Film Review 2: “Top Gun: Maverick”

 

  • TOP GUN: MAVERICK
  • Starring:  Tom Cruise, Miles Teller and Val Kilmer
  • Directed by:  Joseph Kosinski
  • Rated:  PG 13
  • Running time:  2 hrs 11 mins
  • Paramount

 

In April of 1986 I was in the movie theatre business.  I had begged the home office – and convinced them – to give me “Top Gun” as one of my summer pictures.  I displayed the posters and ran the trailers, listening to the audience’s excitement when the preview ended.  I was set.  Then, during the first week of May, our company Vice President visited me in my office.  To get the full picture in your head, I’ll preface his comments by letting you know that he sounded an awful bit like Fozzie Bear.  “Michael,” he said, “I’ve just come from seeing what will be the biggest film of the summer.”  “Top Gun,” I asked.  “No, “Cobra.”  You’ll play it for months!”  “So I’m playing “Cobra” AND “Top Gun?” – my theatre was a twin – “Top Gun”??  That won’t play through June.  Believe me, my friend, you want “Cobra.””  So I played “Cobra,” which fizzled out after 2 weeks.  The other theatre in the area got “Top Gun.”  It played through August!

 

As his jet rockets through the sky, Captain Pete “Maverick” Mitchell (Cruise)begins a difficult maneuver and, as he often does in these situations, quietly whispers “talk to me Goose.”   It’s something he’s done for the past three-plus decades and it’s always seemed to work.  Will it work this time?

 

Packed with wall -to-wall action, “Top Gun: Maverick” finds, well, Maverick, back as an instructor at the Fighter Pilot Training School, where he is asked to get 16 of the best pilots ready for a mission.  He balks at first at the assignment, stating his preference to be a part of the mission itself, but is told in no uncertain terms by his commander (Jon Hamm) that he’s just there to train and evaluate.  However, things get a little more difficult when he learns that one of the students, call sign Rooster (Teller), is the son of Maverick’s late friend Goose, a young man who blames Maverick for many things, including, of course, the death of his father.  Can you say tension?

It has been 36-years since “Top Gun” hit theatres, and I’ll have to admit that I was a little wary when I heard they were making a sequel.  Anticipation grew as COVID delayed the film’s release – originally scheduled for May 2019 – for almost two years.  Let me just say, it was well worth the wait.  Combining several familiar themes from the first film, with an amazing amount of aerial action, “Top Gun: Maverick” delivers the goods.  Cruise is his usual cocky self, and that self-assurance is multiplied several times by the assortment of hot shot pilots he is given to mentor.  Teller, who bears an uncanny resemblance to the young Goose, plays a young man who should be confident of his skills but isn’t, causing him to hesitate at times he shouldn’t.  Jennifer Connelly is Maverick’s love interest this time around, playing – if my memory serves me – the daughter of a former Admiral – a daughter that Maverick may or may not have taken advantage of.  Jon Hamm and Ed Harris are well cast as the authority figures that just don’t seem to understand Maverick’s ways and it’s a genuine treat to see Val Kilmer back on the big screen.    Director Kosinski keeps the film moving at a rapid pace, while the aerial action is downright dizzying.

 

The film is lovingly dedicated to the late Tony Scott, who directed “Top Gun.”  I’d like to think that he would give a thumbs up and a salute to “Top Gun: Maverick.”

Film Review: “Doctor Strange in the Multiverse of Madness”

 

 

  • DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS
  • Starring:  Benedict Cumberbatch, Elizabeth Olsen and Xochiti Gomez
  • Directed by:  Sam Raimi
  • Rated:  PG-13
  • Running time:  2 hrs 6 mins
  • Walt Disney Pictures

 

Let me preface this review by stating that, while I have seen a majority of the MCU films, I have not seen “Doctor Strange” or the “WandaVision” series.  I say this because “Doctor Strange in the Multiverse of Madness” is the first film I’ve watched from the MCU where I think having seen previous adventures would have been helpful in discerning the story.  That being said, I found “Doctor Strange in the Multiverse of Madness” both dark and intriguing.

