Disneynature’s “African Cats” Blu-Ray Giveaway [ENDED]

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Available on Blu-ray™, DVD and Movie Download Tuesday, October 4th

To celebrate Disneynature’s Blu-Ray™ release of “African Cats”, Media Mikes would like to giveaway 10 copies of the Blu-ray™ Combo Pack (Blu-ray™ + DVD). If you would like to win one of these great prizes, please leave us a comment below or send us an email and let us know your favorite Disneynature film. This giveaway will be open until Monday October 10th at Noon, Eastern Time and is only open to residents of the United States. Only one entry per person, per household; all other entries will be considered invalid. Once the giveaway ends, Movie Mikes will randomly pick out winners and alert the winners via email.

This coming October, don‘t miss Disneynature‘s latest home entertainment release, AFRICAN CATS, an epic film profiling two incredible families as they strive to make a home in the wilds of Africa. Disneynature AFRICAN CATS will debut as a 2-Disc Blu-ray™ + DVD Combo Pack, a High Definition Movie Download and/or On-Demand viewing on Tuesday, October 4, and is the perfect family-friendly film that provides an exciting journey into the wild while also raising consumer awareness for these incredible animals. For every movie purchased through October 10, 2011, Disneynature will be contributing a portion* of its home entertainment sales through the Disney Worldwide Conservation Fund to the ?See AFRICAN CATS, Save the Savanna? effort – an initiative developed between Disneynature and the African Wildlife Foundation (AWF) to protect lions, cheetah, elephants, zebra, giraffe and a host other species in Africa. For more information on this release, please visit www.DisneyNature.com/AfricanCats.

Bonus Features:
DVD: Disney & Nature – Viewers get a deeper look into the conservation efforts around the world being sponsored by The Walt Disney Company. Save The Savanna – A comprehensive look at Disney‘s ?See AFRICAN CATS, Save the Savanna? program and its impact on the region.
BLU-RAY™: Everything on the DVD, plus… Filmmaker Annotations – This interactive in-movie feature is a viewing mode with 12 different segments that allows consumers to watch behind-the-scenes footage of the production process and hear stories from the filmmakers and conservationists who spent several years making the film. Jordin Sparks “The World I Knew” Music Video
MOVIE DOWNLOAD: Everything on the DVD, plus… Introduction To Masai Mara – a segment from the Filmmakers Annotations Blu-ray feature Filming The Cats – a segment from the Filmmakers Annotations Blu-ray feature Sophie’s Elephants – a segment from the Filmmakers Annotations Blu-ray feature

Production Commences on “Anna Karenina”

PRODUCTION COMMENCES ON ANNA KARENINA

LONDON, October 3rd, 2011 – Working Title Films has commenced production on Joe Wright’s epic love story Anna Karenina, adapted from Leo Tolstoy’s classic novel by Academy Award winner Tom Stoppard (Shakespeare in Love). The film will shoot in the U.K. and Russia. Focus Features will distribute the movie domestically, and Universal Pictures International (UPI) will distribute the movie internationally.

Anna Karenina marks Mr. Wright’s fourth film with Working Title, following the award-winning box office successes Pride & Prejudice, Atonement, and The Soloist. The film is produced by Working Title co-chairs Tim Bevan and Eric Fellner and reunites them with Paul Webster, all three of whom produced Mr. Wright’s first two films Pride & Prejudice and Atonement, released domestically by Focus and internationally by UPI. Also for Focus, Mr. Wright recently directed the hit adventure thriller Hanna.

Keira Knightley, Academy Award-nominated for Pride & Prejudice, will star as Anna Karenina in her third collaboration with Mr. Wright. Ms. Knightley stars opposite two-time Academy Award nominee Jude Law, as Anna’s husband Aleksei Karenin; and Aaron Johnson (Nowhere Boy), as Count Vronsky. Rounding out the cast are Kelly Macdonald (Boardwalk Empire), Matthew Macfadyen (Pride & Prejudice), Domhnall Gleeson (Harry Potter and the Deathly Hallows), Alicia Vikander (The Seventh Son), two-time Academy Award nominee Emily Watson, Olivia Williams (Hanna), and Ruth Wilson (Luther).

Also reteaming with Mr. Wright on Anna Karenina are Academy Award-winning composer Dario Marianelli, twice-Academy Award-nominated costume designer Jacqueline Durran, three-time Academy Award-nominated production designer Sarah Greenwood, and Academy Award-nominated director of photography Seamus McGarvey.  Melanie Ann Oliver (Focus’ Jane Eyre) is the editor. Sidi Larbi Cherkaoui is the choreographer on the movie.

The story unfolds in its original late-19th-century Russia high-society setting and powerfully explores the capacity for love that surges through the human heart, from the passion between adulterers to the bond between a mother and her children. As Anna (Ms. Knightley) questions her happiness, change comes to her family, friends, and community.

