Help Choose The Best of 2014 and Win Some Sweet Swag! [ENDED]

As 2015 begins there is one more piece of 2014 business to take care of. It’s time to pick the winners of the 3rd Annual Media Mikes Awards!

Last year one lucky reader won an instant Blu-ray collection but this year, thanks to our media partners, we will be awarding TEN random readers a great prize just for nominating their favorite films and performances from last year. Prizes range from a set of DVDs to T-shirts, OUIJA boards, buttons and passes to see AMERICAN SNIPER and INHERENT VICE (these passes are accepted anywhere in the United States). Plus, if you will take the time to “like” our Podcast Facebook Page you could win an awesome prize package from THE GAMBLER, including a hat, carry bag and poker set.

Here’s all you have to do: nominate your favorite film or performer in the following categories: BEST PICTURE, DIRECTOR, ACTOR, ACTRESS, SUPPORTING ACTOR, SUPPORTING ACTRESS and BEST ANIMATED FEATURE. You can either do it below or send your nominees to (email address). Ten random entries will be chosen to win a movie prize. To be eligible for THE GAMBLER prize package, just “like” our Podcast page (and please give us a listen). All “likes” made to the page from Sunday, January 4, 2015 through Wednesday, January 21, 2015 will be eligible to win THE GAMBLER prize package. All entries (either on the Media Mikes site or via email ) must be in by midnight, January 21, 2015. All entries will be tabulated and the winners announced on the “Behind the Mikes” Podcast on Saturday, January 24, 2015. They will also be posted on the site that week.

Special thanks to our friends at Allied THA! Good luck!

Stryper’s Michael Sweet talks about new solo album “I’m Not Your Suicide”

Michael Sweet is best known as co-founder, writer, lead guitarist, lead vocalist and front man of the Christian rock band Stryper which were synonymous with their over the top black and yellow stage attire in the 1980’s. Michael was also co-lead vocalist and guitarist for the band Boston from 2007-2011. In the past couple of years Michael has been busier than ever releasing a new Stryper album in 2013 and more recently a solo album titled “I’m Not Your Suicide” and an autobiography titled “Honestly: My Life in Stryper Revealed”. Media Mikes spoke with Michael recently about his recent body of work and what he feels has contributed to his and the bands recent re-surge.

Adam Lawton: Can you give us some background on your new solo album?
Michael Sweet: A lot of people often wonder why I put out these solo albums. I am always writing songs and sometimes some of those songs don’t fit in with the Stryper material. I listen to all different kinds of music and I like to be able to go and express myself and show people the other side of myself. The material on this new album is still edgy however they wouldn’t exactly fit on a Stryper album. I tried some different things with this album and it was a lot of fun. I tried some country music as my dad had written a #1 country song in 1979 so I wanted to show my roots a little bit.

AL: Can you tell us about some of the guest appearances on the album?
MS: I took everything with this album song by song. For instance I was working on the song “This Time” and though Kevin Max would be great to have in there. He has a unique quality in his voice and he fit perfectly with that song. Then for “Taking on the World Tonight” Tony Harnell was a no brainer. All of the people on the album are dear friends of mine. I had never done an album that incorporated guests but it was something that I had always wanted to do. This was the album where it finally happened. I have Doug Aldrich and Chris Jericho on a track, Robert Sweet and Timothy Gaines on a track and Dave Mustaine’s daughter Electra sings with me on Neil Young’s “Heart of Gold”. Everyone brought something to the table which took each song to the next level.

AL: Did you have an idea as to what you wanted each guest to do on their tracks or were they free to experiment?
MS: I had an idea for some of the parts. For example the song Doug Aldrich appears on I knew he was the guy I wanted to play the solo. I sent him the song and he sent it back and it was just perfect. It was so simple of a process. The same thing happened with Electra’s performance. I had been thinking about having a female voice on that song and I had become good friends with Dave Mustaine over the years and mentioned the idea to him about having his daughter sing on the track. She has such a pure and angelic voice. They both thought the idea was great and Dave produce Electra’s vocals and it sound great! It was like clockwork as everything went as planned.

AL: Can you give us a little bit of background on your recent autobiography?
MS: I needed to write this book for myself. There is a lot of healing still taking place within my heart and my soul. There have been a lot of things that have happened in my life. There were a lot of questions from throughout my career that were still getting asked today so I wanted to answer all of those at once. That’s what I did with this book. There was a fine line I had to walk between being brutally honest and not hurting people. I’m not sure if that is totally possible. Anytime you talk about someone in a different light than what they want to be talked about in your going to offend or hurt them.  That is certainly the case with some of the stories in the book. I think I did a good job of not going down some of those dark paths that purposely hurt people. I didn’t want to hurt anyone and that’s not what the book is about. I cover everything from when my mom managed Stryper to the choice we made that led us to bankruptcy. The book is my take on the situations as it’s told from my perspective.

