DVD Review “The Complete Hammer House of Horror”

Director: Peter Sasdy, Tom Clegg, Alan Gibson
Starring: Peter Cushing, Denholm Elliott, Pierce Brosnan
Distributed by: Synapse Films
Release Date: September 11, 2012
Running Time: 702 minutes

Series: 4 out of 5 stars
Extras: 2.5 out of 5 stars

If you are wondering who to so thank you for this great release, all the praise needs to go to Synapse Films. They are the ones behind this complete series of “Hammer House of Horror”, which is presented in their original airdate order, with all-new introductions. Even those this show is from the 1980, the episodes are still creepy and feel rather timeless. The episodes presentation…well that’s another story, which I’ll cover more below. I just wish that this series ran longer than 13 episodes. Nonetheless hardcore fans will be doing back flips for this release.

There is plenty of Hammer regulars, including Peter Cushing (Twins of Evil, Star Wars) and Denholm Elliot (Raiders of the Lost Ark), Patricia Quinn (The Rocky Horror Picture Show) and even Pierce Brosnan (GoldenEye) shows up. Like other anthology shows like “The Twilight Zone”, each episode of this series takes us on a completely new tale of horror and suspense. Being a die-hard fan of Hammer, this release is truly the shit. It carries the Hammer name with pride and makes sure to include plenty of gore, boobs, and plain ole gothic macabre, which is what made Hammer so great.

The episodes are presented it full frame with an aspect ratio of 1.33:1. This is exactly how the show was originally filmed and broadcasted. Don’t worry though these episodes look damn good. There is some fuzzy spots and print flaws pretty but overall nothing that affects the viewing experience. All of the episodes are pumped with Dolby Digital mono tracks, which of course is true to the original airings over 30 years ago. The special features are decent but not amazing. Like i said above their are episode introductions from Film Historian Shane M. Dallmann. There are two featurettes included as well. The first is called “Grave Recollections: A Visit with Kathryn Leign Scott and the second is called “Hammer Housekeeping: A Visit with Mia Nadasi. Both are short but sweet. Lastly there is a decent “Animated Still Gallery”, which Hammer always deliver on stills.

EPISODE LISTING:
Witching Time
The Thirteenth Reunion
Rude Awakening
Growing Pains
The House That Bled to Death
Charlie Boy
The Silent Scream
Children of the Full Moon
Carpathian Eagle
Guardian of the Abyss
Visitor from the Grave
The Two Faces of Evil
The Mark of Satan

 

Related Content

Linnea Quigley chats about 80’s horror and reflects on her cult classic roles

Linnea Quigley is known best for her scream queen roles in films like Trash from “The Return of the Living Dead” and “Hollywood Chainsaw Hookers”. She is the topic of focus in the new documentary “Screaming in High Heels: The Rise & Fall of the Scream Queen Era” along with Michelle Bauer and Brinke Stevens. Media Mikes had a chance to chat 80’s horror with Linnea and chatted about the dozen projects she has still yet to come.

Mike Gencarelli: Tell us how “Screaming in High Heels: The Rise & Fall of the Scream Queen Era” came about?
Linnea Quigley: It was amazing. I got a call and asked about being in the documentary. They flew me out to Los Angeles. It was Michelle (Bauer), Brinke (Stevens) and I. And I haven’t seen Michelle in forever. It was really great seeing everybody. I really liked Jason. I wasn’t sure it was going to be as big as it has been. It was on Chiller TV. I went to the premiere screening in Chicago. It is just a greatdocumentary. It gives so much information but in a few way.

MG: [laughs] Great. Better obviously than being called pimple face. I was really shy in my school years.
LQ: To be called, it was just amazing. It was just the ultimate honor to hear that. It is something you never think of but always wish for it. A lot of women say it’s degrading but if it happened to them, I am sure they wouldn’t say that [laughs].

MG: Trash from “The Return of the Living Dead” has to be one of the best characters in the genre, can you reflect looking back on the role?
LQ: Oh man, I loved being in that role. I was into the punk rock thing and I was in a band. My character is not like who I am personally, so it was fun to play her. When you are that age, you don’t think anything is every going to happen to you and talk about death. It was fun to play that sort of character.

