Interview with “Clue” actor Teddy Trice

We first introduced you to actor Teddy Trice five years ago when the Kansas City area native was back in his home town and appearing in “The Book of Mormon.”  This week he’s back, appearing in the new comedy “Clue.”  Mr. trice took time out of his day to fill us in on the new challenges he’s taken on on stage.

 

Mike Smith:  Good morning! 

 

Teddy Trice:  Good morning.  We’ve chatted before, do you remember?

 

MS:  Yes sir, for “The Book of Mormon.”

 

TT:  Well, it’s good to talk with you again.

 

MS:  How was the show last night?

 

TT:  It was great…it was great.  Full house.  The audience was having a blast. 

 

MS:  Tell me about the show.  How did it come to be?

 

TT:  This is the play adaptation of the classic movie.  And if you’re a fan of the board game you’ll see a lot of connections there.  The show follows the six suspects of Boddy Manor.  It’s a classic who-dun-it, with lots of slapstick comedy.  It has a lot of twists and turns that will keep people guessing. 

 

MS:  Since you mentioned the movie, when the film was released, it was released with three different endings.  Depending on what version you saw, that was the murderer.  The hope was that if you paid to see the film, you’d pay two more times to see the alternate killers.  Is the show similar to that?  Do you have a different killer every night?

 

TT:  It’s the same ending every night. But there are a few little twists that are different from what the film was

 

MS:  What is the audience reaction when the culprit is revealed?  I’m sure many of them have spent the show trying to figure things out for themselves.  Are there gasps of surprise or can you hear someone whisper “I knew it was them?”

 

TT:  There have been moments when the audience thinks they have it figured out and when the story switches you definitely hear the reaction.  But it happens so fast.  The show is 90-minutes and everyone is trying to piece it together in real time.  Everyone is along for the ride.  And when they do, or don’t, figure it out, it definitely takes them by surprise.

 

MS:  It’s definitely a show that you have to pay attention too.

 

TT:  There are quite a few characters and you have to piece together their motivations so you have to be CLUED in (laughs) to figure it out.

 

MS:  Last we talked, you were appearing in one of the most popular musicals of the 20th Century.  What led you to “Clue?”

 

TT:  This is my first time touring in a play.  After “Book of Mormon” I did “Come From Away” (NOTE:  “Come From Away” currently touring).  So I did two pretty big musicals so I thought stepping into a play would be a really big challenge.  Especially now when you have people who are massive fans of the movie.  A built-in audience.  It was a joy to work with the playwright and the director from the beginning.  I thought it was a unique opportunity to bring this show across the country. 

Mr. Trice recently released an EP of songs reflecting his life and upbringing.

MS:  is this your first time at the Kaufman Center?

 

TT:  Yes.  I appeared at the Music Hall but this is my first time at Kauffman.

 

MS:  What is it like playing in front of the home town audience?

 

TT:  It’s amazing.  I can remember when I was younger and a show would come to Kauffman.  I would take my parents  and just be in awe of the space and the performers.  It’s definitely a bucket list item for me.  It’s a dream for me.  To be able to work in a place that inspired me is really special.  I can only imagine that aspiring young artists are thinking the same thing.  I want to be able to be a light for the City and help in that way.

 

To read my 2019 interview with Mr. Trice, click HERE

Talking “The Book of Mormon” with actor Teddy Trice

Near by my home, across the Missouri/Kansas state line, is the town of Shawnee Mission.  They have several high schools and one of them, Shawnee Mission West, has proudly laid claim to such alumni as Paul Rudd and Jason Sudeikis.  This week I’m giving the students at Shawnee Mission NORTHWEST the chance to brag about their alum, actor Teddy Trice, who is currently starring in the national tour of the Tony Award winning musical “The Book of Mormon”  Teddy took some time out from his schedule to talk about the show, his career and his dream role.

Mike Smith:  How did you catch the acting bug?

Teddy Trice:   I started early.  I went to Trailridge Middle School and I did my first musical when I was in seventh grade.  I did “Into the Woods.”  I was twelve years old and I remember vividly thinking when I was done with the show, ‘I have to keep doing this!’  I didn’t know in what capacity but I knew that it was going to be a part of my life. And I’ve been doing it ever since.

MS:  You started out doing a lot of local Kansas City theater.

TT:  Yes, I worked at the Unicorn Theater, KC Rep, the Coterie, part of the American Shakespeare Festival.

MS:  What was your first show away from home?

TT:  Besides college, my first show out of town was when I did summer stock in Rolla, Missouri. I stayed pretty local.  But then
Mormon” started and they shipped me off to Australia.  I started the company over there and then I came back and did “Sweat” at the Unicorn, which I just closed last month.  And then I started the new “Mormon” tour three weeks ago.

MS:  Was “Book of Mormon” your first tour?

TT:  It was my first big tour.  We set down in Australia and played for a year in Melbourne and then it moved to Sydney.  It’s still going on in Sydney.  I did six months there.

MS:  How did you get the role?

TT:  I auditioned in Kansas City first.  The casting people pop around regionally and I had my first audition in Kansas City. They called me back the next day. I did the same audition the next day and they put it on tape.  About three weeks later they called me for a call back in New York.  I did the callback there.  I knew at the time they were casting for both the Broadway production and the two national tours.  I didn’t know about Australia until I got an email asking if I was interested in being in the Australian company. 

MS:  YES!!

