Municipal Waste’s Tony Foresta talks about new album

Tony Foresta is the lead singer for the thrash band Municipal Waste. The band just released their 5th studio album titled “The Fatal Feast: Waste in Space”. Media Mikes caught up with Tony prior to the bands show in Syracuse, NY to talk about the new album.

Adam Lawton: What can you tell us about the band’s latest album?
Tony Foresta: We basically took a year and a half off and just started writing. We spent quite a bit of time prepping and getting everything from the layout to the art work all in order. It’s probably the hardest we have every worked on a record. We wrote around 20 songs however only 17 made the album. We wanted to write as much as we could and then go in the studio and pick our favorites. I think everything worked out really well and we have gotten some real positive feedback so far. We worked our butts off on this album.

AL: What is the writing process generally like for the band?
TF: It varies. Sometimes Ryan and Phil will come up with riffs and we will just knock around different ideas. A lot really just depends on the type of song. We usually will practice between tours and during that time write a couple songs here and there. What seems to happen most often is when we start getting tired of playing the same songs out on tour we then decide to start working on some new stuff. You start to have a feeling when it’s time to do a new record.

AL: Did you approach things differently with the new album since changing labels?
TF: I don’t think we did on purpose but, there definitely was more fresh air. Things had started to get stale with our previous label so we wanted to branch out and do something different. It has been kind of like dating a new girlfriend. The band really needed that to help us be more creative and have fun.

AL: Are you guys going to be doing any video shoots for any of the songs off the new album?
TF:  We just shot two prior to leaving for this tour. We knew we were going to be out on the road for awhile so we figured we better bust some out. We shot one video for “Repossession” and one for “Fatal Feast”.  We worked with Josh Speed who did our “Sadistic Magician” video. That video has been one of our more popular ones so we decided to go with Josh again.

AL: What are the bands plans for the summer and fall?
TF: We are going to do a full US tour which will last about a month. We plan on bringing out some cool bands with us on that one. After that wraps up we will be going to Europe and then Australia. We definitely will not be staying home for any length of time.

Tom Hiddleston talks about playing Loki in “Marvel’s The Avengers”

Tom Hiddleston is known best for his role of Loki in “Thor” and the upcoming “The Avengers”. Media Mikes was able to attend a recent press conference and got a chance to ask Tom a few questions about the role and also what we can expect from “The Avengers”.

Mike Gencarelli: Loki traditionally doesn’t have as cool of a signature weapon as most of the super-heroes out there. What prop or weapon from the “Avengers” were you jealous of?
Tom Hiddleston: Well, if you’ve seen the new trailer, I do get to play with a rather wonderful toy in the film. But there was one day on the set when I managed to get a hold of Captain America’s shield and I went parading around with it. One of the producers stopped me and asked, “What are you doing with that?” (laughs)

Q: If you could put together your own team of super-heroes – let’s say – super-villains, who would be your evil super friends if you could choose from any characters in literature, comics, movies, etc
TH: Hmmmmmm (thinking) A little bit of help from Darth Vader, if I might. Hans Gruber from “Die Hard.” Scar from “The Lion King.” Robert Patrick from “Terminator 2” – the T-1000. Probably Schwarzenegger from “Terminator.” Iago, absolutely. That’s a pretty awesome group of people

Q: Since you brought it up, what was the “rather wonderful toy” you eluded to that you get to play with?
TH: It’s a kind of evolution of the staff that he played with at the end of “Thor.” But that’s Odin’s spear. So at the end of “Thor,” it’s Odin’s spear – this is his own makeshift staff of destruction.

Q: Will Odin be in “The Avengers?
TH: Odin won’t be in “The Avengers.”

Q: In the trailer it looks like all of the action takes place in New York. Is Loki coming to destroy New York or is he here to do damage on a global scale?
TH: Well, no…it’s not just one city. But inevitably Manhattan becomes the focus point, partly because that’s where Tony Stark lives. There’s one shot in the trailer where you can see, I think, the Quinjet flying towards Manhattan and in the middle of it is Stark Tower, which is in the fictitious world of the comics. Tony Stark has a huge interestingly-shaped tower opposite the Chrysler building, which is his base of operations. That’s where Stark Industries works out of. And so Stark Tower becomes a focus point for lots of reasons.

Q: What is Loki’s relationship with Stellan Skarsgård’s character in this movie?
TH: (laughing) This is where I can sense the red dot forming on my forehead. (laughs again) And the Marvel sniper in the corner on the roof over there — he’s got his eye on me. Working with Stellan…he’s amazing. He’s someone I’ve long admired as an actor. I really do think he’s an exceptional, exceptional actor and is really capable of bringing a level of complexity and truth to roles and performances which in another actor’s hands could seem dry or slightly invisible. So I loved working with him — he’s a real actor’s actor. He’s been doing it for so long. He plays the same character in “Avengers” that he played in “Thor”… Erik Selvig, who is a scientist. He’s employed by S.H.I.E.L.D. after his encounters with S.H.I.E.L.D. in “Thor,” to do some work for them. That’s all I can say.

Fishbone’s Norwood Fisher talks about documentary “Everyday Sunshine: The Story of Fishbone”

Norwood Fisher is the bassist and a founding member of the legendary punk/ska band Fishbone. Media Mikes got to talk with Norwood recently about the bands recent documentary “Everyday Sunshine: The Story of Fishbone” and their upcoming album.

Adam Lawton: What were your first thoughts when the idea of a documentary film was brought up?
Norwood Fisher: I thought it was a nice idea but I wanted to wait till we were done writing the story. I wanted to be closer to the finish line. The band at that time was in a bad place and I wasn’t sure if I wanted to tell that story from where I was sitting. I wanted to be able to see a curve/arc from where I was at.

AL: Was it hard working with the cameras around?
NF: Once we had agreed to do the film we knew that we would be fully exposing the inner workings of the band. Personally I am not so attached to looking good. We knew going in that we would have to let the film be what it was going to be. I did talk to the directors as they were sensitive to the fact that we might not want them to film certain things. My attitude was fuck it! Let it slide.

AL: Was it hard reflecting on some of the bands past?
NF: I had made friends for the most part with all of the dark corners of my past. When everything was happening I really faced it head on. I know it was hard at times for Angelo to talk about some of the things that had happened. For me I don’t hold any resentment. It took all of those hardships to get me to where I am now. My life isn’t always easy but, I like being me.

