PROGRESSIVE MUSIC TITANS DREAM THEATER RELEASE MUSIC VIDEO FOR DEBUT SINGLE “INVISIBLE MONSTER” FROM THE UPCOMING ALBUM A VIEW FROM THE TOP OF THE WORLD

Watch the Video For “Invisible Monster” HERE: 

THEIR 15th STUDIO ALBUM SCHEDULED FOR WORLDWIDE RELEASE ON OCTOBER 22nd NOW AVAILABLE FOR PRE-ORDER HERE:

Part 1 of the In-Depth Behind The Scenes Interview About The New Album Can Be Seen Here:

As anticipation grows for the release of their 15th studio album, GRAMMY-nominated and millions-selling progressive music titans Dream Theater are releasing the music video for the first official single “Invisible Monster.” The song comes from their upcoming InsideOutMusic / Sony Music album A View From The Top Of The World scheduled for release worldwide on October 22nd. The new track clocks in at 6:27 and showcases the musicianship and creativity that has garnered the band fans around the globe. The video for the song was directed by William “Wombat” Felch (Mudvayne, HellYeah, Crobot, Static-X, Nefariant) and follows the story of an artist’s internal struggles as the band is showcased performing the track. The piece of art created by Felch in the video now lives inside DTHQ. The video for the song can be seen here: https://youtu.be/s0Wmg7Tq4Pk.

“It was written after we’d written a bunch of material. A lot of the music was super energetic and upbeat tempo-wise. Mike suggested we do something a little different though. So, we started working on a more mid-temp song. The hook, riff, and melody changed so naturally. I equate it to ‘Pull Me Under’ back in the day where we’d just start playing, something would come out, and we’d be like, ‘Whoa, that’s cool’. There’s a serendipitous moment where it happens. Lyrically, it’s about how anxiety plagues people. It’s like there’s an invisible monster beating you. You don’t see it, but it’s haunting you all of the time,” explains John Petrucci.

Dream Theater recently released an in-depth behind the scenes interview about the making of A View From The Top Of The World. The interview is a 3-part docuseries hosted by ProgReport Editor In Chief Roie Avin as he interviews the band about creating the new album. The interview takes place at the band’s new headquarters DTHQ – the space where the band recorded their latest album. Part 2 of the interview will be released on September 29th and the final part will be out on October 10th. The first part of the interview is now live and can be seen here:  Also, an animated video for album opener “The Alien” (viewed over 1.4 million times) that clocks in at 9:32 was released last month and can be seen here: 

A View From The Top Of The World is now available for pre-order in various configurations including a limited Deluxe Box incl. Gatefold 2LP (180g bright gold vinyl) with exclusive alternate cover, limited deluxe 2CD+Blu-ray Artbook with exclusive alternate cover, Zoetrope Slipmat, Beanie, Enamel Keychain, 8 x Artcards, Poster, Hand-Numbered Certificate of Authenticity in a Lift-off Lid Box. The album is also available in a limited Deluxe 2CD+Blu-ray Artbook, Special Edition CD Digipak, Gatefold 180g 2LP+CD+LP-booklet. The Blu-ray contains a 5.1 surround sound mix with full album animations, plus ‘Digging For A Spark – A View From Inside DTHQ’, a specially filmed documentary that gives a glimpse behind the scenes of the band’s new home-base and the making of the new album. The album is also available for pre-order digitally and fans that pre-order the digital version will receive an instant download of “The Alien.” A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap and available for pre-order here:

Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.

The track listing for A View From The Top Of The World is:

1) The Alien (9:32)
2) Answering The Call (7:35)
3) Invisible Monster (6:31)
4) Sleeping Giant (10:05)
5) Transcending Time (6:25)
6) Awaken The Master (9:47)
7) A View From The Top Of The World (20:24)

L to R: John Petrucci, Mike Mangini, James LaBrie, John Myung, Jordan Rudess Photo Credit: Rayon Richards

REB BEACH ANNOUNCES NEW SOLO ALBUM “A VIEW FROM THE INSIDE” DUE NOVEMBER 6, 2020

FIRST SINGLE, ‘INFINITO 1122’ OUT NOW

Reb Beach has announced that his long in the works instrumental solo album will now see the light of day. “A View From The Inside” is slated for a November 6th release via Frontiers Music Srl. A new single and video, ‘Infinito 1122‘ is out today. See the video HEREhttps://youtu.be/cN_m-jz772k

Pre-order/save “A View From The Inside” HEREhttps://orcd.co/rebbeach

An album that showcases the dynamic talents of the guitar virtuoso, hard rock fans will be transported back to the days when giants like Steve Vai and Joe Satriani dominated the mainstream consciousness (and airwaves), while also simultaneously being shown a guitarist ever pushing himself forward into the future. 

