Rocklahoma 2020: Slipknot, Five Finger Death Punch, Staind, Papa Roach, Halestorm, Anthrax, I Prevail & Many More

America’s Biggest Memorial Day Weekend Party Returns
Friday, May 22, Saturday, May 23 & Sunday, May 24
At Pryor Creek Music Festival Grounds in Pryor, Oklahoma
 
Early Bird Passes On Sale Friday, January 24 at 10:00 AM CT

Rocklahoma is set to take place on Friday, May 22Saturday, May 23, and Sunday, May 24 at Pryor Creek Music Festival Grounds in Pryor, Oklahoma, just outside of Tulsa. Now in its 14th year, the three-day camping festival features some of today’s top rock artists, including Slipknot, Five Finger Death Punch, Staind, Papa Roach, Halestorm, Anthrax, I Prevail, Alter Bridge, and many more. 

Produced by AEG PresentsRocklahoma is America’s Biggest Memorial Day Weekend Party and showcases the best new rock acts and classic artists performing on three stages. With onsite camping amenities and unparalleled VIP packages, Rocklahoma lives up to its motto of “Life, Liberty & the Pursuit of Rock.” 

The music lineup for Rocklahoma 2020 is as follows (subject to change): Slipknot, Five Finger Death Punch, Staind, Papa Roach, Halestorm, Anthrax, I Prevail, Alter Bridge, The Pretty Reckless, Motionless In White, Body Count, Hollywood Undead, Hellyeah, Badflower, The Hu, Jelly Roll, Bad Wolves, Dirty Honey, All That Remains, Jinjer, Warrant, Brass Against, Bones UK, Knocked Loose, John 5 And The Creatures, Butcher Babies, From Ashes To New, Dinosaur Pile-Up, Diamante, Goodbye June, BulletBoys, Liliac, Color Of Chaos, East Side Gamblers, Budderside, Paralandra, Hericane Alice, Travis Bond, Fist Of Rage, Outlaw Devils, 90lb Wrench, Severmind, Love Sick Radio, Mind Of Fury, Jessikill, Straight Six, The Rumours, Chaotic Resemblance, and more. 

Mike Mushok from Staind said the following about performing at this year’s festival, “We had a blast reuniting for some great shows last year, and we’re excited to be playing Rocklahoma again.” 

Rocklahoma producer Mike DuCharme said, “Rocklahoma festival IS Pride, Culture and Community! Our fans grew up coming here and now their kids are following suit. We share their same enthusiasm and vision and have worked hard to make sure there was something for everyone. We are excited to have Slipknot make their first festival appearance, surrounded by several returning fan favorites including Five Finger Death PunchStaind and Papa Roach, plus a few that helped build the history of the event like AnthraxHalestorm and Warrant. Fans can expect further improvements to the site and experience in 2020. Get ready to rock as this year promises to be another weekend long party!” 

Passes go on sale at early bird pricing on Friday, January 24 at 10:00 AM CT at www.Rocklahoma.com, and will increase to phase 2 pricing on Friday, January 31 at 5:00 PM CT. Payment plan options are also available, allowing purchasers to split the cost into monthly payments. Fans are encouraged to buy early and save. Limited quantities of Groupie, Roadie, and Rockstar VIP Packages are also available.

Please visithttps://rocklahoma.com/passes.html for details. 

Current pass pricing is as follows, while supplies last: 

Weekend Admission Passes:

Weekend GA: $144 plus fees

Weekend Military GA: $120 plus fees

Weekend GA 4-Pack: $516 plus fees

Weekend Reserved Admission (comes with food & soft drinks): $399 plus fees

VIP Packages:

Groupie Package: $700 per person

Roadie Package: $1,125 per person

Rockstar Package $3,350 per pair 

Note: All Weekend tickets are for Friday, Saturday, and Sunday. 

The campgrounds are a unique part of the Rocklahoma experience, and will be open from Sunday, May 17 at Noon CT through Tuesday, May 26 at Noon CT. General Admission and VIP camping are available at checkout and are only available with weekend ticket purchases. Information on camping add-ons can be found at https://rocklahoma.com/camping.html

Fans are invited to kick off the party early at The Roadhouse where local Oklahoma favorites, top tribute acts, and national legends will headline the D&B Processing Stage each day. The Roadhouse will also feature food trucks, a full-service bar, and a great place to hang with your friends throughout Rocklahoma. Festival doors open at 2:00 PM daily, and doors for The Roadhouse open at 11:00 AM daily. Rocklahoma is located just 45 minutes northeast of Tulsa, in Pryor, OK.

