Film: 3.5 out of 5 stars Blu-ray: 4 out of 5 stars Extras: 3 out of 5 stars
Who doesn’t love the beautiful voice of the Queen of Music, Aretha Franklin?! The film stars Oscar® and Grammy® Award winner and vocal powerhouse Jennifer Hudson (Dreamgirls) as legendary singer. I didn’t know this when watching but Hudson was actually hand selected by Aretha herself for the role. It was a role that Hudson was born to play. She hits every note with love and respect (See what I did there 😉 ) for the late singer.
Official Premise: Following the rise of Aretha Franklin’s career — from a child singing in her father’s church choir to her international superstardom — it’s the remarkable true story of the music icon’s journey to find her voice.
Besides the lovely Hudson, the all-star ensemble cast includes Academy Award® winner Forest Whitaker (Black Panther, The Butler), Marlon Wayans (Sextuplets, Fifty Shades of Black), six-time Tony Award® winner Audra McDonald (Beauty and The Beast, “Private Practice”), Marc Maron (Joker, “Glow”), five-time Emmy Award® nominee Tituss Burgess (“Unbreakable Kimmy Schmidt”), and Grammy® Award winner and Academy Award® nominee Mary J. Blige (Mudbound, Rock of Ages) along with Tony Award® nominees Saycon Sengbloh (“The Wonder Years”, “Delilah”) and Haley Kilgore (“Amazing Stories”). There is no shortage of talent in this film.
As you can image the soundtrack for this film would be very important. Well, this Blu-ray includes a solid Dolby Atmos 7.1 audio track, which perfectly features Jennifer Hudson’s uplifting vocal performances of 17 Aretha Franklin classic songs along with the original song “Here I Am (Singing My Way Home)”. The song sound amazing on this track and deliver the spirit of Franklin perfectly.
The special features include all-new exclusive bonus content including behind-the-scenes featurettes about Jennifer Hudson’s transformation into the Queen of Soul, director Liesl Tommy’s filmmaking process, the creation of the beautiful sets and custom wardrobes, Aretha’s experience at Muscle Shoals, and more taking audiences deeper into the empowering story and world-renowned chart-topping music that has become a global anthem for strength, independence and positivity. If you are a fan of the movie these extras are a solid addition to this release.
Media Mikes is offering four of it’s readers the chance to win a Blu-ray copy of the film “The Water Man,” directed by and starring David Oyelowo as well as Rosario Dawson and Alfred Molina.
All you need to do is comment “Yes” below. Pretty simple! Four random entries will be chosen and they will receive a Blu-ray copy of the film. This contest ends at 12:00 a.m. (Midnight) on August 29th. Winners chosen will be notified by email. Good luck!
Directed by: Patrick Hughes Starring: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Frank Grillo, Richard E. Grant, Antonio Banderas, Morgan Freeman Distributed by: Lionsgate Running time: 100 minutes
Film – 3 out of 5 stars Blu-Ray – 4 out of 5 stars
The Hitman’s Wife’s Bodyguard is the sequel to the 2017 film The Hitman’s Bodyguard, which was surprisingly a ton of fun due to its fun action sequences and great chemistry with its cast. While the sequel doesn’t necessarily do anything radically different with the formula and it doesn’t quite hit the same heights of entertainment value as the original, it still remains an entertaining time due to the talent and comradery between everyone involved.
That being said, one thing the film does consistently well is balancing the comedy with action, and with an action-packed movie like The Hitman’s Wife’s Bodyguard it’s imperative that the picture and sound quality on the 4K Blu-Ray is up to standard. Sometimes the color grading with these things can feel a bit off or even the great surround sound of the theatrical experience doesn’t transfer over properly, but in the case of this film, I actually think this is one of the rare ones that surpasses the theatrical experience and adds greater colors/sounds to the mix.
As I previously stated, this film is action-packed so there’s plenty of moments where explosions go off and the characters are caught in the middle of gunfire. All of these moments pop very nicely and genuinely wowed me at points. But the aspect of the Blu-Ray that I was the most impressed by was the audio. The conversion here is so amazing and dynamic that it gave me a newfound appreciation for the sound design in this movie. From the gunfire to the way the music is stitched into the narrative, it’s wildly impressive and this Blu-Ray just elevates it greatly.
