Full Moon Features Takes on Bold Venture In Interactive Feature Filmmaking With “Deadly Ten”

Live-Streamed Production of Ten Original Full Moon Feature Films

HOLLYWOOD, April 20, 2019 – DEADLY TEN is an immersive cinematic initiative that will see Full Moon Features boldly producing a series of ten original genre films, live-streamed in front of fans. These ten films will include sequels of beloved Full Moon franchises, a spin on classic cult favorites, and daring soon-to-be essential genre films. Principal photography will begin shooting in June 2019 and continue throughout the year in Europe and North America. Release for the DEADLY TEN is slated for Spring 2020, and will premiere exclusively on Full Moon’s Amazon Prime Channel.

In an unprecedented move, Full Moon will be giving fans an all access pass to this unique production by providing an inside peek into the magic of genre filmmaking. Fans will be able to log into the DEADLY TEN website (www.DeadlyTen.com) and watch the current motion picture being shot in real time. Live feeds, exclusive on-set interviews, special effects secrets, pre-and post-production videos, interactive director’s blogs and more. Through this immersive experience, cineastes and budding young filmmakers can delve deep into mechanics of the movies and learn first-hand all about the joys, struggles, creativity, and hard work that goes into making a fully produced, independent feature film.

“This is one of the most exciting Full Moon production initiatives since our ’90s video store heyday,” says Full Moon founder and cult movie legend Charles Band. “It’s ambitious, high concept, a bit insane and there’s never been another interactive filmmaking concept quite like this. As Full Moon thrives in the new terrain of streaming and takes viewers to places not many have gone before, we hope fans will love being a part of our new adventure!”

The DEADLY TEN film slate will include:
BLADE: THE IRON CROSS (Dir:John Lechago)
BRIDE OF THE HEAD OF THE FAMILY (Dir: Charles Band)
NECROPOLIS: LEGION (Dir: Chris Alexander)
SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA 2 (Dir: David De Coteau, Brinke Stevens)
BLOOD RISE: SUBSPECIES V (Dir: Ted Nicolaou)
HALLOWEED NIGHT (Dir: Danny Draven)
THE HOURGLASS (Dir: Ryan Brookhart)
FEMALIEN: COSMIC CRUSH (Dir: Lindsey Schmitz)
THE SHADOWHEART CURSE (Dir: Charles Band)
THE GRIM RAPPER (Dir: Billy Butler)

ABOUT FULL MOON FEATURES
Founded in 1989 by iconic independent film producer and director Charles Band, Full Moon is the successor to Band’s groundbreaking Empire Pictures Studio from the 1980’s. With Empire, Band created now-classic horror films like RE-ANIMATOR, FROM BEYOND and GHOULIES. Band’s films helped launch the career of many of Hollywood’s biggest stars including Demi Moore (PARASITE), Helen Hunt (TRANCERS), and Viggo Mortensen (PRISON), to name a few. With Full Moon, Band has produced over 150 films, including the PUPPET MASTER franchise, SUBSPECIES, PIT AND THE PENDULUM, CASTLE FREAK, DOLLMAN, DEMONIC TOYS, PREHYSTERIA!, EVIL BONG and many more. As well as feature films, Full Moon produces original series, toys, collectibles, merchandise, comic books and publishes the popular horror film magazine DELIRIUM.

Amazon Prime ‘Activates’ The Tick and Lore at NYCC

Fans looking to escape the crowded New York Comic Con show floor this past weekend were taken care of by a pair of immersive ‘activations’ presented by Amazon Prime. On site at the Jacob Javits Center, the streaming service introduced two of its newest series, The Tick and Lore, in style. I was fortunate enough to spend time exploring both experiences with some friends over the course of the con weekend and needless to say, they got me hyped to check out the shows.

My first stop was The Tick’s massive Dangerboat installation on the upper level of the con. Dangerboat is not just the headquarters to the Tick’s nemesis, Overkill, but also has a sentient artificial intelligence all its own (on the show he’s played by geek icon Alan Tudyk). In keeping with that, NYCC’s Dangerboat was also talking and fully sentient and began immediately interacting with my crew when we boarded.