Working Title Films, co-chaired by Tim Bevan and Eric Fellner since 1992, is one of the world’s leading film production companies. Founded in 1983, Working Title has made nearly 100 films that have grossed over $4.5 billion worldwide. Its films have won 6 Academy Awards, 26 BAFTA Awards, and prestigious prizes at the Cannes and Berlin International Film Festivals. In addition to Anna Karenina, the current release slat includes Tomas Alfredson’s thriller Tinker, Tailor, Soldier, Spy, starring Gary Oldman, Colin Firth, and Tom Hardy; Baltasar Kormákur’s Contraband, starring Mark Wahlberg and Kate Beckinsale; Rowan Atkinson in Johnny English Reborn, directed by Oliver Parker; and Ken Kwapis’ Big Miracle, starring Drew Barrymore and John Krasinski.

Universal Pictures markets and distributes films internationally through Universal Pictures International (UPI), which officially began doing business on January 1, 2007. In the United Kingdom, Spain, Italy, Germany, Austria, German-speaking Switzerland, Benelux, Russia, Australia, Mexico and France, UPI directly markets and distributes movies through our local offices, creating campaigns and release strategies that respond to the culture and market behavior of those territories. In other parts of the world, Universal distributes through Paramount’s local offices as it transitions out of the formerly shared UIP model. In some smaller territories we continue to work through UIP on theatrical distribution.

Focus Features and Focus Features International (www.focusfeatures.com) comprise a singular global company. This worldwide studio makes original and daring films that challenge the mainstream to embrace and enjoy voices and visions from around the world that deliver global commercial success. The company operates as Focus Features in North America, and as Focus Features International (FFI) in the rest of the world.

In addition to Anna Karenina, and Tinker, Tailor, Solider, Spy, current and upcoming Focus releases include John Madden’s hit espionage thriller The Debt, starring Helen Mirren, Sam Worthington, and Jessica Chastain; writer/director Dee Rees’ contemporary drama Pariah, which world-premiered at the 2011 Sundance Film Festival; Being Flynn, written and directed by Paul Weitz and starring two-time Academy Award winner Robert De Niro and Paul Dano; Lorene Scafaria’s pre-apocalyptic comedic romance Seeking a Friend for the End of the World, starring Steve Carell and Keira Knightley; Moonrise Kingdom, the new feature from Wes Anderson, starring Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, and Jason Schwartzman; Sam Fell and Chris Butler’s ParaNorman, the new 3D stop-motion comedy thriller from animation company LAIKA; and the historical tale Hyde Park on Hudson, directed by Roger Michell and starring Academy Award nominees Bill Murray and Laura Linney.

Focus Features and Universal Pictures International are part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

Interview with Ashlynn Yennie

Ashlynn Yennie is known for her role in the film “The Human Centipede”.  She is currently reprising her role this month in the follow-up “The Human Centipede II”.  Media Mikes had a chance to chat with Ashlynn about working on the sequel and what we can expect.

Mike Gencarelli: Can you tell us about your involvement in “The Human Centipede II”
Ashlynn Yennie: We shot the first film in 2008 and in January of 2010, I moved to Los Angeles. IFC had picked up the film and was going to release it in April. Everyone who has seen the first movie knows my character Jenny dies in the first film. I never thought I would be back for the second. I got an email from Tom Six and the film’s writer telling me that he would like to talk with me. When we talked Tom laid out the entire second film for me and I totally wanted to do the film. I wasn’t allowed to talk about my involvement in the film whatsoever. I couldn’t even tell my agent at the time as to why I was going to London. I flew over to London at the end of the summer and worked on my part for a few weeks. Everything has been super secret and I still can’t tell anyone what my part in the film is.

MG: How was it working with Tom Six for the second time now?
AY: Working with Tom wasn’t much different from the first time he and I worked together. When you are working with Tom he is always right there with you. Even when I was in the centipede he was right there giving me notes and encouragement. He is very hands on. I think Tom knows that as actors and actresses we are devoting ourselves to making his film come true and he is going to make sure we give our best performance. Working on part 2 though was completely different. The first film was very clean and had a lot medical type things going on. The second film is completely the opposite as the warehouse we were shooting in was very wet and dirty. It looked like a swamp in there. The film looks really amazing though.

MG: What are your feelings on the film already being banned in the UK due to its content?
AY: I can’t say I wasn’t shocked. Tom has a plan for everything he does and after the first film came out people were saying it wasn’t gory enough and that you didn’t see enough. I tell people they asked for what they will see in the second film. I don’t know if people realized what they asked for.

MG: After working on the first film did you have any doubts about the film?
AY: That film was a great European film to shoot. We had no idea what was going to happen with it. I remember when they told us what the name of the film was going to be we were all a little taken back. We sort of teased Tom about the title for quite sometime while we were shooting. I don’t generally watch a lot of horror films as I am a bit of a scaredy cat. When “The Human Centipede” came out and it was embraced by the horror fans and it became just so big mainly because of the internet. The trailer for the film just went everywhere. I think “Human Centipede” is the most not watched film as most people I meet tell me they have watched just the trailer. They seem to have these preconceived notions as to what the film is about. The first film really held back a lot. The second one is in your face.

MG: How has working on the second film compared to working on the first film?
AY: I became very close with Ashley and Akihiro during shooting and for Ashley and me that was my first film. We all became recognizable from this film and to move up the chain link with people you are friends is great. The second film I got a whole new batch of actresses to fall in love with. The girls in this movie are incredible women and very beautiful. Both sets were completely opposite but both had a real family feel.