AL: Do you have any regrets towards anything shown in the film?
NF: For me I don’t have any regrets. I am looking at it as an honest story that I said yes to allowing it be captured and displayed. If I look like and asshole then that just might be who I am. (Laughs) If I could see it then I have the opportunity to do something about it or not. I think everything is good and the difficulties of the band were shown. When we started we knew it wasn’t going to be easy. We may not have known how deep things were but, we did know we were the ones laying on the barbwire so that others could cross over. I think we all knew pretty early on how that was going to work.

AL: What can you tell us about the new Fishbone record?
NF: We have about 4 new songs but they are not quite completed. We started them back in September and Angelo finished the lyrics in January. We have a few more over dubs to work on and then we will be done. I am really happy with the songs that we have and the energy is very good. It’s different from what we did on the “Crazy Glue” EP but, it still has some of that same spirit. If you put these tracks along with the “Crazy Glue” EP it might read like an older full length Fishbone record. The tracks are groovy rocking.

AL: What is the bands approach to song writing like?
NF: Recently we have been thrust into the recording situation without a whole lot of thought. The last few records were basically what we thought we could do quickly. We were very fortunate that what we did do was cool. The next batch of songs we are going to do full pre-production. We will probably go in with 25-30 songs and pick out the best 10 or 15. As a band we try to jam and Angelo will try and find lyrics that marry best to the songs. The last album that Angelo and I actually sat down together and wrote was “Still Stuck in Your Throat”. There wasn’t a lot of pre-production on that because at the time we were basically putting together a new band. Sometimes Angelo will hear a piece of music and instantly have a lyric. Other times I will see a lyric and have the perfect piece of music for that. Then there are times where it’s like a cage match.(Laughs)

AL: Is there a chance we will see a reunion of the original line up?
NF: Right now it doesn’t seem so possible. However in the long run it’s not impossible. I personally have a lot of love and respect for those guys. I try my best to honor the legacy that we all laid down together but, we do have some difficulties.

AL: Do you have any other upcoming projects we can be watching for?
NF: Fishbone has a lot of work ahead of it. We have some international touring to cover as well as a good portion of the United States left to hit. If everything goes right we will probably be doing a couple more videos from the “Crazy Glue” release. We will be working from now until at least September on the new full length record. Personally I have a record in the can from my side project that I want to release at some point as well. I have been playing with a number of different people lately also and that’s been really great. However, right now Fishbone is my priority.

“The Devil’s Carnival” Interview Series

After a triumphant collaboration on 2008’s cult hit REPO! The Genetic Opera, Bousman and Zdunich had no where to go but down. ALL THE WAY DOWN TO HELL! Come experience their new musical endeavor, THE DEVIL’S CARNIVAL.  THE DEVIL’S CARNIVAL features twelve original songs, written by Zdunich and Saar Hendelman, directed by Bousman, produced by Sean E Demott and Joseph Bishara (Insidious), and stars Victoriandustrial rocker Emilie Autumn, Dayton Callie (Sons Of Anarchy, Deadwood), M. Shawn “Clown” Crahan (of the Grammy award winning, cult metal giants Slipknot), Briana Evigan (Step Up 2), Sean Patrick Flanery (The Boondock Saints), Maggie “Captain Maggots” Lally and The Blessed Contessa (of The Bloody Crumpets), J LaRose (Insidious), Jessica Lowndes (90210), Mighty Mike Murga (of Mini Kiss), internet star Hannah Minx, Ivan Moody (of the chart-topping heavy metal band Five Finger Death Punch), Bill Moseley (The Devil’s Rejects), Ogre (of the legendary industrial band Skinny Puppy), Marc Senter (The Lost), Paul Sorvino (Goodfellas), Alexa Vega (Spy Kids), and Zdunich.

For more info, visit http://www.TheDevilsCarnival.com.

Media Mikes has had a chance to interview a few people from this film and will be adding many more in the coming weeks.  In our first wave we have creators, Darren Lynn Bousman and Terrance Zdunich.  In the coming weeks, we will also have interviews posted with Briana Evigan, Jessica Lowndess and Ogre!! So stay tuned!!


Brianna Evigan

Darren Lynn Bousman

Emilie Autumn

Jessica Lowndes

Miss Hannah Minx

Nivek Ogre

Terrance Zdunich

Blair Butler talks about writing for G4TV’s “Attack of the Show”

When I’m asked how/why I got into film reviewing I cite three film critics whose work inspired me. The first is Steve Otto, who was the film critic of the Tampa Times when I was in high school. He took the time to talk to me every time I stopped by the paper and would often lend me photos to reproduce with my school paper reviews. Second was Stephen Hunter, who was the film critic of the Baltimore Sun when we first met. I actually paid $50.00 in a PBS auction for a chance to go see the film “Beastmaster” with Stephen and then discuss it with him during lunch. When I got into the promotions/marketing field I got to work with Stephen often and we became friends. He later went on to write for the Washington Post and won the Pulitzer Prize in 2003 for Distinguished Criticism. The third is Robert (Bob) Butler, former film critic for the Kansas City Star. When I arrived (the first time) in Kansas City in 1979 the first thing I read in the local paper was Bob’s review for the film “10.” The more I read his work the more I began appreciating how much fun and passion one person could share with the written word. When I moved to Baltimore I would pick up the Star at the local out of town newspaper stand each week and did that until I moved back to KC in 1996. I finally got to meet Bob when I was admitted into the Kansas City Film Critics Circle. To now be considered a colleague of someone I admire was a pretty great feeling.

I give you this background information as a way of introducing Blair Butler. You probably know her from her stand up comedy routines, appearances on the G4 television network or creator of the popular comic book “Heart.” That’s how I knew her until her mother, Ellen, remarked to a fellow critic that “Blair was coming home this week.” After listening for a few more moments It suddenly dawned on me that Blair was Bob and Ellen’s daughter! Small world.

Blair was indeed “home” this week, appearing at Planet Comicon 2012. While here she graciously took time out to answer a few questions.

Mike Smith: How did a girl from Kansas develop a love for comic books?
Blair Butler: My Dad took me to Clint’s Comics in Westport and let me buy comics out of the 25 cent bin when I was little. After reading some really terrible issues of Werewolf by Night and She-Hulk, I stumbled onto Batman and the New Mutants – and I was hooked for life. After a brief lapse in the mid 90s (I got burnt-out on gimmicky covers, variants, and style-over-substance) I came back to comics thanks to great titles like Planetary, The Authority, and Geoff Johns’ run on JSA. And I’ve been there ever since.