Both of Amazon’s experiences were connected to an RFID wrist tag that we registered before entering. In Dangerboat the tag was used to print out our custom Aegis database ID as well as getting our own tin of FO HAM. Thankfully the tin actually contained “NEAT!” Tick pins and not canned meat. Dangerboat concluded with a fun green screen video op that with yet another swipe of wrist tags was emailed or posted wherever we chose. All told, Dangerboat took my group about a half hour to fully interact with due to the level of options on the various screens, not to mention the funny rapport we developed with a sentient boat(!) which was pretty incredible as far as con setups go. Whomever was the mind behind Dangerboat certainly captured the humor and spirit of the show itself and provided some of the best laughs of the weekend.

About The Prime Exclusive Series, The Tick:
“Bursting with scabrous original storylines that turn on a dime, The Tick is a comedy with kinetic action, a wryly inventive visual style and crisply quotable dialogue. Heroes have flown among us for decades but mild-mannered accountant Arthur Everest (GRIFFIN NEWMAN) one day finds out there are also genuine bad guys in this new Amazon Original Series. He believes he has proof that The City, where he was born and raised, is actually controlled by a global super-villain known as the Terror (JACKIE EARLE HALEY). Destiny soon brings Arthur together with an eccentric, tall, blue-suited muscleman with a mysterious past and list of superpowers: The Tick (PETER SERAFINOWICZ). The title character serves as both the conscience and the unchecked id of the story. Citing the call of destiny, the Tick procures for Arthur a moth outfit with retractable wings and insists that he suit up as his sidekick. He and Arthur are the ultimate odd couple, but may just bring out the best in each other. In their quest to take back The City, the unlikely pair of heroes quickly sees just how complex the struggle between good and evil has become.”
The Tick returns to Amazon on February 23rd 2018

Descending down a level into the Museum of Lore was yet another unique RFID experience and definitely welcome this Halloween month. Based on the hit podcast, Lore sets out to retell the true life macabre stories that inspire some of horror’s most notorious tropes. In a series of interactive rooms, my group tromped through haunted dolls, magical mirrors and werewolves as presented by a trio of delightfully over the top actors. Utilizing our RFID bands, we were rewarded with messages from The Other Side and a cool photo souvenir over a pretty twisted werewolf buffet….

About The Prime Exclusive Series, Lore:
“Sometimes the scariest stories are true. Lore is based on the global, award-winning podcast sensation from creator Aaron Mahnke, and executive produced by Ben Silverman (The Office), Howard T. Owens (The Biggest Loser), Gale Anne Hurd (The Walking Dead), Brett-Patrick Jenkins (Face Off), Glen Morgan (X-Files), Jon Halperin and Mark Mannucci (A Year in Space). Lore brings the podcast to life and tells the real life origin stories that have led to our modern day myths and legends, including vampires, changelings, werewolves, séances and possessed dolls.”
Lore is fittingly debuting on Friday October 13th.

 

 

Disney Interactive And Harmonix Announce October 21 Release For Video Game “Disney Fantasia: Music Evolved” and Plans for E3

Disney Interactive And Harmonix Announce October 21 Release And Unveil New Content For The Award-winning Music And Motion Video Game “Disney Fantasia: Music Evolved” At The 2014 Electronic Entertainment Expo (E3)
Experience All-New City Realm and the Game’s Narrative Plus Playable Songs from Drake, The Who, and others in Disney Interactive & Microsoft Booths at E3

BURBANK, Calif., June 6, 2014 /PRNewswire/ — Disney Interactive and Harmonix today announce the official release date for the award-winning music and motion video game, “Disney Fantasia: Music Evolved,” along with new content to be revealed at this year’s E3. The breakthrough musical motion video game inspired by Disney’s classic animated film “Fantasia,” will be available worldwide for Xbox One, the all-in-one games and entertainment system from Microsoft and Kinect for Xbox 360 on October 21, 2014.