The Pryor Creek Music Festival Grounds is a premier destination for a multi-day festival and includes onsite camping with access to restrooms and shower house, a general store for campers, VIP reserved seating, hospitality areas and much more. 

For more information on Rocklahoma, visit: www.Rocklahoma.com

Film Review “Papa: Hemingway in Cuba”

Starring: Giovanni Ribisi, Joely Richardson and Adrian Sparks
Directed By: Bob Yari
Rated: R
Running Time: 109 minutes
Yari Film Group

Our Score: 2.5 out of 5 Stars

Having to write about Ernest Hemingway is a daunting task, but having to write about “Papa: Hemingway in Cuba” is fairly simple task considering how humdrum it is about its biographical choice. So I’m lucky in the sense that I’m going to be telling you about the latter. I’m not lucky in having to admit I’ve never ready anything by Ernest Hemingway or know that much about the Pulitzer Prize winning author, so I can’t refute anything in this movie or speak about Hemingway with any familiarity.

Ed Myers (Ribisi) is a Boston Globe reporter that became infatuated with writing after reading Ernest Hemingway’s (Sparks) works. He’s too timid to write Hemingway a letter, but a co-worker, behind his back, sends off a letter he’s been mulling over for years. Much to Myers’ surprise, Hemingway responds and gladly picks him up in his own boat off the coast of Florida. From there they head off to Cuba to enjoy drinks, laughs and musings.

The movie follows Myers and Hemingway’s relationship over the course of 1959. The problem that arises from the get-go of the movie is that the film never knows how to settle and focus. The movie reflects on Hemingway’s alcoholism, suicidal tendencies, funding and supplying of Cuban rebels, his possible PTSD, his tumultuous marriage, his writer’s block, and probably more that I’m forgetting. Hemingway was known for saying a lot within a few short words. “Papa: Hemingway in Cuba” barely say anything in 109 minutes.

The most interesting conflict, at least the bit that the actors chomp at, is Hemingway’s alcoholism and his seemingly toxic marriage with Mary (Richardson). Some of the tensest scenes involve Myers and the Hemingway’s. Their conversation goes from passive aggressive jabs to violent outbursts. Because so much happens within one scene, there’s the unshakeable feeling that “Papa: Hemingway in Cuba” may have been better off as a dramatic stage play. The theory is given further credence by presence of Adrian Sparks, a renowned stage actor.

Bob Yari may have not been the man to direct this movie since he only has one other credit to his name. He has produced some magnificent movies, but then he’s credited as the executive producer for the “Agent Cody Banks” movies. My research online yields articles and interviews about how this movie has been in the works for years, but “Papa: Hemingway in Cuba” seems like a passion project without any passion.

Yari doesn’t have the director’s touch. So much of “Papa: Hemingway in Cuba” feels like a TV movie with a few ‘F’ bombs to spice it up. There are transitions that feel like they should be followed by commercials or a spokesman for PBS asking me to donate money. Even the casual viewer will be able to notice awkward cutting in between scenes. It begs the question if Yari was a simple fill-in.

For all its faults, it’s well acted and has a lot of gripping ideas. For those who don’t know much about Hemingway, this could serve as a bridge to learning more about one of America’s greatest authors. If that’s the case, this movie does serve some importance. For Hemingway fans and those familiar with American literature, they’ll be scratching their heads and wondering if Hemingway is turning and tossing in his grave.

Papa Roach’s Jerry Horton talks their tour “Carnival of Madness”

Jerry Horton is the guitarist for the multi-platinum rock group Papa Roach. The group’s latest release “The Connection” has been tearing up the rock charts and Media Mikes caught up with Jerry recently to discuss the bands career at the Big Flats, NY stop of the Carnival of Madness tour which along with Papa Roach features Skillet and Shinedown.

Adam Lawton: Can you tell us about the bands decision to tour as a package as opposed to a solo headlining run?
Jerry Horton: I think a lot of it had to do with the fact that last year we were supposed to be part of a package tour however due to Jacoby’s vocal problem we had to cancel those shows. We were trying to figure out what to do this year tour wise and the guys from Shinedown hit us up. We have toured with them before and it’s always been a great time so that’s what we decided to do.

AL: Having not toured immediately upon the latest albums release how has the reception been towards the new material on this tour run?
JH: It’s been really good. We have had quite a few people up front just singing along to the new stuff. That’s not something we expect especially from say a Shinedown crowd. Not to say there isn’t cross pollination of our fans and Shinedown fans happening but with them being the headliner you don’t expect to see people singing along to some of our heaviest songs. Things have been great on the tour and each night we flip flop sets with Skillet so some nights we play earlier and other nights we have the later slot. The challenge of getting everyone up out of their seats is one we enjoy and we have had a lot of people up and dancing this time out.