MG: How long did the make-up take once you turned zombie?
LQ: With all the painting of me and everything, I would say a good six hours. I have had some longer ones as well. The hard part was trying to get that white off afterwards because it had to be waterproof. You can imagine going home at 6am in the morning and nothing gets this off. The producer had me sit in his really nice Jaguar and there is still makeup he still can’t get off this leather seat [laughs]

MG: 1988, brought some of your most unique titles films “Hollywood Chainsaw Hookers” and “Sorority Babes in the Slimeball Bowl-O-Rama”, why do you feel these films are still loved by the fans?
LQ: For some reason, there are just some films that make an impact. They just had all the write qualities. They just came together with the right music and cast. You could’nt ever redo these films. It was just a special time. It was just the type of movie that never gets old.

MG: I always loved the idea of your “Linnea Quigley’s Horror Workout”, how did that comes about?
LQ: We were on the set of “Murder Weapon” and Ken Hall and I just started talking about what a good workout it is to do a horror film. I had to swing this axe over and over again. We just started brainstorming and decided to do it. We got the financing and just did it. We are actually doing to be doing a commentary soon and re-released it on DVD. We have a lot of funny stories just from the two days it took to get it done.

MG: How do you feel about “Silent Night, Deadly Night” getting remade?
LQ: Oh I didn’t know it! I thought it was remade a bunch of times already lol. The second one is like the first one [laughs]. It is news to me though. I hate to say it but they are going to have to come up with something pretty good because that film has been stretched out thin.

MG: How do you feel that the horror genre changed over the years, especially with all the recent remakes?
LQ: The only remake that I have liked is “Piranha 3D”. The “Scream” and “Saw” franchises are all more for the gore factor then a real plot. The first ones are ok but then they just get very unrealistic. There is a huge difference between the “Sleepaway Camp” series and then the “Saw” series.

MG: Did you ever get to keep an our your outfits or props from your films?
LQ: Well, when I first started I never thought there was a need to keep things. I have somethings from “Return of the Living Dead”. I was promised my outfit from “Night of the Demons”, but never came through with it. A lot of the movies I’ve done, we had to supply our own wardrobe so I do have those things. I have an ensemble of clothes to wear. I have the top from The “Horror Workout” still and the G-String from “Hollywood Chainsaw Hookers”. It is kind of funny.

MG: Tell us what you have planned upcoming?
LQ: Yep, “Celluoid Bloodbath: More Prevues from Hell”comes out October 9th. They show trailers and I do little intros. That is really fun to watch to you like the older horror. “Cougar Cult” just got into Redbox. So I got to Redbox everyday and go “Oh…have you think this film” [laughs]. “Caesar and Otto’s Deadly Christmas” is coming out this Fall, it is really fun. Brinke and I are both in it and there are a bunch of great cameos, like Felissa Rose. Also I am suppose to do this movie called “The Trouble with Barry” later this month. I also just did this film where I have three age changes and a monster costume and that is called “Disciples”, which I also co-produced with Joe Hollow. I just did “Demonica”, which your gonna love this…it’s demons on skates. I did a short “Stella Buio”, which is getting really good reviews and going to the festivals. I also did a video for this band Sexcrement that Victor Bonacore directed, it is just so wild. On top of all that I’ve been doing some conventions. So it has been really amazing.

