia, PA – Franklin Music Hall x
10/31/21 – New York, NY – Irving Plaza x
11/1/21 – Baltimore, MD – Baltimore Soundstage x
11/2/21 – Buffalo, NY – Town Ballroom x
11/4/21 – Milwaukee, WI – The Rave x
11/5/21 – Detroit, MI – Crofoot Ballroom x
11/6/21 – Indianapolis, IN – The Vogue x
11/7/21 – Cleveland, OH – House of Blues x
11/8/21 – Toronto, ON – The Opera House x
11/10/21 – Asheville, NC – Orange Peel x
11/11/21 – Cincinnati, OH – Bogarts x
11/12/21 – Atlanta, GA – The Masquerade x
11/13/21 – Daytona Beach, FL – Welcome to Rockville #
11/14/21 – Pensacola, FL – Vinyl Music Hall x
11/15/21 – Houston, TX – Warehouse Live x
11/16/21 – Dallas, TX – Amplified Live x
11/18/21 – Albuqueque, NM – Sunshine Theater x
11/19/21 – Tuscon, AZ – Rialto Theater x
11/20/21 – Las Vegas, NV – House of Blues x
11/21/21 – Los Angeles, CA – The Belasco Theater x
11/22/21 – San Francisco, CA – The Regency Ballroom x
11/23/21 – Ventura, CA – Ventura Theater x
11/24/21 – Santa Ana, CA – The Observatory x
11/26/21 – Reno, NV – Virginia Street Brewhouse x
11/27/21 – Boise, ID – Knitting Factory x
11/28/21 – Portland, OR – Crystal Ballroom x
11/30/21 – Seattle, WA – Showbox SODO x
12/1/21 – Vancouver, BC – Commodore Ballroom x
12/3/21 – Calgary, AB – MacEwan Hall x
12/4/21 – Edmonton, AB – Midway Bar x
12/6/21 – Billings, MT – Pub Station
12/7/21 – Denver, CO – The Oriental Theater x
12/8/21 – Lawrence, KS – Granada Theater x
12/9/21 – Minneapolis, MN – First Avenue x
12/10/21 – Lincoln, NE – The Bourbon Theatre x
12/11/21 – Sauget, IL – Pop’s x
12/13/21 – Washington, DC – 9:30 Club x
12/14/21 – New York, NY – Irving Plaza x

TICKETS AVAILABLE THIS FRIDAY, OCT. 1

“Let’s finish what we started. Shall we?” – Maynard James Keenan

TOOL have announced a mammoth 2022 tour, with the Los Angeles-based band spending 3 months traversing the U.S. followed by a month of European dates.

TOOL elected to kick off the highly-anticipated trek in Eugene, Ore. as a nod to the abrupt halt to their 2020 Fear Inoculum tour. Slated to play the Matthew Knight Arena on March 12, 2020, the show, along with the band’s remaining tour dates, was canceled as nationwide lockdowns began to take effect that evening.

“It is with great pleasure I get to announce our return to the road,” said Danny Carey. “These past 18 months have been trying to say the least but from great trials come great lessons and great rewards. We are genuinely looking forward to sharing them with you.”

Tickets for all dates are on-sale this Friday, Oct. 1 at 10 am local time (UK and Irish dates are on-sale at 9 am local time). TOOL Army members can purchase pre-sale tickets for European dates on Sept. 28 at 10 am local time (24 hour pre-sale window), while U.S. pre-sale tickets are available on Sept. 29 at 10 am local time (36 hour pre-sale window). A selection of exclusive packages, which include a pre-sale ticket, will also be made available to TOOL Army members on Sept. 29 at 10 am local time.