MG: Do you any other upcoming projects?
AY: Right now I am pretty busy promoting “The Human Centipede II”. I do go on auditions like crazy though as I am still an actress trying to make it in Los Angeles.

Film Review “Chillerama”

Directed by: Adam Rifkin, Tim Sullivan, Adam Green, Joe Lynch
Starring: Sean Paul Lockhart, Anton Troy, Gabrielle West, Joel David Moore and Lin Shaye, Kristina Klebe.
Distributed by: Image Entertainment
MPAA Rating: Not Rated
Running Time: 115 Minutes

Our Score: 3.5 out of 5 stars

When you have four very talented and up-in-coming horror directors team up for a horror anthology you should expect a lot from it. This film delivers mostly but falls short of the being great. This film consists of four mini movies within ala “Creepshow”. What is great about these films is that the title alone tells the premise, which you will see below. Overall though, it is a fun film for horror fans looking for a flashback to the good ole horror drive-in days.

The first film is one of my favorites “Wadzilla”…that’s right it is about a giant killer sperm. Enough said right? I must note that the creature was created by The amazing Chiodo Brothers (“Killer Klowns from Outer Space”). I love when you see their creations in films because it shows that everything doesn’t need to be in CG to be cool. The film is funny and WAY over the top. Plus it says the great Ray Wise (“Reaper”)…enough said again?

Probably tying the first film for my favorite is Adam Green’s “The Diary of Anne Frankenstein”. This is beyond hysterical with Joel David Moore (Avatar) playing Hitler. He speaks gibberish German the whole film and it just a riot. This is shot in black and white and is just a riot which not a shock since it is from Adam Green (“Hatchet” series),who is just great. To make it any better if it that is possible Kane Hodder plays the creature Meshugannah, that’s right that is his name.

I wish this film would have ended with those because I would be raving about this but then we go to “I Was a Teenage Werebear”, directed by Tim Sullivan. I absolutely hated this film and it almost ruined it for the film as a whole. I have no problem with the gay content but it is just so unbearable (get it?) to watch. To top it off it is a musical…the songs are funny but the film feels like an hour long and drags major ass. I could have done without this one.

The last film is the general basis for the opening and closing scene called “Zom B Movie”. It is a spoof of ’70s & ’80s zombie films and was directed by Joe Lynch (“Wrong Turn 2: Dead End”). This film is fun, a little weird and a good closing to this film.

Overall, three out of four films are fun and will provide some great laughs. Just skip over “I Was a Teenage Werebear” and you might enjoy this film. I hope that they continue this tradition and make more of these films. This film is currently available on VOD from most cable providers, also currently touring the drive in market theaters and will be on Blu-ray/DVD November 29th. I watched it on VOD but is probably really fun at a midnight show, so try and check it out that way.

First Look at Inspiring New Film “The Mighty Macs”

Media Mikes is working with Ocean Ave Entertainment and StoryCrawler to help spread the word of this exciting and inspiring new film “The Mighty Macs”. The film opens in theaters on October 21 and includes The all-star cast with Carla Gugino (“Spy Kids”, “Sucker Punch”), David Boreanaz (“Bones”), Marley Shelton (“Sin City”), and Academy Award and Tony Award winner Ellen Burstyn (“Requiem for a Dream”).

Stay tuned as we are going to be covering this film quite a bit and will be giving away some great prizes including exclusive movie posters autographed by the by the stars of the film and even a contest to win a trip to the movie’s premiere!!

She Dared to Dream. They Dared to Believe. It’s 1971. Cathy Rush is a woman ahead of her time … and she’s about to embark on an adventure for the ages. As the coach of tiny Immaculata College, Cathy’s challenges are as imposing as the big-school teams her Macs will face. While it appears they don’t have a prayer, all hope is not lost. Will this pioneer buck cultural norms and spur her rag-tag team to unexpected heights? Or will her hard-driving ways create a wedge between the coach and everyone around her? Get ready to cheer on a true Cinderella team when “The Mighty Macs” opens in theaters on October 21.

Follow us on Twitter: http://twitter.com/MightyMacsMovie
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Check out the film: http://www.themightymacs.com/

Film Review “Saint”

Directed By: Dick Maas
Starring: Huub Stapel, Edbert Jan Weeber, Caro Lenssen, Madelief Blanken
Distributed By: IFC Films
MPAA Rating: Not Rated
Running Time: 88 minutes

Our Score: 3.5 out of 5 stars

Christmas is easily my favorite holiday but doesn’t mean I don’t like watching films about good ole St. Nick wrecking some havoc. When I heard of this Netherlands based film, I was hoping for some good gory horror…and I got what I hoped for. Besides terrible…terrible dubbing, (would have rather had option to watch it subbed) this film is brutal and really dark. There is quite a bit of slaying (get it?) in this film and you are going to leave you yourself wishing that you were on the nice list this year.

This horror film starts back in 1492 depicting St. Nicholas as murderous bishop kidnaps and murders children when there is a full moon on December 5. He is taken down by the villagers but his evil spirit return ever 32 years to wreak havoc again. Our story picks up in present day but this time our hero Frank (Egbert Jan Weeber) aims to end his reign for good.