Even though the Blu-Ray surpassed my expectations in terms of presentation, I wouldn’t put this up with some of the finest films I’ve watched on the format like Blade Runner 2049 or 2001: A Space Odyssey – but… obviously it was never going to! The Hitman’s Wife’s Bodyguard is genuinely just a ton of fun to watch and played greatly on a rewatch for me, and the quality here genuinely did a lot to elevate the experience. It’s well worth adding to your collection!
JJ Abrams directs a love letter to Steven Spielberg about kids and a mysterious alien in 2011’s “Super 8.” . It’s “The Goonies” meets “Close Encounters” meets “E.T.” and very entertaining. It’s also an homage to the cinematic 80s tropes and is a heartwarming tale coping with loss and grief.
“Super 8” is celebrating its 10th anniversary and what better way to celebrate than to indulge in the brand new 4K UHD Blu Ray collection. Since the film is only 10 years old, it benefits from the high definition tremendously, as this is the best the film has ever looked on video. It has been encoded in TrueDolby HD sound, giving it a demo-worthy soundtrack that also incorporates some excellent LFE subwoofer activity that’ll drive your neighbors crazy!
The story is about a small group of teen misfits encountering a misunderstood extra-terrestrial. There’s much to absorb here though. We have a father and son who must live on without mom. We have an alcoholic father raising a daughter. We have a scientist involved in a government cover up. However the camaraderie of the kids seems to make all of these problems a bit lighter. The fact the kids are all budding filmmakers adds even more comedic flavor to the story. Throw in some of the best special effects of the time (Industrial Light & Magic) and you truly have a unique viewing experience. This film reeks of nostalgia and intentionally has a Spielbergian feel to it as well and that’s okay. It is obviously intended as it is a love letter to Steven Spielberg (the kids are perhaps the biggest indication).
“Super 8” is truly super great and highly recommended in the 4K format. .
Jim (Liam Neeson) s a former Marine who lives a solitary life as a rancher along the Arizona-Mexico border. But his peaceful existence soon comes crashing down when he tries to protect a boy on the run from members of a vicious cartel. And that’s pretty much the story here. Though Neeson gives a solid performance, the story may be a bit too formulaic.
Jim basically has had some rough times. He lost his wife to cancer, and his property is being foreclosed. All of this happens in the beginning of the film, so it’s hardly a spoiler. Jim spends his days sport hunting with his canine companion, Jackson. He’s excellent with a rifle, which earned him a medal in the Marine Corps. Jim reports anything suspicious to his step-daughter, a border patrol agent, whilst hunting on the grounds. A woman and her son are on the run from the Mexican drug cartel and Jim gets involved. What I do appreciate about this film is that it’s a road film. Like Rainman,” most of the film takes place on freeways, highways and small town bi-ways. And with the cartel in hot pursuit, you can rest assured that it’s going to be a helluva commute.
Now Jim’s life has taken a turn. He’s on the run with a kid (Miguel) who is stunned into silence due to his mother being shot by the cartel. Jim makes a promise to the kid’s mother to take him to her sister in Chicago. Unbeknownst to Jim, the cartel can track his whereabouts every time he uses his debit card with a sophisticated computer system. And so what follows is a series of close calls with the cartel and the bonding of Jim and Miguel.
Much of the film is uninspired as we have seen it before and as I previously mentioned, a bit formulaic. Screenplay is weak but the more interesting scenes are when Jim and Miguel are bonding. As I also mentioned, I personally love road films and “The Marksman” is a road film indeed. Here Neeson does put on a good performance with what little he’s been given. It’s just Liam fighting the baddies. They are now calling his films “Your yearly Neesoning”. Overall it’s worth a rental but it comes up short in comparison to “Honest Thief” and “The Commuter.”
Neil Blomkamp’s futuristic action popcorn ride is very impressive with visual effects. One thing’s for sure, subtlety has never been an inspiration in Blomkamp’s body of work. “Elysium” addresses a sociopolitical concern, very similar to Blomkamp’s earlier gem, “Districkt 9.:” the policing of a state where the socially unequal, i.e. the poor, suffer grave depravities. “Elysium” takes place in a futuristic Los Angeles where the state has separated it’s citizens, with the majority remaining in Los Angeles while the wealthy 1% live free of the world’s anxieties in a halo-like space habitat orbiting Earth called Elysium.