January 10 Eugene, OR Matthew Knight Arena

January 11 Tacoma, WA Tacoma Dome

January 13 Boise, ID Ford Idaho Center

January 15 Sacramento, CA Golden 1 Center

January 16 San Francisco, CA Chase Center

January 18 Anaheim, CA Honda Center

January 19 San Diego, CA Viejas Arena

January 21 Phoenix, AZ Footprint Center

January 22 Las Vegas, NV T-Mobile Arena

January 25 Salt Lake City, UT Maverik Center

January 27 Denver, CO Ball Arena

January 30 Tulsa, OK BOK Center

January 31 Dallas, TX American Airlines Center

February 2 San Antonio, TX AT&T Center

February 4 Houston, TX Toyota Center

February 5 New Orleans, LA Smoothie King Center

February 8 Orlando, FL Amway Center

February 9 Tampa, FL Amalie Arena

February 10 Miami, FL FTX Arena

February 19 Boston, MA TD Garden

February 20 Philadelphia, PA Wells Fargo Center

February 22 Washington, DC Capital One Arena

February 23 Belmont Park, NY UBS Arena

February 26 Newark, NJ Prudential Center

February 27 Buffalo, NY KeyBank Center

March 1 Pittsburgh, PA PPG Paints Arena

March 3 Detroit, MI Little Caesars Arena

March 4 Louisville, KY KFC Yum! Center

March 6 Columbus, OH Nationwide Arena

March 8 Grand Rapids, MI Van Andel Arena

March 10 Chicago, IL United Center

March 12 Omaha, NE CHI Health Center Arena

March 13 Minneapolis, MN Target Center

March 15 Kansas City, MO T-Mobile Center

March 17 Moline, IL TaxSlayer Center

March 18 St. Louis, MO Enterprise Center

March 20 Cleveland, OH Rocket Mortgage FieldHouse

April 23 Copenhagen, DK Royal Arena

April 25 Oslo, NO Spektrum

April 26 Stockholm, SE Avicii Arena

April 28 Hamburg, DE Barclaycard Arena

April 29 Frankfurt, DE Festhalle

May 2 Manchester, UK AO Arena Manchester

May 4 Birmingham, UK Resorts World Arena

May 6 Dublin, IE 3Arena

May 9 London, UK The O2 Arena

May 12 Paris, FR AccorHotels Arena

May 13 Antwerp, BE Sportpaleis

May 15 Berlin, DE Mercedes-Benz Arena

May 17 Cologne, DE Lanxess Arena

May 19 Amsterdam, NL Ziggo Dome

May 21 Krakow, PL Tauron Arena

May 23 Prague, CZ O2 Arena

May 24 Budapest, HU SportAréna

Blonde Redhead opens on dates from Jan. 10 to Feb. 10. The Acid Helps opens from Feb. 19 to March 20.

Fear Inoculum (http://smarturl.it/TOOLFIa) arrived in August of 2019, following years of anticipation. The album debuted at #1 on Billboard’s Top 200, shattering sales and radio records while also earning widespread critical praise. NPR said, “Fear Inoculum was worth the 13-year wait,” The Atlantic declared the release “precise and devastating,” Revolver dubbed the 10-track album “a masterpiece that will be dissected for years to come” and Consequence of Sound said Fear Inoculum finds “TOOL in peak performance.”

Watch the Video For “Invisible Monster” HERE: 

THEIR 15th STUDIO ALBUM SCHEDULED FOR WORLDWIDE RELEASE ON OCTOBER 22nd NOW AVAILABLE FOR PRE-ORDER HERE:

Part 1 of the In-Depth Behind The Scenes Interview About The New Album Can Be Seen Here:

As anticipation grows for the release of their 15th studio album, GRAMMY-nominated and millions-selling progressive music titans Dream Theater are releasing the music video for the first official single “Invisible Monster.” The song comes from their upcoming InsideOutMusic / Sony Music album A View From The Top Of The World scheduled for release worldwide on October 22nd. The new track clocks in at 6:27 and showcases the musicianship and creativity that has garnered the band fans around the globe. The video for the song was directed by William “Wombat” Felch (Mudvayne, HellYeah, Crobot, Static-X, Nefariant) and follows the story of an artist’s internal struggles as the band is showcased performing the track. The piece of art created by Felch in the video now lives inside DTHQ. The video for the song can be seen here: https://youtu.be/s0Wmg7Tq4Pk.

“It was written after we’d written a bunch of material. A lot of the music was super energetic and upbeat tempo-wise. Mike suggested we do something a little different though. So, we started working on a more mid-temp song. The hook, riff, and melody changed so naturally. I equate it to ‘Pull Me Under’ back in the day where we’d just start playing, something would come out, and we’d be like, ‘Whoa, that’s cool’. There’s a serendipitous moment where it happens. Lyrically, it’s about how anxiety plagues people. It’s like there’s an invisible monster beating you. You don’t see it, but it’s haunting you all of the time,” explains John Petrucci.