DVD Review “100 Greatest Horror Classics – Horror Classics + Legends of Horror”

Starring: Vincent PRice, Boris Karloff, Bela Lugosi, Lon Chaney Jr., Christopher Lee and Alfred Hitchcock
Number of discs: 24
Distributed by: Mill Creek Entertainment
MPAA Rating: Not Rated
Release Date: July 10, 2012
Running Time: 7600 minutes

Our Score: 4 out of 5 stars

When I saw this release titled “100 Greatest Horror Classics”, I had no choice but to request it to review. It just screams my name. Being a horror buff, I love all things horror and that including this. This release is split into two sets of 50 films including “Horror Classics” and “Legends of Horror”. Let me start by telling you they are not the best transfers of these films but nonetheless, they are 100 of horror greatest films together in one place and that is enough for me. The packaging could have used a little extra loving as the each set includes a jumbo DVD case, both which are held together by one long slipcover. Inside each DVD case are individual DVD sleeves with 12 dual discs. There are two films per side/per disc, obviously totally 50 films per set. I suggest you pick a rainy day put in disc 1 and have yourself a day-long marathon.

So before you get overwhelmed the fact that there are 100 films to watch. Let me throw out a quick number…7600. That is the amount of minutes of horror greatness included in this set. If that doesn’t make you run out and pick this up then nothing will. This release even includes a few films that I have never heard of or seen, so I was very excited about that as well.  Mill Creek Entertainment is known for releasing these amazing box sets. They also have a sci-fi themed release as well that I am looking forwarding to reviewing called “100 Greatest Sci-Fi Classics – Sci-Fi Classics + Sci-Fi Invasion”. Keep a look out for that review as well. From cinematic greats to genuine obscurities, this wonderful collection of films easily offer months of entertainment in a single release.

While I not going to give an individual review for each film, as I sure you’ve seen these films already.  I will point on some of the notable titles that I really enjoyed.  I grew up watching the following titles: The Brain That Wouldn’t Die (1962), Carnival of Souls (1962), Dementia 13 (1963), Horror Express (1972), House on Haunted Hill (1959), The Last Man on Earth (1960), The Little Shop of Horrors (1960), Metropolis (1927), Night of the Living Dead (1968), Nosferatu (Silent) (1922) and of course The Phantom of the Opera (Silent) (1925).  I am very happy to be able to have them all in one place.  I also am looking forward to introducing all of these titles to my own daughter…but not for a few years since she is only three months currently.  I will be re-visiting these titles quite often and I look forward to future installments.

Here are the complete list of the 100 titles including in this fantastic release:

Alfred Hitchcock Presents: The Chaney Vase (1955)
Alfred Hitchcock Presents: The Sorcerer’s Apprentice (1961)
The Amazing Mr. X (1948)
The Ape (1940)
The Ape Man (1943)
Atom Age Vampire (1960)
Attack of the Giant Leeches (1959)
The Bat (1959)
The Beast of Yucca Flats (1961)
The Black Dragons (1942)
Blackmail (1929)
Bloodlust (1959)
Bluebeard (1944)
The Bowery at Midnight (1942)
The Brain That Wouldn’t Die (1962)
Carnival of Souls (1962)
Champagne (Silent) (1928)
The Corpse Vanishes (1942)
Count Dracula and His Vampire Bride (1974)
Creature from the Haunted Sea (1961)
Crimes at the Dark House (1940)
The Crimes of Stephen Hawke (1936)
Dead Men Walk (1943)
Dementia 13 (1963)
The Demon (1979)
The Devil Bat (1940)
The Devil’s Messenger (1962)
Doomed to Die (1940)
Dr. Jekyll and Mr. Hyde (Silent) (1920)
Easy Virtue (Silent) (1926)
The End of the World (1977)
The Face at the Window (1939)
The Farmer’s Wife (Silent) (1928)
The Fatal Hour (1940)
The Fury of the Wolf Man (1972)
The Ghost (1963)
The Giant Gila Monster (1959)
The Gorilla (1939)
Horror Express (1972)
House on Haunted Hill (1959)
The Hunchback of Notre Dame (Silent) (1923)
The Incredible Petrified World (1957)
The Indestructible Man (1956)
The Invisible Ghost (1941)
The Island Monster (1954)
It’s Never Too Late to Mend (1937)
Jamaica Inn (1939)
Juno and the Paycock (1930)
The Killer Shrews (1959)
King of the Zombies (1941)
The Lady Vanishes (1938)
The Last Man on Earth (1960)
The Last Woman on Earth (1960)
Legacy of Blood (1971)
The Little Shop of Horrors (1960)
The Lodger (Silent) (1926)
The Long Hair of Death (1964)
The Mad Monster (1942)
The Man Who Knew Too Much (1934)
Manfish (1956)
Maniac (1934)
The Manxman (Silent)
Metropolis (1927)
Monster from a Prehistoric Planet (1967)
The Monster Maker (1944)
The Monster Walks (1932)
Murder in the Red Barn (1935)
Night of the Living Dead (1968)
Nightmare Castle (1965)
The Nightmare Never Ends (1980)
Nosferatu (Silent) (1922)
Number Seventeen (1932)
One Body Too Many (1944)
The Phantom Creeps (1939)
The Phantom from 10,000 Leagues (1956)
The Phantom of the Opera (Silent) (1925)
Revolt of the Zombies (1936)
Rich and Strange (1932)
The Ring (Silent) (1927)
Sabotage (1936)
A Scream in the Night (1935)
The Screaming Skull (1958)
Secret Agent (1936)
Shadow of Chinatown (1936)
The Shadow of Silk Lennox (1935)
The She-Beast (1966)
Shock (1946)
A Shriek in the Night (1933)
Silent Night, Bloody Night (1974)
The Skin Game (1931)
Swamp Women (1955)
The Terror (1963)
The Thirty-Nine Steps (1935)
The Ticket of Leave Man (1937)
Tormented (1960)
The Vampire Bat (1933)
The Werewolf vs. Vampire Women (1971)
White Zombie (1932)
The World Gone Mad (1933)
Young and Innocent (1937)

