Interview with Martin Klebba

Martin Klebba is known for his role in the first three “Pirates of the Caribbean” films.  Martin also steals the show in the film “Feast II: Sloppy Seconds”.  He can be seen upcoming in the new adaption of Snow White called “The Brothers Grimm: Snow White”.  Movie Mikes had a chance to chat with Martin about his roles and his upcoming projects.

Mike Gencarelli: Tell us what it was like working on the “Pirates of the Caribbean” series?
Martin Klebba: It was as you would say ” An amazing ride”. There was never a shortage of stories from cast’s past to the one’s we were creating while away from home as well.

MG: Out of the three films you worked on, do you that you enjoyed most on production?
MK: Well, I think we can all agree “Pirates of the Caribbean: The Curse of the Black Pear” was the best of all four, because it was just that. The 1st! You can never beat or touch any original piece of art! Johnny (Depp), Geoffrey (Rush) were total class acts! Orlando (Bloom) and Kiera (Knightley), even though they were established already, really came into their own as Household A-List Stars. The crew and cast started a familia and carried that all the way thru the first three anyway, and I’m sure they may have thru the fourth.

MG: You role in “Feast II: Sloppy Seconds” is just so great, tell us about working on that film?
MK: Well, getting to work with Clu Gulager was an honor! John was an amazing creative mind behind the camera too! Being apart of Thunder (my character) & Lightning (Juan Longoria Garcia) was really fun…2 Lil People Brothers that were probably as big as the picture itself! Monster movies are always a great time and a ton of fun to get funky with.

MG: You work in stunts for many films like, “Zombieland” to “Bedtime Stories”, tell us about that work?
MK: Well, I may be the only REAL Actor in hollywood that can claim ” I do all my own Stunts!” Fact is, the other guys that claim that is a lil stretched. Yes they may do a lot of them, but a film would not be able to get a project insured if the Main Actor was being put in harms way to where a film may have to shutdown due to a injury. They always have doubles. You cannot find another lil Guy that looks like me, therefore, I DO ALL MY OWN shit!

MG: What has been your most difficult stunt to perform in a film?
MK: The hardest stunt I have prolly ever had to do would be a five story fall backwards on fire doubling my great friend Warwick Davis in “Leprechaun 6: Back 2 Da Hood”!

MG: You are working with “Pirates” co-star, Lee Arenberg, in the film “1066”, tell us about that?
MK: Well, we haven’t been able to start filming just yet, I believe they are still waiting for all the funding. It will be one of those EPIC films ala “The Patriot” and “Braveheart”. I am actually looking forward to that film, it’ about the most important date in Englands History!

MG: You work with Lee Arenberg again in “In The Gray”, which are you also producing, how did you take on this role?
MK: That was the biggest mistake I ever made, total cluster f@#$ as Clint Eastwood would call it. I’d like to forget about that waste of time.

MG: What can you tell us about working on “The Brothers Grimm: Snow White”?
MK: Well we are still in early preps rite now, I believe filming doesn’t start till June 20th. We have been rehearsing the stunt and fights scenes so far, going to be a blast though once we start making magic on film. We have some really awesome talent in this one, from: Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Mare Winningham, Michael Lerner, Mark Povinelli, Danny Woodburn and Myself.

Interview with Rosalina Da Silva

Rosalina Da Silva started her makeup artist career with “Mad Max Beyond Thunderdome”. Since then she has worked on over 50 high profile projects such as “TRON: Legacy”, “Sucker Punch” and “Watchmen”. Rosalina also just completed working on the new upcoming sequel in the “Underworld” series. Movie Mikes had a chance to chat with Rosalina about her recent projects as well as what is upcoming.

Mike Gencarelli: When you start a project, what is your first step to begin your process?
Rosalina Da Silva: When I first receive the concept or script for a film I will have a meeting with the director to get their vision of the movie. Once I have that I will start researching the characters or period as kind of a preliminary. I have a huge library of books and movies that I reference to assist me with the look I am going for.

MG: Tell us about your experience working on “Sucker Punch”?
RDS: By far I think that project was one of the most creative I have done. It started the same way as any other project by doing the research. We knew the girls were going to change dramatically from the minute we first met them to the time they were on screen. The costumes had already been designed so that was inspirational to be able to look at the drawings and see what was going to be worn for each scene. Almost everyone had their hair changed as well. Weather it was lengthened or colored that was one of the first things that had to be done before I could start designing the make-up. Once you change some one’s hair color everything changes. So at the beginning I tend to sit back to see where things are going to look like before making final decisions. Zack Snyder had his drawings and ideas, as well that I would reference. The first character I worked on was Emily Browning, which was kind of a 60’s look which is something that I love. The film is set in 1968, so we based everything off that time period. Zack really trusted me and let me do what I wanted which was great.

MG: Do you find it easier working with females during the makeup process in general?
RDS: It doesn’t really matter. Sometimes the make-up is simpler. Other times it’s a little more involved. The challenge with males is to make it look like they are not wearing makeup. Lately I have been doing a lot of comic book themed projects where you have to use the make-up to bring out certain features and make a person look a certain way. The make-up will tend to be shown more in these types of projects.

MG: What approach did you take working on “TRON: Legacy”, compared to your other films since it is such a big film?
RDS: Originally I was not going to be a part of “TRON: Legacy” because “Sucker Punch” was going to be shooting at the same time. “Sucker Punch” had got dropped for a few months and I found myself working on “TRON: Legacy”. I hadn’t done many Sci-Fi films before, as that genre really isn’t my thing. I didn’t really have any idea what I was doing. So I had a meeting with the director and we discussed a few ideas. Prior to me joining the crew they had some of the concepts developed already. I looked at a few of those and knew there was going to be some difficulty in achieving some of the looks in the time limit we had. The Siren’s in the film were supposed to have a face that was like a mask and all four were going to look identical. There were two African-American girls and two Caucasian girls which just could not look the same. I had to find something that all the girls had in common that would make them individual and beautiful in their own way but still have that one thing in common to tie them together. It was decided that we were going to use only black and white colors for hair and make-up except for the Castor character. The idea for using just two colors of make-up really started with the Siren characters. It was very hard to try and create something that had not been done before because it seems everything has been done before. We did a lot of different tests on the actors and actresses and we tried to match their make-up with the costumes and keep everything very geometrical. It was a lot of fun!

MG: Since “TRON: Legacy” was filmed in 3D, did that create an issue for you working on makeup?
RDS: The only difficulty we had was that one of the Sirens was wearing a wig. We had to make sure that the wig lace was not going to be seen. Often times when shooting a normal movie that type of thing can be touched up. We had to find a formula with the make-up that would not show the lace because with the film being shot in 3D you did not have that option of going back and touching things up. I really didn’t know what I was up for when I joined the project so I just made everything as simple and bland as I could (Laughs).

MG: From working on your first film, “Mad Max Beyond Thunderdome” to today, how do you feel that your job has changed over the years (if at all)?
RDS: “Mad Max Beyond Thunderdome” was an amazing experience. I think everything we did on that was very raw. We didn’t have access then to a lot of the things then, like we have now. Today if you want to make freckles or what not we have things on hand that make that possible. Back then we had to make everything. We would go to the drug store in Australia and buy a bunch of things to make into stuff we could use. The paste used in the kid’s hair on “Mad Max Beyond Thunderdome” was just something we made. Everything back then had to be much more organic than it is today. We were very resourceful. We also had to be extremely careful back then to make things that were non-toxic because stuff wasn’t labeled then like it is now. There are still challenges to make-up today however they are just different.

MG: What has been your most difficult film to work on?
RDS: Every movie has its own challenges. “Sucker Punch” and “TRON: Legacy” were both very challenging. I just wrapped a week ago on the newest “Underworld” film which was another that was very challenging. Difficulty wise, going back to “Mad Max Beyond Thunderdome” we were moving around and shooting in a lot of different locations. We also encountered a lot of natural disasters while shooting that film. We had wind and dust storms, as well as rain. The weather was really tough but sometimes that’s the way it is.

MG: Tell about your latest project working, the fourth film in the “Underworld” series? Any other projects upcoming?
RDS: At the moment I am kind of at a standstill. I just wrapped up shooting on “Underworld” last week which was a fun experience. It was very cold shooting as we were shooting mostly at night. We did some really great vampires and Lycans. I have a few other things brewing but nothing is concrete in this business until things are signed. (Laughs)

Interview with Shannyn Sossasmon

Shannyn Sossasmon started off her career starring in “A Knight’s Tale” with Heath Ledger.  From there is she starred in “40 Days, 40 Nights”, “The Rules of Attraction” and “One Missed Call” to name a few.  Recently Shannyn starred in Monte Hellman’s latest film “Road to Nowhere”.  Movie Mikes had a chance to chat with Shannyn about working the film as well as her upcoming projects.

Mike Gencarelli: Tell us how you became involved with “Road to Nowhere”?
Shannyn Sossasmon: I was approached by Steven Gaydos at a cafe.  It was a few years back.  I was working a scene with my scene partner over lunch.  He thought I just looked the part. I do not think he knew my work or that I was a working actress.  He gave me his card and told me about Monte and the project.  I had my manager look into it and he got the script.  I read it and then I met with them about getting on board.

MG: How did you prepare yourself for playing that complex character?
SS: Monte did not want me to do too much over thinking, even though I did anyway.  He is a relaxed director.  The script was incredibly confusing.  I tried to make sense of who I was when during the story.  Monte would never really help me with that, he would just laugh at me.  So I was on my ow [laughs].  Monte is very supportive and wonderful to work with but he lets you run free with the role.  He doesn’t take the script so literally.  I usually like something more grounded.  I just dove in and made sure that the character had a lot of mystery.  I think it also contributes to the overall feeling of the film.