 

Time has passed since Spider-man found his way into the Multiverse.  We are quickly drawn into a horrible scene involving our hero (an excellent Cumberbatch) trying to save a young girl (Gomez) from a pretty scary creature.  Try as he might, he cannot get the upper hand.  WHOA!  Thank goodness it was only a dream.  Right?

 

Full of everything that makes the MCU one of the best made, and received, film series in history, “Doctor Strange in the Multiverse of Madness” is a roller-coaster ride of action and emotion.  The girl in the dream, with the great character name of America Chavez, has been searching for her family, jumping from Multiverse to Multiverse without incident.  Everyone in these films has a superpower of some sort and America’s is being able to move through the Multiverse without incident.  There are 862 Multiverses, she tells Doctor Strange, all of them very similar.  And different.  When the Scarlet Witch (Olsen) pops by on a mission of her own, things get a little hectic for our heroes.

The one thing I dislike about reviewing a film like this is that, as much as you’d like to, it would be a betrayal to the reader to spoil key scenes or characters that arise.  That being said, if you’ve seen the television spots for this film, you know at least one new face shows up in the MCU.

 

The script is an excellent combination of action and humor, with Cumberbatch in great form as the pompous Doctor.  Olsen is equally strong in a role that shouldn’t play as sympathetic but, thanks to her performance, does.  And young Miss Gomez holds her own on screen against these two talented performers.

 

So great to see Sam Raimi, the director of the first Spider-man series with Tobey Maquire, back at the helm of a superhero film and he puts his trademark eye for pacing and character development on full display. 

 

All in all, even without a lot of background on the good Doctor, I found “Doctor Strange in the Multiverse of Madness” amazingly good. 

Kansas City’s Planet Comicon Is Back and Better Than Ever!

 

PHOTOS BY DAN LYBARGER

The past two years have not been good for fans of Pop Culture in Kansas City.  Due to COVID, 2020’s Planet Comicon was cancelled.  Last year’s event was well received but there was just something that felt a little off.  I attributed that feeling to the world still recovering from the issues of 2020.  With that being said, I’m happy to report that the 2022 Planet Comicon came and was a tremendous event.

Ralph Macchio addresses his fans.

One of the oldest, and premiere, events in the Midwest, Planet Comicon once again boasted an eclectic roster of celebrity guests, some making their first Kansas City appearance.  After William Zabka and Martin Kove greeted throngs of fans last year, the Karate Kid himself, Ralph Macchio, was a guest this year, completing the “Cobra Kai” triumvirate. 

Also making their first appearances this year were Brandon Routh (“Superman Returns”), Mark-Paul Gosselaar  (“NYPD Blue”) and former NSync member Joey Fatone.  As I made my way through the crowds I was amazed at the diversity of Pop Culture Planet Comicon features yearly.

As with every Planet Comicon, there was an amazing array of dealers offering everything from Pokemon trading cards to your very own R2-D2.  I’ve never had the nerve to attend the show as one of my favorite Pop Culture characters – though I think if you excused the beard I could pull off a good Chief Brody -but the range of Cosplay characters I saw was impressive.  That’s the beauty about this event.  You can be WHO you want to be.

If you’ve never attended Planet Comicon, I urge you to get in line now for next year’s show.  FYI, it will run March 17-19, 2023.  BE THERE!

“Star Trek: The Next Generation” co-stars John de Lancie and Gates McFadden answer fan questions.

Win a Steelbook 4-K copy of “Heavy Metal”

 

 

 

Media Mikes has teamed up with their friends at Sony Pictures Home Entertainment to give one random reader a chance to win a Blu-ray copy of one of one of the most beloved animated films of the last century, “Heavy Metal.”

All you have to do is let us know below what animated film you’d like to see on home video.  One random entry will be chosen and notified by email.  This contest runs through 10:00 pm EST on Sunday, April 24th.  GOOD LUCK!

Win a Blu-Ray copy of “Spider-man: No Way Home.”