Dream Theater recently released an in-depth behind the scenes interview about the making of A View From The Top Of The World. The interview is a 3-part docuseries hosted by ProgReport Editor In Chief Roie Avin as he interviews the band about creating the new album. The interview takes place at the band’s new headquarters DTHQ – the space where the band recorded their latest album. Part 2 of the interview will be released on September 29th and the final part will be out on October 10th. The first part of the interview is now live and can be seen here:  Also, an animated video for album opener “The Alien” (viewed over 1.4 million times) that clocks in at 9:32 was released last month and can be seen here: 

A View From The Top Of The World is now available for pre-order in various configurations including a limited Deluxe Box incl. Gatefold 2LP (180g bright gold vinyl) with exclusive alternate cover, limited deluxe 2CD+Blu-ray Artbook with exclusive alternate cover, Zoetrope Slipmat, Beanie, Enamel Keychain, 8 x Artcards, Poster, Hand-Numbered Certificate of Authenticity in a Lift-off Lid Box. The album is also available in a limited Deluxe 2CD+Blu-ray Artbook, Special Edition CD Digipak, Gatefold 180g 2LP+CD+LP-booklet. The Blu-ray contains a 5.1 surround sound mix with full album animations, plus ‘Digging For A Spark – A View From Inside DTHQ’, a specially filmed documentary that gives a glimpse behind the scenes of the band’s new home-base and the making of the new album. The album is also available for pre-order digitally and fans that pre-order the digital version will receive an instant download of “The Alien.” A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap and available for pre-order here:

Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.

The track listing for A View From The Top Of The World is:

1) The Alien (9:32)
2) Answering The Call (7:35)
3) Invisible Monster (6:31)
4) Sleeping Giant (10:05)
5) Transcending Time (6:25)
6) Awaken The Master (9:47)
7) A View From The Top Of The World (20:24)

Today, multi-platinum Danish band Volbeat announce their 26-date coheadlining arena tour with Ghost and special guests Twin Temple, coming to cities including Seattle, Denver, Chicago, Houston, and Phoenix (full dates below).

Said the band: “We are so incredibly excited to get back to these cities with a Volbeat headline show, but getting to do it alongside a headline show from our goulish friends in Ghost AND bringing the incomparable Twin Temple with us? How soon will it be January already!? Start getting ready, the thunder and lightning is coming to your town in 2022.”

Tickets for the tour, co-Produced by Live Nation and Frank Productions, are available here on Friday, September 24 at 10am local time. Limited VIP packages will also be available starting at Tuesday, September 21st at 10am ET. Details at volbeat.dk.

Later this week, Volbeat will embark on their first headlining shows in nearly two years. The ten date “Wait A Minute… Let’s Tour” headline run will see the band coming to cities including Atlanta, San Diego, and Los Angeles (full dates below). Special guests The Hu, Twin Temple, and Municipal Waste will be joining them for select dates. The band will also be appearing at Rebel Rock Fest in Orlando, FL, Louder Than Life in Louisville, KY and Aftershock in Sacramento, CA. Tickets for these dates are on sale now here.

Since forming in 2001, Volbeat has gone from the clubs of Copenhagen to headlining stages around the world, including the famed Telia Parken stadium in Denmark (becoming the only domestic artist to ever sell out the venue). Over the course of seven record-breaking albums the band has picked up number one songs (including nine #1s on the US Mainstream Rock chart and counting, the most of any band based outside of North America), multi-platinum certifications, awards and accolades (including a Grammy nomination) all over the planet. Their latest album, Rewind, Replay, Rebound, was released on August 2nd, 2019 and has spawned the hit singles “Last Day Under The Sun,” “Die To Live (feat. Neil Fallon)” and “Leviathan.” A live album featuring songs recorded during the subsequent world tour, Rewind, Replay, Rebound: Live in Deutschland, was released digitally on November 27th, 2020. Most recently, the band shared a “double blast” of brand new songs for the Summer: “Dagen Før (feat. Stine Bramsen)” and “Wait A Minute My Girl.” They also contributed a cover of “Don’t Tread on Me” to The Metallica Blacklist, with all proceeds from the track benefiting the All Within My Hands Foundation and the Børne Cancer Fonden of Denmark.