At E3, the team will follow last year’s standout performance where it received awards from Game Critics for ‘Best Social/Casual Game,’ GameSpot for ‘Best of E3,’ Polygon for ‘Editor’s Choice,’ and Game Informer for ‘Best Music/Rhythm Game.’ This year’s show will set the stage for new multiplayer gameplay and reveal the latest musical additions, along with a vibrant city realm, “The Neighborhood.”

In “The Neighborhood,” players will work their way through a restrained 2D urban cityscape, using music and magic to unleash a vibrant and magical 3D environment by interacting with billboards, rooftops, trains and other surprises hidden within the city landscape. Through this mind-bending experience, players will watch and listen as their movements create bold colors and whimsical music that make “The Neighborhood” a fantastical adventure.

The latest announced tracks from a range of award-winning artists that will appear in-game include:

Depeche Mode – “Enjoy the Silence”
Drake – “Take Care” (ft. Rihanna)
Tchaikovsky – “The Nutcracker Medley”
Police – “Message in a Bottle”
MIA – “Galang”
The Who – “The Real Me”

Additionally, players will be introduced to Yen Sid’s previous apprentice, Scout, via the game’s narrative, who will guide the player as they perform, transform and create music to restore order to the world.

Featuring over 30 tracks – including contemporary hits, classic rock, classical music, and more – “Disney Fantasia: Music Evolved” transports players to a breathtaking world where music and magic combine to transform extraordinary interactive landscapes in entirely new and creative ways.

Previously announced tracks for the title include:

AVICII – “Levels”
David Bowie – “Ziggy Stardust”
Antonin Dvorak – “Symphony No. 9 from the New World”
Fun. – “Some Nights”
Peter Gabriel – “In Your Eyes”
Gorillaz – “Feel Good Inc.”
Cee Lo Green – “Forget You”
Elton John – “Rocket Man”
Kimbra – “Settle Down”
Lorde – “Royals”
Bruno Mars – “Locked Out of Heaven”
Nicki Minaj – “Super Bass”
Wolfgang Amadeus Mozart – “Eine Kleine Nachtmusik”
Modest Mussorgsky – “Night on Bald Mountain”
Queen – “Bohemian Rhapsody”
White Stripes – “Seven Nation Army”
Antonio Vivaldi – “The Four Seasons: Winter, 1st Movement”

“Disney Fantasia: Music Evolved” will be available worldwide on October 21, 2014 with an ESRB rating of E10+ with lyrics descriptor. For additional information about “Disney Fantasia: Music Evolved,” join the Facebook community at https://www.facebook.com/fantasiagame, follow us on Twitter and Instagram @FantasiaGame and view all videos on our YouTube channel at http://youtube.com/FantasiaGame.

To play “Disney Fantasia: Music Evolved” at E3, visit Disney Interactive located in South Hall, booth #2047 and Microsoft located in West Hall, booth #4100.

About Harmonix Music Systems, Inc.
Harmonix Music Systems, Inc., based in Cambridge, MA, and established in 1995, is the leading developer of groundbreaking music-oriented videogames. Harmonix was founded by Alex Rigopulos and Eran Egozy, who formed the company to invent new ways for non-musicians to experience the unique joy that comes from making music and have pioneered music and rhythm gaming in the US. For more information please visit www.harmonixmusic.com.

About Disney Interactive
Disney Interactive, one of the world’s largest creators of high-quality interactive entertainment across all platforms, is the part of The Walt Disney Company responsible for the global creation and delivery of interactive entertainment, multi-platform video games, and family-focused content across all current and emerging digital media platforms. Disney Interactive produces and distributes a broad portfolio of content from Disney Interactive Games and Disney Interactive Media. Products and content released and operated by Disney Interactive include blockbuster mobile, social and console games, online virtual worlds, #1 kid’s entertainment destination Disney.com and the #1 Family/Parenting portfolio on the Web.

Disney Interactive is the interactive entertainment part of The Walt Disney Company (NYSE: DIS).

