Blu-ray Review: “Psycho Goreman”

  • PSYCHO GOREMAN
  • Starring: Nita-Josee Hanna, Owen Myre
  • Directed by: Steven Kostanski
  • Rated: Unrated
  • Running time: 1hr 39 mins
  • RLJE Films

     As the mark of a full year of shutdowns and quarantines goes sloth-crawling by and we begrudgingly re-examine (for the thousandth time) the trials we’ve survived (however barely) … there’s still a piece of us constantly looking for a beacon of hope. There’s questions to be asked. Will you continue to mask up and socially distance or are you moving to Texas? Will you be getting the vaccine or waiting it out? If you’re a monster kid… you have one more important question: are you going to rent Psycho Goreman or buy the damn thing and watch it on loop until you break your Blu-ray player?  Your answer better be BUY because this movie is that good. Except Psycho Goreman ‘PG for short!’ isn’t a blinding beacon of hope… he’s a foul-mouthed alien overlord sent here to destroy the universe and resurrect the creature feature genre.

     Canadian Director/Writer Steven Kostanski, who previously delivered the Lovecraftian THE VOID in 2016, clearly has a tremendous affinity for practical effects and eccentric storytelling. Psycho Goreman takes us onto the battlefield in a crazy war of good vs. evil and evil vs. evil — with blood, guts and meme-worthy Gigaxian one liners flying everywhere. Ninety nine minutes  that plays like an R-Rated visit with Power Rangers in the most hilarious and bonkers capacity imaginable. Psycho Goreman drop kicked exactly what I needed into my lap when I genuinely COULD NOT handle a single extra day of “2020 Part 2″‘s regularly scheduled SNAFU lineup.

I hereby present to you…my wish list for movies from BEFORE Psycho Goreman came to earth:

[✓] A resurgence of credit-roll theme songs. This was one of the greatest things about the 80s and 90s. Remember when they commissioned artists to write completely asinine lyrics and roll them into absolute BANGERS? It’s musical slapdash that I’m, honestly, 105% here for. Calling it now — this will be the next thing to make a comeback in cinema of a certain brand.

[✓]  Millennial 80s/90s nostalgia vibes…with heart. Not something that feels like a filmmaker googled ‘what were the late 80s like?’ and used an immersion blender to make an on screen disaster. I’m honestly so exhaustively far past being done with branded cookie cutter faux 80s-kid content. I want someone and something to bottle the feelings I felt watching shows after school but bigger, grosser and more fucked up… because I’m not six, I’m thirty six. I’ve humbly traded in Pogs and Gushers for IcyHot and Tums and so NOW I want to see body parts flying. I want kids using bad language and monsters who talk dirty. I want to root for a kid who is authentically and effortlessly cooler than I ever was and a monster who is sexier than I’ll ever be able to be.

[✓]  Practical effects out the yinyang. I don’t care what the story is… CGI in horror, generally, should be outlawed. Go big. Then bigger. Keep going. Did everything explode all over the place? Turn it up to eleven. More alien guts! Look at these costumes! We’re almost there. Make me look up who did the fx work. “Give ALL these people a raise!”  Ahhh. That’s perfect. If this is the only redeeming element then so be it… but if it works in tandem with a story that makes me want to suspend disbelief in every capacity then all the better. I’m in.

[✓] A soundtrack that I need to buy, like, yesterday: I consume a lot of tunes and I appreciate the greatest cinematic needle-drops as much as the next dweeb but good lord, there is something to be said about an original score that lets me live my own personal version of on screen adventures with outrageously, bombastic earworms. I’m there. You wanna release it on vinyl in deluxe packaging? Take my money. I want you to deliver to my ears… big hair, big drums, big synth, big aural explosions and none of this Stranger Things nonsense. I don’t like being manipulated. Bring those things and mean it because I very much am paying attention to the man and the noise behind the curtain.

(https://waxworkrecords.com/collections/all/products/pg-psycho-goreman in case you want to buy your own.)