Jourdan McClure talks about directing horror film “Rogue River”

Jourdan McClure is the director of the recent horror film “Rogue River”.  The film is a great entry into the genre, it doesn’t re-create the wheel but it kicks some major ass.  Media Mikes had a chance to chat with Jourdan about his new film and what he has planned next.

Mike Gencarelli: Can you tell us how you got involved with “Rogue River”?
Jourdan McClure: I had the story but I needed someone with the ability to take the screen play in the direction it needed to go. I turned to Kevin Haskin, who I had known before and he then brought in Ryan Finnerty, who is another talented screenwriter. Together they created this little world of contained nastiness that “Rogue River” became.

MG: How do you feel this horror film differs from others that are out there?
JM: I think the film is a bit more hyper-realized in terms of its color and photography. I really wanted to pay attention to the aesthetics of the film. We knew going in that we weren’t making the most original plot. We really wanted to play with the idea that execution was going to be key. This film relies more on atmosphere and tension.  The thought of something really fucked up happening inside this surreal environment was what we were after. I also wanted the craziness of what was going on to look really pretty. For me this was a great way to start with this being my first film.

MG: What was the biggest challenge on the shoot?
JM: Pre-production was very short on the film combined with this being my first movie made things a little difficult, but we were just running on adrenaline. The weather was pretty tough as we had a stretch of days that the temperature was about 9 degrees. I felt bad for the actors who had to be out in that working while I watched wearing a parka.

MG: What do you enjoy most about the horror genre?
JM: The horror genre incorporates everything. You can throw drama, comedy and or action into these types of films. I love when a movie tries to just be a movie. It takes you to a place you may not necessarily be able to go while adding in some real life elements. I like the idea of stylized fiction. Horror is great because you can be thrown in to hell and at the end of the film you can walk out. It’s like when someone cuts you off while driving and you want to stab them in the face. Being a horror directo,r I can write a scene like that, have it acted out and not get arrested. (Laughs)

MG: What other projects do you have coming out?
JM: I have a film titled “Children of Sorrow” which stars Bill Oberst Jr. The film involves a girl who loses her sister to a cult. The film is a POV movie. So you will see the story from each of the characters. It’s not a found footage film, but it takes aesthetics from that. This is a much more sinister film than “Rogue River”.