MG: How was it working with Monte Hellman, since it was his first feature in over 20 years?
SS: Well I didn’t know who he was before we started on the film.  I had to do a lot of research.  I am still very good friends with him and will be for a very long time.  I know him more as a friend.  I had nothing to compare it to as a director.  I met him without any preconceived notions.  I adore him and he is a great person.

MG: Would you consider the production difficult to work on?
SS: I hadn’t worked on anything in a while when we shot that.  I loved the style.  I loved working in North Carolina at this wonderful cozy inn.  Then we went to Europe but that was a little more of a struggle because we just shot for a month, we were tired and went to Europe with no money.  It was definitely challenging.  We were stealing shots everywhere we went.  We shot late at night so we wouldn’t get caught [laughs].  It sounds exciting but we were so exhausted from the first month and half.  I did enjoy working on it though.

MG: Are you going to be involved with second two of HBO’s “How to Make it in America”?
SS: I do not know how much I am going to be in season two.  My character, if you watched season one, didn’t do much.  So I am not sure if they are going to figure out what to do with her in season two.  I am around if they call, if they don’t…it is ok.  I do not feel attached to that character or that experience.

MG: Did you ever get to meet Bret Easton Ellis while working on the film “The Rules of Attraction”?
SS: Yes I did, I met him afterwards.  He was wonderful.  I have seen him once or twice since, which is not much at all though.  I think he is a beautiful and really nice man.  I have not read all of his book, because I don’t read that much in general.

MG: Did you read “The Rules of Attraction” prior to working on the film?
SS: Actually I read it afterwards.  Roger (Avary) was ok with me having not read it.  I think some people had read it and some didn’t.  He told everyone who didn’t read it, not do so.  I think it was some kind of an experiment he was doing.

MG: Do you prefer working on independent films over bigger budget films?
No I do not have a preference.  I think it is what is important is having script you are excited about.  Studio films are obviously more lucrative and more comfortable.  I just love working and being exciting about the project and the script.

MG: Tell us about working on the film “The Day” and with such a talented cast?
SS: Yeah, I am actually seeing a cast/crew screening later.  The experience was incredible.  The actors are all wonderful.  The director and producers are super passionate.  That was another tough one though.  There wasn’t a lot of money and was some hard work.  It will be interesting though.  “The Day” is a post-apocalyptic western thriller war action movie.  It was really different but I did enjoy working on it.

MG: What can you tell us about your upcoming film directed by Mark Webber?
SS: That one was so magical.  I really loved that film.  It was mostly improv.  I play the love interest and it is a romantic drama comedy.  It was great. I had so much fun working on it.  Working with Mark Webber was just so great. Unfortunately I can’t really say much more right now.

Interview with Oliver Muirhead

Oliver Muirhead started of his career in the voice over business and has since gone on to appeared in over 70 films such as “Austin Powers: The Spy who Shagged Me” and more recently the blockbuster hit “The Social Network”. Movie Mikes had a chance recently to speak with Oliver about his career, his projects and his pen name.

Adam Lawton: Can you tell us about your role in “The Social Network”
Oliver Muirhead: I was cast for that role in an interesting way. I had originally been sent in by my manager to audition for a role that I was clearly not right for. However, she knew there was another role that I was right for and hoped that casting would give me a shot. As it turns out she was right and I was perfect for this role. It was a very clever way to get the jump on things. I felt like a complete idiot when I went in for the first audition because I was just so wrong for that particular role. After my audition, casting told my manager that mine was the only audition tape that she sent to David Fincher for that role and I was hired. It felt kind of good to be noticed in that way. We shot the scene at two different locations in Los Angeles and during the first shoot they used a long tracking shot which featured eight principle characters and around 130 extras. The scene was a very large and ended up being shot 64 times. A lot of the scenes in that film were shot multiple times which allowed for the actors to really relax and take in the scene. I really enjoyed the script of the film and felt it had a very classic Hollywood feel. I think this film is one of the most classically scripted films I have been a part of. It was a really fun movie.

AL: During the time of shooting did you and the other actors have a sense that the movie was going to be such a hit?
OM: I don’t think so. Everyone had an idea that we were becoming a part of a really intense movie making process. I think everyone was happy that it was completed and had a good time doing it but I don’t think anyone predicted the success the film achieved.

AL: How was it working with Mike Myers on “Austin Powers: The Spy Who Shagged Me”?
OM: [Laughs] I had met Director Jay Roach one day at my daughter’s schools, as he was there as a parent as well. It was one of those funny coincidences. I guess he had met Mike previously and one thing led to another and I ended up in the film. Jay is a really great guy. I think that film was actually his first film as a director.

AL: Are there any great behind the scenes stories from that shoot?
OM: Not that I can think of off the top of my head. I do remember during shooting we all had a sense that we were making a really funny film. I think that film has the best story of the three and is probably the funniest.

AL: How did you become involved with doing voice over work?
OM: I had gotten my union card by re-voicing movies so I have always had a toe in the water in the way of voice work. It’s really great doing that type of work because I can go to work in my pajamas. [Laughs] I have friends that work on the “Spongebob” show and I am extremely jealous. Who doesn’t want to live at the bottom of the sea! And who wouldn’t want those residuals [Laughs]. There are some really great and funny people in the voice over business.

AL: Do you have a project that stands out as a favorite?
OM: That’s like asking if I have a favorite child. Which I do, I only have one child so it’s easy to get away with that one [Laughs]. Generally I am always very into what is coming up. I did a small movie last year titled “Like Crazy” which won the Grand Prize at Sundance. I wasn’t a lead actor but I did have a large role in the film. The film had a great cast and we were all very happy to be working on the project. Paramount ended up buying the film for around $4 million dollars and I think they plan to release it on some sort of theatrical level. That film was such a pleasure.

AL: Can you tell us about your writing and your pen name George Mole?
OM: I started out as a museum journalist and writing under a different name as a way to protect my parents who were both in the museum world. I had met Steven Applebee who is a cartoonist in the UK while I was still living over there and we wrote our first book titled “No Honestly It Was Simply Delicious But I Couldn’t Eat Another Mouth Full”. The book was somewhat of a fake cooking book based on an idea for a series of books I had. The book did fairly well but we both felt it should have been a hit and were somewhat disappointed. That book did launch a career for us and we went on to write books such as “The Little Book of Parking Tickets”, “Negative Thinking” which was huge in Germany. We also wrote a book titled “Better Living Through Air Guitar” that was big in Italy. [Laughs] My pen name came about from my mother actually. There was a character in a spy novel called George Smart. George was always looking for the mole in various places or agencies, so my mother put the two together and felt it was a suitable pen name for me. She failed to check however that I actually have a cousin named George Mole [Laughs].

AL: Do you have any other upcoming projects?
OM: I just finished doing a few episodes for the upcoming season of “The Secret Life of an American Teenager”, which is great show. I had done one episode on the show last season and got some really great Christmas presents from the show. [Laughs] I did a “Hot Wheels” promo piece for this year’s Indianapolis 500, which was a little odd but fun. I also have a film in post-production titled “Son of Morning” which has a good story and an interesting cast. I also just completed three episodes on the TV series “Switched at Birth”. I have a recurring role as the character “Geraldo”…good fun!

Interview with Tahmoh Penikett

Tahmoh Penikett is known for kicking some major ass in whatever role he plays.  He is known best for playing Captain Karl ‘Helo’ Agathon in “Battlestar Galactica” TV series as well as Paul Ballard in “Dollhouse”.  Tahmoh also recently played the role of Stryker in the web series “Mortal Kombat: Legacy”.  Movie Mikes had a chance to chat with Tahmoh about his various roles and what he has planned next.

Mike Gencarelli: How did you become involved with working on “Mortal Kombat: Legacy”?
Tahmoh Penikett: That was straight up because of my friendship with Maurissa Tancharoen and Jed Whedon.  They are a beautiful couple.  Jed is Joss Whedon’s younger brother.  He is married to Maurissa who is the older brother of Kevin Tancharoen, who is the director of “Mortal Kombat: Legacy”.  He is the man who came up with this brilliant idea.  Maurissa and Jed were also some of the key writers on “Dollhouse”.  She called me up one day and said they were looking for someone to play the character of Stryker.  They said they really wanted me to do it but weren’t sure if my managers or agents are going to want to because they had no money.  I checked out the material and I told them I would be thrilled to be on board.

MG: Tell us about your experience working on the web series?
TP: A lot of it to be honest was kind of on the fly.  Kevin came to me one day during shooting and said they were trying to shoot too much and Michael (Jai White) couldn’t do the scene with Jeri (Ryan), so he told me on the spot he was going to write me into it.  It was perfect for me.  This happened on a Friday night and we were going to be shooting on Monday morning. They told me last minute just to use Michael’s dialogue which was like half a page of dialogue.  I come in on Monday and I have like three pages of all me talking.  They gave it to me when I got there and we were suppose to be shooting in twenty minutes.  I was wondering how I was going to memorize three pages in twenty minutes.  Well, We managed to get through it and when I saw the final project I was happy with it.  There was a lot of funny moments like that.  When you look at the texture, the editing, the style of it, there is no way you can tell anything about the budget and that is what is so incredible with what Kevin has done with it. I was blown away.  I think it is going to really open some doors.

