Starring: Samara Weaving, Vic Carmen Sonne and Nathan Stewart-Jarrett
Directed by: E.L. Katz
Rated: NR
Running Time: 85 minutes
Our Score: 4 out of 5 stars
Movies being shelved is nothing new. However, the legend and infame of those films remains. Depending on the genre, that movie can spend years being whispered about before it ever sees the light of day or is shown beyond secret Hollywood home screenings. The latest potentially shelved and never to be seen again (I’ll get to this later) film is “Azrael,” a post-apocalyptic film that uses Biblical theology to tell a wordless story splattered in blood and shockingly delivers unexpected supernatural thrills without a single syllable of discernable dialogue.
Samara Weaving plays the titular Azrael, who roams the woods dodging mud covered looking creatures with disfigured twitching torsos and milky zombie eyes, and other humans looking to sacrifice her to those previously described creatures. All the humans we encounter, except for one, have removed their vocal cords, leaving a cross as a scar over their throat. You see, this film takes place after the Christian rapture, the supposedly end-of-times day where all of God’s believers are taken to Heaven before good and evil lay waste to the Earth in battle. So, as the movie goes, you automatically know nothing is off the table in terms of supernatural shenanigans, morality, and what happens to the pregnant villain of the story. That being said, nothing is officially known.
You will learn nothing as the film goes along and at times it’s almost like watching someone choose their own adventure based on knowledge they’re not telling you. Besides onscreen text, the magnificent facial acting of the entire cast (especially Weaving) the privileged few who attended a director screening of the cut (Me!), you will not ever 100% (maybe even 50-90%) know what is actually going on. It’s entirely possible that multiple people with different theories as to what is happening aren’t wrong. Even at the Panic Fest screening, the film’s writer, Simon Barrett, was mum on the more specific plot details and ideas.
“Azrael” deserves a proper autopsy if it is never released, but right now, it’s an unseen circus act I’m guaranteeing is worth the price of admission. It’s difficult to glow about a film that may never see the light of day because, as Barrett also stated at Panic Fest’s “Azrael” screening, the movie is currently in limbo. Just a little after it’s SXSW premiere, the distributing company for “Azrael” seems ready to do what other distributors have done recently, just like with “Batgirl.” Whether it’s because shelving the film will save “save money,” “trim fat,” or whatever potential lie the millionaire powers to be are claiming, it’s frustrating. Even if someone disagreed with me about “Azrael,” they deserve the opportunity to watch it. “Azrael” is more than a silent gimmick, it’s an experience you’ll never forget. Buoyed by Weaving’s face, the film is relentless, even as it blows past questions it’s never going to answer.