Zachery Bryan talks about producing horror film “Rogue River”

Zachery Bryan is known best for his role in the TV series “Home Improvement”.  He is currently spending his time working on his production company, Vision Entertainment Group. Their latest film is titled “Rogue River” and is a excellent entry to the horror genre.  Media Mikes had a chance to discuss the film with Zachery and find out what Vision has planned next.

Mike Gencarelli: How did you become involved with producing “Rogue River”?
Zachery Bryan: I was a child actor for quite a few years and then made the transition into adult acting. My producing partner, Adam Targum, and I were at a Dodgers game talking back and forth about what we wanted to be doing and we were a little frustrated with the creative side of our business. We decided to start Vision Entertainment Group. Right off the bat, we found a script that we attached a director to and sold that project to Lionsgate. We were not very involved on the physical side of that project. For the next project, we raised the money and produced it ourselves. We found a phenomenal investor and we started looking for scripts. “Rogue River” was one that came very quickly to us. We liked this script for a few different reasons. The price point of the film was pretty reasonable as we didn’t want to start with a large budgeted film. We actually filmed it in the Rogue River area of Oregon. We also liked it because it was a script that wasn’t reinventing the wheel from a plot stand point. There were some original set pieces however. This had all the “it’s” that we needed. We are really excited for the film to be coming out.

MG: How would you categorize the film?
ZB: It is definitely horror genre. Our log line would be that the lead character has lost her father and takes his ashes to spread at the Rogue River. Things ultimately go wrong and she ends up being held captive. The film has quite a few twists and turns.

MG: What do you like most about working in the horror genre?
ZB: It’s good from a business sense as there is a great demographic out there. Horror has an extremely strong and dedicated fan base. The film will make its way out there and people will hopefully see it.

MG: What was the biggest challenge of working on the film?
ZB: From a production stand point, I would have to say the weather. We filmed from November in to December in Southern Oregon…and it was freezing. We had things breaking all the time due to the weather. Other than that things went really smooth.

MG: Having grown up in the TV business with “Home Improvement”, how do you compare from producing?
ZB: They are both so different. Acting is much more emotional. Producing is long hours and you are with the project from start to finish and sometimes even longer. I like producing because I like making decisions. I look at it as you are the painter not just the paintbrush. You get to work on every aspect of the project not just one specific part.

MG: What do you have planned next to produce?
ZB: Our next film titled “The Grief Tourist” is not horror at all. This film is a very art house type film about a guy obsessed with following serial killers. The film stars Michael Cudlitz and Melanie Griffith.

Digital Film Review “Home: The Horror Story”

Directed by: Temístocles López
Starring: Richard Beymer, Grace Zabriskie and Tracy Nelson
MPAA Rating: Not Rated
Running Time: 90 minutes

Our Score: 1 out of 5 stars

Let me start with the fact, that it takes a lot if anything to really offend me and this one is no different. Though if you get easily offended, I would think try about this film because its primary objective is to attempt to offend you. Even though the film is subtitled “The Horror Story”, it plays like a strict comedy (although not funny at all) with no actually horror aspects. Of course unless you consider racism, pedophilia, incest, rape, and murder…aspects of horror. “Home” really does not leave anything untouched. But it is not paritcular vulgar since it approaches each issue with satire. Still I think it tries to hard to offend that it doesn’t focus on one issue to succeed in.

The film’s premise follows Bob Parkinson, a very conservative family, who after getting into a car accident ends up having to get a brain operation. After returning home he realizes that things are a lot different since he left and it is a mix between a very vivid experiences to a horrifying nightmare. He finds out his daughter was kidnapped and is being ransomed off piece by piece, his wife has turned into a sex maniac, his son is a closet homosexual who has been sleeping with a priest and much more madness.

If you are a fan of this film, originally released in 2000, you might enjoy this newly re-mastered version. It is currently available on iTunes to rent or purchase. I wouldn’t recommended it at all to be honest but to each is own. “Home” was compared to the work of John Waters but if you go that far you just might as well watch a John Waters film, since you will be met with better quality.