MG: Tell us about the upcoming film “Jabberwocky”, which your starring directed by Steven R. Monroe?
TP: I do not know how much I can talk about it.  It is like the film “Dragonslayer”, set it Medieval Times.  I play one of the brothers of the two main characters.  My character never left home and stood around to take care of the two main brothers like a father.  I play a blacksmith.  My older brother has gone off and became a decorated warrior, traveled and done all of these amazing things.  It really starts with him returning back to the village and going from there.  I am not sure how much I can say after that.  As I said there might be a dragon involved, but I guess that hint comes with the title “Jabberwocky” [laughs].

MG: You have worked quite a bit in the sci-fi genre, do you have a favorite genre to work in?
TP: The sci-fi genre has been amazing to me.  Some of the more significant work I have done in the last 10 years have come out of there.  Five years in “Battlestar Galactica” alone, it was such an incredible show.  I do not have a particular favorite though.  I am willing to do anything as long as it is good material and the people are good that I am working with.

MG: What did you was your favorite part about playing Captain Karl ‘Helo’ Agathon in “Battlestar Galactica”
TP: There were so many man.  You are talking like over 70 episodes.  There were a lot.  I got to work with Edward James Olmos and later in the series I got to work a lot with Mary McDonnell.  Everything I did with Grace Park was incredible.  We really brought some incredible work out of each other. There was one episode “The Woman King”.  I had a lot of fun with that.  That was a great episode.  It was just really good for me.

MG: Going from “Battlestar” to “Dollhouse”, tell us about that experience?
TP: “Dollhouse” had a lot of potential.  It was very unique premise and idea.  Unfortunately we didn’t have the time to see it through.  I just feel blessed that I got to work with these people.  Working with Maurissa Tanchareon, Joss and his family and everyone else involved.  Just having that experience even just for two seasons was great.  Even after the first it wasn’t looking too good for us.  It was looking like it was going to be canceled.  We came back for a second and half way through we found out that we were pulled, but at least they let us finish the thirteen episodes.  Which was good news, even though it was unfortunate but at least the plug wasn’t pulled in the middle of the show.  But overall it was a very positive experience and I am very thankful again.

MG: What would you say is your most challenging role to date?
TP: All of them at times depending on the project.  Paul Ballard was not an easy character on “Dollhouse”.  Joss Whedon called me and told me about the role.  I was so excited since he was a more darker lone wolf character than Helo was in “Battlestar Galactica”.  It was exactly what I was looking for my next character.  I was really excited to get into him but he was very confusing at times.  It took me along time to find his music…more time than I thought it would.  That is the journey we take as actors.

MG: Since you have training muay thai, do you perform all your own stunts?
TP: I do most of my stunts, yah.  I do everything that is safely allowed.  The only time I don’t do something is when I am actually looking at it and going “Ok this is nuts, I can actually get hurt here”.  In “Dollhouse” we had some great fight scenes.  We had an amazing fight and stunt coordinator, Mike Massa.  He let me choreograph a lot of the fight scenes with him.  I came up with a lot of my stuff.  Most of the dangerous stuff we had really great martial arts on the set to do those.  They made everyone look good.  Every time I have the opportunity to do physical work, I want to do it.  I am a physical guy, that is what I like to do.

MG: What do you have planned upcoming?
TP: I just worked on a new series on AMC but I am not allowed to say a peep about it.  I just did that a little while ago.  I am just looking at other projects and I am really excited about a couple of things so we will see what happens.

Interview with Michelle Danner

Michelle Danner directed, produced and has a role in the upcoming film “Hello Herman” staring Norman Reedus. Michelle took a few minutes away from editing the film to talk with Movie Mikes about the project as well as some of her other projects.

Adam Lawton: Can you tell us how you got into the film business?
Michelle Danner: I think it is something in my genes. My dad was a producer and was responsible for opening the William Morris Agency in Paris quite some time ago. I always loved movies and theater so it was something I was just destine for.

AL: Can you tell us about your new film “Hello Herman”?
MD: “Hello Herman” is a film that I think is very socially relevant right now. Norman Reedus plays a journalist that is sent to interview a teenager sentenced to death for a massacre at his high school. The teen’s execution is to slated to be televised live. I think the film is a very powerful social commentary about how and why these types of incidents occur.

AL: How did you come up with the idea for the film?
MD: I found this script from John Buffalo Mahler and just felt it was a very powerful story. I decided I would mount the film on stage with three screens using multi-media and live feeds. This sparked some really great debates. I had also taken the script and done a read through with one of my acting classes. Afterwards one of my students came up to me and said she could see light in my eyes. I thought then that the script would make a great movie. So it all really started from that first read through.

AL: Do you have a release date yet for the film?
MD: I actually just stepped out of the editing room, so I am working on it as we speak. I am hoping to be done by the end of the summer. We have offers from a few distributors as well as a website so there is quite a buzz right now. We may hold off on distribution and take it to some festivals.

AL: You also have a role in the film correct?
MD: Yes. I play the Herman’s mother. When I staged the play I also played the same role. I really wanted to give that character a voice and show her point of view. The parents are always the ones that seem to take the blame, so I wanted to show that sometimes that might not always be the case.

AL: From acting, directing or producing do you have one that’s a favorite?
MD: I love to direct but I did start out as an actress, so I love that too! I think acting is a great way to express yourself creatively and artistically. I also really enjoy teaching acting. I am fortunate that I get to do all of those things.

AL: “Hello Herman” was actually your second film where you both acted and directed, correct?
MD: Yes. The first film I did was called “How to Go Out on a Date in Queens” which was the Memorial Day movie of the week on ABC. I am really proud of that film as I think the subject matter is something that really needs to be discussed.

AL: Do you find it hard to juggle both acting and directing?
MD: Not so much as I never usually give myself a lead role. I generally just do a few scenes. I also have some very trusted people who help out when I have a scene and they tell me if the shot works or not.

AL: Can you tell us about your appearance on “Late Night with Conan O’Brian”?
MD: (Laughs) that was great. That segment aired during the first month of Conan’s show and at first it was supposed to be only a couple minutes or so. I played this very straight character to Andy Richter who was coming to learn how to be an announcer. The people from the show ended up liking so much of what was being shot that the segment turned into almost 10 minutes. I really had a good time and it was fun to improv with Andy.

AL: Do you have any other projects you can tell us about?
MD: I have a movie titled “The Bandit Hound”, which is a family movie and something very different from “Hello Herman”. This movie will be something my eight year old son will be able to watch. Right now I have a portfolio full of some really interesting projects that I plan on doing.

Interview with Bruce Boxleitner

Bruce Boxleitner is known best for his role in 1982’s “TRON”, playing the role of Alan Bradley and Tron.  Bruce recently reprised his roles 28 years later in “TRON: Legacy”.  He is also known for his role in the sci-fi television series “Babylon 5”.  Movie Mikes had a chance to chat about “TRON” with Bruce and discuss what’s to come for the future.

Mike Gencarelli: It’s 1981 and you’re making “TRON.”  At the time did it seem like just another project?
Bruce Boxleitner: We made it in ’81 and it was literally months before it was ready because they had to do all of the effects painstakingly.  There were a lot of Chinese and Taiwanese names in the end credits (laughs).  That’s where they went then to find that much manpower to do that much film.  I’ve been asked this question many times.  Yes, it was just another job.  I was a very busy young actor in those days.  I was in my early 30’s.  I had already done a western series with James Arness called “How the West Was Won” and this was just prior to “Scarecrow and Mrs. King.”  I hadn’t done a lot of feature films.  I was in a small film with James Coburn called “The Baltimore Bullet.”  I did “The Gambler” with Kenny Rogers for television.  I had done a lot of television and it was mostly very good television.  “TRON” came along as a total surprise.  To tell the truth the sci fi genre’ was very new to me.  It did appeal to me but there was one side that said “no…stick to what you do best.” But the other side won out.  When I got to Los Angeles I went to the Disney Studios and met everybody.  And I also have to say, as an actor, that they flattered the heck out of me.  They wanted me for this movie.  Also, Jeff Bridges was associated with it.  He was somebody I had always kept my eye on because he was doing…you’re always aware of your contemporaries…the actors in your age range.  He was mainly doing features so I have to say that there was a little bit of envy there.  I thought “gosh, maybe I can get into movies now too,” since I’d been doing TV. for a number of years.  And the project was interesting.  You may laugh at this but I thought the film was kind of like “Star Wars.”  Yes, it was about a big video game, but it kind of had that feel to it.  It resonated in a lot of the science fiction books I had read over the years.  So it had those worlds too…but in a brand new way.  It intrigued me.  And once they started showing me some of the story boards I was instantly IN! Being a TV guy I’m used to a faster pace.  But features, especially technical ones, often have a very slow pace.  We only shot a little bit each day.  Only a couple of shots each day because to set up the shots took most of a day’s work.  Let’s just say I read a lot of books (laughs).  And of course I played a lot of video games.  They had to take the games away from us we were having so much fun.  One day they kept calling “Jeff…Jeff we need you,” and Jeff yelled back “I’m doing research on my part!”  What was interesting in shooting the film was that Jeff was so concerned with the games.  He was the “pinball wizard” so to speak, to use the parlance of the day.  He was terrific at it where I was out with the stunt guysthrowing the discs.  Yes, they were Frisbies, but there are a lot of guys out there that can’t throw a Frisbie.  Most people are pretty awkward at it.  But I had to be able to throw it like an expert.  So I worked with experts.  Much different then for “TRON: Legacy.”  I didn’t have to learn any martial arts for that one.