MS: How did you get involved with G4?
BB: I was hired as the head writer for “X-Play,” a videogame show on the TechTV network. When G4 bought TechTV, the two networks merged – and I wound up becoming the comic book correspondent for “Attack of the Show” – which was an amazing opportunity that I’m incredibly grateful for. If I knew at age 12 that I’d be covering comics for part of my day job, I think my 12-year-old self would hyperventilate with excitement.

MS: You once reviewed comic books in your “Fresh Ink” segment of “Attack of the Show,” by rating them either BUY, BROWSE or BURN. Have you ever gotten a nasty message from someone whose work you trashed?
BB: Well, the good news is that I haven’t used the BUY, BROWSE, or BURN system for a few years on the show – primarily because I was pretty adamantly opposed to the suggestion of “burning” any comics. Now, I usually only review comics that I really love on the Live edition of “Attack of the Show,” or on my weekly review segment at www.G4tv.com/FreshInk — so thankfully, I haven’t met any furious writers or artists. Yet.

MS: What do you have coming up in the future?
BB: Well, I’ll be busy writing full-time for “Attack of the Show,” as well as working as a correspondent for two of the show’s signature segments: “Fresh Ink” – where I cover the wide world of comic books, and “M.M.A. Chokehold,” where professional fighters come in and do analysis for several of the biggest UFC events. We’ve have Chuck Liddell, Urijah Faber, Forrest Griffin, Nate “Rock” Quarry, Roy “Big Country” Nelson, Mayhem Miller, and a ton of other great fighters on the show, so — as a fan — that’s been amazing. And now that I’ve written my first comic book HEART — about a young, up-and-coming cage fighter named Oren “Rooster” Redmond – I’m hoping to make even more comics. And if I’m lucky, I’ll get to make them with my amazing HEART collaborators, artist Kevin Mellon and letterer “Crank.”

Interview with Tyrone Wells

Tyrone Wells is a singer/songwriter who has had music featured on television shows such as “Grey’s Anatomy” and “One Tree Hill”. Tyrone recently released his 8th studio album titled “Where We Meet”. Media Mikes had a chance to talk with Tyrone about his new album.

Adam Lawton: Can you give us an overview of the new album?
Tyrone Wells: “Where We Meet” is my first full length release since being on Universal Records. This is an independent release which allowed for a lot of freedom. I wasn’t forced to write something that the label thought was suitable for their purposes. It was more about what I felt like releasing. The whole thing was very freeing. I took about 2 years to make the album as I wanted the songs to be something I could stand behind. I initially wrote about 80 songs over the last two years to be considered for the album. I actually recorded 23 or 24. The songs that weren’t used for the album will most likely be released on and EP sometime this year. I have loved being indie again. It’s like coming back home as it is similar to what I was doing prior to signing with Universal.

AL: How did you go about narrowing down the 12 songs that appear on the album from the initial 80 you had written?
TW: I work real closely with my manager. When I write a song I will often do a simple vocal/guitar demo. I will then send it to him and a few other people I trust to have them weigh the song. If I really feel like fighting for a song I just stick to my guns and record the song. I do like having ears to bounce ideas off of because I could think a song is really great while others may not think the same. It’s good for me to have the process that I do.

AL: How do the new songs compare to some of your previous works?
TW: You kind of never know. You have to release it and see just how it does. I am a good finisher in that if I start something I make sure it’s completed. It’s good to be disciplined like that. It makes it a lot easier to critique when you are hearing something in its finished state. As far as a difference from my previous work I am not sure as the new songs are basically acoustic guitar and vocals. If they were fully produced I am unsure what type of life the songs would take on.

AL: What can you tell us about your YouTube channel?
TW: I actually have been a little bit slow to use YouTube. When I started doing music it wasn’t even around yet. We are really starting to see how important it is. It’s fun to be able to throw some stuff up on there. I recorded 4 or 5 of the songs live on the album and we have video of that on the channel. I think it’s a good tool to get your music out there.

AL: Are you planning on touring off of the new album?
TW: We have a big tour planned. We start at the South by South West festival in March. From there we are doing a 2 week long west coast run. After a week or so break we will be heading back out to tour the rest of the country. I think we are playing somewhere around 42 dates. We should be visiting just about every major market.

 

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Interview with Joel M. Reed

Joel M. Reed is the writer and director of the cult classic film “”Bloodsucking Freaks”. Joel also appears in the upcoming independent horror/comedy “Supernaturalz”. Media Mikes had a chance to chat with Joel about creating a cult classic and what he has planned next.

Mike Gencarelli: How did you get involved with the film “Supernaturalz”?
Joel M. Reed: For many years Kevin (Sean Michaels) has been a student of mine and follower. However he misled and said I was to do a hard core scene with a stripper. I would have not only added length to the production but width.

MG: How was it working with Kevin Sean Michaels being the director?
JR: He made me the man I am today.

MG: Tell us about how you came up with the idea for “Bloodsucking Freaks”?
JR: I was producing a film called “Teen Demon” and having trouble raising money when an agent Dorothy Palmer told me about an off-Broadway S &M Ballet being presented by a guy name Giles Fontaine. It was him and his girlfriend totally nude. I had dinner with a group of famous and rich ballet aficionados the following week and told them of the show. They all demanded tickets. After the performance they all said if I made a movie about an off Broadway S&M theater they would give me all the money. I wrote the script in one day and they all sent over s&m stuff from their collections. Some too sick for me. When they read the final script they said they loved it but they were all broke at the moment. About that time Joel Weinberg a film attorney called me and asked me if I had a movie I could should before the end of the year. I said, “Yes, “Sardu, Master of the Screaming Virgins”. Do you want to read a script?” He replied, “Fuck the script.” Pick up a check on Monday. It was for $125,000.00 dollars.

MG: When Troma acquired the film they changed the title, which was the third time for this film, any feeling about that?
JR: The film would have succeeded under any title.

MG: Did you ever feel that you were going to far with the content and gore in the film?
JR: I thought the film was funny. Actually is quiet tame by today’s standards.

MG: How does it feel to be the director of one of the most controversial films of all time?
JR: A lot of Goth kids chase me down the street.