Matt Damon stars as Max, a parolee dying of radiation poisoning who is fighting to be smuggled to Elysium in order to take advantage of the advanced Healthcare system that exists there. He still works at the industrial plant where he got the radiation poisoning and is told that it will kill him in 5 days. The society is partially policed by robots, which Max consistently has unfavorable encounters with. Max realizes he has little time left to live but Elysium has machines that can cure him which motivates him to get to the orbiting station. Max teams up with a rebel group to steal information from a company that can free the citizens of Los Angeles and make everyone a citizen of Elysium. But in order for this to happen, Max has to be tagged with bionic parts to his arms and back while a computer chip needs to be implanted in his brain. This allows him to be more agile in fighting and the chip to his brain will give him access to the company, He also has to get through Defense Secretary Delacourt, played by Jodie Foster, who will stop at nothing to keep the citizens of Los Angeles out of Elysium. The results pits the rebels against the state in a battle that is full of great visuals and action.
I watched the film on a UHD 4K Blu Ray, and the picture and sound are astounding. A notable upgrade from the previous Blu Ray release where contrast and brightness are improved delivering a sharper image with vivid whites and deeper blacks. Sound is amazing with plenty of activity in the surround fields and lots of LFE activity for the subwoofer. The sub-woofer sound is smooth as the low level sounds will not overextend your speaker. The 2160p picture, which is double that of a Blu Ray picture produces breathtaking imagery, showcasing the visual effects with remarkable clarity. The Elysium station has to been seen to be believed! The orbiting station is a wonderful work of digital effects. And seeing it on 4K Blu Ray will astound you. It took me back to Star Trek Beyond (which I also have on 4K Blu Ray) where the docking station is a mixture of ship technology and citizenry. I had a great time with “Elysium.” It’s films like this that make me glad that I invested in a 4K Blu Ray player.
Exoskeletons, Explosions, and the Action Choreography of Elysium
The Hero, The Psychopath, and the Characters of Elysium
The Art of the Elysium Miniatures
Theatrical Trailer 1
Theatrical Trailer 2
Visions of 2154 Interactive Gallery
Extended Scene: Kruger Wakes Up
The Journey to Elysium: Part 1 – Envisioning Elysium ()
The Journey to Elysium: Part 2 – Capturing Elysium
The Journey to Elysium: Part 3 – Enhancing Elysium
Collaboration: Crafting the Performances in Elysium
The Technology of 2154
In Support of Story: The Visual Effects of Elysium
I turned 60 last September and, as I get older, one of my biggest worries is that I’m going to slowly lose my faculties. As someone that loves to write and communicate, I think that would destroy me. I preface this review with that statement because that MIGHT be what’s going on in THE FATHER.
Anthony (Hopkins in an Academy Award winning performance) likes to relax in his flat, listening to music and taking occasional glances out the window. He is looked after by his daughter, Anne (Colman) and things appear to be well. Until one afternoon when Anne informs him that she will be hiring a caretaker because she is moving to Paris to be with the man she loves. At least Anthony thinks this is what she told him. Things get more puzzling when the next moment Anne’s former husband appears, but claims to be her current husband for the past eight years. What the hell is going on here?
A true psychological thriller, “The Father” is a very non-linear descent into what could either be madness or gas-lighting. Director Zeller leaves it up to the viewer to decide which it is.
The film is brilliantly acted, with, as noted earlier, Hopkins winning his second Best Actor Oscar for his performance. Colman, herself an Oscar winner – and a nominee for her work here – matches him beat for beat. Supporting work by Imogen Poots and Rufus Sewell, among others, carry the story along smoothly.
With theatres opening up to usher in another summer of fast cars and explosions, take a moment to stay home and watch “The Father.”
It was THE movie event of 1993. A movie starring the world’s biggest action star, directed by the guy who directed “Die Hard,” and featuring an amazing array of celebrity guest stars. Hell, they even launched a rocket into space with the film’s title on the side. That film was “Last Action Hero,” and, at a cost of $85 million was one of the most expensive films made at the time. Even though it made over $134 million world-wide, it was considered a dud by the bean counters in Hollywood and was not met well by critics. However, as a 32 year old movie theatre manager, I LOVED IT. Almost 30 years later, I still love it.