AL: Was it hard revisiting some of the more painful memories?
MS: It definitely was. As I was sitting there rethinking these stories part of me was revisiting those emotions while another part was saying that I had moved on but obviously I really hadn’t as there was still some pain and emotion there. This book was a big step in the right direction as I come clean with the mistakes I have made be it good or bad.

AL: Within the past couple of years Stryper has started to make a resurge. What do you feel has contributed to that?
MS: I think for the most part it’s been hard work. The band has worked very hard. After I finished the album with Stryper I went immediately back in and started work on this solo album. After that recording wrapped up I went back in the studio again but this time with Michael Sweet and George Lynch. It’s a constant evolution of continuing on and growing. I couldn’t have it any other way.

AL: Can you tell us a little bit about the project you have going on with George Lynch?
MS: This was a project I co-wrote with George and it was one I got to produce as well. The group has Brian Tichy on drums and James LoMenzo on bass. It’s really a great band and album that I am super excited about. That should be coming out in early 2015. We plan to tour around this release as well.

AL: Do you have other projects you would like to mention?
MS: Stryper has a bunch of shows planned for the rest of this year before we take off most of next year to work on the new album. I will also be out doing some solo shows as well. Right now I have my schedule booked through the end of 2016. There’s just so much going on that it’s hard to keep track of it all. Maybe by 2020 I can start to think about retiring. (Laughs)

Dog Fashion Disco’s Todd Smith talks about new album “Sweet Nothings” and Summer Tour

Back in late 2006, the experimental metal band, Dog Fashion Disco, announced to their fans that they had decided to call it quits. They had just spent the last 12 years constantly pushing themselves to be more creative and crazy, playing different styles like ska, piano, and metal with many calling them circus metal. They had recently just released their sixth studio album, Adultery, and were reaching more fans than ever before. Since then, they have played a couple of reunion shows running through a marathon of fan favorites and keeping the camaraderie alive amongst the bandmates. In late 2013, the announcement was made that not only would DFD get back together, but they would be putting out a new album, called “Sweet Nothings”. They would then launch a highly successful Indiegogo campaign and realized that fans not only wanted a new album, but that they want two new albums, a music video and some overseas shows in Britain. Media Mikes recently caught up with the lead singer, Todd Smith, about their upcoming summer tour, the release of “Sweet Nothings” and the hectic schedule they’re about to enter.

Jeremy Werner: I guess the first thing that automatically comes to mind is what was it that lead you guys getting the band back together and put out another album?
Todd Smith: Since the break-up, we’d done several reunion shows and we’re all friends…so because the demand was still there and people were planting those ideas in our head about doing another tour, another album, so forth and so on, we figured why not? Like I said, we’re all very close friends. We enjoy creating and performing music together. It was just like a reunion with old friends who happen to make music together. It seemed like a no-brainer really.

JW: Your last album, back in 2006, “Adultery”, was what a lot of fans and critics would say is your best album. Was there any pressure heading back into the studio to match that same level or was it just business as usual?
TS: For the most part it was business as usual. Of course, opinions are subjective. I’m flattered that people love “Adultery” so much and are pleased that we went out on a high note, and I think we’re reemerging on a high note as well. Everyone who’s heard “Sweet Nothings”, is gushing over it and saying they love it. Will it be as well received as “Adultery”? I have no idea, but I think people are definitely gonna think it’s a solid release. I definitely do, the rest of the guys in the band do. The engineer that we recorded with said it was the best sounding he’s ever had come out of his studios. There’s a lot of positive things being said about the new album.

JW: Going back to the people who’ve heard it. You guys played the full album for a group of people that paid a certain amount towards your Indiegogo campaign. Was the room just ecstatic?
TS: Oh yeah, absolutely. There were loud cheers and applause after every song. A lot of smiles. As far as the comments when we were mingling after we played the record, they were gushing as well. They were really digging it. It’s a lot to digest in one sitting, but the reaction we got was very positive.

JW: Did the crowd have any favorites?
TS: I mean…they all seemed to be well received, but as for a crowd favorite…it’s kind of hard to tell. I had quite a few glasses of wine. (laughs) The memory’s a bit spotty, but I remember we all had a great time and they seemed to like every song, so I really can’t pinpoint a favorite.