MG: Tell us about your film school and its teachings on how make your own cult movie?
JR: I have a new concept in teaching film writing and directing and producing. It’s more like Navy Seal Training. It trains you in all the qualities that make one a film maker that have nothing to do with art.

MG: Will we ever see “Bloodsucking Freaks II” get made?
JR: I have some even more earth shaking films to made with more shock value.
Sardu and Ralphus are gone. Anything I do is the true “BSF Part II”.

Raphael Sbarge talks about ABC’s “Once Upon a Time”

Raphael Sbarge has appeared in a number of television series ranging from “Dexter” to “Grey’s Anatomy”. Most recently he plays the role of Dr. Archibald Hopper on the ABC series “Once Upon a Time”. Media Mikes had a chance to speak with Raphael recently about his work on the series.

Adam Lawton: Can you tell us about your character on Once Upon a Time?
Raphael Sbarge: I play two roles. One is Dr. Archibald Hopper, therapist, and then Jiminy Cricket. It’s kind of an interesting pairing but it goes to the premise of the show. There are two worlds—a “real world” of Storybrooke, Maine, and then a Fantasy World (which, of course, we find out is equally real— but a curse was put on it, and everyone was sent/banished to the other world, with absolutely no memory of where they came from).  The writer/creators of the show Adam Horowitz and Eddie Kitsis had an idea to take characters we all know and love and integrate them into a show, giving them alter egos in another world. So: Jiminy Cricket, a character from “Pinocchio” who defines conscience, is thus made a ‘man of conscience’, and a therapist in Storybrooke. The concept is clever on their part, but for anyone who has yet to see the show, it’s not done in a cute or sugary way. It can be quite dark at times.

AL: How did the role initially come about?
RS: I auditioned for the part. As actors we are always out looking for the next job! Here I am a year later, having an amazing time, deep in a story that is so much richer, and well told than I ever imagined it could or would have been. The shows are shot with very high standards—almost like a feature. We never know what is coming down the river next.  It’s quite exciting, actually.

AL: What do you like most about the role?
RS: There is not an actor in the world who wouldn’t be excited about playing two roles. All of us on “Once Upon a Time” are thrilled about that. They have also spent a fair amount of time this first season doing full episodes about each of the main players in the story. It gives the episodes a more depth and they can explore single characters in a way that is not done in TV very often. Then, because they really are so focused on creating a very visually rich fantasy world, it’s incredibly fun and exciting to see the set, costumes and the production values all come together to make it live. Honestly, it’s a blissful experience being a part of this show.  It is unlike anything I have ever had an opportunity to do.

AL: Do you have any other upcoming projects we can be watching for?
RS: I am executive producing a new web series with Ed Begley Jr. and his wife, Rachelle, called “On Begley Street”. They are building the most sustainable home in North America, and it brings in their brand of quirky, silly fun, along with a lot of high-profile friends who will drop by.  You can see our Kickstarter video at  http://kck.st/obs2012. You can also go to www.onbegleystreet.com and sign up to receive updates and news about the premiere.  I also voice one of the leads in the “Mass Effect 3” video game which will be out March 6th. This game was voted Most Anticipated Video Game of 2012 at the Video Game Awards. When I am not acting I do a lot of work on Green Wish which is a nonprofit I founded that raises money to help other local, green nonprofits.  You can visit that site at www.greenwish.com

 

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Interview with Smile Empty Soul’s Sean Danielsen

Sean Danielsen is the lead vocalist/guitarist for the band Smile Empty Soul. The band has recently signed with eOne Records to release a new studio album titled “3’s”. Media Mikes had a chance to talk with Sean about the band and their new album.

Adam Lawton: What can we expect from the band’s new album?
Sean Danielsen: The album is called “3’s” and we are releasing it via eOne. The album will be available May 22nd and it is definitely mine and the bands favorite record thus far. The album is more mature and a little more developed. The album is also a little heavier but still has a melody. It’s very musical and fun to play.

AL: Did the band take any different approaches to the writing/recording process?
SD: We pretty much took the same approach that we always do. The songs are different in a lot of ways as they are very guitar riff orientated and progressive. This wasn’t really on purpose or anything but it was more so about what was coming out right now. We recorded very similar to how we did our last album “Consciousness”. We worked with producer Eddie Wohl again as we feel he really gets the band and we have a great process with him.

AL: Will there be a video to go along with the albums single?
SD: We are gearing up to do a video for the first single possibly next month. The first single is called “Afterlife” and we have a really cool treatment that we want to get made. I think it’s going to be great if we can get it all done.

AL: How do you think the band has evolved since its start?
SD: We have all changed so much as both people and as a band. I would have to say that everything is different about us now. We are completely different from when we first started putting out albums back in 2003.

AL: What have you noticed as the biggest change in the industry since the band has been together?
SD: The industry has changed just as much as we have if not more. When we released our first record it was still the tail end of what I guess could be called the glory days. Napster had come out and killed some album sales but the economy was still ok and records were still selling at about half of what they had sold previously. Now everything has been turned completely on its head. It’s a lot more bare bones and low budget. There is a lot of do it yourself type things and social media going on. It’s a strange and always changing industry.

AL: What will be the tour plans for the album?
SD: We have a spring tour booked that stars in May and will go to about mid June. We have 38 dates booked into about 40 or so days. We will be doing a nationwide swoop basically. The Veer Union and a band called Iownya will be heading out with us. The tour is being presented by Jagermeister and it should be a lot of fun. There also have been talks of doing a late summer tour with Fuel. I think the summer is going to be really great.

Interview with Godsmack’s Sully Erna

Sully Erna is the lead singer for the band Godsmack. The band is currently touring as part of the Mass Chaos tour featuring Staind and Halestorm. Media Mikes had a chance to be a part of a teleconference with Sully to discuss the tour and the bands new live album.

Adam Lawton: Can you tell us about the current trend of multi-headlining band tour?
Sully Erna: Yeah. You know what? It’s really not that different than how it used to be back in the day. There was always at least two strong bands that went out and obviously a third or a fourth, even back in the ’80’s when it was Def Leppard and Mötley Crüe or whatever. I don’t think this is really that uncommon. I think that question is maybe more geared towards festivals where it takes seven, eight bands to fill up an amphitheater or whatever.

