Tribeca Film Festival Review “Downeast”

Directed by: David Redmon and Ashley Sabin
Tribeca Film Festival
MPAA Rating: Not Rated
Running time: 76 minutes

Our Score: 2.5 out of 5 stars

Downeast tells the story of the aftermath of the closing of the United States’ last sardine canning factory in Gouldsboro, Maine. With the factory’s workforce unemployed–and because of many of their advanced ages, unemployable– an Italian immigrant arrives with the goal of turning the old facility into a lobster processing plant and putting them back to work.

There’s a lot at stake in David Redmon and Ashley Sabin’s documentary for these Maine townspeople and yet unfortunately they are oddly lost in the shuffle. Instead the focus is on Italian businessman, Antonio Bussone’s fight against the town elders (would-be lobster competitors) and the red tape preventing him from access to federal funding to keep his factory afloat. This often times translates to many scenes of him doing deals over the phone in his office or scrolling through bank accounts on his computer. This is not very interesting to watch and even confusing as he laments negative balances while the factory is still up and operating. One wonders if he ever clued his rehired employees into how badly off he was.

Where the film shines is when it focuses on the lifelong employees of the Stinson sardine cannery. You sense a real camaraderie between, for example, three ladies sitting together comparing how many years each worked there (all thirty years or more). There’s a wonderful scene where three elderly ladies, adjusting from the shift of canning already-dead sardines to starting with live lobsters, debate whether or not the lobsters feel much pain in the process. It’s charming, if slightly macabre. We also get to meet a salty old lobster fisherman named Sherman who doesn’t care for town politics and only cares who will pay him the most for his catch. These are all great personalities I wish the film would have stayed with longer instead of the businessman.

It is also often in these scenes where the film is most interesting visually. The seemingly endless supply of shiny red lobster shells is shuffled through the plant hypnotically while the workers go at an amazing pace. It’s a great contrast from Bussone’s sterile office dealings. Unfortunately that office is really where the success of this factory project lives or dies and in the end the fate of the workers is left sadly unresolved.

Upcoming TFF Screenings of “Downeast”:
Sat. 4/21 – 1pm, AMC Loews Village 7-2
Tues. 4/24 – 7:30pm, Clearview Cinemas Chelsea 9
Sat. 4/28 – 9:45pm, Clearview Cinemas Chelsea 8

Marty Ingels reflects about his TV series “I’m Dickens, He’s Fenster”

Marty Ingels is known best for his role of Arch Fenster in the 1962 short-lived series “I’m Dickens, He’s Fenster”.  Thanks to Lightyear Entertainment, the series has been revived and Volume 1 containing the first 16 episode was recently released.  Read our review here.  Media Mikes had a chance to revisit the show with Marty and also talk about working with his wife, Shirley Jones and his possible upcoming one-man show.

Mike Gencarelli: Since “I’m Dickens, He’s Fenster” only lasted one season of 32 episodes, how can you reflect on its renewed interest?
Marty Ingels: It is hard to get people interested in things that happened 50 years ago. The fact that it still holds up today is impressive. The big mistake was that it was canceled in the first place.  All the rumors said that they canceled it before the ratings even came in.  When the ratings came out, we had beaten both of our competitions  “Sing-along with Mitch” and “Route 66”.  We had beaten both of them and they were giants.  If we had stayed on one more season we would have caught up and then who knows what would have happened.

MG: How was revisiting the show with the Volume 1 DVD release with new interviews and episode commentary?
MI: Good question.  I will be honest with you, I am 76 years old now and I thought this show was going to be the rocket for me. Funny story, Patrick Cassidy came to me after watching these episodes and told me “Ingles, I have to tell you when I saw you in your twenties and what a natural comic with such great timing you were…you must have done something monumental to fuck up your career.” [laughs]. So, there was a lot of feelings of nostalgia though and looking back over my life, but I am glad the show is getting the attention it deserves.

MG: Did you how any room to improv at all during the production?
MI: You know something, I leaned very much on the material.  All of the writers were great. Lenny Stern came from “The Honeymooners”, amongst many others.  I was up to my ass in creative people, who knew what to do with Marty Ingels.  It was just great.  At that time, improv wasn’t that big either.  Nobody really said “Hey guys, we want you to run with this here”.  There was so much precise physical stuff.  I got a fan letter from Stan Laurel and complimented me on my physical comedy, so that was amazing.  But when you do physical comedy, you can’t improvise as much.

