Win Passes to the Kansas City Premiere of Chris Rock’s “Top Five” [ENDED]


Media Mikes has teamed up with Paramount Pictures to give (50) of our readers a chance to win a screening pass for two to the upcoming comedy “Top Five,” starring Chris Rock, Rosario Dawson and Ben Vereen. The screening will be held on Tuesday, December 9, 2014 at the Cinemark Theatre in Merriam, Kansas and will begin at 7:30 p.m.

All you have to do is go to http://www.gofobo.com/main/sweepstakes/TOPMM and register your information. (50) random entries will be chosen and each will receive a pass for two to attend the screening. This contest will end on Sunday, December 7, 2014

“Top Five,” written and directed by Chris Rock, opens nationally on Friday, December 12, 2014. Good luck!

Official Site: www.TopFiveMovie.com
Facebook: www.facebook.com/TopFiveMovie
Twitter: @TopFiveMovie #TopFiveMovie

Rating: Rated R for strong sexual content, nudity, crude humor, language throughout and some drug use.

Synopsis:
Pulsing with the rhythm of his greatest stand-up, Chris Rock’s TOP FIVE takes things to the next level, reveling in the high and the low, and blending a star-studded comedic romp with an irresistible romance. TOP FIVE digs under the surface of show business, politics, rap, and the exigencies of being black and famous today—holding it all up to the light in the way only Chris Rock can. Mingling echoes of Woody Allen and Dick Gregory with the energy of Kanye West and Jay Z, TOP FIVE is an original and radically new kind of American movie. Written, directed , and starring Chris Rock, TOP FIVE tells the story of New York City comedian-turned-film star Andre Allen, whose unexpected encounter with a journalist (Rosario Dawson) forces him to confront the comedy career—and the past—that he’s left behind. Starring Chris Rock, Rosario Dawson, Gabrielle Union, Cedric The Entertainer, JB Smoove, Tracy Morgan, Kevin Hart, Anders Holm, Jay Pharaoh, Michael Che, Sherri Shepherd, Leslie Jones. The film is produced by Scott Rudin and Eli Bush. The Co-Producers are Shawn “Jay Z” Carter and Kanye West; the Executive Music Producer is Questlove.

Film Review “Horrible Bosses 2”

Starring: Jason Bateman, Charlie Day and Jason Sudeikis
Directed by: Sean Anders
Rated: R
Running time: 1 hours 48 mins
Universal

Our Score: 4.5 out of 5 stars

What do you do when your trio of friends get away with trying to kill your bosses? You go into business, hoping to sell your latest invention: The Shower Buddy! Think of all the different things you can do at a car wash and move it to your shower and you have an idea of what it does. Mistake number one: naming your company after yourselves. Nick-Kurt-Dale. Say it real fast and you’ll see the problem. Mistake number two: sell your product to Bert Hanson (Christoph Waltz) and his spoiled son, Rex (Chris Pine). Who said business was easy?

Consistently funny, with a few surprises, “Horrible Bosses 2” finds Nick (voice of reason Bateman), Kurt (always horny Sudeikis) and Dale (frantic and funny Day) back on the wrong side of the law when they attempt to pull off a kidnapping in an attempt to get back at Hanson senior, who has pulled a fast one and is about to take over their invention. Unsure of how to exactly go about doing the deed, they turn to a couple of pros: former boss/now convicted felon Dave Harken (Kevin Spacey) and old confederate Mother F***er Jones (Jamie Foxx). They even manage to run into Dale’s old employer, dentist Julia Harris, who now spends her time attending Sex Addiction meetings.

The cast is in fine form. The three leads go above and beyond in making sure this sequel is entertaining and not derivative of the first film. Waltz does his best to convey a Snidely Whiplash-type attitude but I’m not sure he understood the humor needed. On the other side of the spectrum, Chris Pine is amazingly funny. Who knew Captain Kirk had a sense of humor? His work here makes me think he will do well next month when the musical “Into the Woods” is released. In limited screen time Spacey, Foxx and Aniston are equally funny.

The script, by director Anders and John Morris (they also wrote last week’s “Dumb and Dumber To” as well as Sudeikis’ last film, “We’re the Millers”) ladles on the R-rated laughs in large doses, like gravy on your Thanksgiving turkey. It’s just as satisfying and there’s no need to unbutton your pants afterwards.