Media Mikes has teamed up with their friends at Sony Pictures Home Entertainment to give one random reader a chance to win a Blu-ray copy of one of last year’s biggest box office hits, “Spider-man: No Way Home.”

 

All you have to do is let us know below what upcoming super hero film you are most looking forward to.  Pretty easy.

 

One random entry will be chosen and notified by email.  This giveaway ends at 10:00 pm EST on Sunday, April 24th.

 

GOOD LUCK!

Win a Blu-Ray copy of “Marry Me.”

Media Mikes has teamed up with their friends at Universal Home Video to give one random reader the chance to win a Blu-ray copy of the new film “Marry Me,” starring Jennifer Lopez and Owen Wilson.

 

All you have to do is let us know below the most unusual “couple” ever in film.  It could be Matt Damon and Greg Kinnear in “Stuck on You” or Burt Reynolds and his Trans-Am in “Smokey and the Bandit.”

 

One random winner will be chosen and they will be notified by email.

 

This giveaway ends Sunday, April 24, 2022 at 10:00 pm EST.

 

GOOD LUCK!

Win Passes to the 2022 kansas City Planet Comicon

 

 

 

Media Mikes has teamed up with their friends at the Kansas City Planet Comicon to give (5) readers the chance for them and a guest to attend the show this weekend (April 22-24).

 

All you have to do is let us know below what celebrity guest you’d like to see at a future show.  Pretty simple.

 

(5) random entries will be chosen and those chosen will be contacted by email and advised how to receive their passes.   GOOD LUCK!

Theater Review: “Jesus Christ Superstar” – Kansas City

 

  • JESUS CHRIST SUPERSTAR
  • The Kauffman Center – Kansas City, Missouri
  • March 29, 2022

 

I have a very special place in my heart for the musical “Jesus Christ Superstar.”  I’ve had it since I was 13 years old when, while visiting my grandfather – who I called Bapa, which is now how my grandchildren refer to me – in Florida, I asked to go see the movie, which was playing at a nearby theatre.  A quick phone call to my parents to make sure it was ok with them, and off I went.  For those of you who may not have seen the film, I won’t let on how it ends.  Let’s just say the ending haunted me on the way home and evolved into a long conversation with my Bapa.  Years later I had the opportunity to see the show a couple of times with both Ted Neeley and Carl Anderson, who played Jesus and Judas, respectively, in the film.  I was a guest backstage when I met both of them.  I told Ted Neeley about my conversation with Bapa and his thoughts and kindness will remain with me for the rest of my life.

 

Rolling into Kansas City this week is the 50th Anniversary Tour of “Jesus Christ Superstar,” and it is a fine addition to the show’s great history.  A totally sung dramatization of the last week of Christ’s life, this production is very barebones, with an almost empty stage.  Also, while normally presented in two acts, there is no intermission here.  It’s a quick 80 minutes or so, but if you like to stretch your legs you’re out of luck.

 

The cast was excellent, both vocally and physically.  There is a lot of dance and movement here and nobody missed a beat.  Vocal standouts include Omar Lopez-Cepero (Judas), Jenna Rubaii (Mary) and Alvin Crawford (Caiaphas), whose amazing baritone shook the house.  The score is one of the best ever written and the orchestra, perched high above the stage, was outstanding.  Even the guys in the sound/light area could be seen grooving to the music.

 

The show continues in Kansas City at the beautiful Kauffman Center through Sunday, April 3rd.  If you’ve never seen the show, I urge you to take a chance.  If you have, see it again.  You won’t be disappointed.

Concert Review: All Star Tribute to “Rubber Soul/Revolver” – Kansas City

 

  • ALL STAR TRIBUTE TO “RUBBER SOUL” and ‘REVOLVER”
  • The Kauffman Center, Kansas City, Missouri
  • March 27, 2022

 

In October 2019, I had the great pleasure of attending an all-star tribute concert to celebrate the Beatles White Album.  With a top notch band including Todd Rungren, Micky Dolenz, Christopher Cross, , Chicago’s Jason Scheff and Joey Molland from Badfinger, the show was an amazing celebration of music.  Not only did they deliver the goods on the Beatles music but each one also performed a couple of their own hits.  I should also note that, in my review, I lamented how Todd Rungren was not a member of the Rock and Roll Hall of Fame.  I also started an on-line petition to correct this error.