MG: Looking back you have done over 100 TV and film appearances, which are some of the best ones which were some of the worst ones?
MI: All my TV and movie “guest shots” were good…small but good. I only wish they’d have been “bigger”.

MG: How has The TV sitcom changed over the years, good or bad?
MI: It’s easier to get a laugh with blue stuff. The guys who work clean are the REAL comedy masters, period.

MG: You got a couple of films coming up co-starring with your wife Shirley Jones, tell us about that experience?
MI: Those came about when Shirley got the job and they asked “Doesn’t she have an old Jewish husband that they keep upstairs in the Anne Frank room?” [laughs].  We just did a film in Cincinnati and we’ve been doing a lot of independent films naturally.  Shirley had some scenes with me and what’s funny is that we have never worked together before. She works in a different way that I do and goes very strictly by the word of the script.  The director said when we were done with a scene if we could do it again and try improving it and just letting it flow.  So it was fascinating, I did my comic thing and I didn’t hold back at all and Shirley wasn’t afraid to bring it either. So I have been enjoying it quite a bit.

MG: Have you ever considered to do a one-man show?
MI: I have been told that I should do a one-man show many times now.  Nobody gets a regeneration at 75 as a comic.  I actually never did stand-up either, I went straight to Hollywood.  Everyone has been telling me to do it, so I have going back and forth figuring out if I have enough material.  Since comedy now is all about stories, I have quite a few of those.  So I have been circling around that.  I already have my opening line written.  I would point to the lady in the first row and ask “How long did it you to get here?” and she would say “Oh I took the freeway, so about a half hour”.  Ask the person next to her and they would say “I came from Pasadena, so it took an hour and half.  Then I would say to the audience “It took me 47 years to get here”.  Life is interesting and it has a lot of twists and turns.

Tribeca Film Festival Review “As Luck Would Have It”

Directed by: Alex de la Iglesia
Producers: Andrés Vicente Gomez, Ximo Perez
Starring: José Mota, Salma Hayek, Blanca Portillo, Juan Luis Galiardo, Fernando Tejero
Tribeca Film Festival
Running time: 93 minutes

Our Score: 3.5 out of 5 stars

Alex de la Iglesia’s As Luck Would Have It follows Roberto (José Mota), a struggling former ad executive, as his day goes from bad to much worse. Or it would seem to everyone else but Roberto. Having failed at a job interview where he literally begged for a position from an old friend, a despondent Roberto feels nostalgic for the hotel where he and his wife (Salma Hayek) honeymooned and decides it’s time for a visit. Unfortunately the hotel is gone in lieu of a restricted excavation site and Roberto soon has a freak accident that traps him in an ancient coliseum. Savvy businessman that he is, Roberto recruits an agent to his cause in order to milk the most media money out of his predicament.

As far as the satire goes, it’s a little bit two dimensional. The agent Roberto hires, Johnny (Fernando Tejero), is perfectly weaselly and the people he deals with are also stereotypical money grubbing slimeballs who would profit from Roberto’s demise. The point that the media is predatory and disposable is reached quickly and not really expanded upon. Having Roberto trapped in the center of a coliseum too for this media frenzy does seem a bit too on the nose, but it’s undeniably a beautiful set to look at. If two thirds of the film must take place in the same setting, they could do worse.

Really then the strength of the film lies in the central performances of Roberto and his family. Mota infuses Roberto with a kind of infectious optimism regarding his financial prospects despite his terrible position and is especially impressive given the restrictions on his physical performance after his accident. Salma Hayek is wonderful as Roberto’s more grounded wife Luisa who understandably is more concerned with getting her husband back than making a profit. When Roberto slips into unsympathetic territory, it’s their relationship, and the performances of Eduardo Casanova and Nerea Camacho as their children, that keeps us invested in his fate. De la Iglesia’s well drawn protagonists are bound to keep audiences rooting for Roberto.