MG: Looking back do you consider it a positive experience?
BB: Oh my gosh yes!  I think the only disappointment was that the film didn’t do better.  There were a lot of different sci fi epics out that year (among them “Star Trek II: The Wrath of Khan,” “Blade Runner” and “E.T.”).  I mean, if you look back at 1982 there were a lot of groundbreaking films in the science fiction/fantasy genre.  But I’m very proud of it.  Yes it didn’t gain huge notoriety.  It wasn’t “Star Wars.”  But then nothing was.  “E.T.” sucked the life out of everything that year.  But I tell you, TRON would have just destroyed him!  I want my aliens to be bad ass and trying to kill us all. That’s how I want my aliens.  Not a cuddly little thing you take to bed with you.  I hated that movie…sentimental crap(laughs)!  But I should note..as Mr. Spielberg has noted…28 years later there is no sequel to “E.T.”  But yes, it was a very positive experience.  I still had a lot of television projects to do.  I didn’t think I was going to become a movie star off of “TRON” but it was a great opportunity.  I took it and I enjoyed every bit of it.  It was an exhausting shoot. But I went back to the fast paced world of television.  And I had a short lived television series of my own (“Bring ‘Em Back Alive”).  But that came about because of “TRON.”  It was kind of an Indiana Jones type character.  That lasted for a season and then I went on to “Scarecrow and Mrs. King,” which lasted four seasons.  But I didn’t get to the science fiction genre again until “Babylon 5.”

MG: How did you feel stepping back into the role 28 years later?
BB: I have to tell you it was such an amazing surprise when I got the phone call.  I was very excited when I saw the footage from ComicCon several years ago.  I couldn’t believe it.  There had been rumors over the years, of course.  But rumors are life in this industry.  Suddenly somebody was making good on them.  Then I got a call to come down to Disney Studios.  And when I did it was like deja vu’ all over again.  People tell me I should have been in it more, but not really.  It wasn’t about me.  And I understand Jeff.  He’s gone on to become an Academy Award winning actor.  He was the name guy they needed to get this tent pole up.  He was the name that could bring in people that maybe hadn’t seen “TRON.”  That was a big concern.  Could they get people who had never heard of it?  And the expectations for the new film were just so over the top.  But I played my part and I enjoyed it.  I was reunited with Jeff.  Even though we didn’t get to work on camera together we hung out in Vancouver (where the film was shot).  I also screentested with all of the young actors and actresses that were up for Sam and Quorra.  And there were a number of them.  There were some big names and some lessor names.  Disney hired me to do the scene with Sam.  And by the time it finally made the film I bet I had done it 150 times.  For the girls we didn’t have any scenes written so we did scenes from “Blade Runner.”  So I got to finally do “Blade Runner.”  I love that movie!  And I did the “Sam” scene with five or six different actors.  And I think that maybe the people at Disney had seen my work or hadn’t seen “TRON” in a while so maybe that was also my screen test as well.  I kind of liken Alan Bradley to Sam Flynn as Alfred to his Batman.  We created a new young hero, but a hero that will always need Alan around to remind him who he is…where he came from…what his principles are.  And that’s what Alfred was to Bruce Wayne.

MG: With “Tron: The Next Day” hinting for the future, do you think “Tron 3” will see the light of day?
BB: I think we can only hope.  I think the intention is there.  I haven’t heard anything or even if I would be in it.  I do know that Garrett (Hedlund) and Olivia (Wilde) were signed for two pictures. Of course that means absolutely nothing. It’s great contractually but now both of them are extremely busy.  It was great to work with these two young people right before they started hitting it.  Which is very much the same way Jeff and I were back then.  So to answer your question, it could very well be.  I think it should be.  There’s a huge audience for it.  I know it’s not everybody’s cup oftea but still…

MG: Even if they don’t do another feature film, the legacy is continuing with the animated series “TRON: Uprising”, what can you tell us about this?
BB: It’s beautiful.  The animation is really super.  It stickes to the TRON world as we know it.  I’ve done
seven or eight episodes already.  It takes time, the animation.  I did five episodes last week.  I had been
away doing a film and I missed it when the scripts started coming in.  I think the series is due to come out
early next year.  It’s going to be good.  We’ve got Elijah Wood…Lance Henriksen…all kinds of people are in it.
And I’m playing Tron.  I’m purely playing Tron in this.  There’s no Alan Bradley in this.

MG:  What other projects do you have upcoming?
BB: I just finished a mini series called “Blackout.”  I don’t know when it’s going to air.  I also just did an epidode of a new series called “Chaos” and it’s already been taken off the air!  It used to air on CBS on Friday night…sort of a C.I.A. comedy/adventure.  I had a great role in it.  I shot the ninth episode.  I’m hoping they run it sometime…somewhere.  I’m just trying to get a job like everybody else.

Interview with Noah Wyle

Noah Wyle is known best for his role of Dr. John Truman Carter III in “ER”. Noah is taking the lead about in TNT’s new show “Falling Skies”. Movie Mikes had a chance to attend a conference call with Noah to discuss the his new show “Falling Skies” and what we can expect from it.

Mike Gencarelli: I have been hearing a lot of talk saying that “Falling Skies” feels like so epic in the pilot, that it almost feels like a feature film. Can you reflect on that?
Noah Wyle: Yes, sure. Well, it wasn’t intended to be sandwiched together. The pilot was a standalone hour and it’s being married to the first episode which we shot as a first episode for the season to build it into a two-hour block. So it was never scripted to feel like a movie but I think anytime Mr. Spielberg’s name is above the marquee you can’t help but to make a cinema comparison. It’s got a lot of rich production value. The budget on the pilot was pretty extensive. So we had a lot of bang for our buck and that wasn’t necessarily the case in every episode. I think getting a sense of what the series is going to be like comes probably more accurately from the second half, second hour, than the first. But, yes, it’s got a very cinematic feel to it.

MG: The show it’s clocking in at ten episodes for the first season. Do you think that the show has like enough room to spread its wings in season one?
NW: Well, I had lunch with Michael Wright who’s Head of TNT and we discussed if this came to a second season whether he would be interested in picking it up for more episodes.  His philosophy, which I tend to agree with is, that if you’re writing for ten episodes you can really write to a focused point and make sure that all of your T’s have been crossed and your eyes have been dotted. If you’re trying to slug it out through 15, 17 or on a network 22 to 24 you run the risk of dissipating the potency of your story telling and falling back on sort of clichés. He really didn’t want to do that. He really is very proud and pleased with the show and should a second season come to pass it for it to have the same kind of punch that the first season did. I think you really only get from shooting a truncated season of 10, 12 maximum.

Q: Talk about that aspect of the show where we go right to the meat of the story instead of having a season or two of build-up?
A: Yes, it’s sort of a typical story telling in the sense that we don’t start with everyday life going on business as usual and then suddenly everybody’s eyes turn to the heavens and say, what’s that coming in towards our planet. We do pick up six months into what has been a devastating alien invasion and meet our characters already in a pretty high state of disarray. It is kind of exciting storytelling because it allows you the opportunity to fill in the back story through episodic storytelling. It also opens up the possibility of being able to track back in time down the road if it seems dramatically appropriate.

Q: How involved is Steven Spielberg in the production of this show?
A: He’s pretty damn involved. His fingerprints are all over it. He was instrumental in helping craft the original pilot script and certainly in casting the pilot. He came out and was on set when we were shooting the pilot. He even drew some storyboards for the re-shoots on the pilot and then helped craft the overreaching story arks for the season.  He watched all the daily’s and made lots of editorial suggestions all along the way in bringing those shows to their final cut. So I would say he’s instrumentally involved.

Q: If you were in the position of your character, what do you think you’d miss the most in the new world and also what do you think would be the most exciting opportunity about a civilization to sort of start over?
A: I’m guessing a variety of diet would be the thing I’d miss the most…and hot food. We sort of tried to pepper each episode with exactly that. What are the cons and disadvantages to the state we have been thrown into, but what are the sort of more subtle pros.  Whether it’s seeing a group of kids having to exercise their imaginations at play and actually relishing in the opportunity to do so or the quality of relationships between families being that much enriched without all the other distractions.  There’s a sequence that comes midway through the season where a women who’s among our ranks is pregnant and is throwing a baby shower. Having been to quite a few baby showers, this was unlike any event I had experienced in the sense that it wasn’t so much about the gifts, the swag and the stuff for the impending birth as it was really more about the spiritual aspects of bringing a new life into the world.  It makes you think about your responsibilities are as a parent and what are our collective responsibilities for this new life?  I find those very rewarding aspects to the storytelling because it allows us an opportunity to kind of pick and choose between separate the weak and chafed from what’s important and what’s not.

Q: I really enjoy the family dynamic from the show, tell us about how you approached keeping your family together in this broken world?
A: Well, dramatically I think that was probably the theme that was most interesting to me. I haven’t had a lot of experience working in the science fiction genre, so that had a certain appeal. I went into this with the confidence of knowing that the spaceships and the aliens were going to be just fine with Mr. Spielberg designing them. So my responsibilities really fell to making sure the human aspects of the show were as compelling as they could be. I found that dual conflict that we set up in the pilot to be really provocative of a guy just trying to keep his family intact and alive being given the larger responsibility of having to care for 300 veritable strangers.  The conflict between the two is very interesting. What is at the core of the show is once the reset button on humanities been pushed and these characters, should they survive, are going to become the next founding fathers for the next civilization. What are the best aspects of the previous civilization that you would want to retain and what are the more superfluous or ascerteric ones that you wouldn’t mind dropping? ? Certainly the notion of family and the quality of human relationships comes to the floor and that’s what I think we pretty successfully explored through the first half of the season.