[✓]  Yo, literally just anything to be excited about? I don’t have the mental or emotional bandwidth anymore to recreationally consume anything that requires work. I want something that’s easily digestible and leaves me feeling amazing. I’m just getting back to the point where I’m willing to roll the dice and try to connect with something media-wise but, directly, I’m telling you that I’m looking for lightning in a bottle. So much of what we’re getting now is just more of the same thing we’ve just recently seen: major IP fatigue up in my brain. Show me something new and weird and make him ugly but charming so I can do a hard swipe right. Give me light and snappy. Let me cheer for and also laugh at and with him. Anything that makes me feel bad is getting turned off.

[✓] Make me want a whole line of action figures and a series of school supplies. I need a trapper keeper with gay-friendly alien monsters and a thermos to take soup to work in. Why are things meant for adults never flashy or covered in drippy, neon, monster madness? I’m sad that I’m not represented.

[✓] Give me a monster-kid I identify with and hey… it’s 2021 so it better be a girl and no one better be sexualizing her. We’re done being here for that purpose. I want a little girl on screen who I believe, with every fiber of my being, could save or destroy the universe with her death-glare and smart mouth alone. Not a single super power required.

[✓] Make me LOVE this movie. I want to authentically insist that the people I care about see this movie so they’ll be able to have the same magical feelings I did. I’ve spent much of my adult film-watching experience itching for just one more opportunity to dip my toes into the syrupy pool of Spielbergian kid-adventure but that’s not really where I’m at anymore. You never TRULY outgrow the things you loved in your formative years but now, as a parent, I think I’ve dropped the desire for a newly packaged version of that.  I want to see what someone like MY kid would do with an E.T. like experience. My daughter isn’t the Elliot type and, if we’re being honest, I never was either.  Maybe if an alien comes to earth, I don’t want it to be a sob fest. Maybe I want it to be a party. Maybe I want to see aliens play rock music? Quick…add that to the list.  [✓]

     There’s a fine line when you expect originality. There’s formulas that flourish because they’re dependable. The Hero Cycle’s Call to Action will forever exist because deep down most of us want to be emotionally guided to a promised feel-good moment. We want to feel like our however-fleeting emotional investment to characters and their story has contributed to our own personal journey… and temporarily that’s totally fine.

     For those of you who find your viewing habits to be influenced by the current social atmosphere, there’s absolutely something to be said about returning to things-familiar. Sharing a moment, or ninety, with characters who are in the time of their lives before developing a sense of reflexivity is really comforting. Envy inducing. I think we’ve all had many moments during this past year where we wish we were in our childhood and entirely unconcerned with adult stressors or problems. Re-examining things we loved as children seemed right and safe because we knew what to expect. However as movie fans we have to encourage the continuation of new storytelling. Steven Kostanski had the opportunity to go big and went huge. I think someone must’ve told him to go nuts and he really went for it. In a time when so many things within the genre lean hard into serious, dark and emotionally exhaustive arthouse-horror… this was a bold move that at this moment in time I’m incredibly grateful for. He made something new and he made it really damn fun. Fun: Little word. Means everything in this moment.

     The world is seriously scary enough right now but that doesn’t mean we can’t still like horror. I’m happy someone lightened things up by making it weird, gross and thrilling. Go watch Psycho Goreman and keep an eye on Steven Kostanski. And Steven, (if you see this) can we make sure this toy line happens? We’re all here for tiny, plastic hunky boys!

PSYCHO GOREMAN, available on DVD and Blu-ray starting March 16. 

Behind the Screen: The 20 Most Influential Movies of All Time

It’s no secret that movies are influential.  From snappy catch phrases – “I’ll be back!” – to fashion (think Diane Keaton in “Annie Hall”), they have an important part in our lives.  Heck, you’re reading this on a website that was created by two people who share a love of the film “Jaws.”  No “Jaws”…no Media Mikes! Recently, researchers at the University of Turin in Italy conducted a study of over 47,000 films to see which had the biggest influence on its audiences.   Their list was based, in part, on how many times a film has been referenced in other films, as well as how many spin-offs it expired. 

Surprisingly (to me anyway), the study determined that the most influential film of all time is 1939’s “The Wizard of Oz,”.which has been referenced over 3,000 times in other films and television programs.  Most of those references were either the use of the Oscar-winning song, “Over the Rainbow,” or the inclusion of Dorothy’s famous line, “I have a feeling we’re not in Kansas anymore.”  The film has also inspired several other films, including “The Wiz” (1978) and “Return to Oz” (1985). 