AL: Having a career that is going on 20 years now what do you feel has been the
bands biggest progression over the course of that time?
JH: I would have to say that probably our biggest change happened just recently. We introduced some more electronic elements to our sound. We had a little bit here and there in the past like on “Getting Away with Murder” but it was never really as much in the forefront as it is on this record. We wanted to do that in a way that wouldn’t take away from the rock element of the band. When we write and record we will do the main guitar part and then layer over the top of that. With the electronic sounds we want those to help people differentiate between the various parts of the songs. There are a lot more textures going on in the newer material however I wanted the beats to resemble those from our earlier records.

AL: From a tonal stand point do you feel the band’s sound has changed at all?
JH: I wouldn’t say it has changed so much. We have used different amps from time to time but for our main sound whether I am using a Marshall, a Bogner or a Boogie I have a certain frequency range that I like my sound to sit in. Whatever amp I am using will generally fit in there. You can kind of hear some differences if you go back to the “Infest” album and compare it to “The Connection”. There is a little difference but I generally don’t get down to the freakishly specific settings. I go a lot by ear and how it meshes with the bass. Tobin acts like a second guitar player with his playing style so at times the tones have to be similar and distinct even while we are playing lines that may be similar.

AL: Over time has your live tone and recording tone started to mimic one another or have they stayed pretty separate?
JH: On the last record we used Bogner amps but live I am currently using the Axe Effects unit. I have a similar tone but it’s not exactly a Bogner amp. There are some concessions I am willing to make when it comes to touring and playing live. It’s not only a space issue but there are things like weight and shipping that we have to take in to consideration. The Axe unit comes within I would say between 90-95% of my studio sound. A tone purist would take a look at my whole rig and probably just shake his head in disappointment.

AL: Have there been any talks yet of starting work on a new album?
JH: We have started thinking about it. Ideas have started floating around but we don’t have specific songs finished just yet. I know Jacoby has lyric ideas and we have an idea as to how we want the album to sound. There are a lot of cool things that we are tossing around. I know Tobin has two or three songs in the works and we are really stoked about those. We are still just in the beginning stages. We will probably be in the studio around March.

AL: What other tour plans are in place for the remainder of this year?
JH: We finish the Carnival of Madness tour on September 15th. In October we are starting in the Pacific North West and going through Canada and down the east coast making our way to Florida. In November and December we head over to Europe for some shows and we finish there at the Brixton Academy in London. We have a few shows after that but we have most of the holiday season off.

CARNIVAL OF MADNESS: First Tour Dates Announced; Unleashes August 13 In Cleveland With Shinedown, Papa Roach, Skillet, In This Moment & We As Human

FIRST TOUR DATES ANNOUNCED FOR THE FOURTH ANNUAL CARNIVAL OF MADNESS

UNLEASHES AUGUST 13 IN CLEVELAND, OH WITH SHINEDOWN, PAPA ROACH, SKILLET, IN THIS MOMENT AND WE AS HUMAN

June 3, 2013 – The first batch of dates for the highly anticipated CARNIVAL OF MADNESS tour, powered by Monster Energy, have been announced.

Sure to be known as the premier rock tour of 2013, the CARNIVAL OF MADNESS–sponsored by Monster Energy–returns this summer with multi-Platinum rock band SHINEDOWN, along with PAPA ROACH, SKILLET, IN THIS MOMENT, and WE AS HUMAN. The tour commences in Cleveland, OH on Tuesday, August 13. Go to www.CarnivalofMadness.com for specific on-sale date and ticket information, and see below for the first batch of shows. More will be announced in the coming weeks.

VIP ticket pre-sales for these shows are now available to the “Shinedown Nation,” SHINEDOWN’s exclusive fan club. For more information about VIP pre-sale packages and “Shinedown Nation” membership, please visit the band’s official website, www.shinedown.com.

SHINEDOWN makes their triumphant return to the CARNIVAL OF MADNESS after headlining the 2010 inaugural launch, with a lineup that also included Sevendust, Chevelle, Puddle of Mudd, and 10 Years. The first CARNIVAL OF MADNESS proved to be one of the biggest tours of the summer, heralded as a Top 50 tour by Pollstar. Last year’s trek featured Evanescence, Chevelle, Halestorm, and New Medicine.