GHOST/VOLBEAT COHEADLINE TOUR DATES:
Tue, Jan 25, 2022 – Reno, NV – Reno Events Center
Thu, Jan 27, 2022 – Seattle, WA – Climate Pledge Arena
Fri, Jan 28, 2022 – Nampa, ID – Ford Idaho Center Arena
Sat, Jan 29, 2022 – Portland, OR – Veterans Memorial Coliseum
Mon, Jan 31, 2022 – West Valley City, UT – Maverik Center
Wed, Feb 02, 2022 – Denver, CO – Ball Arena
Fri, Feb 04, 2022 – Lincoln, NE – Pinnacle Bank Arena
Sat, Feb 05, 2022 – Minneapolis, MN – Target Center
Mon, Feb 07, 2022 – Columbus, OH – Nationwide Arena
Tue, Feb 08, 2022 – Hershey, PA – GIANT Center
Thu, Feb 10, 2022 – Newark, NJ – Prudential Center
Fri, Feb 11, 2022 – Worcester, MA – DCU Center
Sat, Feb 12, 2022 – Camden, NJ – BB&T Pavilion
Mon, Feb 14, 2022 – Pittsburgh, PA – Petersen Events Center
Tue, Feb 15, 2022 – Toledo, OH – Huntington Center
Wed, Feb 16, 2022 – Grand Rapids, MI – Van Andel Arena
Fri, Feb 18, 2022 – Chicago, IL – Allstate Arena
Sat, Feb 19, 2022 – Cincinnati, OH – Heritage Bank Center
Sun, Feb 20, 2022 – Milwaukee, WI – Fiserv Forum
Mon, Feb 21, 2022 – St. Louis, MO – Chaifetz Arena
Wed, Feb 23, 2022 – Independence, MO – Cable Dahmer Arena
Fri, Feb 25, 2022 – Houston, TX – Smart Financial Centre at Sugar Land
Sat, Feb 26, 2022 – Dallas, TX – Fair Park Coliseum
Mon, Feb 28, 2022 – El Paso, TX – Don Haskins Center
Tue, Mar 01, 2022 – Phoenix, AZ – Footprint Center
Thu, Mar 03, 2022 – Anaheim, CA – Honda Center

VOLBEAT WAIT A MINUTE… LET’S TOUR DATES
Thu, Sept 23, 2021 – Orlando, FL at Rebel Rock Fest
Fri, Sept 24, 2021 – Atlanta, GA at Tabernacle*
Sat, Sept 25, 2021 – Louisville, KY at Louder Than Life
Mon, Sept 27, 2021 – Oklahoma City, OK at The Criterion*
Tue, Sept 28, 2021 – San Antonio, TX at Sunken Garden Amphitheater^
Wed, Sept 29, 2021 – Lubbock, TX at Lonestar Amphitheater^
Sat, Oct 2, 2021 – San Diego, CA at The Observatory North Park # – SOLD OUT
Sun, Oct 3, 2021 – San Diego, CA at The Observatory North Park
Wed, Oct 6, 2021 – Los Angeles, CA at Hollywood Palladium %
Fri, Oct 7, 2021 – Sacramento, CA – Aftershock
Sat, Oct 9, 2021 – Paso Robles, CA at Vina Robles Amphitheatre*
Sun, Oct 10, 2021 – Oakland, CA at The Fox Theater*

* Twin Temple
^ The Hu & Twin Temple
# Municipal Waste & Twin Temple
% Municipal Waste
Itallics denotes festival appearance

NEW ALBUM RADICAL OUT OCTOBER 22

Buffalo-based hardcore heroes Every Time I Die have unveiled another track in anticipation of their ninth studio album Radical out October 22 via Epitaph. Today, the band unleash “Planet Shit,” which takes an unflinching look at the inevitable social upheaval born of generations of inequity. “I was just calling it like I was seeing it,” expresses vocalist Keith Buckley. The track follows the previously released “Post-Boredom,” “AWOL,” “A Colossal Wreck,” and “Desperate Pleasures.”

Produced and mixed by Will Putney (Acacia Strain, Body Count, The Amity Affliction), Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers.

CHECK OUT “PLANET SHIT” NOW
WATCH | LISTEN

While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

“I’m dealing with difficult matters this time that isn’t only personal for me but are also universal and more communal experiences,” Keith explains. “The songs are realistic in that they acknowledge that things require a lot of work. But it’s ultimately a very hopeful and uplifting record.”

RADICAL TRACK LISTING
1. Dark Distance
2. Sly
3. Planet Shit
4. Post-Boredom
5. A Colossal Wreck
6. Desperate Pleasures
7. All This And War
8. Thing With Feathers
9. Hostile Architecture
10. AWOL
11. The Whip
12. White Void
13. Distress Rehearsal
14. sexsexsex
15. People Verses
16. We Go Together

Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, ‘TID The Season taking place in their hometown of Buffalo, NY on December 10 & 11. The band has also just announced that they will support post-hardcore band Underoath on the road early next year. Tickets are on sale now. For more information, visit https://everytimeidie.net/.