Tonight the band was back together, celebrating two other of the Fab Four’s classic albums, “Rubber Sou” and “Revolver.”  Dolenz didn’t make the trip this time, but he was ably replaced by Moody Blues and Wings co-founder Denny Laine.  Again, the Beatles music was great to hear live, but the real treat was getting to hear some of the other hits the musicians had been a part of.  Two of the non-Beatle highlights were Laine’s rendition of “Band on the Run,” with a vocal that rivaled Maccas and a blistering “25 or 6 to 4” with a guitar solo that would have made Terry Kath proud.

 

The music was infectious, and the crowd responded by dancing in their seats and giving a well deserved standing ovation at the concert’s end.  They also stood after the afore mentioned rendition of “25 or 6 to 4” and after a sing-along to Rungren’s “Hello It’s Me.”  As I left the show, I was already praying that next year brings an “Abbey Road/Let It Be” tour!

 

Incidentally, this time around Todd Rungren IS a member of the Rock and Roll Hall of Fame.  Just saying!

 

SET LIST

 

Drive My Car, I Want to Tell You, Taxman, Eleanor Rigby, If I Needed Someone, Go Now, Band on the Run, I’m Only Sleeping, No Matter What, Baby Blue, Good Day Sunshine, In My Life, AYou Won’t See Me, Sailing, Ride Like the Wind, And Your Bird Can Sing, Here, There and Everywhere, Girl, Michelle, I Just Saw a Face, Norwegian Wood, Hard to Say I’m Sorry, 25 or 6 to 4, For No One, Nowhere Man, I Saw the Light, Hello It’s Me, Dr. Robert, Got to Get You Into My Life, Tomorrow Never Knows, The Word, Yellow Submarine. 

 

Will Smith a “hit” at 94th Annual Academy Awards

Will Smith received his first Academy Award nomination for his portrayal of boxer Muhammad Ali in the film “Ali.”  At last nights presentation of the 94th Annual Academy Awards, Smith seemed to channel the boxer when he slapped presenter Chris Rock, who had make a joke about the bald head of Smith’s wife, Jada Pinkett-Smith.  This incident added a pall to an already uneven show, taking some of the pomp away from the annual celebration of the best films and performances of 2021.

 

“CODA” took home three awards, including the big one, Best Picture.  It also received Oscars for Best Adapted Screenplay and Best Supporting Actor for Troy Kotsur, the second deaf actor to win an Oscar, following Marlee Matlin’s win as Best Actress in 1987 for “Children of a Lesser God.”

 

 

After largely ignoring such female film directors as Lina Wertmuller, Penny Marshall, Barbra Streisand and others for 81 years, the Academy awarded the Best Director prize to Jane Campion for “The Power of the Dog.”  Campion becomes the thirds woman to win the Best Director award in the past 13 years.  A female director has taken home the Oscar in this category for two years in a row.

 

An apologetic Will Smith took home the Best Actor award for his role as Richard Williams in “King Richard,” while Jessica Chastain was named Best Actress for her portrayal of Tammy Faye Baker in The Eyes of Tammy Faye.”   These wins make a total of 79 acting awards that have been given for portrayals of real-life characters.

 

Ariana DeBose was named Best Supporting Actress for her role as Anita in Steven Spielberg’s reimagining of “West Side Story.”   She joins Marlon Brando and Robert DeNiro (Vito Corleone) and Heath Ledger and Joaquin Phoenix (the Joker) for winning an Oscar in a role in which another actor also won an Oscar, joining Rita Moreno, who won for portraying Anita in the original “West Side Story.”

“Dune” took home the most awards, winning a total of (6) Oscars, including Best Original Score and Best Visual Effects.

