Lucas Vidal talks about scoring “Fast & Furious 6”

If you are a fan of film scores, then you are going to want to keep an eye out for Lucas Vidal. At the young age of 28, Lucas is taking over Hollywood with his fantastic talent. Last year, he scored the film “The Raven” with John Cusack and this year he took on the score for one of the biggest films of the year “Fast & Furious 6”. Media Mikes had a chance to chat with Lucas about taking over this franchise and his work on the film.

Mike Gencarelli: Tell us how you got attached to score “Fast & Furious 6”?
Lucas Vidal: Universal called me and said they wanted me to meet for the film. So I went for the meeting and sent them a couple of tracks from my other films and they really liked them. So that was how it started. This was going back to last year about eight months ago.

MG: How much time does it take for you to prepare for a film of this scale?
LV: Oh, a lot of time. I had to watch all the previous films, analyze them and also their scores. I had to study the sound of the franchise. It took me about a month at least just to make sure that I was ready.

MG: You became one of the youngest composer to ever score a major studio picture of this scale; how does that feel and does it compare with its own pressures?
LV: There is a little pressure yes, since now people are looking closely at my career. But I am good and I am very happy with it. The most important thing is to stay focused and keep working. The best thing is that I am learning from some really talented people, like the best orchestrators, music editors etc in the business. So that is the best part. Yes,  am young but I am learning a lot in the process.

MG: How was it following great artists like Brian Tyler, David Arnold and BT?
LV: They are all really good composers. I just tried to do my best, while also respecting their work as well. I was very fortunate to be able to be a part of this franchise. I respect them a lot and for me it was like a privilege. It was an honor.

MG: How do you feel that “Fast & Furious 6” differs from the past films in the series?
LV: It is similar to the others, yet still different. This one has a certain European feel to it. There is also a lot of electronic music.

MG: Tell us about your biggest challenge on this score?
LV: I had to also respect the theme song from the past films, as well. So that to me was the biggest challenge. I was doing something new but at the same time respecting the franchise.

MG: What was the timeline on this project from beginning to end?
LV: I think it was at least six months. It was pretty intense. There were five film editors involved, so there was a lot of people working on the film and the picture was constantly changing.

MG: After “Fast & Furious 6”, what do you have planned next?
LV: I am scoring a film called “Mindscape” and I have a project for the Boston Ballet. Then I have about three or four other films coming up as well. So I am going to be busy, man!

Lucas Vidal talks about scoring “The Raven”

Lucas Vidal is the composer for the new horror/thriller “The Raven”.  Later this Fall, he is also composing the new action film “The Cold Light of Day”.  Media Mikes had a chance to chat with Lucas about his new score and inspiration behind it.

Mike Gencarelli: Tell us how you incorporated Edgar Allen Poe’s legacy into your score for “The Raven”?
Lucas Vidal: The first thing I did when I started was to do research into Allen Poe’s life and state of mind in the film.  The music that he was listening to at the time.  When I spoke to the director (James McTeigue), he wanted to make sure that the music was something contemporary, not a period sound. We ended up getting into a really cool stage of creativity.  In fact we ended up doing really cool sounds for Allen Poe’s main theme.  We used an distorted electric guitar, which then interacts with the orchestra.  It helps the rhythm of the film a lot.  Overall it was a combination of real orchestra and electronics, since they were looking for a modern score.

MG: Did you have a lot of creative freedom working with “The Raven”?
LV: Yes, I did.  I was very open for ideas and suggestions though.  (James) McTeigue he knows what he is talking about, I mean he did “V For Vendetta”.  I was lucky to be able to learn a lot from a guy like that.  I was very opened-minded and yes I definitely had a lot of freedom on this project.

MG: What was your most challenging aspect for this score?
LV: I think to find the sound. Since McTeigue wanted something different than I expected.  The specific themes in the music are a lot of different than the movie. Once we got that got that down, it was a lot easier to start working.

MG: You also worked on the score for “The Cold Light of Day”, which is coming out this Fall; how do you feel it compares?
LV: The genre falls more under action for this one. There were a lot of big hits and rhythm in the orchestra.  “The Raven” was much darker.  I had a lot of of fun with both films.  We recorded in London at Abbey Road and we used a huge orchestra for both.  I think the approach was different but similar in the sense that it helps whats happening on the screen.

MG: When composing a film, what genres do you enjoy working in most?
LV: Well, I have done a lot of horror, thriller and action.  I would love to do more dramas and animation.  I love animation and dramas, like a really good drama!  A lot of dramas are orchestra driven and that is what I enjoy the most.

MG: Tell us about what you have upcoming?
LV: I cannot tell you right now, but I have a really cool movie coming up.  We are signing in the next day or two.  It is going to be very very interesting.


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