Oscars delayed by two months in 2021!

Might Hollywood be on the brink of change? Irrevocable change that goes beyond the rescheduling of celebrity awards events.

The 93rd Annual Academy Awards have been pushed back while the film industry continues to grapple with the massive upheaval brought on by the global coronavirus pandemic. A return to normal can’t come too soon.

Hollywood understands only too well that the show must go on, that adapting is the only course before it. To what extent though is it prepared to go before the old ways are lost and long-established business models and practices are irrevocably changed?

It’s anybody’s guess.

The 2021 Oscars have been pushed back by two months, the latest celebrity event to be directly affected by the on-going global coronavirus pandemic after both the Golden Globes and Baftas settled on postponement next year.

The Academy of Motion Picture Arts and Science (AMPAS) announced it was moving the star-studded event from February 28 to April 25, a move that requires similar proportional extensions to the eligibility period (moved from December 31 to February 28) and the relaxing of some of the Academy’s stringent qualification rules.

President David Rubin and CEO Dawn Hudson said jointly in a statement by the Academy, “Our hope, in extending the eligibility period and our Awards date, is to provide the flexibility filmmakers need to finish and release their films without being penalized for something beyond anyone’s control.”

Whether the coronavirus crisis will cooperate with the new timetable is impossible to say. There is genuine speculation about all the big celebrity events actually going ahead as planned next year. Then, if and when they do go to plan, the question becomes logistical.

How will they go ahead? Will it be back to normal? With the usual pomp and ceremony of the red carpet and the whole shebang. Or will it be the “Zoom” Oscars? Forced into the virtual realm, with Academy members and nominees zooming into the event while sat at home in all their designer finery.

The only thing certain these days is uncertainty. But the Academy nevertheless remains optimistic. Somehow, someway, the show will go on.

Like many other industries the film industry was hit particularly hard by the public health crisis. The shuttering of cinemas wreaked havoc on film release dates and the shuttering of studios put a stop to films that were in pre-production, mid-production and post-production. Everything ground to an abrupt, screeching halt.

The verb “to adapt” is, arguably, the underlying theme of 2020 – a most trying and tough year thus far. Working remotely, Zoom meetings, virtual social gatherings, sheltering and social distancing–are just of the many bywords representing the new normal that many people around the world have had to accept.

That Hollywood studios would do their own adapting during this unprecedented time was inevitable, but few could have anticipated the magnitude and implication of some of the measures.

Hollywood studios took the pandemic as an opportunity to experiment with digital-first outputs. For the most part, small to mid-size budget titles skipped cinema release dates in favour of streaming services – motivating this move is the fact that film studios get a larger percentage of the revenue when going direct-to-digital than they do at the box office.

The defining moment, however, came when Universal studios decided in May to give Dreamworks-made Trolls World Tour a digital release at $19.99, instead of delaying its box-office release as some other films have done. The film made $100 million in its first three weeks in the United States. To illustrate the significance: the first instalment of the Trolls film needed a five-month sojourn at the box-office to gross $120 million.

With Disney now announcing it too was taking its big-budget film Mulan directly to digital next month, bypassing cinemas entirely and offering it for $29.99 on its Disney+ channel, a seismic shift has occurred.

Mulan, which was projected to be a $1bn-plus blockbuster, is among some of the early odds-on favourites for the 2021 Oscars Taking it out of the hands of box offices is a big deal.

Suppose, the Academy relaxing the rules for qualification and giving entry to films that would have otherwise qualified but were forced to go to digital outputs was the first significant step towards change. One that may be provisional due to the unprecedented pandemic but, equally, may not be easily undone in a post-pandemic world. This may be the cusp of whole new era in the film industry.

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Filed Under: Commentary Tagged With: 2021, delayed, months, oscars

2017 Holiday Film Preview

If you’re reading this, then Thanksgiving is mere days away (or has past, considering WHEN you’re reading this). Turkey. Stuffing. Popcorn. Raisinets.

Yes, the holidays do mean goodies on the dining room table. But they also mean goodies at the local multiplex. Here is a list of some of the films we’re looking forward to. Please note that release dates are subject to change at the whim of the studios. Some synopsis information courtesy of our friends at IMDB.

I hope this year we get more presents then lumps of coal.

November 22

“Coco”
Starring the voices of: Anthony Gonzalez and Benjamin Bratt
Directed by: Lee Unkrich

The latest from the folks at Pixar. Aspiring musician Miguel, confronted with his family’s ancestral ban on music, enters the Land of the Dead to work out the mystery.

Oscar Chances: With over 20 Academy Awards to its name, including six for Best Animated Feature, the chances are good.

“Darkest Hour”
Starring: Gary Oldman, Kristin Scott Thomas
Directed by: Joe Wright

During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.

Oscar Chances: Look for Oldman to earn his 2nd nomination.

“The Man Who Invented Christmas”
Starring: Dan Stevens, Christopher Plummer, Jonathan Pryce
Directed by: Bharat Nalluri

The backstory to how author Charles Dickens came to write “A Christmas Carol.”