“The Smurfs” Cutting-Edge Digital Options Expand Interactive Fun with Blu-ray/DVD Release on 12/2

THE SMURFS™ CUTTING-EDGE DIGITAL OPTIONS EXPAND INTERACTIVE FUN

From the Smurf™-O-Vision: Second Screen Experience to All-New Holiday Quests for The Smurfs™ Village App, the Possibilities are Endless!

On 3-Disc Holiday Gift Set, Blu-ray 3D™, DVD and Digital on December 2nd

The Smurfs™ Also Among the First Titles to Offer UltraViolet™ for Instant Streaming and Download to PC or Mac

Culver City, Calif. (November 29, 2011) – When Sony Pictures Animation’s hybrid live-action animated worldwide hit feature film, The Smurfs™ becomes available on the recently announced Blu-ray 3D™, DVD, di gita l, and a limited edition 3-Disc Holiday Blu-ray + DVD Gift Set which includes the all-new mini-movie The Smurfs: A Christmas Carol on December 2nd, viewers will be treated to a cornucopia of interactive bonus options geared to consumers’ rapidly-expanding electronic diversity.

Smurf-O-Vision: Second Screen Experience
First up is a brand new, one-of-a-kind special feature that transforms the movie-watching experience by allowing viewers to explore specially created content synced to their iPad®, iPhone®, or iPod Touch®. This groundbreaking application allows users to interact with The Smurfs™ Blu-ray™ by simply downloading the new Smurf-O-Vision: Second Screen Experience app onto a “second screen” device (an iPad®, iPhone® or iPod Touch®) and syncing it to the movie using easy on-screen instructions. Once connected, Smurfs will appear on their television, as well as their second screen, to sing, dance and do all kinds of Smurf-tastic things. Viewers will engage in fun activities, like popping bubbles and balloons, playing with Azrael, opening Jokey’s present, zapping Gargamel, and much more! They can even fill their screen with Smurfs or Smurfberries and take a photo to share with family and friends. The Smurf-O-Vision app will also give viewers access to clips of The Smurfs™ bonus features, including a sneak peek of The Smurfs™: A Christmas Carol short film. Get it free at http://bit.ly/sZ7OOD.

The Smurfs™ Village Game’s new Holiday Quest
The all-new Sony Pictures Animation holiday themed mini-movie, The Smurfs™: A Christmas Carol (which is available exclusively on disc with the Holiday Gift Set) is being integrated into the wildly popular Smurfs™ Village app (available for free in the Apple App Store and Android Marketplace). There are a variety of brand-new holiday-themed quests for consumers exclusively timed to the release of The Smurfs™ movie, such as helping Brainy Smurf grow blackberries for holiday Smurfberry Nog and helping the village build a SnowSmurf. Inspired by the mini-movie, the app will also feature Smurfette as the Ghost of Christmas Past, a Santa-dressed Papa Smurf, and Brainy Smurf as the Ghost of Christmas Present. And all of this is set against a special Christmas-themed holiday backdrop of snow-covered mushroom houses full of holiday cheer. On the Apple App Store: http://bit.ly/duoQW6. On the Android Marketplace: http://bit.ly/qgi0WR.

Collect and Share Smurfs with GoldRun
Parents and kids alike can have great fun seeing themselves alongside a virtual Smurf with this all-new app from GoldRun! Simply access the app or download it free from the Apple App Store, open the Smurfs experience, and take a photo to see yourself standing next to all your favorite Smurf characters, sharable on Facebook, Twitter and Tumblr! A new Smurf will appear each week counting down to the release of The Smurfs™ movie on Blu-ray™ + DVD Holiday Gift Set. Check it out here: http://bit.ly/cedb4j.

UltraViolet™
The Smurfs™ will also be among the first titles to offer UltraViolet so owners of the Blu-ray can add The Smurfs™ to their free cloud-based UltraViolet Di gita l Library, enabling them to instantly stream or download the film! More information about UltraViolet is available at www.uvvu.com.

As previously announced, The Smurfs™ will be available in Blu-ray 3D™, DVD, di gita l, and a limited edition 3-Disc Holiday Gift Set which includes The Smurfs™: A Christmas Carol DVD, an all-new mini-movie exclusive to the Gift Set, and starring the Smurfs™. Based on the timeless holiday classic, The Smurfs™: A Christmas Carol is available for a limited time only.