Book Review “Horror Cinema”

Author(s): Jonathan Penner, Steven Jay Schneider
Hardcover: 192 pages
Publisher: Taschen
Release date: April 18, 2012

Our Score: 5 out of 5 stars

Horror is easily my favorite genre of film. When you thing of Taschen you this of high quality books and beautiful photos. Well, that is exactly what you get with this 2012 update of this fantastic look into the world of horror filmmaking. If you are a fan of horror films, this is a MUST purchase and it is available at a very reasonable price as well, only $14.99. This book is really an amazing visual journey.

The book itself is split into ten parts covering all different aspects of the genre. The categories covered are the following: Slashers & Serial Killers; Cannibals, Freaks & Hillbillys; Revenge of Nature & Environmental Horror; Science-Fiction Horror; The Living Dead; Ghosts & Haunted Houses; Possession, Demons & Evil Tricksters; Voodoo, Cults & Satanists; Vampires & Werewolves; and The Monstrous-Feminine. I mean is anything left out here!? Nope. They cover every single aspect of horror.

The films featured in this book have such range and do not focus on a specific time in the genre’s history. It ranges so well from 1920’s “The Cabinet of Dr. Caligari” to “Jaws” to “Gremlins” to “Creature from the Black Lagoon”. Of course there are also the classics like such as “Psycho”, “Alien”, “The Exorcist”, and “The Texas Chainsaw Massacre”. I really enjoyed the rare behind the scenes look that this allows us to see a different side of our favorite films. For example, we get a look of H.R. Geiger holding an egg from “Alien” or Steven Spielberg sitting on Bruce the shark from “Jaws”.

Like I mentioned, Taschen is known for its high quality work. This book contains ridiculously high quality photos, some are even full page from our favorite horror movies. I also really enjoyed the atmosphere that the book develops ranging its photos from crisp black and white to glorious color. Horror fans will love the fact that this book is also no-holds barred. It is not afraid to show a ton of gore and nudity. This book will be prominently placed in my bookshelf and shown off to all my friends that also enjoy horror.

Interview with Horror Idol’s Neal DeConte

Neal DeConte is the owner of Horror Idols, a division of DeConte Prototype & Modelwork, Inc. The company specializes in originally-sculpted, pre-painted, autographed figurines of the characters of modern horror films.  Media Mikes has had the pleasure of knowing the Neal and his crew for many years and took some time to chat about their work and whats to come in the near future.

Mike Gencarelli: First question has to be why horror?
Neal DeConte: I LOVE horror! Grew up watching horror movies, Creature Double Feature on the weekends in New England and all the late night horror movies on TV. My parents hated them, I was allowed to watch them, but they didn’t care for them. I try to keep up to date with all the new ones out and that are coming out.

MG: What was your inspiration to start this company “Horror Idols”?
ND: It was for personal gratification, I wanted to produce pieces that I wanted for my own collection! I started many years ago as a figure model builder, I was getting tired with what was out there, I was always re-posing, re-sculpting or modifying what I was purchasing . I figured, what the hell, I’m just going to do my own take on them! We also wanted to give back to the actor/actress that were involved in the character also. I feel that they’re not nearly compensated enough for what they endure/put up with as far as some of these characters, buried under prostectics and such. Each of our figurines are signed by the actor/actress and they receive a percentage of what we make.

MG: These are limited edition pieces correct?
ND: Yes, these are limited to ONLY 20 of each being produced! Once the 20 are produced, the molds and originals are destroyed, no others will be made. Each has a solid oak base, autographed by the actor/actress, an acrylic case to keep it dust free and a certificate of authenticity. We also create one of each figurine for Horror Idols and one for the actor/actress. For each piece we try to work in something from the actual movie, so far it’s been gravel from the actual movie locations.

MG: What’s your background for what you do, what schooling do you have?
ND: Schooling? I graduated high school by the skin of my teeth, hated school. Even back then, loved to create with my hands, it was drawing/painting then, found it fulfilling, but had no idea how I would convey that into a career. I’m self taught on everything I do, want to learn something……pick a book up, check info on-line, learn by mistakes. Best way to learn I believe.