The story is well….what do you expect it is a horror film about a killer Santa Clause. It works for what it is worth, it is a different take to create mystery behind St. Nicholas. The special effects are really top notch and topped with some great kills. Huub Stapel is one scary son-bitch as St. Nicholas and rides high on his horse and his demon minions are not to be messed with. There are also some decent scares in the film. I hope they make this into a series because I would love to see more of these films.

“Squidbillies” Interview Series

Adult Swim’s “Squidbillies” follows the exploits of the Cuyler family and their interactions with the local populace, which usually results in a fair amount of destruction, mutilation, and death. The show has been airing since 2005 and has recently started its sixth season, which consists of ten new episodes. The show is created by Dave Willis and Jim Fortier and its voice cast is made up of Unknown Hinson who voices Early Cuyler, Daniel McDevitt who voices Rusty Cuyler, Dana Snyder who voices Granny Cuyler and Patricia French who voices Lil Cuyler. Media Mikes had a chance to chat with the creators and the cast from the show and chat with them about the new season.


Daniel McDevitt

Dave Willis

Jim Fortier

Unknown Hinson

Interview with Unknown Hinson

Unknown Hinson is plays the lead of Early Cuyler in Adult Swim’s “Squidbillies”.  The show just started its sixth season and its looks like it is its best season yet.  Media Mikes had a chance to chat with Unknown Hinson about his role in the show and also his music career.

Mike Gencarelli: What do you like most about voicing the character Early Cuyler?
Unknown Hinson: As a voice actor, it is quite of a stretch for me.  I do it because it gives me a lot of freedom to improvise my lines.  I do incorporate a lot of myself into the character, which is a lot of fun. People get to know me through Early Cuyler and hopefully visa versa.

MG: How did you get involved with this show?
UH: Before the show took off, the creators got a hold of one of my CDs.  On that particular CD, there were sound clips of me talking and I guess they liked my voice.  I love cartoons and I was definitely interested. I have had a great time working on the show so far and hope to continue to.

MG: You are now into “Squidbillies” sixth season, do you feel that it has changed for you over that time?
UH: That is a good question Mike; I feel the character has evolved from season to season.  It is kind of like any character in any series, they get given a particular situation to deal with or react to.  It is really all about the days in the life of the character, one day might be good, one day might bad but you just react as it comes to you.  The main thing about cartoon characters is that they can get away with anything…obviously.  That is fascinating to me and gives me a lot of room, as I say, to be myself within the boundaries of the script.

MG: Do you ever improvise your lines during recording?
UH: Yeah, Jim Fortier and Dave Willis give me a lot of room to improvise and ad lib.  They let me put my own spin on it from time to time and I appreciate that.

MG: What has been your favorite episode of “Squidbillies” from this season?
UH: Well the season is just in process and I do not want to be partial to one particular episode.  I honestly like them all…I really do.  I do not have a favorite.

MG: How favorite episode about the show in general?
UH: I do remember an episode when Early and Lil had a litter of babies and there was one that survived.  Early took a liking to it and called it ‘Hershell Walker Cuyler Them Dawgs Is Hell Don’t They’.  I like that episode very much.

MG: You go from voice acting to musician, tell us about that side of you?
UH: Well I have been a musician all my life every since I was a little bitty boy.  That is the only profession I have ever done, it is my trade in life.  I am getting up in years but I am pretty sure I will do this till I die, I reckon. I have done for music from the show from time to time…a couple of songs. I have been able to lend some Unknown Hinson music to the show, which is a lot of fun.  I have gained a lot of new friends through “Squidbillies” and hopefully “Squidbillies” has gained friends through me.  I think one helps the other.  I enjoy playing music and doing the cartoon.

MG: Why aren’t there more musical episodes of “Squidbillies”?
UH: Well I do not know.  There is always the possibility we can do more.  The thing with me is I am always doing my thing, I have CDs to make and concerts to do.  I stay pretty busy.  But who knows may get into that more, I sure would like to.

MG: How do you find your unique sound for your music?
UH: I do not know Mike; I just write songs from my heart, sing them and play the guitar.  I record them, put them out and people seem to like it.  I am thankful to them because they come to see me play and buy my CDs. They seem to get something out of it and that is the main thing.

MG: Can we expect a new album anytime soon?
UH: Yes sir, a brand new Unknown Hinson album is due this Halloween. Yes! It will be available at UnknownHinson.com and my concerts.

Interview with Jim Fortier

Jim Fortier is the Co-Creator/Writer for Adult Swim’s “Squidbillies”.  Along with Dave Willis they have created one of the most unique shows on television.  With the show entering its sixth season, the series shows now signs of slowing down.  Media Mikes had a chance to chat with Jim about working on the show and what to expect from this season.

Mike Gencarelli: How do you feel that the sixth season of “Squidbillies” differs production wise from the previous seasons?
Jim Fortier: I don’t know that the production really differs from the previous seasons. Our team is just better at making the show now. We are very happy with this season. We think that the episodes are as good as any and probably are strongest batch yet. Dave and I still primarily write the episodes with the help of Chris Kelly who submits scripts to us. We are a well oiled machine.