TT:  That’s exactly what I said.  I emailed them back and said, ‘for sure!’  And then three months later they called me and asked if I wanted to start the Australian company and I gave them an ecstatic ‘YES!’  And the show has been treating me well ever since. 

MS:  Did you have to audition, or have you ever done the show, in front of (show co-creators) Trey Parker and Matt Stone?

TT:  Yes. They actually came to opening night in Australia.  They met with all of us.  They are the coolest guys…very down to earth.  Obviously, they’ve had wild success but they work incredibly hard.  They put out an episode of “South Park” every week and it’s been on the years for almost 20 years. 

MS:  Did you know they were in the audience?  Does that add any pressure to your performance?

TT:  There’s definitely some pressure there because you know that the people that put everything together are watching you but they have a hand in everything.  Casting,etc goes through them.  So you know that when you’ve been cast they approved it. So there’s actually a level of comfort there because they selected YOU to keep this going.  And when you’ve got 1,800 people in the audience every night, that’s enough pressure to take on,  I think my favorite expression maybe “No pressure…no diamond.” 

MS:  You’ve done both drama and musicals.  Do you have a preference?

TT:  I don’t really have a preference.  It kind of comes down to the material.  I did “Sweat” at the Unicorn right before I started the tour and that’s a contemporary drama.  A little bit different from the big musical/comedy that “Mormon” is.  I love the craft of acting so much that, whatever I’m drawn to is what I want to do.  Singing is a great passion of mine so I do have a great affection for musicals but I love them both. 

MS:  Do you have a favorite  musical? Or, better question, if age wasn’t an issue, what role would you most like to do?

TT:   I would love to do Coalhouse Walker in “Ragtime.” It’s a role I’d have to age into a little bit but the musical score is one of my all-time favorites.  Doing an “American Dream” story and building a legacy…I’d love to do that one.

MS:  You’re doing “Ragtime” and Brian Stokes Mitchell is in the audience.  What do you do?  (NOTE:  Mr. Mitchell originated the role of Coalhouse Walker on Broadway.  Television fans may remember him as one of Lea Michele’s fathers on “GLEE”)

TT:  (laughing) If I found at after the show that he was in the audience I would take him out for a drink and ask him about his experiences with the role and what Icould do to learn from him.  I’d rather hear that than have him say, “wow, you really did an injustice to the part!”  (laughs)

MS:  How long is the tour?

TT:  Well, the tour will go on forever.  I signed on last month and I’m committed to it for a while.  I’ve been with the show for two-plus years now.  It’s been a long ride.

MS:  Is it still fun?

TT:  It is. It’s given me the opportunity to travel. To be able to go across the country with the show is pretty cool.  It keeps it fresh…it keeps it alive.  And every night you get a new audience andyou get their reactions for the first time. As an actor I keep challenging myself. How do I discover new things and keep perfecting the show?  And I think by having those small goals it keeps it fresh for me.  But when you’redoing eight shows a week for an extended period of time, monotony can creep in.  So you have to keep your brain switched on to give your best performance, especially when there are people in the audience who haven’t seen the show. 

Theater Review: “Chicago” – Kansas City

CHICAGO
September 14, 2018
Starlight Theater – Kansas City, Missouri
When the Kander and Ebb musical “Chicago” opened on Broadway in 1975, it caused a sensation.  The show, directed and choreographed by the great Bob Fosse,  played for three years and earned an impressive (11) Tony Award nominations.  Sadly, it didn’t win any, running into the juggernaut that was “A Chorus Line.”
In 1996, the show was revived on Broadway and that version fared much better at the Tonys, taking home (6) of the (8) awards it was nominated for, including the award for Best Revival of a Musical.  What’s even more impressive is that, since November 14, 1996, “Chicago” has never left Broadway, earning the right to call itself the longest running American musical in theater history!    This weekend, the touring production made its way to Kansas City and, despite some technical difficulties, greatly entertained.
We meet Velma Kelly (Amra-Faye Wright) as she entertains her nightclub audience with the show’s signature number, “All That Jazz.”  We follow this with a quick peek into the bedroom of Roxie Hart (Angel Reda) to discover her in an argument with her lover.  Moments later, Roxie shoots him dead. When the police arrive, Roxie’s husband, Amos (Paul Vogt) takes the blame for the shooting, but quickly recants when he learns the truth.  Roxie is taken to jail, where she will await trial for murder.  But not before a little singing and a lot of dancing!
There are a million reasons to see this show at Starlight.  First off, it’s one of the best outdoor venues in the country.  The shows are usually excellent or, if not, entertaining.  “Chicago” boasts an amazing cast and a top-notch orchestra.  Both Ms. Wright and Ms. Reda (who is from nearby Overland Park, Kansas) are strong dancers with great vocal chops.  My quibble above regarding technical difficulties comes from the fact that, for the first hour of the show, there was an obvious problem with Ms. Wright’s body microphone.  The fact that I could hear her in my seats stems from the fact that she can belt out a song.  Once the problem was fixed both actresses were at the top of their game.
The rest of the cast is equally strong.  As publicity loving attorney Billy Flynn, Peter Lockyer is as smooth as silk.  Jennifer Fouche’ steals her scenes as Matron “Mother” Morton and Mr. Vogt puts an ache in your heart as he sings “Mr. Cellophane.”   The choreography (by the amazing Ann Reinking, and based on Fosse’s original work) is spectacular, delivering in spades the moves that are so associated with the late choreographer.
If you’re looking for some fun under the stars this weekend, I’d highly recommend a trip to “Chicago!”

 

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