Danny (O’Brien) is a young boy who lives with his mother and spends most of his free time at the movies, where he has made friends with the projectionist, Nick (Robert Prosky). One of the benefits of the friendship is Danny being allowed to screen new films before they open. This night he is getting set to watch the latest Jack Slater adventure, starring Arnold Schwarzenegger. Nick give Danny a “magic ticket,” goes into the booth and starts the film. But tonight is different. Danny isn’t watching the movie, he’s IN the movie.
A fun buddy comedy (even though there is 30 years age difference between the buddies), “Last Action Hero” is everything it was advertised to be, which made its poor box office in the U.S. surprising (it mad $15 million it’s opening weekend but ended up only making another $35 million before it was out of most theatres). The fun comes from the fact that Jack Slater (Arnold, of course) has never heard of Arnold Schwarzenegger. He thinks Danny is just some crazy kid who somehow ended up in the back of his car during a high speed chase.
Jack thinks Danny is delusional. A trip to the video store features a lobby display for TERMINATOR 2, but this version stars Sylvester Stallone. Introduced to another cop (F. Murray Abraham), Danny instinctively recognizes him as the guy who killed Mozart in “Amadeus.” Having never heard of the film, Slater tells the cop that Danny thinks he killed someone named Moe Zart!
The fun continues until the pair chase a baddie (Dance) back into Danny’s world, where Slater learns that you can’t punch a window without cutting yourself and you are no longer magically bulletproof.
The film is an amazing combination of action and humor and one that doesn’t live up to it’s rep. Check it out with an open mind and I think you’ll agree with me.
Both the picture and sound on this release are amazing and the film comes in a special steel case. This is a fun film I highly recommend.
Starring: Ewan McGregor, Albert Finney and Billy Curdup
Directed by: Tim Burton
Rated: PG 13
Running time: 2 hrs 5 mins
There is simply no film like a Tim Burton film! This visually arresting film also has a great story.
. Ewan McGregor is one of those actors that is interesting in anything he’s in. Here he plays a protagonist in a make-believe world. Or is it make-believe? As I watched this, I was reminded of the character of Forrest Gump, a man having adventures in everything he was involved in.
The story involves Willll Bloom (Billy Crudup), who seems to harbor animosity against his father, Edward (Albert Finney). Will feels that he really doesn’t know his dad, who is noted for telling great stories which seem too far fetched for reality. As Edward tells one story after another, we flashback to his younger self (played by Ewan McGregor) who seems to have adventures that put him at an advantage to his peers.
Edward longs for Sandra, whom he instantly falls in love with despite her already being engaged. Edward soon finds himself joining the circus, simply because Sandra is also part of the same circus. As Edward tries to woo Sandra for her hand in marriage, he must meet conditions that he can only ask Amos Calloway (Danny DeVito) for, learning one thing about Sandra each month. This is to ensure that he knows all about her in his pursuit. This lasts for three years until it is revealed that Amos is secretly a werewolf (I’ll stop here so I will not ruin the film for the viewer).
This is just one example of how the story weaves and the viewer is treated to breathtaking locales and a very interesting plot.
Visually, as usual, Tim Burton is quite amazing. The man shows extreme creativity and his films hold up very well for repeat viewing. There is much to see in “Big Fish,” and you will do this film an injustice by renting it for one viewing. It has to be bought, taken home and enjoyed over and over.
“Big Fish” is a perfect blend of heartfelt sentimentality and visual splendor. In lesser hands, “Big Fish” would’ve gone off the rails as another goofy drama. In the hands of Burton, with John August’s script and with McGregor as the protagonist, it is the perfect blend of storytelling and fantasy. This film has some very colorful characters but that’s Burton’s recipe for a great film.
The film is now on HDR 4K Blu Ray, with an impressive transfer by Sony. The film is nearly 20 years old but it holds up well with an HDR10 transfer that doesn’t disappoint. The audio is beautiful with a Dolby Atmos track that definitely increases atmosphere in a film that’s already captivating. “Big Fish” is a big winner that is surely presented with that Tim Burton signature that fans have come to expect and love. It’s a masterpiece!