Upcoming TFF Screenings of As Luck Would Have It:
Tue. 4/24 – 6:30pm, SVA Theater 1 Silas
Wed. 4/25 – 3:00pm, AMC Loews Village 7-1
Thu. 4/26 – 8:30pm, AMC Loews Village 7-3
Fri. 4/27 – 3:45pm, Clearview Cinemas Chelsea 8

Tribeca Film Festival Review “Side by Side”

Directed by: Chris Keneally
Producers: Chris Keneally, Keanu Reeves
Featuring: Keanu Reeves, Martin Scorsese, Christopher Nolan, David Fincher, James Cameron, George Lucas
Tribeca Film Festival
Running time: 99 minutes

Our Score: 4 out of 5 stars

Film lovers may or may not know that as of October 2011 the major manufacturers of cameras for motion pictures–Arri, Panavision, Aaton– stopped making new film cameras. In January of this year Eastman Kodak filed for bankruptcy in the face of insurmountable digital competitors. So is celluloid film dead?

This is the central question up for debate in Side by Side, an in depth documentary produced by Keanu Reeves and directed by Chris Keneally, which takes a look at the digital revolution which has been picking up steam in Hollywood since the turn of the millennium. The doc is making its stateside debut at this week’s Tribeca Film Fest with a planned release in August.

Reeves and Keneally have rounded up an impressive roster of interviewees who fall on all sides of the digital-versus-film argument and come from every step in the production and post-production process. In this corner we have director Christopher Nolan and his cinematographer Wally Pfister maintaining they’ll be the last people shooting on film, and in this corner we have digital proponents such as George Lucas and Robert Rodriguez swearing off celluloid for good. Occupying the middle ground are heavy hitters like David Fincher, David Lynch, Steven Soderbergh and Martin Scorsese (fresh off the digitally-shot “Hugo”).

The documentary itself never takes a side which makes the debate that much more engaging and I found myself shifting allegiance throughout. Additionally, on-screen interviewer Reeves is great at getting honest, candid reactions from his insider interviewees. Furthermore Keneally takes the time to explain the mechanics behind much of the debate’s technical aspects, a step which may cause digital-saavy folk to become a little bored, but it certainly makes the doc more accessible to the average movie goer.

In the end the most startling thing about Side by Side is how rapidly this technological change is occurring. In 1999, for the debut of The Phantom Menace, only four theatres in the country had digital projectors, four years later–in time for Attack of the Clones–there were 150. Statistics like this made me grateful that these filmmakers have been there to record, in whatever form they choose, this massive shift in cinema.

Upcoming TFF Screenings of Side by Side:
Tues. 4/24 – 8:30pm, SVA Theater 2 Beatrice
Thu. 4/26 – 7:00pm, AMC Loews Village 7-2
Fri. 4/27 – 2:30pm, AMC Loews Village 7-3
Sat. 4/28 – 4:00pm, AMC Loews Village 7-2
Sun. 4/29 – 2:30pm, SVA Theater 2 Beatrice

Blu-ray Review “Mimic: 3 Film Set”

Directed by: Guillermo del Toro, Jean de Segonzac, JT Petty
Starring: Mira Sorvino, Jeremy Northam, Charles S. Dutton, Bruno Campos, Alix Koromzay, Lance Henriksen, Amanda Plummer
MPAA Rating: R
Distributed by: Lions Gate
Release Date: May 1, 2012
Running Time: 270 minutes

Our Score: 4 out of 5 stars

The “Mimic” franchise was started by one of the greatest and visionary directors of our time Guillermo del Toro. It all started from him. Though he wasn’t happy with the film, so luckily this film set includes the director’s cut of the film and a whole lot of extras. This set is rounded out by its direct-to-video sequels “Mimic 2” and “Mimic 3: Sentinel”. There is something about direct-to-video sequels that I loved from Miramax like “Children of the Corn” and “Hellraiser”. They are not the best movies but they are true to this series and just fun to enjoy for fans of the series. All three films come backed with great visual effects, even the sequels. If you don’t own “Mimic” on Blu-ray already, I would highly recommend picking up this great collection.

The first film “Mimic” started it all with the ‘Judas’ breed of a new insect in order to prevent an epidemic. The film is directed by the fantastic Guillermo del Toro and it packs such a great cast. The second film “Mimic 2” picks up four years after, where the mutated cockroaches have now undergo another metamorphosis and plan on taking over again. To sum up this franchise, “Mimic 3: Sentinel” gives this series a new twist. Directed by JT Petty, the mutant breed of these giant insects comes back again and the world finds out that the ‘Judas’ breed is far from extinct.