EVERY TIME I DIE TOUR DATES
2021
9/23 Memphis, TN Growlers
9/24 Birmingham, AL Furnace Fest
12/10-11 Buffalo, NY ‘TID The Season

2022
supporting Underoath
2/18 Dallas, TX Southside Ballroom
2/19 Houston, TX Bayou Music Center
2/20 San Antonio, TX The Aztec Theatre
2/23 Phoenix, AZ The Van Buren
2/24 Los Angeles, CA The Wiltern
2/25 Anaheim, CA House of Blues
2/26 San Francisco, CA The Warfield
2/28 Seattle, WA Showbox SODO
3/1 Vancouver, BC The Vogue Theater
3/2 Spokane, WA Knitting Factory
3/4 Salt Lake City, UT The Complex
3/5 Denver, CO The Ogden Theatre
3/7 Minneapolis, MN The Fillmore
3/8 Chicago, IL Radius
3/9 Detroit, MI The Fillmore
3/11 Toronto, ON History
3/12 Cleveland, OH Agora
3/13 Wallingford, CT The Dome
3/14 Boston, MA House of Blues
3/15 Pittsburgh, PA Stage AE
3/17 Brooklyn, NY Brooklyn Steel
3/18 Silver Spring, MD The Fillmore
3/19 Philadelphia, PA The Fillmore
3/20 Sayreville, NJ Starland Ballroom
3/22 Cincinnati, OH ICON
3/23 Charlotte, NC The Fillmore
3/25 Atlanta, GA Tabernacle

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton “Goose” Holyoak (drums).

“Scumdogs” 30th Anniversary Tour Starts Thursday September 16th

Rejoice humans! The day you’ve been waiting for is here! GWAR have released “Scumdogs Live!” an epic live event, filmed in the basement of GWAR’s Antarctican fortress, now available for you to own on Double LP, Blu-Ray/DVD/CD and cassette. What? You haven’t picked up a copy? Act now to spare your life! You can still order one HERE.

The band’s lead singer, the Berzerker Blóthar sez: “In making this recording, we spared no expense to recreate the atmosphere of those early tours for Scumdogs of the Universe. You can really hear the urgency and drive that comes from a group of rockstar primadonnas, worn down from truckstop love affairs and running dangerously low on shitty cocaine, frozen chicken chimichangas and fortified wine. I had forgotten how powerfully stupid these songs really are, but we managed to capture that perfectly!”

“It was a great honor to don the armor of my fallen comrade, Flattus Maximus, and perform the songs from Scumdogs. Unfortunately I shall be searching the galaxy for an audience worthy of indulging in the soundwaves captured on this audio recording. Until I find them, I suppose Earthlings can take this record for spin,” added guitarist Pustulus Maximus.

Coinciding with this release, GWAR is streaming a performance video of “Sick of You,” from “Scumdogs Live!” Watch the video HERE.

All worked up from seeing that clip? Answer the call to worship at the feet of your Lords and Masters “in person” when GWAR returns to the road on September 16th in Richmond, VA. This short run features a stop at RiotFest and headline dates featuring support from Madball and Eyehategod. The band then returns to the road October 28th in Norfolk, VA through December 14th New York, NY. Support on this run comes from Napalm Death and Eyehategod.

Tour Dates:

$ – with Madball / Eyehategod supporting
x – with Napalm Death / Eyehategod supporting
# – Festival
9/16/21 – Richmond, VA – The National $
9/17/21 – Columbus, OH – Newport Music Hall #
9/18/21 – Chicago, IL – RiotFest @ Douglas Park $
9/19/21 – Pittsburgh, PA – Mr. Smalls $
10/28/21 – Norfolk, VA – The Norva x
10/29/21 – Worcester, MA – The Palladium x
10/30/21 – Philadelphia, PA – Franklin Music Hall x
10/31/21 – New York, NY – Irving Plaza x
11/1/21 – Baltimore, MD – Baltimore Soundstage x
11/2/21 – Buffalo, NY – Town Ballroom x
11/4/21 – Milwaukee, WI – The Rave x
11/5/21 – Detroit, MI – Crofoot Ballroom x
11/6/21 – Indianapolis, IN – The Vogue x
11/7/21 – Cleveland, OH – House of Blues x
11/8/21 – Toronto, ON – The Opera House x
11/10/21 – Asheville, NC – Orange Peel x
11/11/21 – Cincinnati, OH – Bogarts x
11/12/21 – Atlanta, GA – The Masquerade x
11/13/21 – Daytona Beach, FL – Welcome to Rockville #
11/14/21 – Pensacola, FL – Vinyl Music Hall x
11/15/21 – Houston, TX – Warehouse Live x
11/16/21 – Dallas, TX – Gas Monkey Bar & Grill x
11/18/21 – Albuquerque, NM – Sunshine Theater x
11/19/21 – Tucson, AZ – Rialto Theater x
11/20/21 – Las Vegas, NV – House of Blues x
11/21/21 – Los Angeles, CA – The Belasco Theater x
11/22/21 – San Francisco, CA – The Regency Ballroom x
11/23/21 – Ventura, CA – Ventura Theater x
11/24/21 – Santa Ana, CA – The Observatory x
11/26/21 – Reno, NV – Virginia Street Brewhouse x
11/27/21 – Boise, ID – Knitting Factory x
11/28/21 – Portland, OR – Crystal Ballroom x
11/30/21 – Seattle, WA – Showbox SODO x
12/1/21 – Vancouver, BC – Commodore Ballroom x
12/3/21 – Calgary, AB – MacEwan Hall x
12/4/21 – Edmonton, AB – Midway Bar x
12/6/21 – Billings, MT – Pub Station
12/7/21 – Denver, CO – The Oriental Theater x
12/8/21 – Lawrence, KS – Granada Theater x
12/9/21 – Minneapolis, MN – First Avenue x
12/10/21 – Lincoln, NE – The Bourbon Theatre x
12/11/21 – Sauget, IL – Pop’s x
12/13/21 – Washington, DC – 9:30 Club x
12/14/21 – New York, NY – Irving Plaza x