 

Below is a complete list of winners:

 

BEST PICTURE

“CODA”

 

 

ACTRESS IN A SUPPORTING ROLE

Ariana DeBose, “West Side Story”

 

ACTOR IN A SUPPORTING ROLE

Troy Kotsur, “CODA”

 

INTERNATIONAL FEATURE FILM

“Drive My Car” *WINNER

 

DOCUMENTARY (SHORT)

“The Queen of Basketball”

 

DOCUMENTARY FEATURE

“Summer of Soul”

ORIGINAL SONG

“No Time to Die”

ANIMATED FEATURE FILM

“Encanto”

ADAPTED SCREENPLAY

“CODA”

 

ORIGINAL SCREENPLAY

“Belfast”

 

ACTOR IN A LEADING ROLE

Will Smith, “King Richard”

 

ACTRESS IN A LEADING ROLE

Jessica Chastain, “The Eyes of Tammy Faye”

 

DIRECTOR

Jane Campion, “The Power of the Dog”

 

PRODUCTION DESIGN

“Dune”

 

CINEMATOGRAPHY

“Dune”

 

COSTUME DESIGN

“Cruella”

 

ACHIEVEMENT IN SOUND

“Dune”

 

ANIMATED SHORT FILE

“The Windshield Wiper”

 

LIVE ACTION SHORT FILM

“The Long Goodbye”

 

ORIGINAL SCORE

“Dune”

 

VISUAL EFFECTS

“Dune”

 

FILM EDITING

“Dune”

 

MAKEUP AND HAIRSTYLING

“The Eyes of Tammy Faye”

Film Review: “The Lost City”

 

  • THE LOST CITY
  • Starring:  Sandra Bullock, Channing Tatum and Daniel Radcliffe
  • Directed by:  Aaron Nee and Adam Nee
  • Rated:  PG 13
  • Running time:  1 hr 52 mins
  • Paramount

 

 

Fun.  That’s the first thing I thought of as the credits rolled on “The Lost City.”  This movie was Fun!

 

Following the death of her husband, romance/adventure author Loretta (Bullock) is struggling to finish her next book.  She has the action.  She has the romance.  But she just can’t find an ending.  However, when Loretta finds HERSELF in peril, the story almost writes itself.

 

I have to admit that when I sat down I was expecting a watered-down retelling of “Romancing the Stone.”  Nope.  “The Lost City” is a film with great characters, rich locations and, darn it, here’s that word again…fun.  I had no idea that Sandra Bullock was such an amazing physical comedienne.  Whether traipsing through the jungle in a spangled jumpsuit or caught in the middle of a high-speed chase while tied to a chair, she effortlessly uses the situation to the audience’s benefit.  She is joined by Tatum, who longs to be thought of as more than Ash, the cover model of Loretta’s novels.  Radcliffe is also well cast as the villain of the piece, who is searching for a long-lost treasure.  You may even spot a very familiar face who is enlisted to help track down the missing Loretta.

The is witty and adds a few surprises to the normal tropes found in a film like this.  The pace is fast, but never hurried and the locations are lush and exotic.  The musical score, by Pinar Toprak, helps set the mood and keep the story moving.

 

To sum it all up, “The Lost City” is a fun way to usher in the spring movie season.

 

 

Film Review: “The Batman”

 

  • THE BATMAN
  • Starring:  Robert Pattinson, Zoe Kravitz and Jeffrey Wright
  • Directed by:  Matt Reeves
  • Rated:  PG 13
  • Running time:  2 hrs 55 mind
  • Warner Bros.

 

 

 

Hey everyone, guess what?  Batman is back!  Only now he’s THE Batman.  He’s a lot meaner this time around, but you’ll be happy to know that he’s still the brooding loner we’ve come to love.

 

It’s Halloween night in Gotham City, a few days before the city elects it’s next Mayor.  A raspy voice tells us that it’s only been two years since he began donning the cowl and dealing with the scum of the city.  He is referred to in the media as “the Vigilante,” but we know him as Batman.  Or, rather, THE Batman.  Whatever you call him, his presence is embraced by Detective James Gordon (Wright), who angers his superiors by giving the Caped Crusader access to crime scenes.  After all, he IS the World’s Greatest Detective!