The Smurfs™ will sell for $45.99 SRP (Blu-ray 3D/DVD), $40.99 SRP (3-Disc Holiday Gift Set) and $30.99 SRP (DVD).

About Sony Pictures Home Entertainment
Sony Pictures Home Entertainment is a Sony Pictures Entertainment (SPE) company. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America , a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com.

About Sony Pictures Animation
Sony Pictures Animation produces a variety of animated entertainment for audiences around the world. The studio is following its worldwide comedy hits, the 2011 hybrid live action/animated family blockbuster, The Smurfs (3D) and the 2009 mouth-watering Cloudy with a Chance of Meatballs (3D), with the family comedy Hotel Transylvania (3D) in Fall 2012. The division is also in production with Aardman Animations on two feature films, the CG-animated family comedy Arthur Christmas (3D) in theaters November 2011 and the stop-frame animated high-seas adventure, The Pirates! Band of Misfits (3D) in March 2012. Open Season 3, the third adventure in Sony Pictures Animation’s successful Open Season franchise, was released on DVD and Blu-ray January 2011. In 2007, Surf’s Up received an Academy Award®-nomination for Best Animated Feature Film. Sony Pictures Animation is an operating unit of Sony Pictures Di gita l Productions.

About Beeline Interactive, Inc.
Beeline is a leading worldwide developer and publisher of games for smartphone platforms. A wholly owned subsidiary of Capcom, Beeline was formed with the mandate of creating original and licensed games specifically designed for unique play style of the smartphone gamer.

Beeline counts the hits Smurfs’® Village, Zombie Cafe™ and Lil’ Pirates™ among its portfolio and brings a solid foundation of strong brands, innovation and compelling social gameplay to the market. For additional information on the company and its offerings, please visit www.Beeline-i.com.

About Lafig Belgium S.A.:
Lafig Belgium is the owner of the rights to produce audio-visual works based on the Smurf™ universe and of the Smurf™ worldwide licensing rights (together with IMPS). Lafig Belgium is controlled by the heirs of Pierre Culliford, better known under his pseudonym Peyo, the author/creator of the Smurfs™. For 50 years, the Culliford family has controlled the Smurf™ characters and all licenses worldwide.

 

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Interview with Gary Daniels

When you think of actions movies, you should be thinking about Gary Daniels.  He recently co-starred along side Sylvester Stallone in “The Expendables” and Wesley Snipes in “Game of Death”.  Gary took a few minutes to chat with Movie Mikes about working on his films and what he has planned upcoming.

Mike Gencarelli: Tell us how it working with Sylvester Stallone both acting and directing in “The Expendables”?
Gary Daniels: As you can imagine I was kinda excited at the prospect of working with the writer/creator of “Rocky” and the star of “Rambo” and I have to say working with Stallone didn’t disappoint . The man has an incredible energy, whether working out in the gym with him or working on set…the man is full of energy. He is constantly in motion but is very focused.  He knows what he wants, has a clear vision and knows how to get it. As an actor it instills confidence in you when your director is clear about what h e wants and how to go about achieving that result. He is a very intense director but I found him to be very open minded when I had any kind of suggestions about the blocking or the character. I found him to be very inspirational.

MG: What was the most difficult task of working on “The Expendables”?
GD: There wasn’t too much that was difficult about working on “The Expendables”, I have done quite a few action movies now. For me, as someone that has done leads and is used to having a lot of say in the choreography and direction of my fights, I would say the most difficult thing was not having any input in those areas.

MG: Tell us about working on the film “Game of Death”, does Wesley Snipes still have game?
GD: I was hired on “Game of Death” kinda last minute and the script was being re-written as we were shooting…which presented its own challenges. I wasn’t about to turn down the opportunity to work with Wesley Snipes, but I didn’t get to play the character of Zander the way I would have liked to.  But part of being an actor is being mailable and being able to accept direction, so I always give 100% regardless. It’s always fun playing the bad guy, especially one as ruthless as Zander. Plus its always educational when you have a chance to work with such experienced actors as Robert Davi and Wesley Snipes. Wesley was obviously going through turmoil in his life at the time we were shooting, so whether he bought his A game to the film or not I will let the viewers judge for themselves. He is obviously a talented individual or he wouldn’t have reached such heights in his career.