Q: What do you think distinguishes Tom as a leader as opposed to films like “Battle: Los Angeles” which have automatically show the militaristic personalities step to the foreground to take charge?
A: That’s an interesting question. I would say that when you traditionally have a character whose has a military career like Captain Weaver, their strong suit is leading men who have been trained and focused for the battle and mission enhanced. Whereas in this particular scenario most of our military has been eradicated already and it’s a civilian militia that is being trained. It’s exactly Tom Mason’s back-story as having been a teacher that puts him in a little bit better situation to teach mostly kids how to arm themselves and defend themselves than it is for Weaver to fall back on the military paradigm. It is looking at the realm of academia and saying that’s a little dry for what we need right now and looking at the role of military and saying that’s a little dogmatic for what we need right now.  Then we try to find a synthesis between the two that I think makes my character a leader of a different strength.

Q: Having to be the leader of the group, are we going to see in the first season Tom’s breaking point?
A: He comes damn close to it. He comes very, very close to it. Yes, I would say in the fourth or fifth episode that’s where he starts to wear a little thin. Although, you know, there was a saying that we used to say a lot on my other show where you really didn’t have time to feel sorry for yourself during the course of the day because you had another patient to treat or two or three. So you really had to earn whatever private moments you allowed yourself to reveal, whatever inner life was going on. The same holds true for this show is that there’s such a constant and eminent threat underneath each and every scene that these characters who probably if they had a week off would develop all sorts of the hallmarks of PTSD and go through all sorts of debilitating briefs don’t have the luxury of doing so because there’s just too many other things that need to be done.  So I would say that the big breakdown is still coming but we definitely show glimpses of it.

Q: Besides “The Librarian” series you haven’t done much action, what did you have to do to prepare for the action involved in the show compared to the previous work that you’ve done?
A: Oh, I probably should have done a lot more [laughs]. I showed up and we all had a couple of days of running around the sound stage and learning gun safety. But in terms of physical preparation I found myself at a disadvantage trying to keep up with Drew Roy whose part spring-box. He plays my oldest son and very early on in the pilot we had to sort of run and jump and dive and whirl and roll and do all these crazy things. All of which, eventually, I got more comfortable at. But it’s certainly not wearing the white coat everyday.

Q: Did you find that you were able to do a lot of your own stunts or was a lot of it done by a stunt team?
A: Kind of both. I mean, there’s stunts but they’re not real stunts. I mean, running and jumping and sliding and diving all that stuff looks so much better when the actors doing it. So I did a lot of that kind of thing. Then whenever there was one sequence where I’m fighting one of the aliens in a steam tunnel and I did all of that fight with the exception of one throw where the alien sort of chucks me.  That required some wire work to get thrown high up against a wall.

Q: Are you consciously aware of being able to spend time with these characters before you go in to just doing action sequences?
A: Well, you have to be careful about it even just from a production standpoint because obviously action sequences require the most money of an episode budget. If you’re going to give a little action sequence in every show you’ll get a little action sequence in every show.  But if you can buy yourself a couple of episodes by saving on your post-production budget and focusing the drama on interpersonal and character conflict then suddenly on the fourth episode you’ve got quite a large bank to work with and you can stage something pretty epic. So there’s a financial necessity that goes into it. But also it’s much more compelling to have the threat come, not as a constant, but in waves. To have it start off as a huge wave and then be able to get a low and reflect a little bit and synthesize some information and then to have another wave come and also the anticipation of that wave coming is great dramatic tension. What are the lessons learned after an encounter before the next wave comes? I think that for this particular show it works much better than having it be a constant threat.

Interview with Moon Bloodgood

Moon Bloodgood is playing Anne Glass in TNT’s new show “Falling Skies”. Moon is known best for her role as Lt. Blair Williams in the film “Terminator: Salvation”. Movie Mikes had a chance to attend a conference call with Moon to discuss the her new show “Falling Skies” and what we can expect from it.

Mike Gencarelli: What do you like most about your character Anne Glass on “Falling Skies”?
Moon Bloodgood: I really enjoy the fact that she is a doctor.  She was a pediatrician.  I think that she’s very admirable, that she doesn’t often talk about herself, extremely selfless, always calm and rational, always being fair and with reason. I think I admired her because I feel sometimes I’m not always that way and she was always selfless and always very maternal towards everyone.

MG: What stands out for you as the most difficult part working on the series?
MB: Sometimes the subject matter is heavy and there’s lot of depth and weight and you have to take yourself to that place where you’re supposed to be hungry, scared, you’ve lost your family and sometimes you want levity. I can find the subject matter to weigh on me at times when I was working and all I wanted to do was just go home and just put some comedy on and have a beer because I just needed some sort of change. I think no matter how much I can resist it, I gravitate towards these kinds of subject matters and I like the drama. That’s where I feel the most comfortable and probably that’s why that’s what I do the most.

Q: How did you get involved with the show?
A: I have vague memories of I think it but Spielberg and Michael Wright came up with it together and then kind of brought Robert Rodat into it,  who is a real great writer and did the film “Saving Private Ryan”.  By the time it found its way to me it was probably a year after it and Noah was already on board. I think other people had already been cast and I think originally I was supposed to be like an art dealer or some sort of artist. I wasn’t the primary focus in the first episode, it was about the Mason family and I was someone who was going to connect with Noah Wyle’s character, maybe a romantic twist was going to happen. So I saw just, a basic show that had really good people involved but I think it was something that Spielberg obviously initiated and then it kind of came into fruition.

Q: Aliens parking over cities has been kind of a common theme recently with shows like “District 9”, “Skyline”, “Battle: Los Angeles” and of course “V”. In your opinion what do you think separates this series from the other recent alien invasion franchises?
A: I mean we’re all kind of dealing with the same subject matter, I think what’s going to be different is certainly our approach. The science fiction aspect of it is going to vary but if you like the story, the human story behind it, you will want to follow the characters and that’s what’s going to bring you to it. We’re much more drama and more of a human element than like a “District 9”, one of my favorite science fiction films, which I think is primarily has a more science fiction element than I think we have. I think we have the marriage of a good family story with the science fiction element.

Q: You have dealt with post apocalyptic before with “Terminator: Salvation”, you’re starting to carve a little niche in this genre, what’s the draw for you?
A: I think I’ve been drawn to science fiction because I’m a fan of science fiction. I think when you like something, I like to think you’re generally better at it and when you’re auditioning for something, maybe that resonates. But because I love it, I tend to want to do those kind of projects. You start to do them and that kind of becomes your thing which is not a bad thing because it’s still a genre I deeply appreciate.

Q: How was it getting work with with Noah Wyle and the rest of the cast?
A: Listen Noah’s a veteran, I play a doctor, trust me he gave me lots of pointers.  I was so happy to receive his advice. He’s been around and he knows the industry. He is just such a diligent professional. I learned a lot from him and Will Patton. I think you learn something from everyone that you work with but he gave a different perspective.  I thought he was really good at being our leader and – in the show and also off, as in a friend and a colleague.

Q: I was wondering what inspiration did you draw from, if any, coming into this?
A: Good question. I sometimes think it’s probably not good to use your own life circumstances because that can kind of get tiring, but I did. I kind of dove – not dove into it but I conjured up or — what’s the word I’m looking for — I looked into myself and my own pain and tried to use that as a cathartic thing when I was doing the role.  I just also try to use my imagination of what it felt like to live in a world where suddenly I lost my family and to lose a child which I – you know, must be the most horrendous thing to ever go through is to lose a child. So I tried to use myself and my imagination. The journey is interesting because there’s a couple times when I breakdown; I breakdown emotionally about my family, and there’s another time when I am fighting to, you know, keep the alien alive with another doctor and I’m very stoic in that fight, and there’s a time when I’m more romantically involved with Noah. What was the most compelling part is when I had to actually pick up a gun at one point because I get hurt, I get attacked and I suddenly need to defend myself against other humans and that’s a position that Anne Glass never thought she would be in. And for her that’s when the world – the first biggest pain was her husband and her child and the next was just loosing that innocence against violence.

Q: So I’m wondering from your end how much did you know in advance as episodes were going on, and how much did you want to know?
A: Well with TV things are happening where you’re getting the scripts and you don’t know – you don’t have a long time to digest the changes and changes happen. You know, when you’re working on a movie you get the script, you know the whole outline before you start. So that part’s a little disconcerting at times but also really keeps you on your game and on point. So I would prefer to know sometimes but maybe it’s good that we find out; we don’t try to put too much of ourselves in it, we just do what we’re told to do, you know? Like we’re there to fulfill a story and not try to like, you know, like wet the screen with our interpretation of it.

Q: There’s a little something for everybody in this show, it’s not exactly a sci-fi film, it’s a drama, it’s a love story, it’s a family show. What was some of the things that really, really attracted you to it?
A: Doing something that is not just one dimensional. It’s science fiction but it’s human tragedy. It’s different diverse characters interwoven together and trying it kind of find their humanity and live any kind of normalcy and readjust to the new world that’s changed completely from the world that they know. I was also drawn to playing a doctor and it’s something I’d never done. I had played a nurse but I had to have to have a gun on my leg and be running around and doing stunts, though which I loved to death. I wanted to do something more cerebral and that I got to be a little softer and I thought that was a more fun place for me to be in this in this time in my life.