Global industry homecoming to present three days of transformative business opportunities, know-how and connections at once-in-a-lifetime gathering.

Today, The National Association of Music Merchants (NAMM) announced that The NAMM Show, the annual “family reunion” of the global music, sound, and entertainment technology industry, will reconvene in Anaheim, California at the Anaheim Convention Center on June 3–5, 2022. Previously scheduled for January 20–23, the new dates will offer global industry leaders, buyers, sellers, music educators, artists, media, and music makers the opportunity to reconnect and renew their businesses while taking greater advantage of reimagined indoor and outdoor events, activations, professional development sessions, an expanded digital reach, and more at the crossroads of business opportunity.

Joe Lamond, NAMM President and CEO, says, “The industry has not stopped evolving and innovating during the pandemic, and The NAMM Show is evolving, as well. As the health and safety of our members remains top of mind, and after carefully listening to companies here in the U.S. and around the world, the new dates will help members maximize their opportunities and accelerate what has arguably been a transformative time both in new products and in how they come to market. I imagine this gathering will have the kind of impact of a Beatles moment or the introduction of MIDI—definitely one you will not want to miss.”

The news of the return of the Show and the change in dates addresses ongoing concerns about pandemic activity, new product development and launches, available in-store inventory, and current travel restrictions. The announcement was met with support and enthusiasm from business leaders across the industry.

“The NAMM Show is the best opportunity of the year for Yamaha to reach our dealers, end-user customers, and the music industry as a whole. It’s the one place where the new products from across our brands meet the global industry, and we can’t wait to get together in June,” shares Tom Sumner, President of Yamaha Corporation of America.

“No matter when NAMM happens, Shure is excited about the industry finally getting together to engage with each other at this important event,” comments Abby Kaplan, Vice President of Global Retail Sales for Shure Incorporated. Mark Terry, CEO, Exertis/JAM US Music Group, shares the same sentiment: “[NAMM] has made a great decision on moving the show to June. This move ensures that it will be a very successful show for vendors and dealers. We certainly plan on being there!”

“At Taylor Guitars, we applaud innovative ideas as we all attempt to navigate these unusual times,” affirms Barbara Wight, CFO of Taylor Guitars. “Since its days in the ballroom of the Disneyland Hotel, The NAMM Show has always been an invaluable platform for us to launch new products and deepen our connections with our treasured retailers, suppliers and fans. We see this change to June as a smart opportunity to try something new, and we’re looking forward to being back together with our industry family.”

“Global travel restrictions continue to be unpredictable and challenging for our industry. Rescheduling the NAMM Show to June is absolutely the right call,” comments David Via, Zoom North America Vice President of Marketing.

John Hopkins, President and CEO of Sweetwater, shares, “One of our priorities here at Sweetwater is creating content and providing information to our customers about new products — we want them to have immediate, up-to-the-minute news about the latest gear and innovations. The NAMM Show brings us all together and provides an ideal platform for this each year. And this year, we’re excited that there will be even better synergy between the new NAMM Show dates and our own annual GearFest event. It’s a big win for our customers.”

Jamie Deering, CEO of Deering Banjos, notes, “The NAMM Show has been an integral part of our family business’s growth since our founding in 1975. All the work they have done to help our industry has been immensely appreciated. I commend the care they are giving to do all they can in making next year’s show safe and inclusive, and we are excited to be a part of this new, reimagined launch. It’s a chance to not only reconnect with our industry and music friends in a place and event that we love but to take a fresh look at the global market and to move forward together.”

“We fully support NAMM’s decision to move the 2022 NAMM Show to June,” says Larry Morton, CEO of Hal Leonard. “Not only does this make sense from a public safety standpoint, but the June timing gives the entire music products industry an opportunity to put the pandemic behind us. Hal Leonard will work hard to transform and elevate The 2022 NAMM Show experience for our customers.”