Here, according to the study, are the (20) most influential films of all time: 

1.  THE WIZARD OF OZ (1939)

2.  STAR WARS (1977)

3.  PSYCHO (1960)

4.  KING KONG  (1933)

5.  2001:  A SPACE ODYSSEY (1968)

6.  METROPOLIS (1927)

7.  CITIZEN KANE (1941)

8.  THE BIRTH OF A NATION (1915)

9.  FRANKENSTEIN  (1931)

10.  SNOW WHITE AND THE SEVEN DWARFS (1937) 

11.  CASABLANCA  (1942)

12.  DRACULA  (1931)

13.  THE GODFATHER (1972)

14.  JAWS  (1975)

15.  NOSFERATU  (1922)

16.  THE SEARCHERS  (1956)

17.  CABIRIA  (1914)

18.  DR. STRANGELOVE or:  HOW I LEARNED HOW TO STOP WORRYING AND LOVE THE BOMB  (1964)

19.  GONE WITH THE WIND  (1939)

20.  BATTLESHIP POTEMKIN  (1925)

If you have a film that has influenced you in some way, please let us know below.

Film Review: “78/52”

Starring: Jamie Lee Curtis, Peter Bogdanovich and Guillermo del Toro
Directed by: Alexandre O. Phillipe
Not Rated
Running time: 1 hr 31 mins
IFC Midnight

It is one of the greatest scenes in movie history. Like the crane shot showing the carnage of the Civil War in “Gone with the Wind” or the Odessa Steps sequence in “The Battleship Potemkin” (later copied by Brian De Palma in “The Untouchables”), whenever you think about Alfred Hitchcock’s classic film “Psycho” the first thing you think of is the shower scene. The new film “78/52,” which references the number of pieces of film (78) and edits (52) that comprise the scene, takes a look at the creation of the scene as well as its impact on Hollywood and world cinema.

Despite the use of plenty of footage from “Psycho,” the film begins with a recreation of a scene featuring Marion Crane’s car driving thought the rain. What is disconcerting about this footage is that the woman featured bears a very close resemblance to Adrien Brody in a blonde wig. Thankfully we soon return to the film being discussed and take a painstaking journey of 90 minutes to dissect a scene that only lasts three.

General fans of the film will be impressed with all of the “behind the scenes” interviews with everyone from Mali Renfro, who played Janet Leigh’s double during the shoot to Jamie Lee Curtis, Leigh’s daughter. Also included are fans like Elijah Wood, Danny Elfman and Bret Easton Ellis. Film buffs will also enjoy the comments of filmmakers great (Guillermo del Toro, Martin Scorcese) and, well, not so great (Eli Roth) as they explain how the film helped shape some of their own work.

A seemingly unending number of industry insiders (editors, writers, etc) offer their own takes on the meaning of the scene, going so far as to dissect it nearly frame by frame. In between the comments are some great moments, including the actual storyboards Hitchcock had Saul Bass design for the scene as well as the still-to-this-day argument about whether or not we actually ever see the knife penetrate the body.

If you’re a fan of “Psycho” and want a good “behind the scenes” look at the film, I’d recommend the brilliant documentary put together by the great Laurent Bouzereau that can be found on the DVD release of “Psycho.” But if you’re REALLY keen to learn the in-depth story, you should give “78/52” a look.

Blu-ray Review “Psycho III: Collector’s Edition”

Starring: Anthony Perkins, Diana Scarwid, Jeff Fahey, Roberta Maxwell
Director: Anthony Perkins
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: September 24, 2013
Run Time: 93 minutes

Film: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

You would think by the time you made it to the second sequel of Alfred Hitchcock’s masterpiece “Psycho” that it would be past its prime but that is not the case here.  Anthony Perkins returns yet again in his iconic role, in fact he also directs the film as well. He is joins by Jeff Fahey, who I have always loved from this film. The film takes place one month after the events of “Psycho II” and is very clever and an all around fun ride. Despite that the film became the lowest grossing film in the “Psycho” franchise, though it was still followed by the TV movie, “Psycho IV: The Beginning”. If you are a fan of this franchise or horror in general, Scream Factory has done it again, delivering another great release.

