Stage Review: “42nd Street” – Kansas City

“42nd Street”
Kauffman Center for the Performing Arts, Kansas City, MO
May 2, 2017

Our Score: 5 out of 5 Stars

In the summer of 1981, Uncle Sam decided to send me to Germany. I used a couple days before I left to visit New York City. I got there on a Sunday night and was amazed that, at three in the morning, I could get Kentucky Fried Chicken. I had planned on seeing “The Elephant Man” but sadly learned that it had actually closed the night I hit town. Wanting to say I had seen a Broadway show I remembered an article I had read on the plane about a show called “42nd Street.” I wasn’t intrigued by the plot, which is basically the story of a Broadway musical inside an actual Broadway musical, but by the story of how the show itself was a bit of theatrical folklore. It seems that the show’s director/choreographer, Gower Champion, had actually passed away just before the curtain went up on opening night. While the audience is giving the cast a rousing and much deserved standing ovation, the show’s producer comes out on stage and breaks the news. Now THAT’S theater.

“42nd Street” tells the story of director Julian Marsh (Matthew J. Taylor) preparing for his next Broadway hit. He is surrounded by many fresh-faced youngsters who want to get their big break alongside his “star,” Dorothy Brock (Kara Gibson Slocum). Also along to audition is Miss Peggy Sawyer (Clara Cox), a young lady from Allentown, Pennsylvania with stars in her eyes. Peggy is clearly talented but her exuberance becomes a pain in the rear for Brock. An accident with Brock leads to Peggy being fired. But, when Brock is injured, It’s discovered that the only way for the show to go on is to hire Peggy back. Will she go out on stage a youngster but come back as a star? What do you think?

I have many fine memories of the Broadway show, including the performances of the late and great Jerry Orbach and the amazingly talented Tammy Grimes. And while those two are revered as Broadway legends, the performances of Mr. Taylor and Ms. Slocum are equally strong. The entire cast kicks back and tap dances their butts off. This is what you might call an old fashioned musical, with classic songs and some of the greatest hoofing you will ever see on stage. So take my advice and “Come and meet those dancing feet, on the avenue I’m taking you to, 42nd Street!”