Theatre Review “The Little Mermaid: The Musical” Starlight Theater – Kansas City, MO

The Little Mermaid The Musical
Starlight Theater
Kansas City, Missouri
July 23, 2013

Our Score: 3.5 out of 5 stars

Any time you’re hoping to replicate the success of a Disney production, you’re going to be automatically met with how well you stack up against the original. Even with a hazy memory of how the story to “The Little Mermaid” went, I still had a fairly good idea what to expect and I’m glad to report that not only does this Broadway-style production stays true to the 1989 classic, it is a delight to watch.

For those readers whose memory may be equally fuzzy, let me catch you up to speed. Ariel (Jessica Grove) is a mermaid and also the youngest daughter of King Triton (Edward Watts). Much to his dismay, she constantly visits the ocean’s surface and dreams of not only walking on the shore but living on dry land with the other humans. It doesn’t help when she rescues and falls in love with a Prince Eric (Nick Adams). Anymore information and I will have ruined the first half for those of you who haven’t seen the 1989 film or read the children’s story by Hans Christian Andersen.

The show gets off to a slow start with a song written for the production, but kicks into gear with the song everyone should know, “Part of Your World”. Grove is definitely talented and easily hits the high notes in the song. In fact everyone in the show is well cast in their roles. Still there are some low moments. The film’s most popular song, “Under the Sea”, doesn’t feel as epic or magical as it should in my opinion. My memory may have been blurry but I distinctly remember that song. I will add, in the show’s defense, that I’m sure it’s hard to create a sea alive with song and dance on stage. You could say it’s a tad villainous, but Ursula (Liz McCartney) almost steals the show. Any time she’s on stage, her presence is definitely felt and McCartney really belts out the lyrics in grand style, especially during the songs “Daddy’s Little Angel” and “Poor Unfortunate Souls”.

Major props to the men and women behind the scenes of this production. To add to the effect that they’re underwater and swimming the cast is literally whisked into the air and across the stage. One man who certainly deserves a lot of credit is John MacInnis, who choreographed the show. One of the best instances of perfectly matched movements is during “Sweet Child” when the eels, Flotsam and Jetsam (Scott Leiendecker and Sean Patrick Doyle), move as one entity. Though “The Little Mermaid” lacks a lot of big dance numbers, one thing that really impressed me was watching the the actors constantly “swimming” in place, even when they don’t speak a single word during the scene. On the negative side, someone should send a note to the sound guy. Often times the music was much louder than the singing and I often saw parents covering their children’s ears because of how loud the volume was. I even found myself wincing at the volume a couple of times.

I haven’t seen the animated film in almost 20 years but I may have to after seeing this show. There may be a few things from the film that the production didn’t do justice, but I can guarantee there are plenty they triumphed on. The cast of “The Little Mermaid” should be proud they did the original justice while creating new memories for children of all ages.

This production runs at Starlight Theater until July 28th. For tickets visit www.kcstarlight.com

Theatre Review “Flashdance: The Musical” Starlight Theatre – Kansas City, Missouri

Flashdance: The Musical
Starlight Theatre
Kansas City, Missouri
July 9, 2013

Our Score: 2.5 out of 5 stars

I’ve never seen the 1983 film “Flashdance.” I wasn’t even sure what the story was about as I strolled to my seat to watch the musical production, appropriately titled, “Flashdance: The Musical”. The only thing I knew about the film was that it featured the song “Maniac” as well as the famous and steamy scene featuring a 20-year-old Jennifer Beals dousing herself in water. After watching “Flashdance: The Musical” I think I’ll stick with that sultry movie image and the few musical numbers from the stage show that really stuck out.