Chair and Founder of Bandit Lites, Michael Strickland, echoes the sentiment: “The one certain fact about COVID is the uncertainty. I applaud Joe Lamond and the great people at NAMM for making the decision to pause the show, as in the long run, it works to provide a better, more robust NAMM 2022. The importance of The NAMM Show can never be diminished, and we must deliver the complete show and not some muted version. Thank you, NAMM.”

Sammy Ash, President of Sam Ash Music, shares that “I, for one, am glad they moved the show to June. With a little luck, Covid will be better contained worldwide, so we can have all the exhibitors present. Personally, I like L.A. in the winter—I’m from New York—but the pandemic has created opportunities for change in everything we do. I think this is a prudent move, and we’ll be there in force!”

The largest NAMM Show in the history of the organization took place in January 2020, when the Show welcomed 115,888 members and industry professionals and more than 7,000 brands. The show also hosted 350 professional development sessions, numerous live events, networking opportunities and concerts each evening on the Grand Plaza, as presented by Yamaha.

With the move of The 2022 NAMM Show to June, the organization has decided not to hold Summer NAMM in Nashville, Tennessee, for the 2022 year, effectively combining the two shows.

On Friday, January 21, the organization will host a one-day global livestreamed event: Believe in Music: The online global gathering to unify and support the people who bring music to the world. Building on the success of this year’s Believe in Music week, the livestreamed event will again welcome leaders across the industry, music educators, and music makers to connect in a live, online setting and take part in sessions and experiences. In total, 2021’s Believe in Music week welcomed 93,226 industry professionals and attendees from 187 countries and territories to support those who bring music to the world through nearly $500,000 in charitable donations made by participants and generous donors. Read the release here: https://www.namm.org/news/press-releases/believe-music-week-online-global-gathering-unify

Additional details of The 2022 NAMM Show and Believe in Music day will be released in the weeks to come. Please visit NAMM.org or follow the conversation on social media with #NAMMShow for the latest news. To learn about the health and safety measures that will be put in place to help reunite our industry, please visit our Safe and Sound site: https://www.namm.org/thenammshow/2022/safe-and-sound.

WATCH THE UNBOXING HERE
PRE-ORDER IS LIVE NOW HERE

An integral part of the early-’80s thrash metal movement that spawned acts like Metallica and Anthrax, New Jersey’s Overkill garnered a reputation for brutal, pounding speed and technique. Taking their moniker from the 1979 Motörhead album of the same name, an early demo; Power in Black, made waves in the underground tape-trading circuit and caught the attention of Megaforce Records, which issued the band’s full-length studio debut, Feel the Fire, in 1985. High-profile shows alongside luminaries like Slayer and Anthrax followed, and with the American thrash scene in full tilt, Overkill inked a major-label deal with Atlantic, which put out their sophomore effort, 1987’s uncompromising Taking Over. This was followed quickly in 1988 by the equally uncompromising, Under The Influence which spawned the MTV hit, ‘Hello From The Gutter’. Continuing their breakneck pace, the band issued the Terry Date -produced Years of Decay the following year in 1989, which saw them pushing their sound in a more epic direction, while maintaining the neck-snapping attack of their debut. Expanding their lineup to a five piece in 1990 they released the brooding and relentlessly heavy Horrorscope, which introduced elements of doom into the mix and would go on to become a defining release and fan favorite. Overkill continued to move toward a more epic Sabbath style on 1993’s I Hear Black but switched up again on 1994’s W.F.O. which marked a return to the whiplash-inducing thrash of the past.

Overkill are held in high regard as one of the true greats of the global metal scene, one they dominate to this day. These six albums cemented Overkill in the thrash hall of fame, while contributing to their 16 million record sales, notched up over the last 40 years and are all considered stone cold classics.

All six of these albums are back on vinyl for the first time in over a decade. Half speed mastered for dynamic range and pressed on 180g vinyl. Also available as a CD collectors box.

The Atlantic Years 1986 to 1994 contains :
TAKING OVER
UNDER THE INFLUENCE
THE YEARS OF DECAY
HORROSCOPE
I HEAR BLACK
W.F.O.