MG: What is the turnaround for an episode from conception to completion?
JF: Usually we can write an episode in a couple days. Recording takes another couple days and then we give in to an editor in the building for about 8 weeks where they will do the audio and the rough animation cut. From there our animation studio Radical Access will get another 6-8 weeks usually. So it takes around 5-8 months per episode. We generally will record an episode every couple weeks so at any given time we could have all 10 episodes in various stages of production.

MG: What is the most difficult task about working on the show?
JF: The most difficult thing about the show is also my favorite which is getting to do all the different things Dave and I do related to the show. We both have a big hand in each step of the shows process. It can be very demanding as we generally are working on 10 shows at a time.

MG: How do you feel “Squidbillies” compares to the other shows you have worked on?
JF: The production method on those other shows was different than that on “Squidbillies”. Even the audio cuts were done differently. “Squidbillies” is different for me because it’s the first show that along with Dave I have been solely responsible for. When I worked on “The Brak Show”, I was kind of the right hand guy and helped write scripts but everything was really Pete Smith. “Squidbillies” is sort of paired down a bit to something that works well.

MG: How do you go about developing the over the top/offensive content for “Squidbillies”?
JF: I look at as redneck squids saying what they say. They aren’t speaking for us. A lot of times we have to defend the content of the show. It’s not always a bad thing to have to explain what you are doing. I can’t speak for Dave but maybe he really is thinking those things? I doubt it though [laughs]. Early really is a buffoon and we like to use him as the brunt of all the jokes. Hopefully everyone gets the characters overzealous humor.

MG: With Unknown Hinson’s musical background why haven’t there been more episodes featuring Early  singing?
JF: He has done two episodes that I can think of where he has gotten to sing. We have actually asked Unknown to do a cover version of the theme song.  I think he is going to do it but he has just been tied up getting ready to release a new album on Halloween. Unknown is a very hands on guy.

MG: Can you envision doing a “Squidbillies” movie?
JF: I can imagine me being interested in doing that. I can also imagine being told that it will never happen from the network.  I think we could give it a stab and it would be fun to do but I just don’t think there has been a call for it. However if a million rabid fans signed a petition and included 1 dollar we would start production tomorrow. Hint…Hint!!

Interview with Daron Ker

Daron Ker is the producer/director/cinematographer of the documentary “I Ride”.  Daron’s most recent documentary titled “Rice Field of Dreams” follows the trials and tribulations of Cambodia’s first baseball team as they prepare to compete nationally for the first time ever . Media Mikes had a chance to talk with Daron about his new film as well as his experiences from the filming of “I Ride”

Adam Lawton: Can you tell us about your newest film “Rice Field of Dreams”?
Daron Ker: That film came really as an accidental thing. One of my friends found an article in a San Francisco newspaper about baseball in Cambodia. I had wanted to find a way to help my country so I started to think of ways that I might be able to help.  The only way that I could really think of was to make a film about the baseball team there. For about five years I was connecting with the team’s manager Joe Cook and just getting to know him until the team was actually formed and ready to compete.

AL: From what I saw in the documentary Joe seemed like an interesting guy. What was it like working with him?
DK: It was hard because I have never seen a guy so dedicated but at the same time doing everything the wrong way. I don’t think Joe is arrogant as I believe he is more compassionate but he does flirt between those lines. Joe’s not really a player or coach…he is a cook. However he just loves the game so much and he is so into it that he cannot get away from it.

AL: What was the hardest part about making the film?
DK: Going back home to Cambodia for the first time was probably the hardest part for me. I had no idea the country was so devastated by the war as I came to the states when I was young. When you are living somewhere you don’t really think about where you came from. By making this film it gave me the opportunity to go back home and see your country. It was very heart breaking just to see these beautiful kids with nothing. I think this film helped me reconnect with my roots and when I came back to the states I was really saddened because I wished that I could help more. I am actually going to be going back to Cambodia soon to show the movie at a theater their which is going to be really great.

AL: Are we going to see sequel to the film?
DK: I don’t know about a sequel but what I want to do is to just share the film with as many people as possible. I want to take a projector over there and show it in as many providence’s as I can. I have been screening it here in the states to Cambodian communities as the response has been great especially from the Cambodian/American youth.

AL: How do you feel “Rice Field of Dreams” compares to your previous documentary “I Ride”?
DK: Both challenging films. To get into that motorcycle culture was the hardest thing I felt. They are just so raw and underground. I was location scouting one day for a feature film and while there I was invited to attend the Sturgis bike rally. There were almost a million bikers there and I was very intrigued.

AL: Once they allowed you into their sub-culture what were your initial thoughts when they allowed you to follow them around?
DK:  I thought that I better make a good film or am going to have to move to Cambodia! They are hardcore. I knew I had a solid story and the guys were great. It took them about two years to finally let me in. We would be trying to shoot them and then they would just ditch us and we couldn’t get any shots. One time I mounted a camera to one of the guy’s bikes while we were in Arizona and he just up and left us for like half a day. They thought it was fun and game. After two years I sat them down and told them I was tired of clowning around and if they wanted to make the movie we could but if they kept ditching us we were moving on.  At that point we were surrounded by bikers and my crew was pretty scared. Luckily they decided to do the film.