 

A local politician has been brutally murdered and a calling card has been left on the body in the form of a riddle addressed to the Batman.  This sets up the next chapter in the revolving Batman saga.

 

Dark, both in theme and presentation, “The Batman” is the latest attempt to bring the character into the 21st Century.  Director Reeves thankfully spares us his vision of the murder of Bruce Wayne’s parents, apparently assuming that everyone knows that Thomas and Martha Wayne were murdered in front of their young son, thereby creating the impetus that makes him a crime fighter.  Of course, with a running time of almost three hours, perhaps Reeves shot the scene but cut it for time.  Thank you. 

In this Gotham City the sun rarely shines, it constantly rains and the best way to see ANYTHING is with a flashlight.  If I lived there I would be the very wealthy proprietor of a chain of FLASHLIGHT WORLD stores.  The darkness spills over into the tone of the film.  This Batman reminds me of the character from the 1940s comic books, someone not afraid to brutally punch a criminal in the face until his arm gets tired, or kick one off a roof for being naughty.  “I’m Vengeance,” the Batman remarks early in the film.  He isn’t kidding. 

The film is full of familiar characters with slightly different spins, including Selina Kyle (Kravitz), Alfred (Andy Serkis) and Oswald Copperpot, played by a brilliant and unrecognizable Collin Farrell.  It also has some much needed humor, something that was sorely missed in the recent Zack Snyder/Ben Affleck incarnation.  The humor helps offset some of the more darker moments.  The action scenes are intense and well choreographed, but the film eventually falls victim to its own running tine.  Sometimes too much is…well…TOO MUCH. 

 

The cast is fine, with Pattinson adding his own touch to a role now undertaken by six different actors in the past 30 years, seven if you go back to Adam West and the original television show of the 1960s.  If you only think of Pattinson as Edward from the “Twilight” series you are selling a very talented actor short.  The supporting cast is equally engaging and the new character arcs are a nice change. However, I think the film could have dropped 45 minutes and created a much tighter story, which is why I’m not as high on the film as I’d like to be.     

Enter to Win a DVD/Blu-Ray/Digital Combo Copy of “House of Gucci”

 

Media Mikes is giving away to one random reader a DVD/Blu-ray/Digital Combo Pack of the film “House of Gucci,” starring Al Pacino and Lady Gaga.

To win it, all you have to do is let us know in the comments below what your favorite “House” movie is.  Is it “House of Dark Shadows?”  “Animal House?” How about the 1980’s horror-comedy :House,:” starring William Kaat and George /wendt?

This giveaway ends at 10:00 pm on Monday, February 28, 2022.  At that time, one random comment will be selected.  The person selected will be contacted by email for their shipping information.

“House of Gucci” is now available on home video.

GOOD LUCK!

“Power of the Dog” leads the 94th Academy Awards Pack

 

“Power of the Dog” lead the pack when the nominations for the 94th Annual Academy Awards were announced this morning.

 

Among the films nods:  Best Picture, Director and Adapted Screenplay – both for Jane Campion, and acting nominations for Benedict  Cumberbatch (Actor) and supporting performances for Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.

Other films earning multi-nominations include “Dune” with 10 and “Belfast” and “West Side Story”, which each received 7 nominations, including Best Picture.  Other Best Picture nominees:  “CODA,:” “Don’t Look Up,’ “Drive My Car,” “Licorice Pizza” and “Nightmare Alley.” 

Though it received 10 nominations, “Dune” failed to earn a nomination for director Denis Villeneuve.  First time nominee Ryûsuke Hamaguchi (Drive My Car) joins previous directing nominees Kenneth Branagh (Belfast), Paul Thomas Anderson (Licorice Pizza) Jane Campion (Power of the Dog), and Steven Spielberg (West Side Story) in that category.  Of the nominees, only Spielberg has won the award – twice – for “Schindler’s List” and “saving Private Ryan.”