Q: What kind of things does the shoot do to make sure that the family drama doesn’t get overshadowed by the aliens and the special effects?
A: I think primarily when Rob Rodat wrote this, he’s from Boston, it was always a human drama and not a simple story about a family.  It was supposed to be the paramount story and then the science fiction kind of secondary. The reason I don’t think we get overshadowed by the science fiction is because it sort of goes on and off. Where we go family story, and that stay.  The second episode will be filled with science fiction, then we take a break and we get away from all that — the guns and action and go back to a love of the dialogue and the interpersonal relationships. I really truly believe we did succeed in always keeping the family structure and the human element of it in the forefront and the science fiction secondary because I do think sometimes science fiction, if you don’t have a good story behind it, it can become one dimensional.

Q: I think with this premise there are going to be a lot of expectations. How are you and the rest of the cast and the crew dealing with the pressure?
A: I’m wondering why I don’t feel more pressure [laughing]. I don’t know if I’m just kind of disconnected because I need normalcy in my life.  I don’t feel any pressure, I don’t. I feel like at this point like, let the chips fall where they fall. I’ve done the work and I feel confident in the content. I don’t think we’re trying to make a revolutionary like novel stance on aliens, we’re just trying to make a simple family show about human survival and that takes precedent and this science fiction element I think is secondary. It’s not just an action show.  Do you want to go on this journey with these people?, do you understand what they’re going through? I can’t say I’m not going to be disappointed if it’s not well received.  I’m also not a veteran but I think I’ve learned to try to not get caught up in the expectation game because that can be so easy to do when you’re an actor and I think it’s not healthy. So I’m trying to stay very adult-like about it.

Interview with Drew Roy

Drew Roy is co-starring as Hal Mason in TNT’s “Falling Skies”.  He is playing the oldest son of Noah Wyle in the show.  Drew has also appeared in TV series like “Hannah Montana & “iCarly” but he is most excited about his newest role.  Movie Mikes had a chance to chat with Drew about “Falling Skies” and working on the show.

Mike Gencarelli: Tell us about your character Hal Mason in “Falling Skies”?
Drew Roy: He is a 17 year old kid. He is the oldest of three. He is a little bit of a rebel. In high school, he thought he was the cool kid and was doing the sports things. His dad is a professor and more of an intellectual. Hal likes to fight those barriers and those retractions. One of the great things about playing this character throughout the series was that Noah (Wyle)’s character Tom and mine, work together a lot going on missions. We are a good mix for each other because Hal is more of a heart-thinker. He thinks on the first impulse and goes with it. Where Tom is more of a head-thinker and he wants to come up with a plan and a strategy and thinks things out. On their own I do not think either one of them is the perfect fighter but together they would push each other. I pulled him along a little quicker and he would slow me down sometimes. We would get a little irritated with each other and have it out from time to time and throw each other around. But all in all its will make for some good TV.

MG: Tell us about working with your fantastic cast for this show?
DR: Oh man, you can’t ask for anything better. They show up on set and makes you want to bring your A-game. For whatever reason you did not have the motivation in the first place, this definitely makes you bring it. Working with Will Patton and getting to go toe to toe with Will Patton in a couple of scenes it was great. He is just such a lovely guy anyway off camera. Same with Noah, he is a fantastic actor. All you have to do is sit back and listen and pay attention. The scene just comes alive, you don’t have to force anything. You never have to worry about showing up on set with this one particular actor and dreading working with them. You just have a great time. We ended up with a tons of scenes that had more in them then was scripted. We would just find these little moments and it really was some good stuff.

MG: Besides being a show about aliens, does this show focus on the human relationships as well?
DR: That is probably my favorite part of the show. Aliens are cool but if it is all about the aliens all the time there is a disconnect here. You can’t quite wrap your mind around it. It is fun in a movie setting where you have an hour and a half to two hours of that and then you are out. But if it is a TV series, you have to have something that is going to bring you back to the next week that you haven’t already seen. Blowing up an alien 10 weeks in a row, you have a good idea what that is going to look like. Whereas why this show is so cool is because it is about this human drama. We have this family that suffered these two great loses. The middle kid, Ben, has been taken by the aliens and we do not even know what that all entails. Then the mom was killed back during the invasion. We have all these different people dealing with the aliens in these different way. We have Tom who is more looking from a civilian point of view. Then you have someone like Captain Weaver who is strictly military. He thinks that civilians slow people down. One of the great themes of this show is the fact that it is all about people who usually don’t see eye to eye and normally would not even talk to each other. But they are being but in this situation where they have go after this common goal of survival and therefore listen to each other, worth through issues and see where they can get. Which is like a said a great universal theme in the world, it wouldn’t hurt for more people to live that way. To listen to each other, take others into consideration and listen to what someone else has to say.

MG: What is the most difficult part of working on the show?
DR: The most difficult thing would have to be the weather. We are shooting in Toronto. We started in July and finished in November. I am not sure how much you know about Toronto but in the summer is incredibly hot and humid and we are dressed like it is winter time or at least fall. I would have like a shirt on, a button-down on top of that and then a jacket and wearing jeans while I am running from aliens. You work up quite a sweat and its gets pretty hot. Then by the end of the series, in November, it is freezing cold. You are putting those hot shots all over your back, in your gloves and your shoes. Just trying to keep warm. So I would have to say that was probably the hardest thing. At the end of the day though, I kind of enjoyed that as well because it was bringing in those elements and really making it real. It is a whole lot easier to be cold and to play a scene in the cold then it is to pretend like it is cold and fake it. I felt like it brought a sense of reality to the show. But there were definitely times on the set when we were dying to turning heater on or the AC on [laughs].

MG: Do you have an episode that stands out as your favorite?
DR: I have two particular ones that I had a very large role in. I get the numbers wrong because the way we numbered them is a little funny. But I want to say the 5th episode and maybe the 7th episode. Hal has to step up and go out on a limb. He has to put his neck out there and make some things happen. I think the 7th episode, he actually has to step into Tom’s shoes to some degree and look over some kids and be the decision maker. That was very interested and fun to play in the fact that I got to look at things from my dad’s point of view. I had to make these decisions. People come up with ideas and now I am not just an idea maker, I am the kid who has to sift through the ideas and discover what works.  There is a lot of action in there. There honestly was not an episode I didn’t enjoy but those two really stick out.

MG: Why do you think people should tune in to this show this summer?
DR: Here is what I have to say about that, With TNT, you are getting this for free and it is going to look awesome, like a movie. It has a great storyline. Then on top of all of that the story that is being told isn’t set in one genre. If you are a huge science fiction fan, then you can get your fill of this and be satisfied and have a great time. If you are family, a mom and dad and some kids, you can watch this and have a great time as well and learn some family values. If you are just with some buddies, if you are guys or girls, this show has something for everybody. I am sure that everyone plugs that but I really feel like our show does.

MG: How does it feel going from television like “Hannah Montana” & “iCarly” to “Falling Skies”?
DR: I wouldn’t change a thing. Everything that has come along that has gotten me to this point I feel like happened for a reason. The episode I did on Nickelodeon for “iCarly” and then Disney with “Hannah Montana” were huge hits for that show…for both shows. They were some of the highest viewed shows that they had. I had a great time working with all those actors and actresses. But most definitely I am glad to be moving on to something like this. This is more along the lines of what I ultimately want to do. What guy doesn’t want to do an action something and then even more importantly than that it has a great story behind it as well. I really look forward to doing more things like that. We had some great scenes to be able to act and characters to live in. The whole Disney thing was great but I feel I am very fortunate to jump into there…reap those benefits and then be able to get out. Unfortunately so often you get typecast into Disney and Nickelodeon and they are great actors but they can’t get out because they are known for that show. I feel like I got the best of both worlds.

MG: No pun intended right [laughs]?
DR: Exactly, I didn’t know if you were going to pick up on that one [laughs].

Interview with Dale Dye

Dale Dye is currently playing the role of Porter in TNT’s new show “Falling Skies”. Dale is also co-starring in this summer’s “Larry Crowne”, directed by Tom Hanks.  If you have seen a movie in the war genre, it is most likely that he has worked on the film as the Military Technical Advisor.  He supervised such films as “Platoon” to “Saving Private Ryan”.  Movie Mikes had a chance to chat with Dale about “Falling Skies” and working in the business.

Mike Gencarelli: Tell us about your role as Porter in TNT’s “Falling Skies”?
Dale Dye: Porter is a recently retired professional military officer.  He is a native of Boston. He has been called on to be the professional head of a resistance group that has formed around the Boston area.  He has organized a of guys together into a milita group. It is like volunteers who arm themselves and undergo a little training and attempt to get some resistance going against the alien invaders.

MG: What drew you to the role?
DD: I guess it is typecasting at its best [laughs]. I am a former professional military guy for almost all my adult life, before I got into the weirdness that is show business.  Of course I know Steven Speilberg very well from previous projects that I worked with him on.  It just seemed like the the right role.  It was an opportunity to be the steady guy in this absolute mess of aliens invading the earth. I thought here is a hero shot, it is a chance to be the old, wise and sage professional mentor to a bunch of guys who are doing there best to resist against this situation.  I don’t want to say it was a no-brainer but I can definitely say it appealed to me.  I could see myself for real in that role.