JW: Now I remember a while back you mentioned that you guys might avoid playing new music on your upcoming tour, is that still true?
TS: Jason and I had a conversation that we totally misunderstood each other. I was saying that I would entertain performing two new songs, but we have such a catalogue of music, that I think giving people just a hint of a few new tunes and then just playing through a retrospective from each album we put out would probably be more pleasing to the crowd. So we’re going to do two new songs for the most part, every night. If for some reason we decided to just do one new song a night, that might happen as well.

JW: Going back through all your songs, what are some of the songs that you might be playing that you have rarely, if ever, played?
TS: Let me think…I mean we haven’t played in so long, I don’t remember what was in rotation back then, but we’re gonna revisit “Satanic Cowboy”. I’m trying to think what else…”Dr. Piranha”, we haven’t played that in a while. “Valley Girl Ventriloquist”, we’re gonna do that one. Pink Riots, we’re gonna do that one. Besides the reunion shows, they haven’t been played in many, many years. There’s gonna be plenty of songs to choose from every night. We’ll try to cover all our bases.

JW: Please tell me “Darkest Days” is one of those.
TS: One of those is “Darkest Days” (laughs)

JW: (laughs) Awesome, I love that song. With DFD’s music, it’s always been experimental. Sometimes it’s different from song to song or completely changes tempo within the song. It’s very Mr. Bungle with how you guys can just flip on a dime. So I gotta ask, with the new album, what kind of musical ideas went into this or is there a running theme on “Sweet Nothings”?
TS: There’s definitely not a running theme. The album is all over the place. It starts out with a jazz…smokey lounge…kind of 1940’s kind of vibe and then ends with a song that starts out acoustic country…mellow…goes to dub and ends with a three minute section of stoner rock doom metal. So it’s all over the place. We have a short attention span and we like a lot of different types of music so we tend to write a lot of different styles and try to incorporate them into an album. Even several styles into one song as you know. A lot of twists and turns, and I think our fans love twists and turns. They’re fun to perform live.

JW: I see you guys haven’t released a single yet. Is there a song you’re looking at as your first single?
TS: As far as I know, the first single would be a song called “Taste So Sweet”. It kind of goes back to maybe, “Committed to a Bright Future” era with a catchy hooky chorus, lots of horn lines. We’re making a video for that in July. So that’ll most likely be our first or second single. We had talked about a song as a lyric video, initially a song called “We Aren’t the World” which is more of an “Adultery” vibe. It has tons of horror lines, cello, lots of moods, lots of twists and turns, a big epic chorus. That would probably be the first one we do a lyric video for just to get something out there because we’re not available to do the video shoot and release the “Taste So Sweet” video until July.

JW: I want to touch upon your Indiegogo campaign for a bit. A lot of bands will put it up and will slowly watch the money crawl to their goal, but with you guys it was extraordinary how fast and how many people latched on as soon as it was live. I bet as a band, it’s a great feeling to reach your goal that quickly.
TS: To meet our goal of $30,000 in 27 hours was completely unexpected. I remember going about my day, that first day, and just seeing the totals just go up and up and up and up. I hadn’t checked in a few hours and they were way up. Our fans are absolutely incredibly and I don’t just say that lightly. Granted we’d possibly still be making music if we had no fans because we enjoy it, but they keep the train rolling. We’re very humbled by the generosity of everybody and how much they actually cared about DFD getting back together and how they care about whatever project we do. We’re very lucky in that respect.

JW: I’m sure before starting you guys didn’t have stretch goals in mind, but after that response, you got to. Even more amazing is reaching all of them. Didn’t you guys break the top 10 most successful Indiegogo music campaigns?
TS: Yeah. I think we’re in the top 10. In regards to the stretch goals, once we hit $30,000 and added the first stretch goal of $50,000 for the video, I mean I thought that was gonna peak and it just kept going and going. We ended up at $85,000 which is a staggering amount. Shows how much people love Dog Fashion Disco.

JW: You guys are incredibly busy with side projects like Polkadot Cadaver, El-Creepo, Knives Out and other things…and with such an impressive and positive response to DFD…do you think DFD now deserves your undivided attention and everything else kind of has to sit on the back burner for the time being?
TS: I would say that everything is on the back burner now. The last stretch goal was to do two albums to be released within a year of each other. So with all the tours we have coming up, there’s really no time to devote to anything else besides Dog Fashion Disco, which is fine. We just wrapped up, mixed, mastered, put a nice little bow on “Sweet Nothings” and we’re already psyched to get back into the studio, wishing it was happening next month. Everybody will go into their little corners and start writing and then we’ll reconvene in December and have another album out by next May or June.