 

Unlike last year, many of this year’s nominees were from more mainstream, studio pictures, including “West Side Story” that, while it didn’t do the box office predicted, was a return to the glory days of the big Hollywood musical.

 

Here is a complete list of this year’s nominees:

 

Best Picture

 

  • “Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers 
  • “CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers
  • “Don’t Look Up,” Adam McKay and Kevin Messick, producers 
  • “Drive My Car,” Teruhisa Yamamoto, producer 
  • “Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers
  • “King Richard,” Tim White, Trevor White and Will Smith, producers 
  • “Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers 
  • “Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers 
  • “The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers
  • “West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers.

 

 

Best Director

 

  • Kenneth Branagh (“Belfast”)
  • Ryûsuke Hamaguchi (“Drive My Car”) 
  • Paul Thomas Anderson (“Licorice Pizza”) 
  • Jane Campion (“The Power of the Dog”)
  • Steven Spielberg (“West Side Story”)

 

Best Lead Actor

 

  • Javier Bardem (“Being the Ricardos”) 
  • Benedict Cumberbatch (“The Power of the Dog”) 
  • Andrew Garfield (“Tick, Tick … Boom!”) 
  • Will Smith (“King Richard”)
  • Denzel Washington (“The Tragedy of Macbeth”)

 

Best Lead Actress

 

  • Jessica Chastain (“The Eyes of Tammy Faye”) 
  • Olivia Colman (“The Lost Daughter”)
  • Penélope Cruz (“Parallel Mothers”)
  • Nicole Kidman (“Being the Ricardos”) 
  • Kristen Stewart (“Spencer”)

 

Best Supporting Actor

 

  • Ciarán Hinds (“Belfast”) 
  • Troy Kotsur (“CODA”) 
  • Jesse Plemons (“The Power of the Dog”) 
  • J.K. Simmons (“Being the Ricardos”)
  • Kodi Smit-McPhee (“The Power of the Dog”)

 

 

 Best Supporting Actress

 

  • Jessie Buckley (“The Lost Daughter”) 
  • Ariana DeBose (“West Side Story”) 
  • Judi Dench (“Belfast” 
  • Kirsten Dunst (“The Power of the Dog”) 
  • Aunjanue Ellis (“King Richard”)

 

 

Best Adapted Screenplay

 

  • “CODA,” screenplay by Siân Heder 
  • “Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe 
  • “Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth 
  • “The Lost Daughter,” written by Maggie Gyllenhaal 
  • “The Power of the Dog,” written by Jane Campion

 

Best Original Screenplay

 

  • “Belfast,” written by Kenneth Branagh 
  • “Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota“King Richard,” written by Zach Baylin 
  • “Licorice Pizza,” written by Paul Thomas Anderson 
  • “The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

 

Best Cinematography

 

  • “Dune,” Greig Fraser 
  • “Nightmare Alley,” Dan Laustsen 
  • “The Power of the Dog,” Ari Wegner 
  • “The Tragedy of Macbeth,” Bruno Delbonnel 
  • “West Side Story,” Janusz Kaminski

 

Best Animated Feature Film

 

  • “Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer 
  • “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie 
  • “Luca,” Enrico Casarosa and Andrea Warren
  • “The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht 
  • “Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

 

Best Animated Short Film

 

  • “Affairs of the Art,” Joanna Quinn and Les Mills 
  • “Bestia,” Hugo Covarrubias and Tevo Díaz 
  • “Boxballet,” Anton Dyakov 
  • “Robin Robin,” Dan Ojari and Mikey Please 
  • “The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

Best Costume Design

 

  • “Cruella,” Jenny Beavan 
  • “Cyrano,” Massimo Cantini Parrini and Jacqueline Durran 
  • “Dune,” Jacqueline West and Robert Morgan 
  • “Nightmare Alley,” Luis Sequeira 
  • “West Side Story,” Paul Tazewell

 

Best Original Score

 

  • “Don’t Look Up,” Nicholas Britell 
  • “Dune,” Hans Zimmer 
  • “Encanto,” Germaine Franco 
  • “Parallel Mothers,” Alberto Iglesias 
  • “The Power of the Dog,” Jonny Greenwood