The Blu-ray presentation are all absolutely stunning. The first “Mimic” not only looks great in its high def 1080p transfer, it sounds beyond fantastic with its DTS-HD Master Audio 7.1 track. The rain and special effects are showcased perfectly with this audio track. The other films also pack a DTS-HD Master Audio 5.1 track, which also shines very well. All three of the films are very dark but yet they look fantastic, overall very impressive transfers.

“Mimic: The Director’s Cut” comes packed with some very impressive special features. There is a “Video Prologue with Director Guillermo del Toro” and “Audio Commentary with Director/Co-writer Guillermo del Toro”. The audio commentary is very informative, as they always are with him. “Reclaiming Mimic” is a featurette that focuses on how the original vision for the film was brought in for this new cut. “A Leap in Evolution – The Creatures of Mimic” is featurette on creating these amazing creatures. “Back into the Tunnels – Shooting Mimic” is a featurette on the film’s dreadfully wet and dark shooting locations. There are three deleted scenes, including an alternate ending. There are six “Storyboard Animatics”, which I enjoyed but which they were longer. Lastly there is a gag reel included.

For direct-to-video sequels, “Mimic 2” and “Mimic 3: Sentinel” also come with some decent special features. They are in SD like most of the “Mimic” extras but still decent. The second film has “5 Days of Mimic 2”, focusing on the production. “Behind the Sound of Mimic 2” focuses on creating the score for the film. Lastly included also are a few deleted scenes. The third film comes with an decent behind-the-scenes featurette, which I enjoyed. An audio commentary with Writer/Director J.T. Petty, which was also informative. Lastly there was cast auditions included as well.

Book Review “The Cabin in the Woods: The Official Visual Companion”

Author(s): Joss Whedon and Drew Goddard
Paperback: 176 pages
Publisher: Titan Books
Release Date: April 17, 2012

Our Score: 5 out of 5 stars

Joss Whedon is literally a God amongst his fans.  He is the creator of “Buffy the Vampire Slayer”,”Firefly” and “Dr. Horrible’s Sing-a-long Blog”, just to name a few.  He also wrote/directed a little film called “Marvel’s The Avengers”.  Match that with the genius of Drew Goddard, writer of “Cloverfield” & “Serenity” and you get one of the best horror film of the year.  This book is official visual companion and it is easily the best companion book that I have ever seen.  It is not only caters to fans of Whedon but all horror fans a like.

This book features an amazing 40-pages visual in-depth interview with both Joss Whedon and Drew Goddard.  It simply answers ever single question any fan can have about the film and its production.  It also includes the full screenplay by Whedon and Goddard accompanied by some fantastic production art and hundreds of color photos.  The images included are really high quality and although no hardcover it still looks great.  Lastly the film goes into great details on the film’s creatures, but I will stop there as not to spoil anything.

Be warned if you have not seen this film, do not pick it up prior to watching since it contains mucho spoilers.  If you have seen the film then you can’t pick it up quicker as it is not only super descriptive about the film but it encompasses every aspect a fan can wish for. Overall this book is really well produced by Titan Books, who delivered yet another amazing release.  They are the best when it comes to providing fans with the official visual companions.

DVD Review “Episode 50”

Directed by: Joe Smalley, Tess Smalley
Starring: Josh Folan, Chris Perry, Natalie Wetta
MPAA Rating: Unrated
Distributed by: Image Entertainment
Release Date: April 17, 2012
Running Time: 81 minutes

Film: 3 out of stars
Extras: 1.5 out of 5 stars

Alright since “Ghost Hunters” made ghosts a hot topic and “Paranormal Activity” made found footage cool again, we have gotten a constant wave of these films.  This one can should probably be shuffled in with the others, but it does pack a few good spooks.  This even made me a little creeped out and scored a few decent jumps.  Overall though the acting is so terrible that it makes it hard to enjoy.  Luckily though,  I am real sucker for cool “creepy” aberration shots and this one definitely contained a few shots.

This film follows two television crews of paranormal experts who are taking on a major task of shooting their TV show at a haunted psych hospital.  One team of skeptics looking to debunk ghosts and another believers looking to prove their existence. The two team up but find that they got a lot more than they bargained for when a lot of strange phenomenons keep happening.  Although due to the events of the night, episode 50 of their show was never aired…until now.