Mike Nichols, Oscar Winning Director, Passes Away

Mike Nichols, whose films were both timely and timeless, passed away this morning, a few weeks after his birthday. He was 83.

Born Michael Igor Peschkowsky on November 6, 1931 in Berlin, Germany, the filmmaker emigrated to America with his family in 1937.

Nichols began his career as an actor and, along with other performers like Elaine May, Paul Sills and Ed Asner helped create the popular Second City Comedy Group. He also formed a popular comedy duo with May, sharing the 1961 Grammy Award for Best Comedy Recording for “An Evening with Mike Nichols and Elaine May.” Nichols moved on to Broadway, where he won a record (6) Tony Awards (and seven more nominations) for Best Direction of a Play for the following shows: “Barefoot in the Park,” “Luv and the Odd Couple,” “Plaza Suite,” “The Prisoner of Second Avenue,” The Real Thing” and the 2012 revival of “Arthur Miller’s Death of a Salesman.” He also won Tony Awards for Best Direction of a Musical for “Monty Python’s SPAMALOT” and for producing both the original production of “Annie” and “The Real Thing.” I had the great opportunity to meet Mr. Nichols in New York City after a production of “Death and the Maiden,” a brilliant show which featured Gene Hackman, Richard Dreyfuss and Glenn Close.

Naturally Hollywood soon came calling. His first film behind the camera, “Who’s Afraid of Virginia Woolf?” was not only the first film to come with a rating recomendation that “no one under 18 would be admitted” but the first film where the entire credited cast (Elizabeth Taylor, Richard Burton, Sandy Dennis and George Segal) earned Oscar nominations. Taylor won for Best Actress as did Dennis for Best Supporting Actress. His follow-up film, “The Graduate,” made a star of Dustin Hoffman and earned Nichols the Academy Award as the years Best Director. Among his other films: “Catch-22,” “Silkwood,” “Biloxi Blues,” “Working Girl,” “Primary Colors” and “Closer.” His last film was 2007’s “Charlie Wilson’s War.”

Nichols was a member of the rare EGOT club – a group of 12 people that have won Emmy, Grammy, Academy and Tony Awards. He won an Emmy award as Best Director for the television adaption of Tony Kushner’s play “Angels in America.” Mr. Nichols is survived by three children and his fourth wife, ABC News’ Diane Sawyer.

Dr. Dilznik and the Last Rekrute Relese Their New Video, “Still the Same”

Film Review “Dumb and Dumber To”

Starring: Jim Carrey and Jeff Daniels
Directed by: Peter and Bobby Farrelly
Rated: PG 13
Running time: 1 hours 50 mins
Universal

Our Score: 4 out of 5 stars

1994. What a year. For those of you too young to remember, 1994 was the year O.J. Simpson led the police on a slow-speed chase in his Bronco. The princess of Rock (Lisa Marie Presley) married the King of Pop (do I have to name him?). A gallon of gas cost $1.09 while the average price of a movie ticket was just over $4.00. In 1994 you could spend that four bucks on such films as “The Shawshank Redemption,” “Pulp Fiction” and the Oscar-winning “Forrest Gump.” And, on November 14th, you could go see a new comedy called “Dumb and Dumber.” Two decades later, Lloyd and Harry are back.

Every Wednesday for the past twenty years Harry Dunn (Daniels) has visited his catatonic friend Lloyd Christmas (Carrey). This visit Harry breaks the news to his friend that he is in need of a kidney to live. Lloyd reacts to this news, explaining to Harry that he has been pulling his leg for the last twenty years. Harry is impressed with Lloyds deception and soon the two hapless friends are back together on the road, seeking a life-saving organ to keep the two friends together. Of course, hijinx ensue!

Outrageously funny most of the time, “Dumb and Dumber To” is buoyed by the performances of Carrey and Daniels, who appear to have not lost a beat since their last time together. With his chipped tooth and Moe Howard haircut, Carrey still embodies the rubber-limbed idiot Lloyd while Daniels, with his messed up hair and exposed butt-crack stills shines as Harry. When the two learn that Harry has fathered a since-adopted girl the search for a new kidney takes on a family twist.

For those of you asking if it’s as stupid as the first film, the answer is “yes.” That’s what drives the humor. Things you and I consider simple are like quantum physics to these two boobs. They put the “funny” in “funny movie.” Carrey and Daniels are helped out by a strong supporting cast which includes Rob Riggle (in a duo role), Brady Bluhm and a very good sport in Kathleen Turner. Like many Farrelly brother films the gags come fast and heavy. Some hit, some miss, but the hits outnumber the misses enough to make the film well worth seeing.