MG: Tell us about your process to create these fantastic unique pieces of art?
ND: So here’s the quick breakdown: First what are we going to do? I find a new project and talk to the actor/actress to see if their on board with the project…..We don’t do a project without them being part of it. We discuss what we want to see out of it, pose and such and set out to make it in 3D. We start digging out reference material, we get any insight from the actor/actress on it, see if they have any good photos to work from, check on-line to see what we can find, and do screen captures from the DVD’s. We gather up as much reference as possible, can never have enough!
Sculpting is next, we don’t sketch out first, just start sculpting. We go back and forth with the actor/actress to make sure we’re meeting their expectations also……haven’t disappointed yet. Once we get the sculpt done and approved it’s onto molding and casting. We make high quality silicone molds off the sculpture. This starts by breaking down the figurine to make sure it’s moldable and get the molds done. Next is casting, we cast the figurines as a solid, high quality urethane. Now that the castings are done, it onto cleanup, assembly, and painting/detailing. We take the castings and give them a good bath to remove the mold release from the molding process and clean up what excess material there is from the molding process.
The painting/detailing process can be somewhat complicated depending on the actual piece. Could be stitching up fabric for clothing, and/or dying lambs wool to use for hair. We also have to build the oak bases and the acrylic cases, all of the above work is done in our shop here in Rhode Island….USA.

MG: How long would you say it takes you to do a piece like The Every 23rd Spring or Leatherhead from start to end?
ND: Every 23rd Spring was 275 hours to sculpt, that’s the figure and the wings, Leatherhead was about 150 hours. Leatherhead was my first full figure sculpture. To build each one, Every 23rd Spring 175 hour, leatherhead 125 hours. These numbers don’t include the molding or casting process, figure another 40-80 hours for this.

MG: What would you say has been your most difficult project to date?
ND: I’d have to say Victor Crowley from the movie hatchet. Victor is time consuming to build each one with the fabric farmer jeans, each of those are 18 pieces of fabric which are stitched together…..yes, I do sew also.

MG: Do you take on commission work as well and if so what are some of the pieces you have done?
ND: If we have time, we take on commission work. We’ll do one of a kind sculptures, model build ups for customers, you name it, we’ll do it. We also have our other company DeConte Prototype & Modelwork which we do this type of work under. We do prototype for some of the major companies and independent inventors across the US from figure work, product development, prototype models and everything in between.

MG: Rumor has it you are signing a licensing deal on the “Behind the Mask” movies, what can you tell us?
ND: LOL! Word spreads fast! Yea, this is huge for us, we’ll be doing the Horror Idols figurine and also……We just announced DeConte Toys & Collectibles which is our toy company division and Leslie Vernon is going to be our first 7” mass produced action figure! We’re looking at doing a line of Behind the Mask action figures and collectibles. Leslie will be available in Jan/Feb 2012.
Glen Echo Entertainment is receiving a percentage of all these sales that will help fund part 2 of the movie series!

MG: What other projects are you working on and what next for Horror Idols & DeConte Toys & Collectibles?
ND: Horror Idols just released the Gloved and Zombie Hand DVD holders and have a couple projects in the works with Michael Madsen……One being one of him with the chopper he owns that he used in the movie Hell Ride. This is our standard ¼ scale figure, so the chopper will be about 25.5” long! As far as DeConte Toys & Collectibles, we’re also releasing the first figure in our “Cinematic Heroes” line which will be Kane Hodder, this will be out early next year. And we’re also doing one with SpiderOne, lead singer from Powerman 5000, both of these prototypes will be with us at the Rock & Shock convention in Worecester MA, Oct 14 -16, along with the Behind the mask prototypes. We’ll also have Leslie Vernon himself, Nathan Baesel with us at the Horror Idols booth! Our good friends at Fright Rags & Horror Idols have teamed up to bring Nathan out for the convention, he’ll be there with us Saturday & Sunday only. There’s plenty of other exciting things hitting for us in the not too distant future…… Check us out on Facebook and visit www.horroridols.com for more info!