AL: What is it that drew you into making documentary films?
DK: I felt like for me to be a better filmmaker making a documentary was a good platform to start on. It teaches you to think out of the box and make something out of nothing. I had done a bunch of shorts and had also studied some great film makers but I wanted to start with something else before shooting a narrative structure.

AL: Do you have any other upcoming projects we can be watching for?
DK: I feel like am still incomplete after shooting these to pictures. I want my next project to be a narrative. I have a script titled “Holiday in Cambodia” which has been a ten year labor of love project. I really want to get this thing moving. It’s a different platform for me but I feel documentaries are way harder than narratives because when I was shooting the documentaries I never knew where or what I was going to be shooting. It will be interesting walking into a narrative and knowing everyday where I am going to be. My dream date to start that project is February 2012. I have a great group from Lucas Ranch that are going to be working with me so I am really excited. The story is about a kid from the states being deported back home to Cambodia and his struggles with that.

Interview with Jack Ketchum

Jack Ketchum is the pseudonym for author Dallas Mayr. He has written over twenty books, including novels, short-stories and contributions to anthologies. He has had several of his novels turned into films over the last five years including “The Lost”, “Red”, “The Girl Next Door”, “Offspring”and the most recent “The Woman”. Movie Mikes had a chance to chat with him about his numerous film adaptions and also what he has planned upcoming?

Mike Gencarelli: What is your process for writing a story, do you have film adaption if you mind when do it?
Jack Ketchum: No, I just write the story. But movies have influenced me greatly over the years, so I think my stories often have a cinematic feel to them.

MG: Some of the content in your novels are pretty intense, are you weary of how they can translate into film?
JK: Well, the movies which have been made based on my books have pretty much kept most of the intensity. So I don’t see why that shouldn’t continue.

MG: How has it been working with Lucky McKee on “The Woman” and “Red”?
JK: Lucky’s great to work with. I’d only collaborated on a handful of short stories before with Edward Lee and P.D. Cacek, so I was a little leery going into writing “The Woman” with him, a much longer project, and I think he’d never worked with a novelist before so he probably was too. But we’d been completely in agreement as to how RED should work, so we were optimistic. And even though I’m old enough to be his father, we might have been exact contemporaries — that’s how much we thought alike.

MG: How do you feel that the adaption for “The Woman” has turned out?
JK: I love it. I’m proud of it. I was on-set for most of the shoot and saw how well it was going so I’m not surprised. We knew we had something special all along.

MG: How would you put the film adaptions, “The Lost”, “Red”, “The Girl Next Door”, “Offspring” & “The Woman”, ranking from most liked to least?
JK: Sorry, I’m not going to do that. It’s like picking your favorite kid. All I can say is that in each case the filmmakers have tried their best to stay faithful to the source material, and for that I’m quite grateful.

MG: How much input have you had with the film adaptions of your novels?
JK: Some more than others, but everybody’s asked me for some, particularly in the scripting stage. As I said, I was there for most of the filming of “The Woman” and that was cool, because if something wasn’t going right Lucky and I could fix it right then and there together. I was also on the set of “The Girl Next Door” a lot, because it was shooting quite near me, in New York and New Jersey. On “The Lost”, I saw three drafts of the screenplay and commented on them. I even worked with some of the actors, discussed their parts. Chris Sivertson, the director, was very open to that. In fact he even bought copies of the book for all the cast and crew to read! Unheard of!

MG: You have appeared as a cameo or role in most of the film, are you trying to follow Stephen King with his films?
JK: Alfred Hitchcock.

MG: How do you film you work has changed or evolved since your first novel?
JK: I think my characters are much richer. “Off Season” mostly sketched in the characters, which was necessary because I wanted the shit to hit the fan early on. But you take “Red” or “The Woman”, and there’s a much more gradual build. I think my writing’s grown more assured too.

MG: Do you have novel you have always wanted to get made into a film?
JK: I’d love to see “Ladies Night” filmed. I think it’s a natural. Stuart Gordon had an option on it for quite a while, wrote a damn good script which contained elements of a script I’d written long before. But the option’s lapsed, alas.

MG: What is your next novel that you are working on?
JK: Right now, no novel. A screenplay. But I’m not going to tell you what it’s about. If I talk about a story I generally won’t write it. I wind up talking it to death.

 

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Interview with Christopher Moynihan

Christopher Moynihan is the creator, writer and co-star in ABC’s new show “Man Up!”. It co-star Dan Fogler, Mather Zickel, Henry Simmons, Teri Polo and Amanda Detmer. This show is one of the funniest new show this year. Media Mikes had a chance to chat with Christopher about his new show and what we can expect from the season.

Mike Gencarelli: How did you end up coming on board for the show “Man Up!”?
Christopher Moynihan: I created the show as part of deal I had for two pilots with ABC. This is the first one I came to as it has been in my head for a few years. My grandfather was wounded on the beach of Anzio, Italy in WWII and my father was a cop in the Bronx during the riots of the 1960’s. I am just a different breed of guy! I sit around and play video games and talk about “Spider-Man”. I think that we have the luxury in this day and age where we don’t have to go off and fight and do those types of things. Instead we have a person that volunteer to do those things for us which then allows us to be sort of over grown children. I always wanted to do something reflecting this modern man that doesn’t have a lot of chances to do manly thing. Things moved pretty quickly after I pitched the idea to ABC. They bought script and I wrote the pilot. We got really lucky with casting and everyone worked well. From there it moved onto series and things are going well.