 

Best Sound

 

  • “Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri 
  • “Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett 
  • “No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor 
  • “The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb 
  • “West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

 

Best Original Song

 

  • “Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter 
  • “Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda 
  • “Down To Joy” from “Belfast,” music and lyric by Van Morrison 
  • “No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell 
  • “Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

 

Best Documentary Feature

 

  • “Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell 
  • “Attica,” Stanley Nelson and Traci A. Curry 
  • “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie 
  • “Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein 
  • “Writing With Fire,” Rintu Thomas and Sushmit Ghosh

 

Best Documentary Short Subject

 

  • “Audible,” Matt Ogens and Geoff McLean 
  • “Lead Me Home,” Pedro Kos and Jon Shenk 
  • “The Queen of Basketball,” Ben Proudfoot 
  • “Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei 
  • “When We Were Bullies,” Jay Rosenblatt

Best Film Editing

 

  • “Don’t Look Up,” Hank Corwin 
  • “Dune,” Joe Walker 
  • “King Richard”, Pamela Martin 
  • “The Power of the Dog,” Peter Sciberras 
  • “Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

 

Best International Feature Film

 

  • “Drive My Car” (Japan) 
  • “Flee” (Denmark) 
  • “The Hand of God” (Italy) 
  • “Lunana: A Yak in the Classroom” (Bhutan) 
  • “The Worst Person in the World” (Norway)

 

Best Makeup and Hairstyling

 

  • “Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer 
  • “Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon 
  • “Dune,” Donald Mowat, Love Larson and Eva von Bahr 
  • “The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh 
  • “House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

 

Best Production Design

 

  • “Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos 
  • “Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau 
  • “The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards
  • “The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh
  • “West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Best Visual Effects

 

  • “Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
  • “Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick 
  • “No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould 
  • “Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, JoeFarrell, Sean Noel Walker and Dan Oliver 
  • “Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

 

Best Live Action Short Film

 

  • “Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger 
  • “The Dress,” Tadeusz Łysiak and Maciej Ślesicki 
  • “The Long Goodbye,” Aneil Karia and Riz Ahmed 
  • “On My Mind,” Martin Strange-Hansen and Kim Magnusson 
  • “Please Hold,” K.D. Dávila and Levin Menekse

 

The 94th Academy Awards will be presented on March 27th.

Film Review: “Jackass Forever”

  • JACKASS FOREVER
  • Starring:  Johnny Knoxville, SteveO,, and Chris Pontius
  • Directed by:  Jeff Tremaine
  • Rated:  R
  • Running time:  1 hr 36 mins
  • Paramount

 

 

HOLD ON TO YOUR HATS?

 

OK, since we have younger readers, the word HATS is code for something else.  A place on the body that many men, this one included, consider very special.  Thankfully the group that make up the JACKASS gang have different feelings, and their pain is our laughter.

 

It’s been almost 20 years since Johnny Knoxville and his band of idiots amused viewers with such harmless pranks as sneaking up on someone and shaving part of their heads, or blowing an air horn at a fancy golf course during people’s backswings.  My how the times have changed.

“Jackass Forever” is exactly what you think it is.  A group of friends hanging out and doing all kinds of things to each others, and some times their own, private parts.  And as unusual as that may sound, it’s truly mesmerizing.  It’s like when people slow down to look at a car accident but in this case you’re stopping to  to watch someone wearing only a protective cup take a direct hit from a soft ball, an NHL player’s slap shot or even a pogo stick.

 

With some of the Jackass gang getting up there in age, a majority of the pranks are done by a new generation of pranksters, including one who answers to the name “Poopies.”  There is also a father/son team who seem to put their fears aside (anyone want a giant spider crawling on their heads?) in order to spend some quality time together.

 

Is it fine art?  No.  But it’s hilarious.  This is probably the hardest my wife and I have laughed since “BORAT.”  As the credits rolled my wife said to me, “everybody needs to laugh like this…especially now.”  My thoughts exactly.