Actors : William Shatner, Christopher Lloyd, Jean Smart, Esai Morales, Katrina Bowden Director : Giorgio Serafini Run time : 1 hour and 36 minutes Release date : May 11, 2021 Studio : Screen Media
Our Score: 3 out of 5 stars
Typically “Senior Moment” is not the type of film that I would usually watch…but I was drawn in by the cast including William Shatner (“Star Trek”) and Christopher Lloyd (“Back to the Future”). Shatner delivers in the leading role. The actor who recently turned 90 plays a retired pilot in his early 70’s and nails it.
Official Premise: After drag racing his vintage convertible around Palm Springs, a retired NASA test pilot (William Shatner) loses his license. Forced to take public transportation, he meets Caroline (Jean Smart) and learns to navigate love and life again.
The film itself is what my mom would call “cute”. It is a cheesy love story and probably isn’t a film that I would watch numerous times but as a one-timer, I could stand watching this little romantic comedy once through. It’s not a loud out loud comedy either, just a sweet and cute little film that delivers due to it’s fantastic cast!
Starring: Keanu Reeves, Sandra Bullock and Dennis Hopper
Directed by: Jan de Bont
Running time: 1 hr 56 mins
20th Century Fox
“Pop quiz, hotshot. There’s a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?”
That’s pretty much the story in this intense action film that’ll keep you on the edge of your seat! After seeing this, you’ll never look at buses the same (much less ride one). LAPD officer Jack Traven (Keanu Reeves) was just doing his job when he and his partner (Jeff Daniels) rescued an elevator full of hostages from a mad bomber (Dennis Hopper). They were true heroes of the hour but when the bomber sets another trap on a commuter bus – if the speed of the bus in question drops below 50 MPH it will explode – it’s game on. The bomber demands millions of dollars in ransom. Now Jack must find a way to get on board the bus, rescue the hostages and stop the maniac bomber once and for all.
The story is a combination of thrills that, when added up,equals nerve-wrecking tension. The bus cannot stop whatsoever and there are times when you think “okay how in the world are they going to survive this?” Former cinematographer Jan de Bont’s (“Cujo,” “Ruthless People”) directorial debut comes through a true winner.
For action fans, there’s plenty of it here. Narrative moves at a suspenseful pace where the speedometer on the bus is a factor. I had the privilege of watching Speed on a 4K Blu Ray copy and for a 1994 film, it shines with a great picture and sound, even though the disc does not have a Dolby Atmos track. Still, this film is a great time.
Disc One (4K)
Audio Commentary by Jan de bont
Audio Commentary – by screenwriter Graham Yost and producer Mark Gordon.
Starring the voices of: Aaron Paul, Lena Heady and Sean Bean
Directed by: Takeshi Nozue
Rated: PG 13
Running time: 1 hr 50 mins
I’m not much of a fan of films derived from video games, however I do appreciate “Kingsglaive: Final Fantasy XV” for its stunning digital art.
Shot in full motion-capture CGI, the film is a visual work of art with some fun voice acting. However, if you’re not familiar with the game or story, you may find it a bit overwhelming. I was not at all familiar with “Final Fantasy” but it was still cool to look at and marvel at its artistry.
Watching on a 4K UHD disc certainly makes the presentation even more amazing and the sound quality is pretty amazing. The beauty of the film is that when you first glance at the characters, they look amazingly real! The full motion capture is astounding.
As for the plot, to break it down lightly, the story takes place on a planet called EOS, which is like a futuristic Earth. There is a Kingdom called Lucis, which houses a magical crystal that was given to the Lucians by gods. The power is used to protect the people and give power to the ruling king and his soldiers, who are known as the Kingsglaive. With these powers, the Kingsglaive can ward off enemies.
Anything that is magical and promises powers will surely arouse jealousy and create wars and the crystal is no exception. Friends are stabbed in the back, characters are not whom they say they are and mega monsters, demons and spaceships riddle the landscape. Everything climaxes into one big, epic final battle, which leads up to “Final Fantasy XV,” the video game.
