Panic Fest Film Review: “New Life”

Starring: Hayley Erin, Sonya Walger and Tony Admendola
Directed by: John Rosman
Rated: NR
Running Time: 85 minutes
XYZ Films

Our Score: 3.5 out of 5 Stars

We don’t know who or what she’s running from, but we know it’s serious when we first meet Jessica (Hayley Erin). Jessica, with a splattering of blood on her face, is heading to the Canadian border through the mountainous west. Hot on Jessica’s tail is Elsa (Sonya Walger), an FBI agent who just received a crippling diagnosis that is immediately viewed as a death sentence. Both are resourceful, Jessica is scrappy while Elsa is calculating, but only one is willing to put humanity on the line in this pursuit.

“New Life” isn’t what you’d expect from a first-time writer/director and a group of producers who’ve made nothing but horror films. There are some horror elements, but “New Life” is a slow burning look at humanity from two different lenses. Jessica is relatively young, still views the world optimistically and is simply looking to start anew and live. Elsa, is towards the end of her career, views the world sardonically and is so-focused on her job of catching Jessica, that she ignores helpful advice from her friends, co-workers and doctor. The individual journeys are more entertaining than anything else in the film, even the end of the world possibilities aren’t as weighty, but that’s intentional.

After a slow start, “New Life” gets straight to the point, giving us that personalized view of the world from each character. Elsa is ready to nab Jessica, but she isn’t. She doesn’t want to face what comes next. She’d rather face a crisis that’s existentially awful for everyone, and do it her own way. Jessica faces a recent past that’s already caught up to her, but has decided that her life is still worth living, even if that means death for everyone else. As to what happens when the two finally meets, is the ultimate thrill of “New Life.”

The acting by Erin and Walger is nearly flawless as they play two sides of the same coin. We relate to Jessica so well, even when she isn’t saying anything. We can sense immediately that she’s a good person who has found herself in the middle of an awful situation. We relate to Elsa equally because she’s able to command everything and everyone around her through her words, not her action. Even though Jessica’s the one being chased, it seems like we’re able to be at ease around her, but on high alert with Elsa at first. The great thing about “New Life” though, is that as the movie goes, the ease and tension, flip flop throughout until the final act.

“New Life” is about being human and the ensuing complications. Because we relate so well with Elsa and Jessica, the ending almost serves as an emotional thump to the chest. We don’t know whether to be happy, sad or indifferent. Life isn’t as black and white, even with two characters and those two characters carry the nuance of life with them. For these two alone, “New Life” is a must watch, even if you aren’t into slow burns.

Voltage Pictures and Vertical Entertainment Partner on New Pandemic Thriller “Safer at Home”

KEY INTERNATIONAL SALES RACK UP OUT OF AFM

LOS ANGELES, CA (January 13, 2021) — Voltage Pictures has sold US rights to writer-director Will Wernick’s (Follow Me) upcoming pandemic thriller Safer at Home to Vertical Entertainment, it was announced today by President and COO Jonathan Deckter. Vertical has set the release for February 2021.

Voltage first introduced the film to buyers at the recent American Film Market. Key international deals include Falcom in German speaking Europe, Eone in Canada, The Searchers in Benelux, Sun Distribution in Spain and Latin America, Central Partnership in Russia, Signature Entertainment in the UK, Madman in Australia, Cinemundo in Portugal, Front Row in the Middle East, and Filmfinity in South Africa.

The film, which was one of the first projects to go safely into production during the Covid-19 pandemic, stars Alisa Allapach, Adwin Brown, Jocelyn Hudon, Dan J. Johnson, Michael Kupisk, Emma Lahana and Daniel Robaire. The film might seem like a gamble but it more seems like a sure bet, so be sure to check out this page.

Safer at Home was produced by Bo Youngblood and John Ierardi of Showdown Productions, and Will Wernick under his 7930 Entertainment banner. Executive producers are Voltage’s Nicolas Chartier, Jonathan Deckter and Babacar Diene.

The film was written by Will Wernick and Lia Bozonelis, from a story by Wernick, Bozonelis, and John Ierardi. The score was composed by Genevieve Vincent. The film was shot by DP Jason Goodell. Jason Phillips and Lia Bozonelis served as co-producers.