AL: What can fans expect from the live shows on this tour?
SE: Well, we’re not supporting, like, a new studio record, but we do have a live CD coming out. We are known to be a live band so it was nice to capture that finally and put together this CD. I think we just have the mentality of going out for something similar to a greatest hits tour. We’re just going to put together a really fun set. Obviously we’ll have the drum battle that Shannon and I do and we’re just going to try to put together the best and most energetic songs we can. This is actually kind of a vacation for us a in the sense there’s no real hard work behind prepping for a new record and all that stuff. This is kind of let loose and have fun with it tour.

AL: Is there a plan in regards to which band will be closing the show each night? And is there any possibility of onstage collaboration between any of the three bands?
SE: I feel like either band could close. All three bands are strong. The whole line-up is great. Any single one of these bands could go on first, second, or third; it wouldn’t matter. I mean, the whole package is really strong and I’m really excited about it. As far as collaborating, Mike and I  have spoken about it. We’re going to try to figure out a handful of songs that a bunch of us could jump up and just have some fun with a band of the night, which we’re all about. And so we don’t know what those are yet, but we’re definitely going to consider it and we’re going to try to put something together that just tops the night off and becomes fun for everybody.

AL: How do you prepare your voice prior to going on on tour?
SE: I do nothing. I swear to God. I’m not even saying that to be funny. I do nothing; I may sing along to the radio a little bit but then again I don’t really qualify myself as an amazing singer. I go up there and hack it up with everyone else. I do drink a lot of tequila before I go on stage, though. That’s not a lie. It bring out all the phlegm. The vocal warm-ups don’t work for me, so it’s either tequila or something and then it brings out all the crap that’s in the throat.

AL: I know you’re doing both solo shows and shows with Godsmack this spring. Has it been hard preparing stuff for both types of settings, because they are quite different from each other?
SE: It depends as I am doing three different things. The Avalon thing was a lot more complicated because it’s an eight-piece ensemble and I had musicians from all over the world. I have cello players from Bulgaria and one of my percussionists is from Ireland, and that’s a lot more complicated, a lot more work is involved, but I haven’t been doing that lately. If anything, I’m just doing some solo shows by myself, just to keep my voice warm and it’s one of those things that I enjoy doing as well. But there’s no competition with Godsmack or anything like that, and I enjoy doing both. So, it’s really not that complicated to just go out and play a few side shows here and there, just to stay in tune. I’m really preparing for this tour. I mean, I’m looking forward to getting together with the guys and just firing up this show, because we haven’t really done anything in a little bit.

AL: Could you tell us a little bit more about the new Godsmack live album?
SE: It’s a live record from Detroit, Rock City. We thought it was just kind of a very exceptional show for us. We had a really good show. We were recording a lot on that tour. We actually recorded the whole tour. We were going to do a compilation, like this song was from Vegas, a song from Chicago, some from Dallas, but I don’t know, the more we looked in this Detroit show and the more we figured out that it was a really good show for us. It’s a special kind of fan base that they have there. They live up to their reputation. They’re a great rock audience so that’s where the record was recorded from.

AL: Your lyrics span a broad spectrum from a very deep and thought-provoking to a more direct and in your face. What type of prep do you do to take yourself from one level to another?
SE: I don’t know. I haven’t really thought about that. I guess it depends if I’m going from Godsmack to the solo stuff and it’s a completely different world, but within Godsmack genre, it’s all kind of the same. The band’s fairly aggressive, loud and raw so it’s pretty easy to stay there. I need to kind of separate the two for sure, because one’s very different from the other, but I need balance to both. I need to be one in order to be the other so I think the stuff I do as Sully Erna is the more serene kind of humble stuff and then Godsmack is obviously for Godsmack. There’s really no set preparation I do. It is what it is. I just can’t blend the two together. I couldn’t do a bunch of Godsmack songs and then switch right into solo stuff; it wouldn’t work. But I don’t, like, sit Indian style and float in the air, if that’s what you mean

AL: Can you give me an idea of what it’s like working with Shannon Larkin and what he brings to the band?
SE: I am probably Shannon’s biggest cheerleader. I have known since 1986/87. We met when we were both drumming in different bands and we did a bunch of shows together and probably he was the first and only guy since that made my jaw hit the floor when I watched him play. If you’ve seen Shannon, you know what I mean. He’s the most animated – he’s just amazing. Like, to me, he’s probably the best showman drummer I’ve ever seen. He’s got a great energy about him. He’s a really super great guy. He’s got a great heart and he’s real considerate. On stage he’s a monster; he’s so not what he is offstage. He’s been one of my idols and I’m really proud and grateful to have him in this band. He was my first choice and he wasn’t available when I first reached out to him when I started the band. Years later when we decided to let go of our drummer, I reached out to him just one more time. He had just happened to leave his band and he was going to give it up. He was pretty much hanging it all up. Shannon’s a great guy, man. He’s a great drummer and, I don’t know, I can’t say enough about him.

AL: Are you working on any new Godsmack material?
SE: We’re hoping for 2013. We just started listening to some ideas. It’s still very, very, early in that stage, so we’re not sure yet, but we are going to shoot for 2013 sometime.

AL: You guys have toured with so many great bands in the past is there any musician’s that you have still yet to meet but haven’t had the chance?
SE: Yeah, the guys from AC/DC I haven’t met yet. I think they would be fun. I met most of the people that I’ve been inspired by over the years and we’ve toured with most of them as well, but AC/DC is one of the bands I haven’t met; Brian Johnson or Angus Young. I think that would be great to meet them. They are one of the last bands that I would want to actually tour with, but I’m afraid of them. They’re too bad. I hear the guitar tech gets a bigger applause when he bring Angus’ guitar out and puts it on the stand than the opening acts do. It’s true!

Adult Swim’s “Eagleheart” Interview Series

“Eagleheart” follows US Marshall Chris Monsanto (Chris Elliott) as he fights crime with his two partners: the slow-witted Brett (Brett Gelman) and by-the-book Susie (Maria Thayer) They take on drug smugglers, art thieves, kidnappers, and con artists with bloody violence and gruesome deaths ensuing.

“Eagleheart” begins its second season on April 12, 2012 and will consist of 12 episodes. The first season of “Eagleheart” was also released on DVD on April 3, 2012. From the episodes, I have have seen in season two it is much more over-the-top and funnier than the first season.

Check out our interviews with Brett Gelman, Chris Elliott, Maria Thayer and Michael Gladis. Enjoy and please leave comments and don’t forgot to watch “Eagleheart” Thursday nights at Midnight on Adult Swim.