Once again, the visuals are quite stunning. In fact, this film has some of the best motion capture and CGI work I’ve seen on the big screen with room shaking LFE activity that’ll give the subwoofers a workout. The level of detail is staggering. Hair stubble and skin pores are clearly visible and come to breathtaking life!
Even for the novice, a viewing of “Kingsglaive: Final Fantasy XV” will give you a glimpse of the technical achievements of current film technology. It is certainly the next step in motion capture animation.
The film opens with Carter (Neeson) pulling off a final heist, in which he is very meticulous in his methods. In fact, he’s been nicknamed “the In & Out Bandit”. Carter then ventures into a storage facility to store personal items and “some of the funds”. He’s wise not to put the money all in one place. But here’s when our protagonist or antagonist, depending on where in the film you’re referring to him, makes his complete 180 degree turn. At the storage facility, Carter meets a woman and falls in love. So now he no longer wants to rob banks and wishes to give back the money and turn himself in. Hence he is now earned his title character, “Honest Thief”.
The film is directed by Mark Williams, who has worked on the television series “Ozark” (which I haven’t seen) and “The Accountant” with Ben Affleck (on both of those projects Williams also served as a producer). Set in Boston, the movie also stars Kate Walsh, Jeffrey Donovan, Jai Courtney, Anthony Ramos and Robert Patrick.
In this film Liam Neeson is not the good guy we’re used to seeing. This isn’t Taken nor The Commuter. He’s a bad guy that wants to do good. So Carter informs the FBI of his crimes and they don’t believe him. Who robs banks and now wishes to turn ithemselves in? Someone who has met the right woman. And as one character put it, “that’s got to be some woman.” Carter’s girlfriend is portrayed by Kate Walsh, who is caught up in the chase towards the 9 million dollars that Carter wants to turn in.
The film has some great action scenes including a house explosion that I loved! Carter is also a demolition expert, something he learned in the Armed Forces, which is how he blows the bank vault. Narrative in the film moves at a brisk pace. When Carter is on the run, he gets into some scuffles where I wanted to see the fighting skills Neeson is famous for in other films, but this isn’t “Taken.” He just knows how to blow up things. The baddies in the FBI are atypical. One has a heart change and the other is bent on getting that $9 million. Robert Patrick makes an appearance as an FBI supervisor (you will definitely remember him from Terminator 2 as the villainous T-1000).
I watched the film on Blu Ray where the sound and picture were crisp and clean. “Honest Thief,” to me, was a slight let down at first because my expectations were too high. I was looking for “Taken” or even “The Communter” but that’s okay. It just shows that Neeson is more than one dimensional. He has an amazing range and can play various roles.
As the mark of a full year of shutdowns and quarantines goes sloth-crawling by and we begrudgingly re-examine (for the thousandth time) the trials we’ve survived (however barely) … there’s still a piece of us constantly looking for a beacon of hope. There’s questions to be asked. Will you continue to mask up and socially distance or are you moving to Texas? Will you be getting the vaccine or waiting it out? If you’re a monster kid… you have one more important question: are you going to rent Psycho Goreman or buy the damn thing and watch it on loop until you break your Blu-ray player? Your answer better be BUY because this movie is that good. Except Psycho Goreman ‘PG for short!’ isn’t a blinding beacon of hope… he’s a foul-mouthed alien overlord sent here to destroy the universe and resurrect the creature feature genre.
Canadian Director/Writer Steven Kostanski, who previously delivered the Lovecraftian THE VOID in 2016, clearly has a tremendous affinity for practical effects and eccentric storytelling. Psycho Goreman takes us onto the battlefield in a crazy war of good vs. evil and evil vs. evil — with blood, guts and meme-worthy Gigaxian one liners flying everywhere. Ninety nine minutes that plays like an R-Rated visit with Power Rangers in the most hilarious and bonkers capacity imaginable. Psycho Goreman drop kicked exactly what I needed into my lap when I genuinely COULD NOT handle a single extra day of “2020 Part 2″‘s regularly scheduled SNAFU lineup.
I hereby present to you…my wish list for movies from BEFORE Psycho Goreman came to earth:
[✓] A resurgence of credit-roll theme songs. This was one of the greatest things about the 80s and 90s. Remember when they commissioned artists to write completely asinine lyrics and roll them into absolute BANGERS? It’s musical slapdash that I’m, honestly, 105% here for. Calling it now — this will be the next thing to make a comeback in cinema of a certain brand.