Win Advance Passes to the Kansas City Premiere of “Horrible Bosses 2” [ENDED]

Media Mikes has teamed up with Warner Brothers to give (25) readers a chance to win a pass for them and a guest to see the Kansas City premiere of the upcoming comedy “Horrible Bosses 2,” starring Justin Bateman, Jason Sudeikis and Charlie Day.

All you have to do is go to http://www.gofobo.com/main/sweepstakes/MEDIAMIKES and register. On Monday, November 17, (25) random entries will be chosen by Gofobo and those lucky winners will be notified on how to get their passes. Good luck!

Screening Information
Date: Thursday, November 20, 2014
Time: 7:30 PM
B&B Overland Park (formerly the Dickinson Palazzo 16) Overland Park, Kansas

“Horrible Bosses 2” opens on Wednesday, November 26, 2014

Film Review “Interstellar”

Starring: Matthew McConaughey, Anne Hathaway and Michael Caine
Directed by: Christopher Nolan
Rated: PG 13
Running time: 2 hours 49 mins
Paramount/Warner Brothers

Our Score: 5 out of 5 stars

“2001: A Space Odyssey.” “Close Encounters of the Third Kind.” “The Right Stuff.” “The Abyss.” All of these films introduced to their respective audiences a view of our lives on Earth and the possibility of life elsewhere. Christopher Nolan has taken the best parts of these films and turned them into a breathtaking, visual masterpiece called “Interstellar.”

Earth as we know it has changed. Our food supply is slowly dwindling. While farmers like Coop (McConaughey) are still doing well with corn, word has come down that the last Okra crop has been destroyed. A blight has taken over the land and Coop does his best to ensure his family – son Tom (Timothee Chalamet), daughter Murph (Mackenzie Foy) and father-in-law Donald (John Lithgow) – survive. Coop wasn’t always a farmer, but he has adapted. Back in the day he was a test pilot but a tragic crash put him on a tractor. Some nights he awakens with a shout thinking about his accident.

Coop has great dreams for his children, though he wonders how they will ever achieve them. Tom’s aptitude test shows him best fit to be a farmer, though Coop disagrees with this. Coop is also in hot water with Murph’s teachers. Apparently he has let her read an old text book documenting the moon landing. However, because of the dire situation in the world, new text books state that the moon landing was a hoax, perpetrated by Russia and eventually bankrupting that country. Yikes! When a bizarre set of circumstances lead Coop to a hidden NASA compound, he is urged to join them on a journey that, if successful, will save the world.

It is really hard to go into the details of this film without giving too much away. Same with the cast. I can tell you that, besides the three Oscar-winners named above, no less than two others appear in the film. All give great performances, with McConaughey adding his name to my short list of Best Actor nominees for next year. Technically, the film is everything you’d expect from Christopher Nolan, the master filmmaker behind “The Prestige,” “Inception” and the “Dark Knight” trilogy. And more. Though a tad long, the film flows pretty smoothly. The script, by director Nolan and his brother, Jonathan, is tight and concise. The dialogue rings true and the emotions conveyed by the cast is genuine. The mood of the film is helped along by Hans Zimmer’s score, which the composer wrote not after reading the script or viewing the film but only from a one page note Nolan handed him during filming. The visual effects are mind boggling, especially when Nolan revealed that the film has very little CGI effects in it. A remarkable achievement in filmmaking that will have you on the edge of your seat.

 

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Tippi Hedren reflects on “Alfred Hitchcock’s The Birds” and her foundation

It’s the classic story of being in the right place at the right time. Newly moved to California in 1961, Tippi Hedren appeared in a television commercial that caught the eye of one of the most acclaimed filmmakers in history: Alfred Hitchcock. “Hitch” tracked Ms. Hedren down and cast her as Melanie Daniels in his classic film “The Birds.” She worked with him again alongside Sean Connery in “Marnie.” More than five decades later she continues to work, both on screen and in her continuing fight to stop the breeding of big cats through her THE ROAR FOUNDATION. And talent runs in the family. Her daughter, Melanie Griffith, is an Oscar-nominated actress and her granddaughter, Dakota Johnson, will star in the highly anticipated film version of “50 Shades of Grey.”