MG: Even though the show is about alien invasion, do you feel the show is realistic and focuses on the character development?
DD: It really does.  Anytime you are talking about science fiction of this calibur with guys like Steven Speilberg and his team.  There is always the tempation of just making a jaw dropper and make it all about the spectical and to hell with the story and the characters.  I am not too interested in those types of projects.  When you have Steven Speilberg producing, I can guarantee you that is not doing to be the deal.  He is a consumate storyteller and I knew that coming on.  For this project, I saw he was going after those human emotions or elements that make the story so appealing. It was all there in the scripts.  Even though, I knew it was going to be a hell of a spectacle…the human story was still there.

MG: Tell us how has bit been working with the rest of the cast?
DD: It is always great to walk on the set and see a mixture of seasoned pros along with really anxious and talent younger actors.  That is what makes this project so appealing. You got guys like Noah Wyle, he has been around for a while and is a really good actor.  Will (Patton) also along with Noah were really pros.  You have people like Moon (Bloodstone) and some of the other younger actors, I think their best performances are brought out when they are working with old pros. Everyone was excited about working on this show.  We were shooting in Toronto.  I could sense that excitement while walking on the set.  This was a set in which there was a syngery going between both the veterans and the new actors, who were really trying to make their mark.  That is the way that film business should be by my perspective.

MG: You have taken on the role of Military Technical Advisor on many projects, do you enjoy this task?
DD: That is a awful long story [laughs]. It was among my believe that Hollywood wasn’t treating military characters and war in general in an appropriate impactful way.  You can do a lot of things when you are ignorant that people tell you can’t do.  I came out and said I wanted to find a fix it.  I was able to convince people how to get these things done.  We succeeded very well in my first project which was with Oliver Stone in the film “Platoon”. Oliver let me do it my way and we won four Academy Awards including Best Picture. In Hollywood, nothing succeeds like success.  I began to have people watching me train actors. They began saying “He is pretty convincing.  Maybe if we put him in front of the camera, then he can do it on film”  I guess they found some hidden talent in me somewhere.  It is kind of like Oliver told me when I appeared as Captain Harris in “Platoon”, he told me “If you ever take an acting lesson, I will never hire you again”. So there must be something there, I guess I have been a performer in my life in one way or another.

MG: Do you have a favorite film in that genre?
DD: There are couple that stand out for me, “Platoon” will always have have a soft spot in my heart.  This is due to the film success and the way I discovered to train actors and bring a certain performance to the screen.  It was also my big break.  I also love “Saving Private Ryan”.  In the television world, I love “Bands of Brothers” and “The Pacific”.  I think those films definitely stand out for me.

MG: You are featured in this summer’s “Larry Crowne” with Tom Hanks and Julia Roberts, tell us about working on that film?
DD: Tom has been a good personal film as well as a professional colleague. He kind of admires what I do.  I am always whinning to him how typecast I am.  I tell him “I can be a doctor, lawyer, or a politican…why am I always able to be stuck playing the military officer”.  I think Tom listened to it for a while and said “Hey listen, you get those roles because you are good at it”. I said “Yeah Yeah but…Yeah Yeah but…”  Eventually it came around that Tom wanted to see if I could do other things.  So when “Larry Crowne” came around I got a call and he said “Listen I got something for you” and I said “Ok, what uniform do I have to wear now”.  But in the film, I play his boss and I get to fire him in a wonderful little scene. It is ironic because he was hiring me.  “Larry Crowne” is probably one of the best written romantic comedies that I have ever seen and Tom is a tour de force in it.  I am glad to have a little shot at it.

MG: You are currently writting and directing your first film “No Better Place to Die”, what can you tell us about that?
DD: We are able to start shooting.  I am making my feature directorial debut. It is, naturally, a WWII D-Day film about the fight that the 82nd Airborne Division had at a very critical bridge in La Fiere. I am looking forward to it. I have done a lot of second unit directing.  I am also usually staging and choreographing combat.  This is a story I wrote and everyone is very excited about the script, so I guess it is good [laughs]. We will see whether or not I have learned over last 20 years from guys like Steven Speilberg, Tom Hanks, Oliver Stone, Robert Robert Zemeckis and many others.  If you are going to go to school, you definitely want those guys as your teachers.

PS3 Game Review “Alice: Madness Returns”

Developer: Spicy Horse
Publisher: Electronic Arts
Designer: American McGee
Engine: Unreal Engine 3
Platform: Microsoft Windows, PlayStation 3, Xbox 360
Genre: Action-Adventure, Platform
Mode: Single-player
Rating: ESRB: M

Our Score: 4.5 out of 5 stars

Click here to view our interview with the game’s creator American McGee.
Click here
to enter for a chance to win a copy of the game on Playstation 3.

“American McGee’s Alice” has always been one of my favorite games to date. I have been early awaiting the release of this game…so let’s just say that expectations are very high. But worry though, this game comes through well over expectations. The game takes place 11 years after the first game (like in real life between their releases). Unlike the first game which was only released on PC and Mac format. This game is released on PC, PS3 and Xbox 360, so it is the first time it is available on console. If you are a fan of the original you will be greatly appreciative to hear that the first game, “American McGee’s Alice” is included for free on the disc of each game. So fans rejoice, 11 years was worth the wait because this game in plain English..KICK MAJOR ASS!

It’s eleven years since Alice left Rutledge (where we left her from the first game) and she is being taken care of by a child psychiatrist in London. She is still fighting the loss of her family and she starts to lose grip reality and returns to Wonderland. Unfortuntely the Wonderland she knew is gone and it is now a completely different place. This time, though, there’s an bigger question fueling her madness is the truth behind the fire that caused her family to die.

The visuals are stunning. The level design is very smooth and well done. The design isn’t the only thing that got an upgrade though Alice also is now about to double jump using twirls, she can also glide after jumping. She has the ability to shrink on demand to get to those hard to reach spots. I have been reading that some people are having issues with the controls and cameras. I find it to be the complete opposite in fact. I thought the cameras track well and the controls are definitely manageable (I just keep forgetting how to get that damn umbrella to come out).

“Alice: Madness Returns” is also heavy on the action and has some really dark gameplay. Alice has many weapons in her arsenal like the Vorpal Blade (can’t beat the classic hack/slash), Pepper Grinder (machine gun-like) and Hobby Horse (melee smash attack). What I also like about this game is that each hit will turn into a combo when combined with other buttons and dodges. I would have to agree pretty well with the games M rating, it definitely pushes the barriers, but that is a good thing. There are a few minor glitches I found the game, mostly when changing rooms or entering keyholes but otherwise, I didn’t noticing any lagging or freezing. The length of the game is decent and leaves you definitely feeling satisfied.  This is a must buy and I can’t wait to replay it again to see things that I missed the first time.

Now like I mentioned earlier the original American McGee’s Alice is included on the disc (unlockable using an online pass at the console store). One thing is though, after playing “Madness Returns” which is so smooth and beautiful, switching back to the original really shows its age. But hey what do you expect…11 years is a long time and games look better today that is expected. Getting to play the original for the first time on a console was really sweet and was a great idea for them to include it on this disc.

 

Interview with Freddie Highmore

Freddie Highmore is known best his roles in “Charlie in the Chocolate Factory” and Finding Neverland”, both with Johnny Depp.  Next up, he is starring with Emma Roberts in the upcoming romantic comedy “The Art of Getting By”.  Movie Mikes had a chance to chat with Freddie about his new film and discussed about his career to date.

Mike Gencarelli: Tell us about your most recent film “The Art of Getting By”? What drew you to this project?
Freddie Highmore: It was a fantastic film. New York was a joy to be in.  What really attracted me to the film was the honesty of it.  It doesn’t present the sort of stylized version of high school that you often get with some of these movies.  It is incredibly real and it is actually quite refreshing. People will go and see the film and have it actually represent the feeling of growing up…feeling of that first love…feeling of that wanting to succeed and the pressure to succeed. The film encompasses all though things and in a real way.

MG: How was it working with Emma Roberts?
FH: Emma Roberts was fantastic.  It was a real joy to get to work with her. The fact we got a long so well right from the start was incredibly helpful.  It is great to get along with someone that you are working with especially with the more intimate moments, they felt more real

MG: Are you generally a fan of the romance genre?
FH: Yeah I am.  I am, obviously.  But some of them perhaps what they are lacking is the way the actor portrays it.  They sometimes need to overdue it emotionally and make it too obvious to people.  I think people really will enjoy our film and see that start they think George is a bit depressed and a bit deluished in life. But actually by the end they will find out who he is.  I think people enjoy seeing that kind of movie.

MG: You’ve worked with so many A-list directors, Tim Burton and Ridley Scott for example, how was it working with first time director Gavin Wiesen?
FH: It was great. One thing that all directors seems to have in common is an amazing amount of energy.  For Gavin, despite the film being somewhat based on real events and in fact on him, he is incredible open.  He is open to the fact that it will be a movie and people will have various interpations of the story.  It was really rewarding that he was able to give up a certain part of something felt attached to him.

MG: After working on the very large production of “Charlie and the Chocolate Factory”, how does working on a film like this compare to indie “The Art of Getting By”?
FH: I think on the independent film, each day was definitely more filled up.  You definitely get through more in the day oppose to just doing one massive shot, which will take the whole day shooting.  There is just something nice about working on the independent film.  You are with a smaller crew and get to know everyonestraight away. Everyone is really willing to be there, excited and looking at the same goal.  It makes it a really excited project to be apart of. We were just running around New York and grabbing shots on the go.  Perhaps New York represents the aim for the film, not just going for the postcard picture of Manhattan.  It is sort of the real New York and the people that live and work in it.