MG: How do you go about getting into character and is it directly based on you?
CM: I kind of think that all the guys have pieces of me to them. My guy Craig reminds me of the guy I was in my 20’s. The way I break the three guys up is Will is really a man, Kenny is too much of a child to be a man and Craig is too much of a woman to be a man. I always think Craig is more in touch with his sensitive side and its all in the writing. We spent the whole summer writing these episodes, so its always in my wheel house that Craig is more touchy feely than the other two guys. I think there is a big piece of me that is that so its not too hard for me to get there.

MG: Do you guys have a lot of fun on set?
CM: Yes we really do. I think these television shows live and die by the casting and we really got lucky. It feels like we know each of from when we were kids. We have a lot of fun on set with each other. I feel very fortunate that we all get along.

MG: How do you feel that the show stands out from other comedies currently on television?
CM: I think what you do is you hope your voice is unique and distinct. I have a lot of great writers and I have some bizarre things in my head that I want to get to the screen. I’m hoping that our stuff is different in the sense that it is a network sitcom and its in the vein of what’s working on ABC but you try and set yourself apart by taking different approaches on popular subjects. You have to find a way to put a unique twist on a classic storyline. I think that’s how you set yourself apart.

MG: How many episodes have you filmed so far and do you have a favorite?
CM: We are currently in the process of shooting episode 105 which would make this the fourth episode since the pilot that we have shot. I am really happy with everything we have done so far. Everything comes out of the scripts you write in the summer time. We had six scripts in pretty good shape even before we started shooting episode 102. Everything we have shot so far has been pretty good. I have only seen episode 101 and its really funny however its kind of like looking at your own baby. You think its cute but what do other people think. I really believe its funny and the network seems pleased.

MG: How many episodes have been green-lit?
CM: We have been green-lit the pilot plus twelve episodes. We are shooting number four right now.

MG: Can you give us a sneak preview of what we can expect this season?
CM: We have eight or nine scripts written and the other ones are loosely put together. When we come back Kenny’s ex-wife Brenda has brought a new guy into the group by the name of Grant. Our first episode back Craig and Will try to get Kenny to be friends with Grant as he found out that the other were hanging out with this Grant guy behind his back. The episode is called “Finessing the Bromance”. A lot of the first season is going to be the three guys getting Grant to be a part of their group.

EA, BioWare and LucasArts to Launch “Star Wars: The Old Republic” on December 20, 2011

EA, BioWare and LucasArts to Launch Star Wars: The Old Republic on December 20, 2011

The Republic or the Empire? Choose Your Side and Forge Your Own Personal Star Wars Saga in the Groundbreaking, Story-Driven MMO from BioWare

LONDON–(BUSINESS WIRE)– Today during their keynote address at the Eurogamer Expo, Dr. Ray Muzyka and Dr. Greg Zeschuk, co-founders of BioWare™, a label of Electronic Arts (NASDAQ:ERTS), announced that Star WarsTM: The Old Republic will launch in North America on December 20, 2011 and in Europe on December 22, 2011. Set thousands of years before the rise of Darth Vader, Star Wars: The Old Republic is a massively multiplayer online game challenging players with epic quests, featuring dynamic combat across iconic worlds in the Star WarsTM galaxy such as Tatooine, Alderaan, Hoth and more. Each of the game’s eight primary classes will enjoy their own unique trilogy of storylines, all of which are fully voiced with a sweeping musical score. Anticipation for the award-winning MMO is at an all-time high as Star Wars: The Old Republic has broken EA pre-order records and won over 95 industry awards and accolades from game critics worldwide.

“In 1977, Lucasfilm created magic with the release of Star Wars. Our goal is to capture some of that magic when we go live with Star Wars: The Old Republic on December 20,” said Dr. Ray Muzyka, Co-Founder, BioWare and General Manager, BioWare Label. “This is an incredible moment for everyone at BioWare and our partners at LucasArts who have dedicated so much of their lives to building this extraordinary game.”

Added Dr. Greg Zeschuk, Co-Founder, BioWare and General Manager of the MMO Business Unit of BioWare, “We appreciate the patience of the millions of fans who have been waiting for the game’s release. When we launch this groundbreaking MMO with world class storytelling this holiday season, we hope you will agree that it was worth the wait.”

Star Wars: The Old Republic is available for pre-order now at participating retailers* while supplies last. All players who pre-order will receive a redemption code that will unlock Early Game Access**, granting them access to the game before December 20, 2011 in North America and before December 22, 2011 in Europe. Pre-order quantities are limited and Early Game Access will only be available to those who pre-order the game and redeem their code before the game’s official release. Included with the purchase of every copy of Star Wars: The Old Republic is 30 days of access to the game, after which players can continue to play through subscribing*** at either $14.99 per month, $41.97 for 3 months ($13.99 per month), or $77.94 for six months ($12.99 per month).