HIS NEW LP, BRIGHTEN
OUT ON OCTOBER 29, 2021

TOUR BEGINS MARCH 24, 2022

TICKETS AVAILABLE HERE
(BEGINNING FRIDAY, AUGUST 27 10:00 AM LOCAL TIME)
WATCH THE TOUR ANNOUNCEMENT HERE

LISTEN TO FIRST SONG FROM BRIGHTEN: “ATONE”
WATCH THE VIDEO
PRE SAVE LINK ​​ https://hoo.be/jerrycantrell

Singer, songwriter, guitarist, and Alice In Chains co-founder Jerry Cantrell today announces a North American tour beginning on
March 24, 2022 in support of his soon to be released album Brighten. Tickets are on sale Friday, August 27 at 10:00 AM local time.

The upcoming tour follows the release of his first song from Brighten, “Atone”, which was met with praise from fans and critics. Rolling Stone writer Jon Blistein said, “Atone” is a heavy track, although it’s undergirded by a sinister twang while the guitar riffs hit with grit and menace, as well as a bit of psychedelic unease. “Running out of time,” Cantrell wails right before the hook, “Gotta find a way to atone/Gotta find a way to atone/Trying to find a way to atone.”

Jerry’s expansive sonic palette incorporates everything from moments of moody organ and powerful pedal steel to the cathartic choruses and airtight riffs which is the hallmark of Cantrell’s sound.

The tour kicks off at the legendary First Avenue in Minneapolis and will wind its way across the country hitting major cities such as Chicago, Detroit, Nashville, NY, Philadelphia, Seattle and Los Angeles to name a few. See full tour routing below.

Tickets for the Brighten Tour are available via Ticketmaster and wherever tickets are sold.

Over the past year, Jerry co-produced Brighten with film composer Tyler Bates [300, John Wick] and long-time Engineer Paul Fig. Reflecting a classic spirit, they welcomed a dynamic cast of supporting players, including drummers Gil Sharone and Abe Laboriel, Jr. (Paul McCartney), Duff McKagan [Guns N’ Roses, Loaded] on select bass tracks, Greg Puciato [Dillinger Escape Plan] handling all of the backing vocals along with Lola Bates, pedal steel master Michael Rozon, Vincent Jones on piano, Wurlitzer, and organ, Jordan Lewis on piano, Matias Ambrogi-Torres on strings, and Joe Barresi [Tool, Queens of the Stone Age] overseeing the mixing of Brighten.

Brighten is available for pre-order and will be offered in an exclusive bone with gold splatter color 180 gram vinyl via Jerry’s webstore. CDs are also available in the webstore for pre-order. Pre-order and pre-save—HERE.

JERRY CANTRELL 2022 NORTH AMERICAN TOUR DATES

Thu-Mar-24 Minneapolis First Avenue
Sat-Mar-26 Chicago The Vic Theatre
Mon-Mar-28 Detroit St. Andrews Hall
Tue-Mar-29 Toronto History
Thu-Mar-31 Pittsburgh Roxian Theatre
Sat-Apr-02 Atlantic City Music Box @ Borgata
Sun-Apr-03 Philadelphia Theatre of Living Arts
Tue-Apr-05 New York Irving Plaza
Wed-Apr-06 Boston Big Night Live
Fri-Apr-08 Baltimore Rams Head Live
Sat-Apr-09 Raleigh The Ritz
Sun-Apr-10 Charlotte Fillmore
Tue-Apr-12 Orlando House of Blues
Wed-Apr-13 St. Petersburg Jannus Live
Fri-Apr-15 Atlanta Tabernacle
Sun-Apr-17 Nashville Ryman Auditorium
Tue-Apr-19 New Orleans Fillmore
Thu-Apr-21 Dallas House of Blues
Fri-Apr-22 San Antonio Aztec Theatre
Sat-Apr-23 Houston House of Blues
Mon-Apr-25 Oklahoma City Diamond Ballroom
Wed-Apr-27 Denver The Summit
Thu-Apr-28 Salt Lake City The Depot
Sun-May-01 Portland Roseland Theater
Mon-May-02 Seattle Moore Theatre
Wed-May-04 Sacramento Ace of Spades
Thu-May-05 Los Angeles Belasco Theatre
Sat-May-07 Las Vegas House of Blues
Sun-May-08 San Diego House of Blues

Brighten Track List
Atone
Brighten
Prism of Doubt
Black Hearts and Evil Done
Siren Song
Had To Know
Nobody Breaks You
Dismembered
Goodbye

The Cast of Players on Brighten
Jerry Cantrell – Guitar, bass, vocals, keys
Greg Puciato – Backing vocals
Duff McKagan – Bass
Gil Sharone – Drums
Abe Laboriel Jr. – Drums
Tyler Bates – Strings, percussion, guitar
Vincent Jones – Piano, keys, & strings
Jordan Lewis – Piano
Michael Rozon – Pedal steel
Lola Bates – Backing vocals
Matias Ambrogi-Torres – Strings