It’s not that the story is terrible. It’s that nothing feels spectacular about it. Alex Owens (Jillian Mueller) toughs it out with other men at a steel mill during the day, but at night she flashdances at Harry’s Bar. She works alongside some sassy ladies by the names of Kiki (Dequina Moore), Gloria (Kelly Felthous) and Tess (Katie Webber). One day at the steel mill she meets the boss’s grandson, Nick Hurley (Matthew Hydzik). He immediately takes a liking to her, but she’s not interested. She’s far more entranced by the Shipley Academy, where professional dancing dreams are fulfilled. The rest of the story is fairly predictable. That’s not necessarily a bad thing since the theme of the plot is about pursuing your dreams and at times realizing what’s most important in your life. The problem lies in some of the unnecessary side plots. One about the strip club owner, C.C. (Christian Whelan), who’s trying to lure Harry’s women to his establishment down the street. Another about the falling out between Gloria and her boyfriend Jimmy (David R. Gordon). Of course I get the impression people aren’t there for the supposed drama unfolding on stage. I assume they’re in attendance to relive the decade that brought us new wave, hip hop and the popularization of hard rock.

The music does a fantastic job at blending different genres of 80’s music, accompanied by some entertaining dance numbers. Sadly not all songs are like this. Some are just dry ballads or poorly written songs. The musical really succeeds when background sets are constantly changing, when an ensemble of dancers and singers flow in and burst with excitement. The fun is poured on when costume changes occur. They’re quick and incredibly sexy. It’s frustrating when songs like “Steeltown Sky”, “Manhunt” and “Chameleon Girls”, are followed with numbers that trip and fall flat like “Just Out of Reach”, “Remember Me” and “Where I Belong”. It’s not that the actors in this did a poor job; many were fantastic and showed great vocal range. It’s just that the lyrics were confining and didn’t give the performers room to grow. Veteran stage actress Jo Ann Cunningham, who plays Hannah, Alex’s mentor, is given her own song, but the balance between lyrics and music seemed incredibly wobbly.

All the right pieces are here, except a good script and solid set of songs. At one point I wondered if maybe this was a movie that never really needed a stage adaptation. But maybe I’m missing something. The 80’s was when female artists like Whitney Houston and Madonna shined and really helped pave the way for other musicians. Also it was a continuing and growing age of women in the workplace. I grew up in the 90’s. I watched the birth and death of music videos on TV. Grunge, punk rock and gangsta rap became mainstream. It’s hard for me to feel nostalgic or relate to the show being put on. So if you’re a Generation X child or enjoyed the 80’s, you’ll enjoy this musical. But if you’re a product of the 90’s like me, you’ll be dreading the day when they make “Spice World: The Musical”

The show is currently running in Kansas City through July 14th. The current tour continues into next year. The next three stops are:

Chicago — August 6th-18th
Memphis — September 17th-22nd
Indianapolis — October 1st-6th

A complete list of tour dates can be found at: www.flashdancethemusical.com

Theater Review “Catch Me If You Can” Starlight Theatre – Kansas City, MO

Catch Me If You Can
Starlight Theatre
Kansas City, MO

Our Score: 2 out of 5 stars

“Catch Me If You Can” is a true story based on Frank Abagnale Jr (Stephen Anthony), a quick talking fast learning teenager who, in the 1960’s, was an airline pilot, doctor, and a lawyer, all before the age of 21! Frank spends the majority of the story being tailed by FBI Agent Carl Hanratty (Merritt David Janes), a devoted and stubborn man who has made catching Abegnale his number one priority.

Following the divorce of his parents and the loss of his father, Frank Sr. (Dominic Fortuna), Frank Jr, decided being on his own is better than living in a broken home. He starts out by faking a Pan Am Pilots badge. He flies to over 26 different countries and helps copilot over 250 flights. He cashes his fake Pan Am checks all over the world under different aliases to stay a step ahead of the feds. This catches the attention of Agent Hanratty who is the only agent in his department who really feels this “shadow” pilot is trouble. He doesn’t realize that his cat and mouse game will one day land one of the most notable imposters of the 20th Century. While on the run from Hanratty, Frank decides to drop the pilot job and starts practicing medicine as an overnight ER physician. Here he meets Brenda Strong (Aubrey Mae Davis) who not only steals his heart but makes him think about dropping the whole charade he has been living and be an honest husband. Well that doesn’t go just as planned when, while meeting Brenda’s parents, he decides to announce that he will be practicing law thus starting another career as lawyer.

