Tommy Blardo and Frank Morin of Enemy Remains talk about their new album “No Faith In Humanity”.

Global Music Award-winning heavy metal group Enemy Remains are set to release their second full-length album on January 20th titled “No Faith In Humanity”. After a lengthy hiatus the band which features original Fates Warning drummer Steve Zimmerman along with Tommy Blardo, Frank Morin, Scott Kadish and Jeff Curtis are ready to unveil their latest creation. Media Mikes had the chance recently to speak with Tommy and Frank about the new albums creation and what it was like reforming the band after their extended break.

Adam Lawton: Can you tell us about the work you have put in on the new album “No Faith in Humanity”?

Tommy Blardo: Funny thing about that, when we signed with Skateboard Marketing we didn’t have one track written for the album, zero, not even ideas. We put a single out, “No Faith in Humanity”, and that’s all we had at the time. It was pretty scary but, I think when you set deadlines it motivates you. Everyone worked really hard on this new album. I wanted to take the band in a whole new direction, new line, new sound, new writing style, new everything! We kind of things a facelift and I think we nailed it.

AL: What were the first couple of writing/rehearsal sessions like after getting back together from your hiatus?

TB: Honestly it was weird, with Steve coming from Fates Warning and playing old prog metal stuff, it was a big change for him, but he was willing to adapt to the new modern style we are going for with hooks but still keeping his roots grounded musically with the off time changes. With the addition of new vocalist Frank “Heretic” Morin, the musical transition seemed to work very well. What Frank has brought to the table just takes so much weight off Steve and I and it really enforces the new sound we were going for.”

AL: At what point did new members come into the picture and, how have they further shaped the new direction of the band?

TB: Frank was added first, I knew we needed a vocalist that could really catch the attention of the listeners with that “radio voice” as they call it – to really fit the new style we had in mind. Scott Kadish (guitars) and Bobby Byrk (keyboards) were added a little later, but were totally involved in the whole writing process. I’ve got to say, this is the strongest line up of professionals we’ve ever had. Band practice has become fun again.”

AL: What can you tell us about the two tracks the band has released thus far from the album?

Frank Morin: I can tell you they were a pain in the ass! Tommy and Steve first approached me with the music to “No Faith In Humanity” and I got really pumped! I had been waiting to jump into a rock/metal project of this caliber for a while, so that song kind of wrote itself based on how I was feeling about the world and the people in it. “Trust in No One” was a little more difficult. It was the first time I played with progressive riffs in a 5 count. It took Tommy and I about an hour to write the hook. Both tracks, like the entire album, touch on personal issues from a singular point of view, though we all share the same ideologies on them. Like the rest of the album we wrote all the music based on the concept, and I just started with the lyrics.

AL: Do you have any touring or performance plans in place to support the release?

TB: At this point we have full press and radio campaigns hitting hard the first week of January and the release of the album is on Jan 20th. After that we have plans to tour the east coast, mid-west and extended dates throughout the west coast by summer. After that hopefully we will be jumping on as a support act for a national artist!

For more info on Enemy Remains you can check out www.facebook.com/enemyremainz

Rise to Remain’s Austin Dickinson talks about new album and tour

 Austin Dickinson is the vocalist for the heavy metal group Rise to Remain. The group is set to release a new full length album titled “City of Vultures” in June. Media Mikes had a chance to talk with Austin recently about the new album and the bands plans for the rest of the year.

Adam Lawton: How would you describe your album “City of Vultures”?
Austin Dickinson: It’s the product of us knocking our heads together and trying to make what we wanted to hear from a new metal band like ourselves: Fast, heavy, emotive, technical, convicted and melodic. I think that we were very meticulous in writing the songs. We wanted the whole thing to flow from beginning to end. In terms of sound, we wanted it to quite simply sound huge! That’s where Colin came in.

AL: What was it like working with producer Colin Richardson?
AD: It was amazing! He’s a huge producer in our genre and one of the best in the world at mixing. It was a massive honor to have him manning the helm along with our co-producer Carl Bown. They were a fantastic team and we’re very proud of the results.

AL: Do you have plans to release any more videos for any of the songs on the album?
AD: Well, apart from the five we’ve done already, we’re constantly throwing the idea around but who knows! Maybe it’s time for some NEW music accompanied by a video? We will never say never that’s for sure.

AL: What do you think makes this album stand out from others in the same genre?
AD: I suppose just because it’s us, it sounds like us, it’s made by us, so in that way I think it sounds pretty signature. Is it better than everything else out there? You’d have to tell me that, because I don’t know. There are some amazing bands out there, and we’re honored to be in the same league as them. Metal has a very strong representation right now.

AL: What are the bands plans for the rest of the year?
AD: We’re about to do Rock Am Ring/Rock in Germany. We just finished Sonisphere in Spain, and then we do Download Festival and continue over to the United States to be part of the Vans Warped Tour! Everything after that is top secret.

 

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Future of History Making Pyramid Sound Studios Remains Uncertain

Future of History Making PYRAMID SOUND STUDIOS Remains Uncertain – Bridge Construction Could Put an End to Ithaca New York’s,  Studio’s 35+ Year Legacy 

Touted for Recording ANTHRAX, TESTAMENT, OVERKILL and bevy of local artists.

The fate of PYRAMID SOUND STUDIOS, a recording studio world-renowned for spawning the onslaught of American heavy metal in the 1980’s and beyond, has quickly captured the attention of long-time Ithaca, NY residents, recording artists, and friends of business owner Alex Perialas.

At Wednesday’s Planning and Economic Development Committee meeting, several local musicians and educators urged city officials to take demolition of the studio off the table.

PYRAMID SOUND STUDIOS, launched by Perialas in 1974, has recorded artists from Bad Religion, Anthrax, Testament, Overkill, Agnostic Front and Brian Wilson to local favorites The Horse Flies and Donna the Buffalo, as well as student projects.PYRAMID SOUND STUDIOS is a pinnacle in the local area, being that local musicians do not always have the ability to travel to New York City, Los Angeles, etc. to record their albums. Located directly next to the Clinton St. Bridge, which is undergoing heavy construction until November, the building is at risk of being condemned as a result of the project, stirring alarm among the local and online community.

“This is one of those things that is a state and city project where they’re replacing a 70-year-old bridge and its right in our footprint, if you will. With the building of this new bridge, there’s a chance that if they aren’t careful, they could do damage to the studio,” states owner Alex Perialas. “I’m currently working with the administration to land on an amicable solution to the situation. This has been a landmark facility for years. We pretty much created a style of music here that people had never heard of before. It would be a shame to lose such an integral part of music history due to this temporary construction.”

Jeff Klaus, professor of education at Ithaca College and member of The Horse Flies, addressed the committee Wednesday, “What is housed inside that scruffy building is a building within a building that’s purpose-built to be a studio.”

Klaus and his colleagues noted that 109 E. Clinton St. is a commercial garage space, which is located closest to the bridge project, while the recording studio is located at 105 E. Clinton St. The supporters stressed that the garage and the studio are two separate buildings, though it may not appear so on the outside.

In many ways, both the mayor’s and the common council’s hands are tied, given that the construction on the Clinton St. bridge is federally funded. Earlier this week, supporters of PYRAMID SOUND STUDIOS launched an online petition to help save the historical building. Thus far, over 550 people have signed. You can sign the petition at this location.

For more information on PYRAMID SOUND STUDIOS, visit this website:  www.pyramidsoundstudios.com

 

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