JW: Might be too early, but do you have any ideas for the next album?
TS: Not really. I definitely wanna utilize the horns a lot like we did on “Sweet Nothings”. I mean, they’re just too good not to have. So ya know, a lot of twists and turns. Maybe have more extremes. I’d like to do like a 50’s doo-wop kind of song and then a song that’s just the heaviest thing we’ve ever done. Just a lot of polar opposite dimensions and dynamics to the album. And really like there are no rules, not like there are any rules on “Sweet Nothings”. Going into it, wanna try to do something new and push the envelope as far as what we’ve done before.

JW: So what is the future now of Polkadot Cadaver, El Creepo, Knives Out and other projects?
TS: It’s really hard to predict. I would love to do another El-Creepo record. Something that’s a little more acoustic and mellow. That’s always fun to do. Polkadot has a handful of shows that we’re doing until the end of this year. We’re going out with Bam Margera and his band in August, doing a run on the east coast and then doing a full national tour with him in October and November for Polkadot. So that would be the next in line to revisit after the next DFD record considering that that band tours as well. Kind of like a missed opportunity if we don’t put out a record and do more shows. I would say DFD and Polkadot would work simultaneously and then maybe El-Creepo would be the next thing to get to. As far as Knives Out or anything else, I would seriously doubt that there would be another album that we would put out with Knives Out. It doesn’t make any sense. The band doesn’t tour and the members aren’t available to do shows, so it’s like…what’s the point?

JW: Looking at this upcoming year, in terms of tours, it looks like the one big thing of note is that you guys will be heading across the big pond for the first time.
TS: This would actually be our second time. The first time Dog Fashion went over there was 2001.

JW: Oh shit, I guess my Dog Fashion Disco history is a bit rusty…so I guess the obvious dumb follow up question would be are you excited?
TS: We’re extremely excited and psyched that the first two shows have been sold out and that the third is on it’s way to being sold out. So that’s incredible, it’s gonna be a lot of fun. The weekend is gonna be a blast. We’re looking forward to it.

JW: Because it’s doing well in ticket sales, do you see yourself branching out in Europe?
TS: Our agent overseas is actively seeking out a support band for Dog Fashion Disco. Most likely that would happen next year. I would love to go deeper into Europe. That would be blast. So hopefully that will happen next summer.

JW: I’m out of questions, any last thing you wanna tell the fans?
TS: I just wanna say thanks for all the support on Indiegogo and support they constantly give us. Spread the word: the new Dog Fashion Disco album, “Sweet Nothings”, is coming out July 22nd. We’re psyched to be back on the road and hearing people’s reactions to the new album.

You can check out Dog Fashion Disco on their summer tour, ‘The Merica F*ck Yeah Tour’, playing alongside Psychostick and The Bunny The Bear, at the following dates:
May 29th: Amityville, NY
May 30th: Albany, NY
May 31st: Pennellville, NY
June 1st: Watkins Glen, NY
June 2nd: Trenton, NJ
June 3rd: Providence, RI
June 5th: Westland, MI
June 6th: Cleveland, OH
June 7th: Cherry Valley, IL
June 8th: Joliet, IL
June 9th: Minneapolis, MN
June 10th: Merriam, KS
June 11th: Waterloo, IA
June 12th: Des Moines, IA
June 13th: Lincoln, NE
June 14th: Denver, CO
June 16th: Salt Lake City, UT
June 17th: Sacramento, CA
June 18th: West Hollywood, CA
June 19th: Las Vegas, NV
June 20th: Tuscon, AZ
June 21st: Scottsdale, AZ
June 23rd: San Antonio, TX
June 24th: Houston, TX
June 25th: Fort Worth, TX
June 26th: Oklahoma City, OK
June 27th: St. Louis, MO
June 28th: Indianapolis, IN
June 29th: Columbus, OH

CD Review: Mathew Sweet and Susanna Hoffs “Under the Covers Vol. 3”

Mathew Sweet and Susanna Hoffs
“Under the Covers Vol. 3”
Shout Factory
Produced by: Mathew Sweet and Susanna Hoffs
Tracks: 14

Our Score: 3 out of 5 stars

Singer song writers Mathew Sweet and Susanna Hoffs are back with their 3rd installment of cover albums titled “Under The Covers Vol.3”. Like their previous two compilations which covered songs from the 60’s and 70’s the latest in the trilogy tackles the widely popular 1980’s. Produced by both Sweet and Hoffs the album is being released via Shout Factory and feature 14 tracks ranging from the obscure to the more popular of 80’s tracks.