MG: You reunited with “Expendables” cast Eric Roberts and Steve Austin, in “Hunt to Kill”, tell us about working working on that film and with them again?
GD: Most of my scenes in “The Expendables” were with Steve and Eric, so we spent a lot of time together.  They are both very down to earth and funny guys, so we had a blast together. It was Steve that called me and asked me to work on “Hunt to Kill”, so it was an easy choice to say “Yes”. I didn’t have any scenes with Eric in “Hunt to Kill” but was with Steve most of the time. For a bloke that looks so big and intimidating he is one of the nicest guys you can hope to work with on and off the set. On this film I got to choreograph and shoot a fight between us. It is always a challenge to choreograph for the different kinds of athletes, actors, martial artists that you work with in films and this was no different trying to highlight both of our strengths as we are obviously from very different backgrounds.

MG: How was it working with Steven Seagal in “Submerged”, any cool set stories?
GD: ‘Submerged’ was not one of my favourite experiences, my character was originally very pivotal , but Mr Seagal had other ideas and in the end.  They might as well of hired a stuntman to play the role as all the dialogue and relationship between his and my character was cut. Well every actor has their own vision for their films and being the star of the film you will usually get your way so for me I just get on with it and do the best I can under the given circumstances. Actually most of the cast and crew were from England,  so we all had a blast on and off the set. Nuff said!

MG: Tell us about playing Kenshirô in “Fist of the North Star” and working with Tony Randel?
GD: I was a fan of the anime before I was asked to do the film. So I knew it was gonna be very difficult to translate the anime to live action, especially back in 94 before CGI had been so developed. But I loved the character that I wasn’t about to turn it down. The first challenge for me was the physical one, Kenshiro (like most anime characters) has an awsome, huge physique. So I began a regime of training lifting heavier weights than I had worked with before and went from 180 to 192 lbs. Trouble is we were working such long hours during the summer in a sweltering sound stage with no air conditioning, that as the shoot progressed I slowly lost all that weight as I couldnt get in the gym to maintain. I think Tony had a good vision for the film but he certainly wasn’t into martial arts and didn’t like to shoot the fights. He felt the heart of the story was the love triangle between Kenshiro, Shin and Julia and that by focusing on that it would elevate the film above being a mere ‘martial arts’ film. Personally I think the fans wanted to see Kenshiro kicking ass. Again different visions, but overall I like the film and the way it turned out. The trouble when making an adaptation of an anime or video game is that you have to try to make a film that appeases the hardcore fans but also makes sense to viewers that have no idea about the original source material…not easy.

MG: What has been the most difficult film that you have work on to date?
GD: Every film presents its own challenges. Coming from a martial arts background my hardest challenge is trying to convince producers/directors to take me seriously as an actor so sometimes I end up trying too hard. Then when I choreograph action its tough getting the powers that be to let me control how it is shot and edited. When I do the lead in smaller films, I  wish I could work on bigger films that get more exposure. When you get on bigger films but playing smaller roles,  I miss being involved in the film making process.  The grass is always greener on the other side. Some films you get along with everybody but some there is a clash with other cast members, as I say every film presents their own challenges.

MG: Tell us about some of your upcoming projects?
GD: I just spent three months in Thailand working on the 1st two parts of a trilogy , “The Mark – Light 777” and “The Mark – Bangkok Rising” with Craig Scheffer and Eric Roberts…yes Eric again. The 3rd part will be shot in Europe this summer. Next up will be the lead in a MMA project called “Forced to Fight”. I am also waiting to hear on a bigger project that goes this summer but its not locked so I don’t wanna say too much right now. I am training hard and reading scripts ,so as always in this business the future is never easy to plan.