As she prepared for her upcoming appearance in Omaha this week at a charity screening of “The Birds” Ms. Hedren took some time to speak with me about the event and her foundation.

Mike Smith: You’re originally from Minnesota. Will this be your first visit to Nebraska?
Tippi Hedren: Not at all. I’ve been there before and I’m looking forward to returning and taking part in the festivities.

MS: How did you get the name “Tippi?”
TH: My father gave it to me. My baptismal name is Nathalie Kay Hedren and that was quite much for a little tiny girl. My father, who was of Swedish descent, started calling me “Touksa,” which is a Swedish term of endearment apparently. It went from Touksa to Tippi. And that’s the story!

MS: What do you think it is about “The Birds” that makes it a “must see” film more than 50 years after it was released?
TH: That movie has a life of its own! But when you do a Hitchcock film you know it’s going to be good but this has just been outrageous. One decade after the other. People like to be afraid and when you can be made afraid of something that you see every day that makes it even better.

MS: As with a lot of the screenings in Omaha, the artist Nicolosi has designed a special United States Post Office envelope to commemorate the event. Have you seen it yet?
TH: No, I haven’t.
MS: It’s a beautiful piece of work. I know you’re going to like it.
TH: I can’t wait to see it.

MS: Your daughter, Melanie, is a movie star in her own right and your granddaughter is about to star in what will surely be one of the most popular films of 2015. Have you ever felt the need, or have they ever asked you, for any advice on how to deal with Hollywood?
TH: Not really. I’ve never felt the need to talk with them. As a family we certainly respect each other’s talent but we’ve never given each other advice.

MS: “The Birds” was your film debut. Do you approach a film role the same today as you did back then?
TH: No. You have to understand that “The Birds” was a unique experience. For someone who had always wanted to be an actress, this was like Cinderella. I was chosen for the part because of a commercial I had done. I had been a model for the Ford Agency in New York City in the 1950s but the 1960s brought along the television and, of course, the television commercial. Commercials were financially lucrative, so much so that I was able to take three months off and travel around the world. Apparently Mr. Hitchcock became interested in me after seeing me in a commercial for a product called Sego, which was a diet drink. It was a commercial with a story line, not just a product plug. He asked Universal to find the girl in the commercial. Lo and behold, I had just moved back to California with Melanie and…
MS: Wow! Perfect timing.
TH: Perfect.

MS: Tell a little about your work with big cats.
TH: I’ve been rescuing big cats…lions and tigers…since 1972. This has become a major, major part of my life. I feel very strongly that these animals should not be bred and born in the United States to be sold as a pet or for financial gain. I’m very busy trying to get my second federal bill passed to stop the breeding. It’s titled the “Big Cats and Public Safety Protection Act” and I hope your readers will look it up and write to their senators and congressmen to stop the breeding.

For more information on how to support Miss Hedren’s bill, go to https://www.congress.gov/bill/113th-congress/house-bill/1998

“Billy Bates” To Premiere in Kansas City This Friday


“Billy Bates,” which recently played to enthusiastic audiences at the Cannes, Toronto and Tribeca Film Festivals, will make a premiere stop in Kansas City this Friday, November 7 as part of a 10-city tour.

The red carpet event will be held at the Tivoli Cinemas beginning at 7:00 p.m. Following the screening, a Q&A with director-producer Julie Pacino and co-stars James Wirt and Savannah Welch will be held. The film will be on cable-video-on-demand and iTunes beginning November 18 and Netflix in January 2015.

For more information about the event, or to purchase tickets, go to www.billybatesproject.com/tour

Film Review “St. Vincent”

Starring: Bill Murray, Melissa McCarthy and Jaeden Lieberher
Directed by: Theodore Melfi
Rated: R
Running time: 1 hour 42 mins
The Weinstein Company

Our Score: 4.5 out of 5 stars

Vincent (Murray) lives alone with his cat. He spends his days at the track, his nights at the bar and the occasional afternoon with his pregnant Russian girlfriend (Naomi Watts) who, despite her condition, continues to entertain as an exotic dancer. Things change when Maggie (McCarthy) and her young son, Oliver (Lieberher) move in next door. Their first meeting doesn’t go well, causing young Oliver to quip “it’s going to be a long life.”