Having personally staked out a paranormal activity investigation at famously haunted Eastern State Penitentiary in Philadelphia, PA, I have trouble sometimes watching this faux films that try to really scare you.  I have been there and I have been scared.  This is entertaining for the most part but like I said most likely will get shuffled with the others.  Lastly the special features on the disc are lacking only including an audio commentary from writer Ian Holt and the films directors and also a trailer.

Courtney B. Vance talks about new film “The Divide”

Courtney B. Vance is known best for his role of Assistant District Attorney Ron Carver on “Law & Order: Criminal Intent”.  Last year Courtney co-star in a the horror film, “Final Destination 5” and recently appeared in the new post apocalyptic thriller “The Divide”.  Media Mikes had a chance to chat with Courtney about his role in the new film “The Divide”.

Mike Gencarelli: Can you tell us how you got involved with “The Divide”?
Courtney B. Vance: I read the script and initially thought it was a little darker than I tend to like. I wanted the chance to work with Xavier Gens as I loved his film “Hitman”. I wanted to see what he was going to do with this. We were in one room for about 28 days. We got to know each other really well.

MG: What did you like most about playing the Delvin character?
CV: What I liked most was that this was a true ensemble. If something didn’t quite work we could take the time to make it work a little better. Xavier (Gens)’ English is not always the best so we sometimes had to slow it down a little bit to get a better understanding of what he was saying. A lot of times after we got into things it turned out better than even he thought it would.

MG: Where was the film shot? It seemed pretty intense.
CV: We shot on a set in Winnipeg. Everything was on one little sound stage. Things were very contained.

MG: What do you like most about working in the horror genre after last year’s “Final Destination 5”?
CV: It’s new to me. I have never really worked in it before. The directors are new to me. The two I have worked with thus far are top drawer. It was great getting to know them.

MG: What do you generally look for in role when approaching a project?
CV: I like when there is an arc. I also like when there is something a character does that affects an outcome. I like when a character is more than just window dressing. I like a role to be involved.

MG: What do you like about working in both television and film?
CV: It’s the people. Most of the films I am a part of I am just glad to be a part of it. If the people are great then you have the potential for doing something wonderful. If the people are good which most of them are and the script is tight its fun for us.

DVD Review “7 Below”

Directed by: Kevin Carraway
Starring: Val Kilmer, Ving Rhames, Luke Goss, Bonnie Somerville
MPAA Rating: R
Distributed: Arc Entertainment
Release Date: April 17, 2012
Running Time: 93 minutes

Film: 2.5 out of 5 stars
Extras: 1/2 out of 5 stars

When a film is deemed “A supernatural thriller in the vein of The Ring meets The Grudge”. I get myself set with some high expectations. Unfortunately, after watching the first 30 minutes with nothing happening you start to doubt its potential. The film does pack a notable cast though including Val Kilmer, Ving Rhames and Luke Goss. It does pick up towards the end and gets off a few good spooks but not enough for me to highly recommend this.

The film follows a group of strangers who become stranded by a storm in a strange house by a complete stranger. Of course this isn’t your regular house they find when they start encountering an evil presence. It turns out that back in 1910, a 10 year-old boy brutally murdered whole family in the same house. The group realized that they are in the same house and as the storm happens outside, inside strange and horrifying things start happening that will lead to the shocking conclusion!

It is sad that actors like Val Kilmer, Ving Rhames and Luke Goss have been deemed to these kinds of films.  Val Kilmer recently rocked the house in a promo for the new “Tenacious D” album.  Ving Rhames looks to entertain in “Piranha 3DD”.  Let’s just say if it wasn’t for them in this movie, I most likely would have taken a pass.  On the special features side, the film disappoints again with only a trailer being included. Overall it is a low-grade thriller though barely is able to entertain enough to fill the 90 minutes.

DVD Review “Robotropolis”

Directed by: Christopher Hatton
Starring: Zoe Naylor, Graham Sibley, Edward Foy, Lani Tupu
MPAA Rating: Unrated
Distributed by: image Entertainment
Release Date: April 17, 2012
Running Time: 84 minutes

Film: 3 out of 5 stars
Extras: 1 out of 5 stars

Alright with a title like “Robotropolis”, you need to keep those expectations low and just look at it as a fun robot action film. It is definitely that and doesn’t attempt to really go beyond.  The special effects are decent…for a cheesy sci-fi movie.  The film stars Zoe Naylor, who was great in the shark thriller “The Reef”, and definitely leads this film well.  Plus who can argue with Ain’t It Cool News calling it “A hell of a a fun time”. I completely agree.