[✓] Millennial 80s/90s nostalgia vibes…with heart. Not something that feels like a filmmaker googled ‘what were the late 80s like?’ and used an immersion blender to make an on screen disaster. I’m honestly so exhaustively far past being done with branded cookie cutter faux 80s-kid content. I want someone and something to bottle the feelings I felt watching shows after school but bigger, grosser and more fucked up… because I’m not six, I’m thirty six. I’ve humbly traded in Pogs and Gushers for IcyHot and Tums and so NOW I want to see body parts flying. I want kids using bad language and monsters who talk dirty. I want to root for a kid who is authentically and effortlessly cooler than I ever was and a monster who is sexier than I’ll ever be able to be.
[✓] Practical effects out the yinyang. I don’t care what the story is… CGI in horror, generally, should be outlawed. Go big. Then bigger. Keep going. Did everything explode all over the place? Turn it up to eleven. More alien guts! Look at these costumes! We’re almost there. Make me look up who did the fx work. “Give ALL these people a raise!” Ahhh. That’s perfect. If this is the only redeeming element then so be it… but if it works in tandem with a story that makes me want to suspend disbelief in every capacity then all the better. I’m in.
[✓] A soundtrack that I need to buy, like, yesterday: I consume a lot of tunes and I appreciate the greatest cinematic needle-drops as much as the next dweeb but good lord, there is something to be said about an original score that lets me live my own personal version of on screen adventures with outrageously, bombastic earworms. I’m there. You wanna release it on vinyl in deluxe packaging? Take my money. I want you to deliver to my ears… big hair, big drums, big synth, big aural explosions and none of this Stranger Things nonsense. I don’t like being manipulated. Bring those things and mean it because I very much am paying attention to the man and the noise behind the curtain.
[✓] Yo, literally just anything to be excited about? I don’t have the mental or emotional bandwidth anymore to recreationally consume anything that requires work. I want something that’s easily digestible and leaves me feeling amazing. I’m just getting back to the point where I’m willing to roll the dice and try to connect with something media-wise but, directly, I’m telling you that I’m looking for lightning in a bottle. So much of what we’re getting now is just more of the same thing we’ve just recently seen: major IP fatigue up in my brain. Show me something new and weird and make him ugly but charming so I can do a hard swipe right. Give me light and snappy. Let me cheer for and also laugh at and with him. Anything that makes me feel bad is getting turned off.
[✓] Make me want a whole line of action figures and a series of school supplies. I need a trapper keeper with gay-friendly alien monsters and a thermos to take soup to work in. Why are things meant for adults never flashy or covered in drippy, neon, monster madness? I’m sad that I’m not represented.
[✓] Give me a monster-kid I identify with and hey… it’s 2021 so it better be a girl and no one better be sexualizing her. We’re done being here for that purpose. I want a little girl on screen who I believe, with every fiber of my being, could save or destroy the universe with her death-glare and smart mouth alone. Not a single super power required.
[✓] Make me LOVE this movie. I want to authentically insist that the people I care about see this movie so they’ll be able to have the same magical feelings I did. I’ve spent much of my adult film-watching experience itching for just one more opportunity to dip my toes into the syrupy pool of Spielbergian kid-adventure but that’s not really where I’m at anymore. You never TRULY outgrow the things you loved in your formative years but now, as a parent, I think I’ve dropped the desire for a newly packaged version of that. I want to see what someone like MY kid would do with an E.T. like experience. My daughter isn’t the Elliot type and, if we’re being honest, I never was either. Maybe if an alien comes to earth, I don’t want it to be a sob fest. Maybe I want it to be a party. Maybe I want to see aliens play rock music? Quick…add that to the list. [✓]
There’s a fine line when you expect originality. There’s formulas that flourish because they’re dependable. The Hero Cycle’s Call to Action will forever exist because deep down most of us want to be emotionally guided to a promised feel-good moment. We want to feel like our however-fleeting emotional investment to characters and their story has contributed to our own personal journey… and temporarily that’s totally fine.
