Kansas City Theater Review: “Kinky Boots”

Starlight Theater
Kansas City, Missouri
September 29, 2017

Review by: JR Deeter

The stage musical “Kinky Boots” is based on the 2005 British film of the same name. I first became aware of this inspiring story while watching the 2013 Tony awards program. I enjoyed the musical numbers like “Sex Is in the Heel,” “Not My Fathers Son,” and “Soul of a Man.” The performance this evening at Starlight really did those songs justice and really, the entire score of songs was great. Lead actors Lance Bordelon and Joseph N. Banks were perfect in there respective rolls of Charlie and Lola/Simon. The supporting cast did an exceptional job as well, especially the ensemble group known as the Angels. For the musical, written by Harvey Fierstein with music & lyrics by Cyndi Lauper, a strong message of inclusion is brought out, promoting the feeling that everyone deserves respect for who they are.

The story tells of a four-generation tradition of proprietors of a men’s shoe factory, Charlie dreams of something more…and his fiancé, Nicola, is dragging him to the big city of London to pursue that dream. The sudden death of Charlie’s father brings him back into the factory to figure out how to tell the staff, who are like family to him, that the company is bankrupt and going to have to close. On a return trip to London, he encounters what he believes to be a woman being beat up by a couple of guys. He intervenes and meets the amazing Lola, the drag queen star of the club Charlie was visiting. Over time a friendship begins to develop and soon, with encouragement from his factory workers, who do not want to see the factory close, Charlie realizes a change is necessary from the old, stodgy men’s shoes to something more….and that is to provid kinky style boots for the transvestites who perform in the club. They are in need of a better designed boot, one that can handle the weight of a man, and still look fabulous and sexy. Lola brings her ideas and a partnership is born. Everything is going great, until an episode of intolerance shows that there are still those in society who do not accept what they cannot understand, or what is different than what they believe is normal. After teaching the misguided few a valuable lesson, by means of a boxing match (yes, turns out in his younger days, Lola, or Simon was trained by his father to be a prize fighter). Lola and Charlie find themselves at odds over designs, models for an upcoming show in Milan, and just their friendship in general. Lola seeks closure from her failed relationship with her father, who has rejected her for the lifestyle she choose. All seems lost, but like most musicals, everything works out in the end. Charlie and Lola realize they need each other to accomplish their goals and even the former bully comes around and admits his misgivings. The fashion show starts out as a disaster, but Lola and her Angels arrive just in time to save the day, and all is right with their world.

A very entertaining show, with a valuable lesson and and musical numbers that are outstanding. Cyndi Lauper has created memorable songs and music that shine bright all the way through. Not bad for a first timer. In 2013 “Kinky Boots” received 13 Tony Award nominations and won six trophys, including Best Musical and, for Cyndi Lauper, Best Score.

Kansas City Theater Review: “The Bodyguard – The Musical”

Starlight Theater
Kansas City, Missouri
August 8, 2017

Bang! The sound of a gunshot fills the theater while, behind the curtain, a voice cautions, “You know what I do!” Whether the other person does or doesn’t is irrelevant. With another shot, he is dead.

The above transpires in the first few minutes of “The Bodyguard: The Musical.” Based on the popular Lawrence Kasdan film, which starred Kevin Costner and Whitney Houston, the show is hoping to recreate it’s huge London success on a tour of the states.

To those familiar with the film, you know that the story involves pop superstar and budding film star Rachel Marron (an outstanding Deborah Cox) and her hate/hate more relationship with Secret Service agent turned personal bodyguard Frank Farmer (Judson Mills), who has been hired by Rachel’s manager to look after the singer after a series of threatening notes are found. Frank is a no-nonsense kind of guy and this rubs Rachel the wrong way. Not only is she worried about her privacy but that of her young son, Fletcher. As the show progresses we are treated to some nice choreography and some amazing Whitney Houston songs. In fact, this show is so full of Houston’s hits that it should have been called “WHITNEY! – The Musical.”

The show’s plot consists of every way possible to introduce another classic Whitney Houston to the audience. The songs are classics, but the plot is a dud. It didn’t really work as a film but translated to the stage, especially in musical form, is a gamble that doesn’t quite pay off. On the plus side, both leads are committed to their roles and Ms. Cox’s voice is loud and clear. The choreography is top notch and the direction keeps the show moving. If you’re a fan of the film you may want to skip “The Bodyguard.” If you’re into the music of Whitney Houston, then by all means take it in.