The film showcases the development of a new state-of-the-art city called New Town, which is completely run by robots working and living among humans. Reporter Christiane Nouveau (Zoe Naylor) are covering this news break, but of course things don’t go well.  A robot shoots down an innocent football player during filming and it starts a chain-reaction. Christiane and her crew use their camera to update the world live on this shocking robot development but are the robots able to be stopped before it is too late?

The special features on this film are disappointing, but what do you expect?  Included is a really hard to watch “video journal” from the co-star  Graham Sibley called “Robodyssey”.  It is very raw and not well produced.  Lastly there is a trailer include as well.  Overall it film is just plain stupid fun.  Leave your inhibitions at the door and sit back and get ready to be entertained.

 

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Film Review “Disneynature’s Chimpanzee”

Starring:  Oscar and other assorted friends.
Directed by:  Alastair Fothergill and Mark Linfield
G
Running time:  1 hour 18 mins
DisneyNature

Our Score: 3.5 out of 5 stars

There’s a great part in “Jay and Silent Bob Strike Back” where, during the filming of a parodied “Scream 3” the killer turns out to be a monkey.  Horrified, Shannen Doherty turns to director Wes Craven and exclaims, “A monkey, Wes?  Jesus, you’re not even trying anymore are you?”   Smiling, Craven replies, “The market research says that people love monkeys!”  And take it from me, they’re going to love little Oscar, the star of the new documentary, “Chimpanzee.”

Young chimp Oscar spends his days hanging out with his mom.  Life is pretty sweet for the little guy.  But when the food in their part of the jungle runs low, Oscar’s group must forage in areas that are not friendly, guarded by a rival group of chimps.  It’s like “West Side Story” with primates!

Cute as a button (the first five or six times he’s on screen the screening audience let out a collected “awww), Oscar makes for an engaging movie star.  The film itself is beautifully shot, with the filmmakers gaining unprecedented access to the secrets of the jungle.  The story is pretty straight forward.  Find food or fight trying.  The chimpanzees must have studied at the Disney school of movie plots.  During one of the skirmishes Oscar’s mother just disappears, apparently killed.  The rival gang is led by a scowling chimp named Scar.  The film is surprisingly “G” rated, which I found strange considering there is an intense sequence where the chimps surround a weaker group of monkeys, capture the slowest one and eat it.  I guess if it happens in nature it’s not PG worthy.

The world the chimpanzees make for themselves is pretty amazing.  Whether fashioning a bed for themselves by bending tree branches or choosing between a log or a rock to open nuts, it’s clear that these guys are pretty smart.  And close.  The best scenes are the simple ones…Oscar and his young friends wrestling or just Oscar cradled in his mother’s arms.  The magic of the jungle is caught in all its beauty, with special mention to the various time-lapse shots capturing everything from a blossoming flower to a spider making its web.  And while Wes Craven believes everyone loves monkeys, I noticed that the majority of the under-5 crowd fidgeted during the screening, usually being taken out of the theatre in tears.  But for the over-5 crowd, the film should be a crowd pleaser.

DVD Review “Marvel Animated Features Collection”

MPAA Rating: PG-13
Distributed by: Lions Gate
Release Date: April 24, 2012
Running Time: 259 minutes

Our Score: 3.5 out of 5 stars

I am a big fan of Marvel’s animated features but lets just say if these were being reviewed individually the score would be lower. All of them together equal some decent superhero fun. The three movies included are “Planet Hulk”, “The Invincible Iron Man” and “Doctor Strange”. In that order they actually go from best to least. Especially for such a low price, if you don’t own this and love Marvel, I recommend you picking them up.

“Planet Hulk” focuses on the big green man but takes place on another plnet. Since Hulk is so impossible to control and dangerous, Earth’s mightiest heroes exiled him into outer space. But once he lands on distant planet SAKAAR, things get ugly. “The Invincible Iron Man” reveals the origin of Iron Man. “Doctor Strange”, who is not a very well known hero, focuses on Dr. Stephen Strange’s journey to seeks healing at the feet of the mysterious Ancient One. He faces his own and actual monsters in the process of finding the magic.