When you hear the name Mathew Sweet and Susanna Hoffs it’s hard not to envision the sounds of Sweet’s classic album “Girlfriend” and the countless hits Hoff has sang/played on with her former group The Bangles. Though the two are quite different it’s easy to assume they wouldn’t mix very well however the result is the exact opposite. Since the duo’s first covers album “Under the Covers Vol. 1” in 2006 the two have been steadily releasing more work together. The latest “Under the Covers Vol.3” brings the listener back to the age of stone washed denim, hyper color t-shirts and teased hair. Though Sweet and Hoff chose to cover a few more obscure tracks like R.E.M.’s “Sitting Still” and “The Bulrush” by The Bongos each track is given a fresh spin featuring bubbling pop type arrangements making the album one of those that you can throw on and kick back to while looking through your old year book.

My favorite of the 14 tracks were the renditions of Tom Petty’s “Free Fallin” and the always enjoyable Go-Go’s tune “Our Lips Our Sealed”. Even though both of those tracks have had their fair share of reworking by other artists these two renditions were packed with plenty of appeal. My biggest complaint about this album was again that some of the songs were a bit obscure for my liking however I certainly cannot fault the performers for wanting to do something different from an era over flowing with tons of great music.

Track Listing:
1.) Sitting Still
2.) Girls Talk
3.) Big Brown Eyes
4.) Kid
5.) Free Fallin’
6.) Save It For Later
7.) They Don’t Know
8.) The Bulrushes
9.) Our Lips Are Sealed
10.) How Soon Is Now
11.) More Than This
12.) Towers of London
13.) Killing Moon
14.) Trouble

CD Review: Sweet “New York Connection”

Sweet
“New York Connection”
Produced by: Andy Scott
11 tracks
Running Time: 40 minutes

Our Score: 4 out of 5 stars

From the moment this CD kicks off, it rocks mega hard and doesn’t let up until the CD ends. The Sweet are well known their Glam Rock during the 70-80’s and though still they sound just as good as they ever have. “New York Connection” is comprised 11 cover songs including the 2011 single “Join Together”. There is also a revamped original recording for their 1972 b-side “New York Connection”.

If you are a fan of 70-80’s rock, then you are going to love this album easily. The album kicks off with the great song “New York Groove” and just includes on great hit after another. Some of the other great cover tracks included are “You Spin Me Round”, “Because the Night” and “Blitzkrieg Bop”. All the covers sounds really kick-ass and get your toes tapping and head rocking.

Peter Lincoln takes lead on vocals on 8 out of the 11 tracks. Andy Scott takes lead vocal for “Sweet Jane” and is a great tribute to The Velvet Underground. Bruce Bisland belts out “Blitzkrieg Bop” and doesn’t let down the Ramones. Lastly Tony O’Hora puts a new spin on Patti Smith’s “Because the Night”. Overall, the guitars are well…sweet! The music is loud and sums up a great 40 minutes you will experience with this album.

Track listing:
1. New York Groove
2. Gold On The Ceiling
3. All Moving Faster
4. New York Connection
5. Shapes Of Things
6. You Spin Me Round
7. Because The Night
8. Sweet Jane
9. Blitzkrieg Bop
10. On Broadway
11. Join Together

DVD Review “Sweet Hostage”

Director: Lee Philips
Stars: Linda Blair, Martin Sheen and Jeanne Cooper
Distributed: Warner Bros. Archive
MPAA Rating: Not Rated
Running Time: 91 minutes

Our Score: 2 out of 5 stars

I have no idea how this film got nominated for a Golden Globe in 1976 for Best Television Movie, except for lack of options. The only good thing about this film is the cast which includes Martin Sheen and Linda Blair. The film is slow moving and repetitive. This is the first time that this film has been released on DVD, due to Warner Brothers Archive Collection. It is a nice transfer to DVD but it is only full screen ratio.

The film follows an escaped mental patient who kidnaps a teenage farm girl and takes her to his mountain hide-away. The two over a short period of time become friends and, eventually, lovers. This seems like it would work better as a 30 minute episode on a soap opera then a full length TV movie. Besides the strong performances, this film does not have much going for it.

The major issue I had with this was that it wasn’t convincing with the story. Doris Mae is kidnapped she is scarred at first and then she is in love with her capturer after a few days. Leonard Hatch escapes from a mental institution but he doesn’t even act like he is insane and what is the point of even kidnapping Doris Mae? Overall this TV film did not interest me and I understand why it has never been released on DVD before. Also there are zero extras on this disc…it is totally bare bones.