Fan-Favorite Slasher Franchise Continues This Autumn with Surprise Reboot to the “Hatchet” Series with “VICTOR CROWLEY”

FAN-FAVORITE SLASHER FRANCHISE CONTINUES THIS AUTUMN WITH SURPRISE REBOOT TO THE HATCHET SERIES

VICTOR CROWLEY

Top-secret production from Dark Sky Films and ArieScope Pictures – starring Kane Hodder and helmed by Adam Green – kept under wraps for over two years.

Dark Sky Films proudly announces VICTOR CROWLEY, the surprise fourth film in the fan-favorite Hatchet franchise. Kept tightly under wraps for over two years, the slasher reboot unexpectedly debuted tonight at Hollywood’s ArcLight Cinema, shocking fans, celebrities, and industry professionals who gathered this evening to celebrate at an event coined as a “Hatchet 10
th Anniversary Celebration.”

Set a decade after the events of the series’ first three films, VICTOR CROWLEY reunites Hatchet mainstays Kane Hodder (Friday the 13th 7 -X’s Jason Voorhees) and Parry Shen (Better Luck Tomorrow) for an all-new, horrifying journey into the haunted, blood-drenched bayou.

In 2007, forty-nine people were brutally torn to pieces in Louisiana’s Honey Island Swamp. Over the past decade, lone survivor Andrew Yong’s claims that local legend Victor Crowley was responsible for the horrific massacre have been met with great controversy, but when a twist of fate puts him back at the scene of the
tragedy, Crowley is mistakenly resurrected and Yong must face the bloodthirsty ghost from his past.

VICTOR CROWLEY’s ensemble cast also features Laura Ortiz (2006’s The Hills Have Eyes), Dave Sheridan (Scary Movie), and Brian Quinn (truTV’s “Impractical Jokers”). Writer/director Adam Green proudly returns to the director’s chair of his series that, upon debuting in 2007, was energetically touted as a return to “old school American horror,” and whose maniacal fan-favorite villain quickly secured a place among slasher royalty.

Says Green, “I couldn’t be happier to partner with Dark Sky Films and bring Victor Crowley back to horror fans around the world. Resurrecting the series for its tenth anniversary was our way of saying thank you to everyone in The Hatchet Army and beyond who have supported this series since its inception. This bloodbath is for all of you.”

VICTOR CROWLEY will hit select U.S. theaters in October 2017 as part of Dark Sky Films’ “Victor Crowley Road Show”, wherein writer/director Adam Green (and other cast) will travel with and introduce the film at special one-night screening events across America. Internationally, the film is slated to bow at festivals worldwide.

Full road show schedule and additional release information will follow.

@darkskyfilms
www.darkskyfilms.com

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Jason Christopher talks about slasher "Nobody Gets Out Alive" and upcoming "Monsters Within"

Jason Christopher is the writer/director of the 70/80’s slasher inspired “Nobody Gets Out Alive”. The film is in-your-face and will leave hardcore horror fans very happy. Media Mikes had a chance to chat with Jason to chat about the film and what he has planned next.

Mike Gencarelli: You handled everything from editing to producer to writer and directing “Nobody Gets Out Alive”, tell us about the origin of this project?
Jason Christopher: The flick came about with my producer and I making a small no budget movie. We made this movie where we were the only crew and hired three actors and had a solid story. With no budget the movie didn’t turn out how we really wanted it to but we screened it sold out in 45 min and turned away 200 people. That’s when my producer was like, “lets get a real budget and make a real movie, what other scripts you got?” I wrote “NGOA” when I was 17 years old. Always wanted to write a slasher flick paying homage to the flicks I loved. It wasn’t until my Dad passed away randomly that I actually sat down and wrote it. I had a lot of hate and anger wrapped in my head from the incident so it motivated me to make the Hunter Isth character. We got 36k bucks and made the movie.

MG: Out of all those tasks which was the most challenging for you?
JC: I consider myself a director and editor. I like writing but I’m not a good writer, I’ll admit. I have more of a vision with my eye through a camera than I do with my hands on a laptop writing. I do the fun side of producing, putting things together. My producer does the money and business side of things. That’s just not my thing. But with writing it’s a draft of your story, directing you’re seeing the story come to life and another draft, and editing is the final draft to me.

MG: The film is a nice homage to 70/80’s slasher pics, tell about your inspiration?
JC: I was born in ’87 so I didn’t get to witness first hand of all the best slasher flicks. But I watched them all when I could. “The Prowler”, “Black Christmas” (74), “Friday The 13th Part 3”, “Halloween 2″(82). Those are my favorites and I think they show in the flick.

MG: The gore in the film is solid and doesn’t cut away; I commend you for not being afraid to offend!
JC: My Dad always told me to make something controversial. I did a lot in “NGOA” by trying to be unique with the kills. There’s a lot more I wanted to show but I didn’t. Was thinking of how a distributor would feel because I definitely didn’t want the movie to sit on a shelf and never get picked up. After seeing “A Serbian Film” I was like, “damn this dude really didn’t care”. Love that flick for that reason.

MG: Do you recall what was the film’s final body count?
I think there’s a total of eight on screen. In earlier drafts there were a bunch more but I took them out due to not having money in the budget. *Spoiler* Originally the two convenience store victims weren’t supposed to be in but after a few cuts of the movie we decided to go back and put them in.

MG: How did Clint Howard get involved with the film?
JC: My producer set that one up. We had enough money to get a small cameo in the flick. We were tossing around names and I randomly said, “Clint Howard!” He took it and ran with it and set the whole thing up. Clint was great, he’s such a smart-cool dude.

MG: What do you have line-up next?
JC: This script I wrote titled, “Monsters Within”. I really can’t say much, don’t even know if I’m allowed to announce the movie title but whatever. It’s what I’m definitely working on getting off the ground. Money is always a bitch and we’re definitely aiming way high for the budget. Got a great name for the lead attached and I’m so excited for this movie. It’s everywhere – sci-fi, horror, slasher, mystery. It’s pretty cool.