Wes Craven, A True Master of Horror, Dies at 76

Wes Craven, the creator of both the “Nightmare on Elm Street” and “Scream” film series, passed away today at his home after a battle with brain cancer. He was 76.

After briefly teaching English at Westminster College, he decided to pursue a career in the film industry, beginning as a sound editor in New York City. He also began working in a film warehouse along-side a former filmmaker turned musician named Harry Chapin. Chapin had been approached by a dentist-friend of the warehouse owner who had $50,000 to invest in a horror film. Chapin, who had earned an Oscar-nomination for his 1968 documentary, “Champions,” was no longer interested in filmmaking so he recommended his co-worker, Wes, for the job. The film became 1972’s “Last House on the Left,” which was the first of many horror films written and directed by Craven. Craven also worked in the early world of pornography, mostly writing and editing films. It is rumored that, under the pseudonym “Abe Snake,” he directed the X-rated film called “The Firecracker Woman,” in which a young Craven also has a small role (clothed).

In 1977 he wrote and directed the brutal “The Hills Have Eyes,” following that up with “Deadly Blessing,” “Swamp Thing” and “The Hills Have Eyes Part II.” In 1984 he wrote and directed a film that would change horror movies forever, “A Nightmare on Elm Street.” I was just getting into the theatre business when the film opened and I often filled in at the Town Theatre in Baltimore, which had the honor of being the theatre with the highest grosses during “Elm Street’s’ run. He finished the 80’s out by directing several episodes of “The Twilight Zone” television show and the films “The Serpent and the Rainbow” and “Shocker.”

He began the 90’s with “The People Under the Stairs” then turned to horror/comedy by directing Eddie Murphy in “Vampire in Brooklyn.” In 1996 he hit the horror jackpot again with the film “Scream.” A tongue in cheek look at the various tropes of horror films, the film went on to gross over $100 million and spawn three sequels. Proving he could do more than horror, he directed Meryl Streep to an Oscar nomination in the film “Music of the Heart.” He was currently serving as an Executive Producer on the upcoming “Scream” television show.

On a personal note, I’d like to mention that it was Wes Craven, who I had the good fortune to meet, that inspired me to write a screenplay about the life of one of my personal heroes, Harry Chapin. “If you ever sell it I’ll direct it,” he told me. Sadly, he’ll never have the chance.

Mr. Craven is survived by his third wife, Iya, and his children, Jonathan and Jessica. Jessica’s step-father is Tom Chapin, Harry’s brother.

Win a Blu-ray of Wes Anderson’s “The Grand Budapest Hotel”


To celebrate the Blu-ray release of Wes Anderson’s “The Grand Budapest Hotel”, Media Mikes is excited to giveaway one (1) copy of the Blu-ray combo pack to our readers. If you would like to enter for your chance to win one of this prize, please leave us a comment below or send us an email with your favorite Wes Anderson film. This giveaway will remain open until June 27th at Noon, Eastern Time. This is open to our readers in US and Canada only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email

THE GRAND BUDAPEST HOTEL recounts the adventures of legendary concierge Gustave H. and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft of a priceless painting; a raging battle for an enormous family fortune; and a desperate chase on motorcycles, trains, sleds, and skis – all against the backdrop of a suddenly and dramatically changing continent.

Wes Bentley talks about his new film “The Time Being”

Wes Bentley has been a star since, at the age of 21, he played the anguished Ricky Fitts, next door neighbor to Kevin Spacey and family in the Oscar-winning “American Beauty.” His performance earned him a BAFTA nomination for Best Supporting Actor as well as several critic group awards. He followed up with roles in films like “The Four Feathers,” The White River Kid” and “Ghost Rider.” Most recently he’s been in such big budget films like “Jonah Hex” and “The Hunger Games” as well as indie projects like “Weirdsville.” He can currently be seen starring alongside Frank Langella in “The Time Being,” and will soon be seen as Larry Marciano, Linda Lovelace’s second husband, in the bio-pic “Lovelace” as well as Christopher Nolan’s “Interstellar” which he was just announced to have joined for release next year.