Full of strong performances, “St Vincent” is a film with many a cliché’d character that manages to avoid every cliché’ you’d expect. Yes, Vincent is a curmudgeon and set in his ways while McCarthy is the single mom trying her best to make things work. Throw in Watts as the “dancer” with a heart of gold and you could have had a film that would make you roll your eyes constantly. But somehow writer/director Melfi manages to pull everything together almost seamlessly.

Murray gives an Oscar-worthy performance here, rivaling his work in “Lost in Translation.” I should point out that I put Murray on the short list for supporting actor earlier this year for “Monuments Men” so, in Murray’s own words from Caddyshack, “I’ve got that going for me!” McCarthy is also strong in a rare dramatic role while supporting work by Chris O’Dowd, Terrence Howard and Ann Dowd stands out as well. And I must give a shout out to young Lieberher who, at the age of 11, manages to hold his own against the unpredictable Murray in his feature film debut.

 

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Film Review “Rudderless”

Starring: Billy Crudup, Anton Yelchin and Felicity Huffman
Directed by: William H. Macy
Rated: R
Running time: 1 hour 45 mins
Samuel Goldwyn Company

Our Score: 4 out of 5 stars

Sam (Crudup) is a hot shot advertising exec who has just landed a major deal. He excitedly calls his son, Josh (Miles Heizer) and invites him to come celebrate with him. Tragically, Josh never shows up. His son gone, Sam crawls into a bottle. He stumbles across an assortment of original songs that Josh had written and, in an attempt to understand the son he lost, Sam begins to learn each one. After playing one of the songs at an open mic night he attracts the attention of Quentin (Yelchin) a young musician intrigued by the song. They form a band but soon discover that music, like life, is unpredictable.

Skillfully directed by William H. Macy, “Rudderless” is one of those small independent films that it’s a privilege to discover. The cast, led by Crudup, does a fine job of conveying the ups and downs of life and how people deal with them. Yelchin is equally good, giving a layered and nuanced performance that is miles away from the earnest Ensign Chekov he plays in the “Star Trek” films.

Supporting work by Laurence Fishburne, Selena Gomez and director Macy keep the film moving and the original songs are both well written and memorable. The script, which Macy worked on with writers Casey Twenter and Jeff Robison, hits all the right notes and packs an emotional wallop you never see coming. Director Macy keeps the story moving and never allows the emotions to become forced, hitting a home run with his feature film directorial debut.

“Rudderless” is currently available now on Digital HD and VOD.

Win Passes to 40th Anniversary Screening of “Satan’s Children” in Tampa [ENDED]

Media Mikes would like to give our readers the chance to attend a special 40th Anniversary Screening of the locally made horror film “Satan’s Children” on November 15 at the beautiful and historic Tampa Theatre.

Made in the spring of 1974, and directed by the late Joe Wiezycki, a determined group of local TV crew people filmed “Satan’s Children,” a shocking and exploitive tale of brutal revenge, bizarre unholy rituals, hedonistic hippie culture, weird sex, and the seductive spell of Satanism and devil-cults. In other words: grindhouse heaven! A fantastic acting ensemble cast was assembled, with most coming from the University of South Florida in Tampa. Sadly, the film never received a proper release.

Now, 40 years later, we’re giving the devil his due! Two lucky readers (and a guest) will win passes to attend this fun filled event. Not only will be winners get to attend the special screening, they will be able to meet some of the cast and crew from the film that will also be in attendance.

All you have to do to be eligible is to let us know below what long-ago or obscure horror film you’d like to see on the big screen. Two random entrants will be chosen and notified by email. This contest ends on November 7, 2014. Good luck!

For more information, head to http://tampatheatre.org/movies/satans-children/

Win Tickets to see the group Darlingside in Kansas City [ENDED]


Described by “Rolling Stone” magazine’s David Fricke as “a quartet with a rich line in acoustic textures and chamber-rock dynamics,” the group Darlingside is making it’s way to Kansas City and Mediamikes would like to send one lucky reader and a guest to their November 8th show at the Record Bar.

All you need to do is let us know what group you wish you could have seen live. Wish you could have been around to see the Beatles? How about Queen? Or is there a band out there now that you’re dying to see. Let us know below. One random entry will be chosen and that person will win (2) tickets to see Darlingside. This contest ends on Wednesday, November 5. Winner will be notified by email. Good luck!