Brett Gelman

Chris Elliott

Maria Thayer

Michael Gladis

 

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Mayim Bialik talks about “The Big Bang Theory” and New Book

Mayim Bialik known best for her role in the TV series “Blossom”. Mayim currently co-stars on “The Big Bang Theory” as Amy Farrah Fowler. Her character has become one of my personal favorites on the show. She also recently released a book on parenting called “Beyond the Sling: A Real-Life Guide to Raising Confident, Loving Children the Attachment Parenting Way”. Media Mikes had a chance to chat with Mayim again to chat with her about her role on “The Big Bang Theory” and also her new book.

Mike Gencarelli: Can you tell us about the evolution of the Amy Farrah Fowler character?
: Basically I am thrilled every time they keep bringing me back. I didn’t really know what they had in mind for this character. It is one of the challenges of being an actress when you are not a regular. You just never know what they are going to have in store for you. It has been a huge thrill. I never expected to be working regularly again.

MG: How do you keep such a straight face when saying some of the more funny lines your character has?
MB: We get a whole week to get the giggles out of our system. At the same time it is our job to bring the lines across. That’s something I take very seriously and I think the other people on “Big Bang Theory” do as well. It’s our jobs to make everything work. It’s a good challenge.

MG: What do you enjoy most about working on the show?
MB: I love to play that weird character where anything could come out of her mouth. I also really love working with Jim Parsons. He is not only a fan favorite but he is critically acclaimed and won Emmys. It is amazing to watch him work and be a part of that.

MG: What can we expect from your characters relationship with Penny on the show?
MB: In general we do what people like and we keep doing that. There will definitely be a lot more of that same stuff. I think as Bernadette and Howard’s wedding is still being part of plots you see Amy continue to be interested in that.

MG: Where you able to meet Leonard Nimoy during his guest appearance on the show?
MB: No. I wasn’t actually in that episode. The two weeks that I haven’t been on were the weeks they had Leonard Nimoy and Stephen Hawking. It was horrible to miss those but it is incredible for our show.

MG: What can we expect from the closing of this season?
MB: We find out the night before we start script. I actually have no idea. I haven’t been in two weeks of episodes so I literally don’t know what has happened. I am actually only one episode a head of the American public. I have no clue. Melissa Rauch and I pretty close and we literally ask each other what we think will happen next week.

MG: Can you tell us about your new book, “Beyond the Sling: A Real-Life Guide to Raising Confident, Loving Children the Attachment Parenting Way”?
MB: I have been writing for a website called Kveller. I was then approached to write about the style of parenting we practice. It involves things like natural birth and breast feeding. I didn’t think it was all that weird because it was kind of the way mammals and people have been parenting since the beginning of history. It has gotten some really interesting attention. Most of it has been really positive and it has given a voice to a style of parenting that a lot of us believe in not just because we are celebrities. I am the only celebrity I know that parents this way. It’s not just for celebrities.

MG: How long did the book take to write and what did you enjoy most about the process?
MB: We had a proposal ready in about 4 months. I think it took me less than a year to write all the other chapters. It has been really fun! I was in New York for a week doing press. I got to be on “The View” and Barbara Walters was fascinated with my sex life so that was kind of fun. It’s been really fun. The book went into it third printing the first week it was out. So, things have been great.

 

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Interview with Staind’s Mike Mushok

Mike Mushok is the guitarist for the band Staind. The band is currently part of the Mass Chaos Tour which includes Godsmack and Halestorm. Media Mikes had a chance to be a part of a teleconference with Mike to discuss the tour.

Adam Lawton: In the last couple of years there have been a lot of bands teaming up for multi band headlining tours. Is this a reality of the music business today? And are these larger scale tours something that needs be done in order to survive?
Mike Mushok: In my opinion it’s something we’ve always tried to do. I know we always try to put together the best package we can. I think in this economy it’s tough for people to have extra money to be able to go to a show. It’s kind of a luxury. The more bang for the buck you can give them, I think the more likely chance you have of getting people there and, hopefully, give them the most value for the dollars. That was really the idea for us and we had this record and we were looking to who we could play with. Godsmack was like, “That would be fantastic if those guys wanted to do it.” So, we went and put it together.

AL: How do you think the Staind of 2012 compare with the Staind of 1995 or 1999?
MM: We have a different drummer now so that’s one big difference. I think what we did with this record was to kind of come back to what Staind of ’99 was. That was really the idea behind it, to kind of get a little more aggressive. The reason we started the band was to play more aggressive music. We kind of went on this journey and I think the last record we lost the progress. I enjoy the journey. I love some of the songs on the last record, but I think after completing that we said, “Let’s kind of go back to why we started the band,” and that’s really what the idea was behind the album. Aaron also has a solo thing going on now, so that kind of ties up his time.  It makes it a little more difficult to get all the time we need for STAIND. So, those are really the big differences.

AL: How did drum tech turned band member Sal Giancarelli end up being the new drummer for the band? and how have you seen him change both musically and personality since his promotion?
MM: Sal has been with the band since ’99 and previous to that he was in bands that we used to play with. We always knew he was a great drummer. Even during his career as a drum tech he had other bands that he tried to pursue a career in music with. Being able to be a drum tech was a way of getting out there and kind of getting some of his stuff out there. There were a couple shows where John was sick and Sal filled in. So this wasn’t the first time Sal played with us. Sal just seemed like the perfect fit to go from behind the drums to playing them. He knew all the material and we knew he could more than handle it. Personality-wise he’s the same guy. We had these web-isodes on our website where we made him seem like this big egotistical guy and wanted to name the band after him, it was all a joke. Sal’s the most quiet, down-to-earth guy you’ll ever meet, and he hasn’t changed one bit. Sometimes when you introduce someone else, it’s a whole other personality. We knew his personality. He’s been on the road with us for 12-13 years so he was already part of the family.

AL: Besides the new drummer did anything change on the last album? And are the same problems that were there before this hiatus still there?
MM: No. We made the record basically the same way we always make a record. I’ll come in with a bunch of ideas. We get together and figure out what Aaron likes and wants to sing over, and then pretty much finish them and start tracking. Making the record was pretty tough. I mean, losing John along the way wasn’t easy. We had a deadline to meet for the label. Aaron put up the solo record. As far as problems go, I mean, I don’t know. You play with somebody and you’re around somebody so much there’s always issues. Did they go away? I mean, look, we just deal with them. We’re all adults. We’ve been able to maintain this for a long time and I think that you have to pick your battles. I think between Johnny, Aaron, and I we can say pretty much what we want to each other and realize that the band is what’s important. And that’s why people ask me when we’re doing a record. They thought we were going to break up. No, we knew we had to finish the record and that’s what we wanted to do, but you kind of work through all of those things. It takes people making compromises and being able to admit sometimes when you’re wrong and being able to give in.