CARNIVAL OF MADNESS 2013 TOUR DATES

DATE CITY VENUE

Tue 8/13 Cleveland, OH Jacobs Pavilion at Nautica
Wed 8/14 Philadelphia, PA Mann Center for the Performing Arts
Fri 8/16 Canandaigua, NY Marvin Sands Performing Arts Center
Sat 8/17 Cincinnati, OH PNC Pavilion at Riverbend Music Center
Sun 8/18 Bloomington, IL US Cellular Coliseum
Tue 8/20 Burgettstown, PA First Niagara Pavilion
Wed 8/21 Bristow, VA Jiffy Lube Live
Fri 8/23 Tinley Park, IL First Midwest Bank Amphitheatre
Sun 8/25 Cedar Rapids, IA U.S. Cellular Center
Tue 8/27 Clarkston, MI DTE Energy Music Theatre
Wed 8/28 Big Flats, NY Tags
Fri 8/30 Charlotte, NC Verizon Wireless Amphitheater
Sat 8/31 Virginia Beach, VA Farm Bureau Live
Sun 9/1 Raleigh, NC The Red Hat Amphitheater
Fri 9/6 Allegan, MI Allegan County Fair
Tue 9/10 Morrison, CO Red Rocks Amphitheatre
Sat 9/14 Sacramento, CA Discovery Park

About Monster Energy:
Most companies spend their money on ad agencies, TV commercials, radio spots, and billboards to tell you how good their products are. At Monster Energy, we chose none of the above. Instead we support the scene, our bands, our athletes and our fans. We back athletes so they can make a career out of their passion. We promote concert tours, so our favorite bands can visit your hometown. We celebrate with our fans and riders by throwing parties and making the coolest events we can think of a reality. www.monsterenergy.com

About In De Goot Entertainment:
In De Goot Entertainment powers CARNIVAL OF MADNESS and boasts an artist roster that defines rock music today! The management company opened its doors in 1993 and has grown into one of the premier rock management companies in the U.S. We represent a wide range of Platinum-selling rock acts and underground fan favorites. The company takes great pride in helping artists succeed in all areas of their career. With decades of music business experience shared amongst the staff, we strive to provide expert guidance and insight for the acts we represent. www.indegoot.com

 

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Interview wtih Papa Joe Aviance

Papa Joe Aviance is a dance music performer best known for performance with Lulu on the track “Last Night a DJ Saved My Life”. His current song is working its way up Billboard Dance charts. Media Mikes had a chance recently to speak with Papa Joe about his music and future plans.

Adam Lawton: What made you first want to get into music?
Papa Joe Aviance: I have been passionate about music all of my life. I grew up playing the violin and I was also in the marching band. Music is something I have been around all of my life. When I first experienced club music it was like church for me. Feeling the grooves and beats was very magical and I fell in love with it. Music in general is something that I just really love!

AL: How was it getting to work with Lulu on “Last Night a DJ Saved My Life”?
PJA: Amazing! I had danced to her tracks many times in the clubs and to have the opportunity to work with her was a blessing in disguise. My demo had been sent to Kult records and that day was the same day the originally rapper on the track was fired. They liked my voice and if would mind doing the rap on the track. Next thing I know its number 6 on the Billboard dance charts.

AL: When you were working on the track did you think it was going to be as big as it turned out?
PJA: Not at all. When it did get as big as it did I saw myself on the video and I knew I had to change my appearance. I knew I just couldn’t look like I did. I remember going to a local sports bar and hearing that song on the juke box. I just couldn’t believe it. From there I really got the motivation to lose a bunch of weight and was the next big thing to happen to me after that song was released.

AL: Can you tell us about your new track titled “Live For Life”?
PJA: I had Willy Sanjuan at a music conference about a year and a half ago. I was there promoting “Last Night a DJ Saved My Life”. He and I had been communicating through email and through the process of my weight loss I started writing this track. We recorded and submitted it and now it’s being promoted everywhere. I am really happy and proud of the track. This really is my very first solo track.

AL: How was it going into the studio by yourself for the first time?
PJA: It was fun and exciting. I love being in the studio and getting to brainstorm material. This new track is kind of about being passionate and doing what you love.

AL: Can you tell us about Papa Joe Network Productions?
PJA: That sort of came into play about 2 years ago. I had helped with some things on the “Last Night a DJ Saved My Life” video. During my weight loss journey I decided to document it. From there I started working on other projects besides my own. I like trying to help people get their message out.

AL: Do you have any other upcoming projects?
PJA: I am currently working with a few charities right now filming their events. Besides filming for those groups I am also involved heavily as a member. Next year I am planning to do a Walk Across America tour. I am planning to visit 10-15 cities to promote not only my new song but a healthy and active lifestyle. I plan to document the whole thing and submit it to festivals when it’s all done.

For more info on Papa Joe Aviance you can go to his website @ www.joejoenow.com and you can view some of his production work at www.youtube.com/papajoeaviance