MG: What would you say has been your most challenging film to date?
FH: I think they have all been different.  I am not sure if one has been more challenging than an other one.  I have been lucky in that way.  I have been able to play different character for different genres and not get tied up in one thing in particular. Every film should be a challenge and it keeps you popping and really focused about doing it.

MG: “Arthur and the Invisibles 2 & 3″ were just recently released, how was it working on those films not only acting but also voice acting?
FH: It was fun doing a voiceover in the film oppose to just acting.  I think the people think it is always easier to do a voice but for me I thought it was more challenging.  Since you are never really working with the people.  You just sort of go off and make it up on your own.  There is definitely a lot of preparation for a role like that.

MovieMikes’ “Falling Skies” Interviews

“Falling Skies” is a new sci-fi drama series that was created by Robert Rodat and Steven Spielberg. The series will be premiering on TNT on Sunday, June 19, 2011, with a two-hour premiere. The series will consist of 10 episodes.

The story behind the show deals with the aftermath of an alien invasion. It follows a group of survivors who come together to fight back against the invading aliens. The cast for the show Noah Wyle, Moon Bloodgood, Will Patton, Dale Dye, Drew Roy and Peter Shinkoda.

I have had the pleasure of watching the first five episodes in advance and let me tell you this is a show you will not want to miss this summer. The show mixes sci-fi with really great human drama which leads to a great show. I was also lucky enough to interview most of the primary cast from the show. They were able to chat with me about their experiences on the show and what we can expect from it.

We will be posting new interviews each day leading up to the premiere of the show on Sunday. Hope you enjoy them and feel free to leave comments.

FALLING SKIES CAST INTERVIEWS:


Dale Dye

Drew Roy

Moon Bloodgood

Noah Wyle</


Peter Shinkoda

Interview with Jason Lee

Jason Lee is currently starring in the TNT’s “Memphis Beat”, which is begins season two starting June 14th. Prior to this Jason has worked on the TV series “My Name is Earl”. In film,. Jason is known for his roles in Kevin Smith’s films “Mallrats”, “Chasing Amy” and “Dogma”. He has also played Dave in the “Alvin in the Chipmunks” series, with its second sequel being released this Fall, “Alvin and the Chipmunks: Chip-Wrecked”. Movie Mikes had a chance to attend a conference call with Jason Lee to discuss the new season of “Memphis Beat” and what we can expect from it.

Mike Gencarelli: Do you find it difficult for you combining the comedy with the drama for this show?
Jason Lee: This season it’s easier because that was more of the direction we wanted to take this season because we felt that that was lacking a little bit last season in retrospect. I think with anything you do characters have to be believable, acceptable, likeable that’s always sort of my stance like even with a guy like Earl.  With just a massive list of wrongs you still like the guy, you know what I mean? I felt like we needed with “Memphis Beat” and have Dwight feel even more tangible real likeable, accessible, approachable and less of the character or a sort of a iconic thing that we were trying to have him be in the first season. Strangely, I thought a lot about Burt Reynolds back in the 70’s, that strong kind of jokes every man just that kind of humor from that and the camaraderie with like those movies like “Cannonball Run” and “Smokey and the Bandit”. I guess trying to incorporate that into this show and making it have more of that old school kind of Southern flair, that energy and you see more of that coming out and that’s balanced with the more dramatic stuff of I’ve seen them today these guys are cops and people are being murdered and no shit there’s a lot of stuff happening here. But I think it was a little to precious the first season.

MG: What would you consider is the most challenging part working on the show?
JL: I would have to say the lip-syncing and the performances. I try to be as genuine with those and make that feel as heartfelt as possible and make it look as good as I can. That’s sometimes a difficult thing learning those songs and…putting my heart into it and making it feel right. I want to do justice to that. Also always being conscious of walking that balance between reality and fiction and trying to keep it real and not cheesy or forced but as believable as possible.

Q: Well you’ve got a great show. Were you surprised how well the show went over last season?
A: I mean yes, I thought it was interesting enough as the start to something potentially better…and we’ve made it better this season in my opinion.  Sometimes you do something with one formula and then you look at it and you go, well you know what it didn’t quite feel what it – the way it should have felt and then so you reconvene you look at it all and you start fresh with the strengths from last season and then having sort of gotten rid of the weaknesses. I think the show is more fun this season Dwight is a little bit more identifiable he’s less of a character and more of just a guy. It’s less of a sacred kind of Elvis thing and more of just a Southern dude who loves music and he happens to be a musician and a performer. This season there’s less of country Elvis thing and more of just Dwight performing music. Certainly Elvis is his idol but you know what really kind of didn’t help in our favor at the beginning of the first season was that people have this ideal that the show is like cop by day Elvis impersonator by night and that kind of screwed us up a little bit. Because it was not that and then when we presented the show as something else it was difficult to work our way around that. Now we just sort of shed all of that and it’s just more about Dwight loving the South and being just a guy who loves everything from Elvis to Johnny Cash to Muddy Waters to probably Simon and (freakin’) Garfunkle.  He’s just a guy who loves music and he’s a performer. So it was really important this season that we made Dwight more of a just a dude and less of this kind of character or this icon or something. We just have a more fun kind of lighter, looser kind of old school cop show with more car chases and shoot outs and more more joking and having fun and more camaraderie among among us, there’s a gang. We needed to go through season one to see all this stuff and make this season more fun.

Q: Okay you were talking about a minute ago about Dwight and he’s one of the coolest cops in recent TV history. What you did to bring that cool swagger to this role?
A: Oh man, well it’s I think it was the boots, some of the wardrobe, the car, the music, the old guitars. It’s sort of like there’s a little bit of a modern day kind of cowboy vibe to the guy, which I think is really interesting. But that could get real cheesy real fast. So I just try to be aware of the importance of this guy’s job and making it as much about how much he cares as it is about how “cool” the guy might be and how fun it is to play this guy. It’s kind of walking a little bit more of a line between character and realities than we did I think last season. So I learned – we all sort of learned a lot from last season.

Q: All the music on this show is incredible. Can you talk a little bit about that the barrage of great songs that crop up throughout each episode?
A: Well that’s the beauty of the show it’s taken straight from the South.  It’s like you’re going to get those flavors of blues, R&B, Elvis.  It’s like the backdrop to the show because it takes place in Memphis and we all know how important music is to the Memphis to the South. So it’s like it’s kind of – it’s the character to the show just as much as Dwight’s car is.  We get away with a lot of stuff that I don’t think we’d get away with it if the show took place somewhere else because in the South your town is like you’re very prideful of it. There’s such a sense of camaraderie and community here because everybody shares everything and that’s very much a Southern thing I found. So with that comes a real sense of pride and Dwight carries that pride with him. There’s a pride of “hey we do things differently around here”, which I think is really cool.

Q: What is the City of Memphis think of Dwight in the show When you go to Memphis,even if it’s just to shoot exterior scenes, do they greet you like you’re a local hero?
A: It speaks volumes of about how awesome Memphians are.  The biggest disappointment that we’ve heard is Memphians saying that they have seen quite a bit of New Orleans in the show and saying that they totally understand that we really wanted to shoot in Memphis but they still embrace the show.  They understand that it’s a bunch of red tape sort of logistical kind of governmental tax incentive stuff all this stuff.  They’re usually kind to us. This season we have a fantastic production designer and she is very anal and we’ve tried even harder this season to make it even more authentic. Overall though the Memphians are they like the show. I’ve done press there locally in Memphis and and they say, “We like the show and we’re certainly happy that it has just the title Memphis in it and we understand why you can’t film here. It’s disappointing but we don’t hate the show” so of course that’s nice to hear.

Q: Have you ever been much of an armchair detective in real life? When it comes to crime dramas and mysteries do you watch them? Do you read them? And if so who are some of your favorites?
A: I’m a product of the 70’s.  My favorite stuff is like “Streets of San Francisco”, “Rockford Files”, “Dukes of Hazards”, “C.H.I.P.S”, you know what I mean? Like “Smokey and the Bandits”…that’s my vibe.  Something that I bought to the table for this season is like that we needed to make it feel a little bit more fun and action packed than kind of just old school like these other shows. We tried to do that season one but we didn’t quite nail it. I feel like that energy that you see on shows like “Rockford Files”. Just that fun camaraderie and that’s just like energy…just the style of it.  I feel like we’ve tapped into that more because to me it’s just cool aesthetic and it fits this Southern Dwight thing…the old car that he drives, the music, the energy.  There’s more laughs this season. It’s a little lighter and it feels a little bit more just down home.

Q: What do you think of Sam Hennings as an actor and as a person?
A: Oh Sam is amazing he has really found his thing this season even more so I think. Just because overall the energy has shifted and there’s more room to have fun and just be real and not be so serious all the time. Quite a few scenes this season, I’m not in this time around because we’ve tried to balance out the work load.  We are trying to put more focus on the other characters.  Sam’s had some great story lines so far and he’s really gotten the shine. He’s a great fit for this show. He’s from Macon, Georgia and he’s just like he’s an old school.  He’s the perfect old school kind of cross city cop.

Q: Last season ended on kind of an emotional cliffhanger with Dwight finding out that his dad might have been a dirty cop. Is that storyline going to be followed up at all?
A: Yes sir we’ve already filmed that episode.

Q: Does your schedule allow you to do any films on your hiatus?
A: Yes I really want to get back into doing some film work.  Hopefully this year later this fall. I miss that, I miss it and I’m really looking to find something that I can do for this year.