AL: “Not Again,” was released last summer. Do you have any plans to release additional singles and any videos from the new album?
MM: No, that’s it. We’re calling it quits. Yeah, there’s a single, “Eyes Wide Open,” is out now, and we’re trying to figure out what’s going to be next. There’s a live video that we did with “Eyes Wide Open” also. So, yeah, we’re on single number two now and I think its top ten or something.

AL: Was there any real thought process or purpose behind making this album self-titled?
MM: Yeah. We really wanted to kind of go back to where we started as far as a band, and I think that was kind of why we ultimately decided on having it self-titled. I mean, there was talk about it being called, “Seven,” because this is the seventh record and that’s what seven demons on the cover kind of represents is that. That’s kind of how we ended up incorporated that. But, no, it was really just about the fact that we kind of got back to playing with the music.

AL: Staind has been together for 15 years or more now. What would you say are the biggest reasons for the band lasting that long?
MM: I think all three of the bands on this tour know that if it wasn’t for the fans, we wouldn’t be here. They allow us to do this. Those are the ones that buy a ticket, come to the show, support the bands, and, I mean, that’s why we’re still around obviously. We do our best to write the best music we can. I know Lzzy and Sully do also and you try to put out the best product that you can and you hope that people like it and want to listen to it and be a part of it. So, we’ve been fortunate so far and, hopefully, we can continue.

Interview with Lzzy Hale

Lzzy Hale is the singer of the rock group Halestorm. The bands has a new album out is currently on tour with Staind and Godsmack as part of the Mass Chaos Tour. Media Mikes had a chance to be a part of a teleconference with Lzzy to discuss the tour.

Adam Lawton: When did Halestorm realize they were different or differentiating from the local area bands? And was there ever a time that you wanted to walk away from music?
Lzzy Hale: As far as being discouraged or anything, I mean, this is a crazy business and there’s no real set way to do it. I think a lot of it is learning as you go and you learn a lot about yourself. I think there were a lot of moments that I thought, “Am I really this crazy to do this?” But I think in a lot of ways there’s a fine line between obsession and determination over the course of many years, it’s a little bit more towards the obsession. I think in a lot of those moments now , where I’m like, “Oh, my God, I can’t do it.” It’s just kind of making the decision to put one foot in front of the other. We celebrate the low times as well as the high times. My guys and I do, we have a song on the record called, “Here’s to us,” actually written about that. I mean, my guys and I literally celebrate the low times, like when you think, “Well, guys, we could go home right now. This could all be over tomorrow,” then you literally go and buy a cheap bottle of champagne and write the date on it and say, “I’m just glad we did it with each other.”  We can always go back and play bars and clubs. We would love to do that anyway. It’s never really going to stop. I just think that it’s all about putting one foot in front of the other and we’ve just always had that goal. As far as setting ourselves apart from the local band scene, I mean, we definitely stick out. I started when I was 13; my little brother was 10. I mean, throughout our early years it was always like there’s that  kid band with the chick and the tiny kid on drums, that has always, by the way, looked younger than he was! You can’t stick out more than that! We definitely knew that we were different, but we were very lucky, though. We had a lot of the local bands and a lot of the bands from around the Central Pennsylvania area and on the East Coast who’d give us a chance. We would open up for them and for local bands. We did a mini tour with a couple of them. I owe our first real leg up as a band to all of those bands. It take a village to break a band and to raise a band. I’m literally in awe at all the support we got from you guys. We were little tikes. We want to thank the entire scene there for that.

AL: Who are the influences that helped create the sound and presence you have?
LH: I’ve always been about 10 to 20 years behind when it comes to my interest in music, much to my little friend’s chagrins. So, when I was growing up, I listened to a lot of my parent’s music. It was a lot of 70s and 80s hard rock. Deep Purple and Pink Floyd, anything with  a color basically. Ha! Black Sabbath. I had a very crazy family.  It was very Partridge Family meets Spinal Tap. We always say – when my brother and I started the band, our parents were like, “Sure, absolutely.” So, obviously they are out of their minds. But that really was what influenced me at an early age and also the reason that I kind of dropped piano for a while and started guitar, because you had to kind of say to yourself, “Well, do you want to be Elton John? Or do you want to be Black Sabbath?” The great thing about a lot of those old records, though, is that even now you can still go back to them and learn something new and still be inspired. Those records are definitely responsible for how I identify with HEAVY music. When I was a teen the Spice Girls were what all of my friends wanted to be. I was listening to Alice Cooper. I feel it was the wiser choice.

AL: You started performing when you were about 13. How does the Lzzy of today compare to back when you started? What’s been the biggest change as a musician and what has stayed the same?
LH: I am definitely more confident now than I was at 13. We started out playing anywhere and everywhere. After we started making a name for ourselves you could see that it became my identity and it’s just something that I couldn’t live without. So confidence is a factor from before I was a band member to now, but, some things are different and some things stay the same. In the beginning, you’re in a rock band and you’re having fun because you are just getting a little bit of a taste of it. You don’t care what’s going to happen. We play one club and then that leads to  another club ,that leads to a tour. Now, I still have that fire, but it’s also balanced with a lot of politics and a lot of business sense. In a way it’s just growing, there’s more things I’ve got to think about now like maybe I should sleep a little bit, because I’m got some big gigs coming up. You don’t really have to worry about as a kid. I look back fondly at the early years and I’m lucky to still have that spark and that I love it as much as I ever did. I’m very lucky to have turned something I love into my career. I get to go up on stage rock out with my best friends and with my little brother. I have the best job in the world!

AL: After the success of the bands first CD, what aspects of the new release are you most excited about?
LH: Everything. I’m so proud of this record. I mean, when we made our first record, it’s our first record so we weren’t really sure what we were doing and we weren’t sure who would grab on to it  and who we were actually going to be singing to. So, with this record, we had just a better concept of our fans and a lot of what we did was inspired by them and the feeling that we got during our live shows. Also, the music is bridging the gap between what we do live and what we can do in the studio. This was lost on our last record, so for the people that are geeks about this stuff, we recorded drums to 2″ tape and we hashed out most of the stuff, just the four of us sitting in a room as a band. So, it’s a nice step up from the last record! There more energy and also more intimacy. You’re going to be hearing and tasting a lot of different sides of Halestorm on this record. I’m excited about what people are going to think.