With four distinct voices clustered around a single microphone, Darlingside effortlessly draw audiences into their lush musical world. The band’s sound, characterized by classical strings, tight vocal arrangements, bluegrass and rock instrumentation and smart lyricism, is the product of complete collaboration among the four close friends. The group has no frontman; instead, lead vocals are traded from moment to moment, and each song features a new combination of instruments and textures, pulling heavily from folk, retro-pop, barbershop, and chamber music.

Dave (bassist and former street musician), Don (guitarist, banjoist, and former boy alto), Auyon (classical violinist who studied mandolin in Ireland and Brazil) and Harris (classical cellist and guitarist) met and sang together as students at Williams College. Together, they are “a powerhouse of vocal, instrumental, and performing talent,” and their expansive sound is “aston­ish­ingly more con­gru­ent than the sum of its parts.”

Darlingside’s collaborative work with fellow Massachusetts-native Heather Maloney, which culminated in the 2014 Signature Sounds release “Woodstock,” garnered attention from both “The New York Times” and “The Boston Globe.” This past summer the band stepped onto the national stage with appearances at High Sierra in Quincy, CA, Sisters Folk Festival in Sisters, OR, and Four Corners Folk in Pagosa Springs, CO.

For more information on the group go to http://www.darlingside.com/

 

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Film Review “Fury”

Starring: Brad Pitt, Michael Pena and Shia LaBeouf
Directed by: David Ayer
Rated: R
Running time: 2 hours 14 mins
Columbia

Our Score: 4 out of 5 stars

“Do what you’re told and don’t get close to anyone.”

With these words Staff Sergeant Don Collier (Pitt) welcomes Private First Class Norman Ellison (Logan Lerman) to his tank crew. Doing battle in Germany, Collier has just lost his assistant gunner and young Norman, a clerk typist by training, has been assigned to replace him. His first job? Get in the tank and clean up what’s left of the man he’s replacing. They’re not joking when they say “war is hell.”

Part “Das Boat” with a bit of “Platoon” tossed in for good measure, “Fury” follows the crew of the title tank as it slowly rumbles across the German countryside. Quarters are close and, despite Collier’s instructions, it’s almost impossible for the men to not get close. “Gordo” Garcia (Pena) drives the tank while “Bible” Swan (a subdued and outstanding LaBeouf) takes aim. “Coon-Ass” Travis loads and fires while “Wardaddy” Collier oversees everything. Despite their obvious differences, this mechanized family is closer than most.

Ayer, the writer/director of films like “End of Watch” and “Sabotage,” has crafted a look at the brotherhood between men without too much sentimentality. The feelings are there, under the surface. No dramatic breakdowns or tearful remembrances are necessary to convey the bond between Fury’s crew. Pitt, whose SSG Collier could be a close relation to “Inglorious Basterd’s” Lieutenant Aldo Raine, has aged into a fine character actor and he does an excellent job here. Lerman, title star of the “Percy Jackson” film series, literally grows before our eyes, from wide-eyed innocent to battle hardened soldier. The war is seen, and presented through both Lerman and Pitt’s eyes and the audience is asked to make up their own mind. “Ideals are peaceful,” Collier explains. “History is violent.” Sometimes you can’t have one without the other.

Win a DVD of the New Film “Ava & Lala” [ENDED]


MediaMikes.com has teamed up with ARC Entertainment to offer readers a chance to win a DVD copy of their new release, “Ava & Lala”.

The film, written and directed by Wang Yunfel, stars Tom Arnold, JK Simmons, Academy Award winner Mira Sorvino and George Takei. All you have to do is let us know the answer to this question: If you could be any animal, what would you be? Three random answers will be picked and those three will receive a DVD of the film. The contest will run through Sunday, October 26. Good luck!

Synopsis: Ava is a mischievous young girl and martial arts student who really knows how to pack a punch! One day she meets Lala, a cuddly and kind tiger-like creature, and they discover they can talk to each other. She runs away from her village to join Lala in a mystical kingdom of wonderful animals, all specially chosen to live there, safe from humans. They befriend a huge bear who has a heart of gold, Uncle Bear, who tells them that Lala must leave the kingdom in three days, before the fierce Tiger General finds out they’re there. Uncle Bear is determined to help Ava escape, but they find out it’s not that easy, especially when the other animals discover that Lala has an extraordinary magical power. When Lala is captured, it’s up to Ava and Uncle Bear to rescue him in time to get Ava safely back home.