Official Premise: The Bates Motel is once again the site of something evil as the rehabilitated Norman attempts to help a disturbed young woman, Maureen Coyle (Diana Scarwid, Mommie Dearest), who has left the convent because she can’t find any proof that God exists. Maureen bears a striking resemblance to one-time Bates Motel guest Marion Crane (Janet Leigh) which puts Norman on edge. At the same time, a nosy reporter is snooping around town looking into Norman’s past. Suspense, terror and black comedy worthy of the master himself are in hearty supply in the most shocking Psycho of them all!

Like “Psycho II”, Scream Factory really delivered a fantastic release for this film. The Blu-ray’s 1080p transfer with an aspect ratio of 1.84:1 is very impressive and despite some grain looks great overall. Same goes for the audio tracks, like “Psycho II” this film also contains both DTS-HD Master Audio 2.0 aiming to showcase the film’s original sound design and a supped up DTS-HD Master Audio 5.1 track. Carter Burwell took over the duty for the score from Jerry Goldsmith and does a solid job and it sounds great here, no questions.

The special features included some great new extras and just like “Psycho II” are worthy of this collector’s edition as well. To kick them off there is an audio commentary with writer Charles Edward Pogue and hosted by Red Shirt Productions’ Michael Felsher, must listen for any fan of the series.”Watch the Guitar: An Interview with Jeff Fahey” is a great new feature with the actor reflecting on his role. “Patsy’s Last Night: An Interview with Katt Shea” talks about working on her role and working with Anthony Perkins. “Mother’s Maker: An Interview with Special Make-Up Effects Creator Michael Westmore” talks about the effects in the film. “Body Double with Brinke Stevens” talks about her work on the film. Lastly there are trailers and still gallery included.

Blu-ray Review “Psycho II: Collector’s Edition”

Actors: Anthony Perkins, Vera Miles, Meg Tilly,Robert Loggia, Dennis Franz
Directors: Richard Franklin
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: September 24, 2013
Run Time: 113 minutes

Film: 4 out of 5 stars
Extras: 3.5 out of 5 stars

How do you follow up an amazing classic film like Alfred Hitchcock’s “Psycho”? Well for first bring back Anthony Perkins as Norman Bates. Second bring in hot newbie writer Tom Holland (Fright Night) to set a killer (no pun intended…well maybe some) script. While this film does not reach the reaches of the first “Psycho” but it is a damn awesome sequel. The film is set 22 years after the events of the first “Psycho” and packs a great cast, besdies Perkins, including Vera Miles, Robert Loggia, Meg Tilly and Dennis Franz.  The film always struck me as being very clever and still holds up today. A must have for any horrorhound.

Official Premise: Psycho II is the terrifying sequel to one of the most suspenseful films of all time, Alfred Hitchock’s Psycho. Anthony Perkins makes a horrific homecoming in his role as the infamous Norman Bates, who, after years of treatment at a mental institution for the criminally insane, still can’t quite elude the demands of “Mother.” Vera Miles also returns a the inquisitive woman who is haunted by her sister’s brutal murder and the ominous motel where it all occurred.

Scream Factory really gave a lot of love to “Psycho II” as it has never looked better.  The Blu-ray’s 1080p transfer with an aspect ratio of 1.84:1 is very sharp and quite impressive. There is a little bit of grain showing but overall, it is a great high-definition transfer. In terms of audio tracks “Psycho II” contains both DTS-HD Master Audio 2.0 aiming to showcase the film’s original sound design and a supped up DTS-HD Master Audio 5.1 track. I have to admit, I enjoyed both but the 5.1 track really worked the best for me with Jerry Goldsmith’s score.

The special features are worthy of this collector’s edition as well.  There are vintage cast and crew interviews, which runs just over 30 minutes. There is a option to play the film with cast and crew interviews (audio only), which are different from the ones above. This is a pretty cool feature for hardcore fans. There is a brand new audio commentary track with Tom Holland and is hosted by Rob Galluzzo (writer-producer-director of “The Psycho Legacy”). Great addition to this release and a must listen for any fan of the film. Holland really kicks some ass here. Lastly there are some trailers, TV spots and a still gallery included.