Set in 2022, the Corona Virus pandemic has created mass chaos in Los Angeles and turned the city into a police state.  To escape the grim reality of life, a group of friends get together for an online party: a night of music, drinking, games…and drugs. To kick off the party, they collectively take a hit of what they think is molly.  At first, the night is an exciting departure from the boredom of isolation, but as the drug kicks in, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.

Follow Me was a strong success for many of our international partners, so when the chance came to partner with Will for the third time was a no brainer,” said Deckter. “He’s created a whip-smart, edge of your seat thriller that will speak to audiences worldwide, as they simultaneously experience the varying stages of the pandemic.”

“We’re thrilled to continue our partnership with Will and Voltage this year following the domestic success of No Escape (AKA Follow Me),” said Rich Goldberg, co-president of Vertical Entertainment. “Safer at Home provides exciting twists and turns at every moment and we can’t wait to share it with US audiences.”

Safer at Home joins the robust Voltage sales slate including the political biopic Reagan, starring Dennis Quaid, the action-thriller The Marksman starring Liam Neeson, the upcoming third and fourth installments of the After franchise, the horror-thriller The Seventh Day starring Guy Pearce and the YA romance Finding You

ABOUT VOLTAGE PICTURES

Voltage Pictures, established in 2005, is a privately held, film and television production, financing and sales entity. Voltage has won six Academy Awards including Best Picture for The Hurt Locker, and three Academy Awards for Dallas Buyers Club.

The current Voltage sales slate includes the highly anticipated action-thriller The Marksman starring Liam Neeson, the gangster crime biopic Lanksy starring Harvey Keitel, Sam Worthington and Annasophia Robb and the horror thriller The Seventh Day starring Guy Pearce.  

Voltage represented worldwide rights on After, based on the internationally best-selling series of books by Anna Todd, debuted number one at the box office in 17 international territories including Germany and Italy when released in April 2019 and grossed over $70m worldwide. The highly anticipated sequel, After We Collided, recently opened number one in Italy, Portugal and Spain. The third and fourth films in the franchise are currently shooting in Eastern Europe.

Voltage also produced the blockbuster comedy I Feel Pretty starring Amy Schumer, Michelle Williams, Emily Ratajkowski, and Naomi Campbell, which generated nearly $100m in worldwide box office. Extremely Wicked, Shockingly Evil and Vile starring Zac Efron, Lily Collins, Kaya Scodelario, Jim Parsons, and John Malkovich premiered at the 2019 Sundance Film Festival to great acclaim.

ABOUT VERTICAL ENTERTAINMENT

Vertical Entertainment is a global independent distributor that offers a unique combination of full-service marketing and sales services. Dedicated to providing highly-effective and collaborative solutions, Vertical leverages unparalleled relationships to maximize revenue across all streams. The marketing and sales expertise from Vertical’s seasoned team gives content partners a wealth of experience minus the studio costs.

Vertical won a Gotham Award for Best Actress for Nicole Beharie’s role in “Miss Juneteenth“ this year. Additionally, the company won a Film Independent Spirit Award for Best Supporting Actress for Molly Shannon’s role in “Other People” and the film won a GLAAD Award for “Outstanding Film Limited Release” as well. Vertical also had four other Indie Spirit nominations – three more for “Other People” (Best Lead Actor for Jesse Plemons, and Best First Feature and Best First Screenplay for filmmaker Chris Kelly) and one for Best International Film for Babak Anvari’s “Under the Shadow,” which was also the official UK submission for the 2017 Oscars, in addition to winning one BAFTA Award and three British Independent Film Awards as well. 

Notable Vertical releases include “Shadow in the Cloud” starring Chloe Grace Moretz and Nick Robinson; and “Skylines”, the third installment of the Skyline franchise;  “The Informer” starring Joel Kinnaman, Rosamund Pike, Common, Clive Owen, and Ana de Armas;“ “Miss Juneteenth”, the directorial debut of filmmaker Channing Godfrey Peoples starring Nicole Beharie, Kendrick Sampson, and Alexis Chikaeze; “Robin’s Wish”, the powerful true story of actor/comedian Robin Williams’ final days; “Yes, God, Yes” starring Natalia Dyer, Timothy Simons, Wolfgang Novogratz and Alisha Boe; and “Capone” starring Tom Hardy, Linda Cardellini, and Kyle Maclachlan.