For those of you who find your viewing habits to be influenced by the current social atmosphere, there’s absolutely something to be said about returning to things-familiar. Sharing a moment, or ninety, with characters who are in the time of their lives before developing a sense of reflexivity is really comforting. Envy inducing. I think we’ve all had many moments during this past year where we wish we were in our childhood and entirely unconcerned with adult stressors or problems. Re-examining things we loved as children seemed right and safe because we knew what to expect. However as movie fans we have to encourage the continuation of new storytelling. Steven Kostanski had the opportunity to go big and went huge. I think someone must’ve told him to go nuts and he really went for it. In a time when so many things within the genre lean hard into serious, dark and emotionally exhaustive arthouse-horror… this was a bold move that at this moment in time I’m incredibly grateful for. He made something new and he made it really damn fun. Fun: Little word. Means everything in this moment.
The world is seriously scary enough right now but that doesn’t mean we can’t still like horror. I’m happy someone lightened things up by making it weird, gross and thrilling. Go watch Psycho Goreman and keep an eye on Steven Kostanski. And Steven, (if you see this) can we make sure this toy line happens? We’re all here for tiny, plastic hunky boys!
PSYCHO GOREMAN, available on DVD and Blu-ray starting March 16.
Starring: Tom Hanks, Helena Zendel and Ray McKinnon
Directed by: Paul Greengrass
Rated: PG 13
Running time: 1 hr 58 mins
News is everywhere today. Back in my day, you needed to watch television to learn what was happening, both locally and around the world. Or subscribe to a newspaper. Today there are 24 hour television news networks, Facebook, Twitter and all other assortments of way to get the word out. So imagine having to gather in a darkened room, pay ten-cents and have someone read you the news. If you can then allow me to introduce you to Captain Jefferson Kyle Kidd.
Now that the Civil War has ended, Captain Kidd (Hanks, outstanding as usual) earns his living traveling the country on horseback, picking up newspapers along the way. He is known as a “News Reader,” and his choice of stories, and the way he tells them, earn him a decent living. It’s 1870 and tonight we find him in the town of West Falls, Texas preparing for an evening of reading. As he continues on his travels he comes across a young girl named Johanna (Zendel) who had been raised by Kiowa Indians but is now being sent to live with her remaining living relatives (her parents having been killed). Kidd takes her to the local settlement but is told by the authorities that he can either wait with her for three months – when the necessary people are scheduled to arrive – or take her to her family himself. She is now his responsibility. Determined to reunite her with her relatives, Kidd sets out with Johanna into the wild Texas wilderness.
Though well-paced, “News of the World” is not the type of film I expected from Paul Greengrass, whose amazing action work includes three “Bourne” films, “Captain Phillips” and the heart-wrenching “United 93,” which earned him an Academy Award nomination as Best Director. Along the way to San Antonio (where Johanna’s relatives have settled) the pair run into all kinds of problems, including a band of no-goods who at first try to buy Johanna then decide to take her with violence. But Captain Kidd is a sharp guy – and a hell of a good shot. As the film progresses, Kidd and Johanna form a bond. He is protective of her as a father would be and she does her best to help him with his business, imploring those interested in Kidd’s news service to ante up a dime.
Hanks is his usual excellent self, seemingly able to inhabit any character he plays, much like Jimmy Stewart did in his career. Ms. Zendel is equally outstanding. Already the youngest actress (she is currently 12 years old) in history to win the Lola for “Best Performance by an Actress in a Leading Role” at the German Film Awards for her performance in 2019’s “System Crasher,” her inability to speak English only intensifies her work as most of her communication is done through body language and with her eyes. It’s plain to see that Johanna has seen plenty in her young life and Ms. Zendel lets you see it on screen.
The film is beautifully photographed, with much credit due to Cinematographer Dariusz Wolski (“Sweeney Todd,” “The Martian”). He shoots the Texas landscape beautifully and a scene where Kidd and Johanna are caught in a sandstorm is breathtaking.
The film has been released on home video to coincide with the Academy Award nominations, of which it received four: Original Score, Production Design, Cinematography and Sound. Surprisingly, besides containing one of Hanks’ best performances, the actor was not nominated.
The disc also comes with plenty of extras, including Deleted Scenes,several Featurets and an Audio Commentary by director Paul Greengrass.