To top off this impressive collection of movies, there is also a ton of bonus features included on this release. There are a few making-of featurettes, interactive games, concepts art gallery and more. The animation on this film are very colorful and sharp. The movies are just plain fun and if you are fan of Marvel’s work it is a no brainer. I would honestly prefer these on Blu-ray since, they would look even better and packed with 7.1 surround sound.  If you have the choice, I would recommend that route for this collection.

DVD Review “Ultimate Avengers Movie Collection”

MPAA Rating: PG-13 / PG
Distributed by: Lions Gate
Release Date: April 24, 2012
Running Time: 217 minutes

Our Score: 4 out of 5 stars

With “Marvel’s The Avengers” on the way this May, this is very hot content. The “Ultimate Avengers” series was made back in 2005 and “New Avengers: Heroes of Tomorrow” was made in 2008. If you already own the “Ultimate Avengers” films, you don’t need to re-purchase this for the bonus film “Next Avengers”. If you don’t own any of these I would run out to the store and grab these, especially since they are being sold at a very reasonable price. If you have a Blu-ray player, I would recommend you grab this set

“Ultimate Avengers” is inspired by Marvel’s best-selling books, The Ultimates. It focuses on six heroes, lead by Captain America, who must fight as one to save the world. “Ultimate Avengers 2” forces our heroes to reunite in order to fight a rematch of heroic proportions in order to assist The Black Panther. “New Avengers: Heroes of Tomorrow” focuses on the spawn of The Avengers taking the lead after their parents demise was met by Ultron.

To top off this impressive collection of movies, there is also a ton of bonus features included on this release. There are a few making-of featurettes, interactive games, concepts art gallery and more. The animation on this film are very colorful and sharp. The movies are just plain fun and if you are fan of Marvel’s work it is a no brainer. If you are looking to get more excited for “Marvel’s The Avengers” to hit theaters then this collection is a good way to brush up on your favorite superheros and get ready for May 4th.

 

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“Disneynature’s Chimpazee” The Making Of Book Giveaway [ENDED]

THANK YOU FOR ENTERING, THE CONTEST HAS ENDED. WINNERS HAVE BEEN CHOSEN AND NOTIFIED VIA EMAIL. PLEASE CHECK BACK EVERY WEEK FOR NEW GIVEAWAYS!

To celebrate the theatrical release of “Disneynature’s Chimpanzee”, Media Mikes would like to giveaway 5 copies of Making of The Film Book authored by Christophe Boesch and Sanjida O’Connell. If you would like to win one of these great prizes below, all you have to do is “LIKE” our Facebook page and then post “Chimpazee” and the name of your favorite Disneynature movie to date or leave us a comment below if you don’t use Facebook. This giveaway will be open until Sunday April 29th at Noon, Eastern Time and is only open to residents of the United States. Only one entry per person, per household; all other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email.

Book Description:
Chimpanzees are our closest living relatives in the animal kingdom. They share 98 percent of our genetic makeup; yet despite our many commonalities, some aspects of chimp behavior remain a mystery to us. Biologists studying chimpanzees have made significant discoveries about our primate cousins, but the bulk of that knowledge has been gained relatively recently. We still have much to learn, and the need to learn is great; chimpanzees are highly endangered in the wild, and some primatologists believe that they are at the brink of extinction.

In the hope that increased awareness will brighten the future for these great apes, Disneynature has released a film following in the footsteps of Earth, Oceans, and African Cats. That film is Chimpanzee. Chimpanzee: The Making of the Film chronicles the entire process of the movie’s creation, from the idea that the directors pitched to Disneynature, to the challenging filming that took place deep in the heart of Africa. Using their own words, the filmmakers discuss ground lost and ground won—both in the context of the chimpanzees’ territory wars, and the progress of the film itself.

The filmmakers’ perseverance was rewarded when they happened upon the chimpanzees that would become the focal point of the movie: Oscar and Freddy. Orphaned at three, Oscar had little chance of surviving without a mother to nurse him and teach him to sustain himself. So it was quite surprising when the alpha male of the group, Freddy, adopted the baby and began taking care of him.