Frank will eventually be caught but the relationship that Abagnale and Hanratty have developed over the years does not let the story end with Frank’s capture. Abagnale was arguably the greatest ever at forgery and impersonation so, after a short stint in prison, he ishired on by the FBI and today is still very good friends with Agent Hanratty.

If you have read the book or seen the movie you know that “Catch Me If You Can” is nothing short of a brilliant story. Unfortunately the stage performance I witnessed was far from brilliant. I felt that Frank’s cracking voice was just unnecessary. I understand that he was a teen but short of a having a deep baritone voice the performance would have been much more believable if he (Anthony) would have just used his real voice. The jokes were corny, the songs sub par, and only a couple actors were not guilty over completely over acting.

That being said Hanratty (Janes) and Frank Sr. (Fortuna) kept me in my seat while watching this play. They give great performances and are really the only good performers I saw on stage. Both actors have experience on Broadway and it showed. Their actions matched their characters and emotions and their performances were effortless in a good way.

“Catch Me if You Can” is truly is great story and Starlight is a great venue to experience musical theater but if you would like to know the story of Frank Abagnale Jr. I would advise you rent the movie or read his book.

 

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DVD Review “The Theatre Bizarre”

Directed by: Tom Savini, Buddy Giovinazzo, David Gregory, Douglas Buck, Jeremy Kasten
Starring: Udo Kier, Guilford Adams, Suzan Anbeh, Lindsay Goranson, André Hennick
MPAA Rating: Unrated
Distributed by: Image Entertainment
Release Date: April 24, 2012
Running Time: 114 minutes

Film: 2 out of 5 stars
Extras: 3 out of 5 stars

I am a huge fan of horror anthology but sometimes like in the recent “George Romero’s Deadtime Stories”, the stories just don’t have enough quality and production value put into them. I loved the opening story with Udo Kier called “Theatre Guignol” and directed by Jeremy Kasten, I wish it was expanded more. In the other six tales, there is maybe two that totally kept my interest out of the them all. They should have just stuck to the three and kept the running time at 90 minutes instead of almost two hours. Props to Tom Savini for directing my favorite of the bunch, titled “Wet Dreams”. He knows horror and definitely stood out among the rest in this anthology. Let’s just say this is no “Creepshow”.

The film follow a young woman who wonders into an abandoned theatre, only to realize that it is now empty. There is a show going on and it is lead by a marionette-like man (Udo Kier) who introduces her to six tales of the bizarre. The first, “Mother of Toads”, follows a couple traveling in the French Pyrenees and crosses paths with a witch. “I Love You” shows the wrath of a partner who has been pushed to the limits. “Wet Dreams” is my favorite and lurks in the dreams of an unfaithful husband and the bur between fantasy and reality. “The Accident” should the horrors of the real world through the mind of a child. “Vision Stains” and my least favorite features a woman who is addicted to other people’s memories through the fluid of their eyeballs. Lastly and my second least favorite, “Sweets” focuses on a bizarre sweet fetish between a couple that gets out of control.

Even though the film is a bit hard to watch, the special features are not bad. There is directors commentary available, which works well in this case since the films are short. There is a behind the scenes featurette, which is worth checking out. There is also interviews with each director, which is a little short but working checking out. Lastly, there is the trailer included.

Chiller Theatre Expo Spring 2012 Packs a Great Lineup!

The legendary ALICE COOPER will be returning and signing at the Chiller Theatre Expo Spring 2012 edition is coming up on Friday April 27th, Saturday April 28th, & Sunday April 29th.

This years event has many first time convention appearances by some great guests like Dean Cain, Robert Loggia, Parker Stevenson, and Cathy Moriarty!! More info at: http://www.chillertheatre.com/main.htm

April 27-29, 2012
Friday – 6 p.m. – 11 p.m.
Saturday – 11 a.m. – 7 p.m.
Sunday – 11 a.m. – 5 p.m.