AL: How did “Love Bites” set the tone for the new record? And what was the thought process behind putting out the digital EP in advance of the album?
LH: Yes that was the first song that we wrote and the first song that we recorded for the new record. That particular song was directly inspired by the cover “Slave to The Grind” by Skid Row that we put out a couple months ago. When we recorded it we discovered that, wow, we can actually do a song at this tempo. We should write one like this. We ended recruiting “Love Bites (So Do I). You have to realize that we literally got off tour, had 24 hours to pack, and then got on a plane to L.A., and were in the studio the next day recording this song. We got to record drums for it at Sunset Sound in the Van Halen room! It sounds amazing, It definitely set the tone for the record because we were barely off tour, the amps were still ringing in our ears. There’s a lot of energy that we captured while we were still kind of in that tour mode. Really that one and then the first eight songs that we recorded to be considered for the record were very aggressive and probably the most aggressive that we’ve ever done. They’re very riff heavy and I’m screaming my head off, It’s funny because what happened halfway through was I ended up writing some of the most intimate and personal songs that I’ve ever written, and I was like, “Wow! What a turn.
The finished product ended up being this record that has a very strange duality  to it and showing literally all sides of myself. “Loves Bites” gave us the road map for keeping that sort of live, human element throughout this record.

AL: Are any of the songs on the new record leftover from the last studio album sessions? Or that have been around longer?
LH: It’s kind of all of the above. They aren’t necessarily the same songs from what was considered for last record. Basically that entire time is the cut off and we started anew. However, there were a lot of riffs and small parts that were written around that time that we incorporated into some of the new songs.  “Love Bites” was a song we played on our last tour and that was us kind of testing it out to see how a song like that would go over live. We were listening to a lot of Lamb of God at that time and my guitar player, Joe, had this amazing riff and I kind of turned to him like, “Do you want to do something strange”? I wanted to kind of harness my inner James Hetfield for the bridge/breakdown, and ranted some crazy stuff over his riff. With “Love Bites (So Do I)” we’re trying to do something different that would stick out.

AL: Halestorm are known for having a really awesome support schedule and you have played with some of the biggest names in rock music. Do you guys ever get star struck with some of the people that you’re touring with?
LH: There definitely has been the occasion. I am a girl after all and being surrounded by such handsome men on nearly a daily basis, it’s a great position to be in! You learn so much from all these people and the fact that both STAIND and Godsmack, have had such huge careers and have such experience on the road, I think that to me I’m really looking forward to just watching, listening, and being completely put in my place, because it seems like every time I think, “Well, you know what? I’ve got this. I’m the boss.” And then you play a tour like this and you’re like, “Man, I’ve got to practice.” So, I am star struck. I am amazed every night at what there is to learn from these great bands. I’ve also had the amazing privilege to open for some of my classic idol such as Megadeth, Black Sabbath with Dio, Alice Cooper. They definitely leave me speechless. I’m going to be talking with Pat Benatar soon too. It’s like, “Man, what do I say to these people?”

AL: How did you prepare yourself vocally for this tour?
LH: You do have to prepare yourself for any tour. I mean, you’re going to be singing every night. You’re going to be talking to everybody. To me, it’s about common sense. We’re practicing as a band, then I’m making sure I’m not doing anything too stupid before we start the tour. I will do warm-ups and cool-downs and drink my water, and do a live show. It’s really quite simple on my end.

AL: Are you going to be performing any cover songs on this tour?
LH: Probably not. We might throw in one or two depending on the show, but considering the new album is dropping, we’re going to be playing most of our new stuff!

Brian Krause talks about “Camel Spiders”

Brian Krause is known best for his role in the TV series “Charmed”. He also recently starring in the Roger Corman produced creature feature “Camel Spiders”. Media Mikes had a chance to chat with Brian about the film and what we had planned next.

Mike Gencarelli: How did you get involved with “Camel Spiders”?
Brian Krause: I am friends with Matt Borlenghi, who was already cast in the film. He told me the project was going forward and they were looking for a guy for this role. They threw my name in a hat and I was fortunate enough to be picked up. Jim Wynorski thought I was decent enough [laughs].

MG: With the film being presented by Roger Corman did you have the chance to meet him?
BK: Unfortunately, No I did not. We were out in the middle of nowhere during shooting.

MG: Can you tell us about the production of the film?
BK: We shot non-stop for 12 days. Everything was fast and furious. We tried to shoot as much as we could in a short amount of time. We had a minimal crew so everyone had to be ready. It was very windy and cold in the high desert. It was tough.

MG: What did you like most about working on this type of “creature feature” film?
BK: It’s fun! Everything is done with a wink and it’s not super serious. All the actors are having fun with each other. It was great seeing a guy like Jim Wynorski get things done. Jim and Roger have a working formula that is just impressive. It’s an honor to be a part of that.

MG: Do you have any specific highlights from the production?
BK: I became good friends with Kurt Yaeger who plays Joe in the film. He is an incredible guy that is a former BMX X-Games star. Kurt is just killing it! To see his motivation and how he has become an actor is impressive. It was a great experience.

MG: Can you tell us about your return role in “TBK: The Toolbox Murders 2”
BK: I have worked with Dean Jones a couple times now. He penned the script and directed the film. He has made a different version of the film that is like a prequel. I know he has finished the film but it is tied up in editing.

Tell us about your upcoming online series “The Unknown”?
I just finished that the other day. It is being put out by Crackle. This will be a direct, original content television show and is being produced by Sony. It is in the vein of “Twilight Zone”. I play one of the main characters in the first 6 episodes, which were directed by Martha Coolidge. These episodes have a high production value and I think the same audience will love to check these out on Crackle.com. The stories are so good that they could make their way on to network television.

MG: Any other projects you can tell us about?
BK:I just did a film called “Gabe the Cupid Dog” which is an ABC type family film. I also am working on a couple of my own projects and trying to raise funding for those.

MG: Will those include you directing?
BK: Yes. I directed the teaser which is being used to help raise funds. If I can keep myself on as director once all the funds are raised that will be great. If I have to bring someone else in that would help us raise the money I would definitely relinquish that spot.