Reb Beach is one of the indisputable guitar giants of the current hard rock scene. His resume with ‘80s/’90s mega-stars Winger alone would earn him this distinction, but his legacy is cemented by his current membership and work with the legendary Whitesnake, his past efforts with Dokken, and his recent release with supergroup Black Swan, also featuring Jeff Pilson, Robin MacAuley, and Matt Starr. 

Influenced by the legendary hard rockers of the ‘70s, Reb spent his teen years jamming along with the greats of that era like Aerosmith and Montrose, but it was when he discovered more progressive players like Steve Morse, Allan Holdsworth, and Larry Carlton that his musical world really opened up. The complexity and the speed of the more prog style of playing was a unique challenge compared to the blues-based playing of most musicians of that era. The discovery of these players was ultimately the catalyst that drove his playing to the level he is now so well known to music fans the world over for. Beach eventually graduated from his home practice space to the Berkeley School of Music, but after a couple of semesters he moved on and soon became one of the most sought-after session players in the music industry, working with such all-time great talents as Eric Clapton, Bob Dylan, Roger Daltrey, Chaka Kahn, Howard Jones, and Twisted Sister. 

While living in NYC, he hooked up with his future bandmate, bassist and frontman Kip Winger. Reb and Kip formed the band Winger and the rest is history. The two proved to be incredible writing partners, crafting multiple platinum records that featured no less than six Top Forty singles. with music that was commercial yet complex. 

After Winger went on a hiatus in the ‘90s, Beach’s career continued thanks to collaborations with Alice Cooper, Dokken and Night Ranger and he debuted as a solo artist in 2002 with the album “Masquerade”. 

Following the Winger reunion in the ‘00s, Reb heard that David Coverdale was looking for a new guitarist for Whitesnake. He reached out to him and since 2003, Reb has toured the world with the band as well as released multiple albums with them, including “Good to Be Bad,” “Forevermore,” “The Purple Album,” and the recent “Flesh & Blood,” plus a number of live albums.

Reb Beach will now release his first instrumental album, but this is not a mere exercise of self-indulgence. It is the culmination of over 30 years of study and extremely hard work on his craft. Fans of Steve Morse and Joe Satriani will find a lot to love in the 11 songs on offer here, but while there is certainly a lot of ear candy for the musician types, fans of hard rock in general will find a wealth of melodies and transcendent moments where the songs simply make you forget there are no vocals.

Tracklist:

1. Black Magic

2. Little Robots

3. Aurora Borealis

4. Infinito 1122

5. Attack Of The Massive

6. The Way Home

7. Whiplash

8. Hawkdance

9. Cutting Loose

10. Sea Of Tranquility 

Line-up:

Reb Beach – guitars, bass on 4, 9, keyboards on 4, 6, 11, strings on 10

David Throckmorton – drums (except on 6)

Robert Langley – drums on 6

Michele Luppi – piano on 3, 10

Phillip Bynoe – bass on 1, 2, 3, 8, 10, 11

John Hall – bass on 5, 6, 7

Paul Brown – keyboards on 1, 2, 5, 7

Icons and Legends of Hollywood on View in NYC

This week New York film fans and prospective collectors have a unique opportunity to check out an array of props and costumes from Profiles in History’s upcoming ‘Icons & Legends of Hollywood’ auction. The auction, set to take place in Los Angeles June 5th, 6th, 7th and 8th, features over 2000 pieces dating all the way back to the silent era.

I got a chance to take a tour of this exhibit which opened yesterday to the public and will be on view through Saturday, May 19th at The Society of Illustrators located at 128 East 63rd Street.

Besides showing costumes from stars of Hollywood’s golden era such as Charlie Chaplin, Elizabeth Taylor and Groucho Marx in startlingly pristine condition, some of the props on view are among the most iconic in Sci-Fi history.

I was first shown Ripley’s spacesuit from the first Alien as well as a helmet worn by John Hurt. They were joined in this show by Ripley’s flamethrower from Aliens, apparently an actual flamethrower!

For children of the 80s and 90s however, I think the real highlights of this collection might well be Michael J Fox’s hoverboard from Back to the Future: Part II (a hole is in it of course because Marty ripped the handle bar off of it), Richard Attenborough’s amber-topped cane from Jurassic Park and a rather roughed up biker jacket from the Arnold Schwarzenegger’s arrival in The Terminator.

This show is truly just the tip of the ice berg for this massive auction which has memorabilia ranging from just a couple hundred dollars to those soaring with estimates over $100,000. However if you’re only looking to drop a couple bucks to take a look at these items up close but not take home, do not miss this show!

The exhibit will be open to the public:
On Tuesday, May 15th, 10:00 AM – 8:00 PM.
On Wednesday, May 16th, 10:00 AM – 5:00 PM.
On Thursday, May 17th, 10:00 AM – 8:00 PM.
On Friday, May 18th, 10:00 AM – 8:00 PM.
On Saturday, May 19th, 10:00 AM – 5:00 PM.
Located at The Society of Illustrators 128 East 63 Street New York, NY 10065.

More about Profiles in History: Icons & Legends of Hollywood

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