Star Wars: The Old Republic has been lauded for breaking new ground in the genre by building on traditional MMO gameplay pillars of combat, exploration, character customization and progression, and adding a powerful fourth dimension to the experience — story with personal choice and consequence. The Old Republic is set thousands of years before the rise of Darth Vader, when the Star Wars galaxy is in the midst of a cold war. Players will be asked to join forces with either the Galactic Republic or Sith Empire and choose one of eight iconic Star Wars characters: Jedi Knight, Jedi Consular, Smuggler, Trooper, Bounty Hunter, Imperial Agent, Sith Inquisitor and Sith Warrior. Every player’s story will unfold based on meaningful choices made throughout the game, enabling them to become the hero of their own personal Star Wars saga. Along their journey, players will encounter companion characters with whom they can build and break meaningful relationships as they fight by their side. Players will explore a vibrant galaxy, engage in heroic battles, and experience visceral Star Wars combat.

For more information on Star Wars: The Old Republic, please visit www.StarWarsTheOldRepublic.com, follow the game on Twitter at http://twitter.com/swtor or “Like” Star Wars: The Old Republic on Facebook at http://facebook.com/starwarstheoldrepublic.

* Conditions and restrictions apply. See www.StarWarsTheOldRepublic.com/preorder for details.

** Codes are redeemable at www.StarWarsTheOldRepublic.com/preorder. Pre-order quantities are limited and will be processed in the order they are received.

*** Subscription pricing in the United Kingdom will be £8.99 per month, £25.17 for three months (£8.39 per month) or £46.14 for six months (£7.69 per month). Subscription pricing in Europe will be €12.99 per month, €35.97 for three months (€11.99 per month) or €65.94 for six months (€10.99 per month).

About Lucasfilm Ltd.

Lucasfilm Ltd. is one of the world’s leading film and entertainment companies. Founded by George Lucas in 1971, it is a privately held, fully-integrated entertainment company. In addition to its motion-picture and television production operations, the company’s global activities include Industrial Light & Magic and Skywalker Sound, serving the digital needs of the entertainment industry for visual-effects and audio post-production; LucasArts, a leading developer and publisher of interactive entertainment software worldwide; Lucas Licensing, which manages the global merchandising activities for Lucasfilm’s entertainment properties; Lucasfilm Animation, which is currently producing content for film and television, including Star Wars: The Clone Wars, a CG-animated half-hour television series; and Lucas Online creates Internet-based content for Lucasfilm’s entertainment properties and businesses. Additionally, Lucasfilm Singapore produces digital animated content for film and television, as well as visual effects for feature films and multi-platform games. Lucasfilm’s motion-picture productions include three of the 20 biggest box-office hits of all time and have received 19 Oscars and more than 60 Academy Award nominations. Lucasfilm’s television projects have won 12 Emmy Awards. Lucasfilm Ltd. is headquartered in San Francisco, Calif. LucasArts, a Lucasfilm Ltd. company, is a leading developer and publisher of interactive entertainment software worldwide for video game console systems, computers and the Internet. Based in San Francisco, Calif., as well as on the Internet at www.lucasarts.com, LucasArts was created in 1982 by George Lucas to provide an interactive element to his vision of a state-of-the-art, multifaceted entertainment company.

About BioWare

The BioWare Label is a division of EA which crafts high quality multiplatform role-playing, MMO and strategy games, focused on emotionally engaging, rich stories with unforgettable characters and vast worlds to discover. Since 1995, BioWare has created some of the world’s most critically acclaimed titles and franchises, including Baldur’s Gate™, Neverwinter Nights™, Star Wars®: Knights of the Old Republic™, Jade Empire™, Mass Effect™ and Dragon Age™. BioWare currently operates in seven locations across the world, including Edmonton (Alberta, Canada), Montreal (Quebec, Canada), Austin (Texas), Fairfax (Virginia), San Francisco (California), Los Angeles (California) and Galway (Ireland).

In 2008, BioWare was acquired by Electronic Arts, a leading global interactive entertainment publisher. In 2011 EA created the BioWare Label, alongside EA Games, EA SPORTS™ and EA Play. For more information on BioWare, visit www.bioware.com, or follow us on Twitter at www.twitter.com/bioware. To join the millions of fans already registered with the BioWare community, go to http://social.bioware.com.

About Electronic Arts

Electronic Arts (NASDAQ:ERTS) is a global leader in digital interactive entertainment. The Company’s game franchises are offered as both packaged goods products and online services delivered through Internet-connected consoles, personal computers, mobile phones and tablets. EA has more than 100 million registered players and operates in 75 countries.

In fiscal 2011, EA posted GAAP net revenue of $3.6 billion. Headquartered in Redwood City, California, EA is recognized for critically acclaimed, high-quality blockbuster franchises such as The Sims™, Madden NFL, FIFA Soccer, Need for Speed™, Battlefield, and Mass Effect™. More information about EA is available at http://info.ea.com.

LucasArts, the LucasArts logo, STAR WARS and related properties are trademarks in the United States and/or in other countries of Lucasfilm Ltd. and/or its affiliates. © 2011 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. All rights reserved. BioWare , Jade Empire, Mass Effect and Dragon Age are trademarks of EA International (Studio and Publishing) Ltd. EA SPORTS, The Sims and Need for Speed are trademarks of Electronic Arts Inc. All other trademarks are the property of their respective owners.