Mike Smith: Can you give us a brief introduction to Daniel, your character in “The Time Being?”
Wes Bentley: Daniel is a painter…an artist. He’s pretty ambitious. He has a family, a wife and son. He’s had a moderate bit of success in the past. He’s looking to put on a show and display his paintings to help support the family. Unfortunately he feels the pressure and it doesn’t go so well, which leads to a great deal of frustration.

MS: What attracted you to the project?
WB: Quite a few things. I saw a lot of things in there that I could relate to. We all strive to be able to provide for our families. We try to have integrity in our hearts but that’s not always possible. It can create a dilemma in your heart. I was also attracted to the visual concept of the film…where almost every frame is filled with a piece of art. And when I heard Frank Langella was going to be in it…it all came together.

MS: In the film Daniel is an artist. Besides acting, did you have any kind of artistic background?
WB: (laughs) I’m absolutely the worse drawer, but I did enjoy the painting aspect of the film. I think that may be something I try to do later in life. But that was another thing that interested me in the film…it was a new experience.

MS: You have that rare film career where you’re successful in both big budget films and independent projects. Do you have a preference?
WB: I like elements of both. I like the guerilla warfare aspect of shooting a film that has a budget of under a million dollars. You don’t have a trailer, you have a chair to sit on outside with all of the filmmakers. On those films you learn a lot about filmmaking and the camera. On the bigger budget films you really get to concentrate on what YOU’RE doing. You can take more time to devote to your character. You don’t have to rush through a few scenes in a day, which is often the case on smaller budget films. And sometimes it doesn’t work out because you’d like to have that extra time to work out your character. But I don’t really have a preference…I’m happy with each.

MS: Besides “Lovelace” what do you have coming up?
WB: I have a film called “Pioneer,” which is a Norwegian film. It’s a very stylish film about how Norway discovered oil in the late 60s and early 70s. I also have a film called “Chavez,” which is about Cesar Chavez, the immigration activist. I play his lawyer. I also have a couple more films that are still in post production so I’m not sure when they’ll be released.

Blu-ray Review “Miramax Multi-Feature: Wes Craven Presents Series”

Directors: Patrick Lussier, Robert Harmon
Starring: Christopher Plummer, Jason London, Jonny Lee Miller, Omar Epps, Roy Scheider
MPAA Rating: R
Distributed by: Echo Bridge Home Entertainment
Release Date: November 29, 2011
Running Time: 364 minutes

Dracula 2000: 4 out of 5 stars
Dracula II: Ascension: 3.5 out of 5 stars
Dracula III: Legacy: 3 out of 5 stars
They: 3 out of 5 stars
Blu-ray Score: 3 out of 5 stars

The main draw for me to this release was the three “Dracula” films, all presented by Wes Craven. “Dracula 2000″ was a really clever and fun film. The two “Dracula” sequels are decent but have a direct-to-video feel, still the three together are worth the purchase alone. I was never a huge fan of “They” but it is also a decent bonus to this release. Wes Craven’s name personally to me does not bare much weight recently I feel that he has really lost his street cred…I mean have you see “Scream 4″? Nonetheless, they films are worth purchasing for horror fans, especially for the low cost.

“Dracula 2000” takes the tale of Dracula into the 21 century where a team of techno-savvy thieves break into a vault they find a crypt unopened for 100 years. Dracula is unleashed and wreaks havoc. “Dracula II: Ascension” follows a group of medical students who discover the body of the Dracula and will wish that they hadn’t. “Dracula III: Legacy” follows vampire hunters Father Uffizi and Luke as they follow Dracula back to Eastern Europe they aim to end his reign again. “They” follows a student who experienced night terrors only to find out that the monsters in their closets are real and they are coming for her.

The Blu-ray presentation of these discs are not the greatest like most Echo Bridge multi-feature releases but they are honestly worth it to have these films on Blu-ray. The first two “Dracula” films are the best two films but also the worst presented here. They both included 1080i transfers and are only equipped with Dolby Stereo 2.0 tracks. This is a bit disappointing as they have full 5.1-channel versions on the DVDs. Though “Dracula III” & “They” both are presented in 1080p and both have 5.1 surround tracks. I wish that Echo Bridge will focus on unifying their releases and include 1080p and 5.1 sound on all films in these sets. Fans of these films, will still be happy for these HD upgrades.