The heartwarming and remarkable relationship between these chimpanzees is captured within this book through anecdotes told by the filmmakers and stunning photographs taken in the Taï forest. Their story, as well as the story of the film’s production, will prompt both laughter and tears, so make sure to grab a hanky!

Blair Butler talks about writing for G4TV’s “Attack of the Show”

When I’m asked how/why I got into film reviewing I cite three film critics whose work inspired me. The first is Steve Otto, who was the film critic of the Tampa Times when I was in high school. He took the time to talk to me every time I stopped by the paper and would often lend me photos to reproduce with my school paper reviews. Second was Stephen Hunter, who was the film critic of the Baltimore Sun when we first met. I actually paid $50.00 in a PBS auction for a chance to go see the film “Beastmaster” with Stephen and then discuss it with him during lunch. When I got into the promotions/marketing field I got to work with Stephen often and we became friends. He later went on to write for the Washington Post and won the Pulitzer Prize in 2003 for Distinguished Criticism. The third is Robert (Bob) Butler, former film critic for the Kansas City Star. When I arrived (the first time) in Kansas City in 1979 the first thing I read in the local paper was Bob’s review for the film “10.” The more I read his work the more I began appreciating how much fun and passion one person could share with the written word. When I moved to Baltimore I would pick up the Star at the local out of town newspaper stand each week and did that until I moved back to KC in 1996. I finally got to meet Bob when I was admitted into the Kansas City Film Critics Circle. To now be considered a colleague of someone I admire was a pretty great feeling.

I give you this background information as a way of introducing Blair Butler. You probably know her from her stand up comedy routines, appearances on the G4 television network or creator of the popular comic book “Heart.” That’s how I knew her until her mother, Ellen, remarked to a fellow critic that “Blair was coming home this week.” After listening for a few more moments It suddenly dawned on me that Blair was Bob and Ellen’s daughter! Small world.

Blair was indeed “home” this week, appearing at Planet Comicon 2012. While here she graciously took time out to answer a few questions.

Mike Smith: How did a girl from Kansas develop a love for comic books?
Blair Butler: My Dad took me to Clint’s Comics in Westport and let me buy comics out of the 25 cent bin when I was little. After reading some really terrible issues of Werewolf by Night and She-Hulk, I stumbled onto Batman and the New Mutants – and I was hooked for life. After a brief lapse in the mid 90s (I got burnt-out on gimmicky covers, variants, and style-over-substance) I came back to comics thanks to great titles like Planetary, The Authority, and Geoff Johns’ run on JSA. And I’ve been there ever since.

MS: How did you get involved with G4?
BB: I was hired as the head writer for “X-Play,” a videogame show on the TechTV network. When G4 bought TechTV, the two networks merged – and I wound up becoming the comic book correspondent for “Attack of the Show” – which was an amazing opportunity that I’m incredibly grateful for. If I knew at age 12 that I’d be covering comics for part of my day job, I think my 12-year-old self would hyperventilate with excitement.

MS: You once reviewed comic books in your “Fresh Ink” segment of “Attack of the Show,” by rating them either BUY, BROWSE or BURN. Have you ever gotten a nasty message from someone whose work you trashed?
BB: Well, the good news is that I haven’t used the BUY, BROWSE, or BURN system for a few years on the show – primarily because I was pretty adamantly opposed to the suggestion of “burning” any comics. Now, I usually only review comics that I really love on the Live edition of “Attack of the Show,” or on my weekly review segment at www.G4tv.com/FreshInk — so thankfully, I haven’t met any furious writers or artists. Yet.

MS: What do you have coming up in the future?
BB: Well, I’ll be busy writing full-time for “Attack of the Show,” as well as working as a correspondent for two of the show’s signature segments: “Fresh Ink” – where I cover the wide world of comic books, and “M.M.A. Chokehold,” where professional fighters come in and do analysis for several of the biggest UFC events. We’ve have Chuck Liddell, Urijah Faber, Forrest Griffin, Nate “Rock” Quarry, Roy “Big Country” Nelson, Mayhem Miller, and a ton of other great fighters on the show, so — as a fan — that’s been amazing. And now that I’ve written my first comic book HEART — about a young, up-and-coming cage fighter named Oren “Rooster” Redmond – I’m hoping to make even more comics. And if I’m lucky, I’ll get to make them with my amazing HEART collaborators, artist Kevin Mellon and letterer “Crank.”