Oscar Chances: Maybe Plummer but I’m thinking this film will get Scrooged.

“Chappaquiddick”
Starring: Kate Mara and Clancy Brown
Directed by: John Curran

The film recounts the tragic events of the 1969 car accident involving U.S. Senator Ted Kennedy and a young, female campaign worker who died at the scene. Kennedy left the scene of the accident and didn’t alert authorities for ten hours. I’ve actually driven across that bridge and it wasn’t easy to traverse in the middle of a bright, sunny day. Just saying.

Oscar Chances: Would love to see Clancy Brown get a nod.   PLEASE NOTE THIS FILM HAS BEEN MOVED TO APRIL 2018

November 24

“Call Me by Your Name”
Starring: Armie Hammer and Timothee Chalamet
Directed by: Luca Guadagino

In Northern Italy in 1983, 17-year-old Elio begins a relationship with visiting Oliver, his father’s research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

Oscar Chances: Hammer has been getting good festival buzz.

December 1

“24 Hours to Live”
Starring: Ethan Hawke and Rutger Hauer
Directed by: Brian Smrz

An assassin seeks redemption after being given a second chance at life.

Oscar Chances: No.

“The Disaster Artist”
Starring: James Franco, Dave Franco and Seth Rogen
Directed by: James Franco

The behind-the-scenes story of the making of the cult film “The Room,” with James Franco playing the film’s star/writer/director/jack-of-all-trades Tommy Wiseau.

Oscar Chances: I personally find James Franco to be a fine filmmaker. If you haven’t seen “In Dubious Battle,” a film from earlier this year, I highly recommend it. It’s easily on my Top 10 List of 2017.

“Wonder Wheel”
Starring: Jim Belushi, Juno Temple and Kate Winslet
Directed by: Woody Allen

On Coney Island in the 1950s, a lifeguard tells the story of a middle-aged carousel operator and his beleaguered wife.

Oscar Chances: With 24 Academy Award nominations, and four Oscars, you can never count the Woodman out.

December 8

“Arthur Miller: Writer”
Directed by: Rebecca Miller.

A profile of the great playwright Arthur Miller, directed by his daughter.

Oscar Chances: A possible Best Documentary nod.

“Bullet Head”
Starring: Antonio Banderas, Adrien Brody and John Malkovich
Directed by: Paul Solet

The three leads play criminals holed up in a warehouse. Or at least that is what I assume from what I can find. There is no synopsis on IMDB!

Oscar Chances: Like the synopsis, non-existent.

“I, Tonya”
Starring: Margot Robbie and Sebastian Stan
Directed by: Craig Gillespie

Surely I’m not the only man in America who had a crush on Tonya Harding? When I woke up one day to find she had married a man named Michael Smith and it WASN’T me I was devastated. Apparently here Tonya wants to win the Olympics and her husband gives her a little help.

Oscar Chances: Worth one just to see Tonya Harding at the Oscars. It would be as memorable as the year Woody Harrelson brought Larry Flynt.

“Just Getting Started”
Starring: Morgan Freeman, Tommy Lee Jones and Renee Russo
Directed by: Ron Shelton

A two-hander action comedy in the vein of “Midnight Run” about an ex-FBI agent (Jones) and an ex-mob lawyer in the witness protection program (Freeman) having to put aside their petty rivalry on the golf course to fend off a mob hit.

Oscar Chances: Lots of talent here but the word “comedy” usually scares the Academy.

“The Shape of Water”
Starring: Sally Hawkins, Michael Shannon and Doug Jones
Directed by: Guillermo del Toro

An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and a co-worker discover a secret classified experiment.

Oscar Chances: del Toro is one of the great visionaries of our time.

December 15

“Ferdinand”
Starring the voices of: John Cena and Kate McKinnon
Directed by: Carlos Saldanha

After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure.

OSCAR CHANCES: Possible Best Animated Feature nod.

“Gotti”
Starring: John Travolta and Kelly Preston
Directed by: Kevin Connolly

The story of renowned mob boss John Gotti and his son.

Oscar Chances: 40 years after “Saturday Night Fever” Travolta is still a star.

“Star Wars: The Last Jedi”
Starring: Mark Hamill, John Boyega and Daisy Ridley
Directed by: Rian Johnson

Episode VIII begins where VII ended, with Rey finally tracking down the elusive Luke Skywalker. Bring your Kleenex as we say goodbye to the great Carrie Fisher and Princess Leia.

Oscar Chances: Lots of technical nods.

December 20

“The Greatest Showman”
Starring: Hugh Jackman, Michelle Williams and Zac Efron
Directed by: Michael Gracey

Inspired by the imagination of P.T. Barnum, “The Greatest Showman” is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Oscar Chances: Hollywood loves Jackman, who got an Oscar nod the last time he sang on screen.

“Jumanji: Welcome to the Jungle”
Starring: Dwayne Johnson, Kevin Hart and Jack Black
Directed by: Jake Kasdan

Four teenagers discover an old video game console and are literally drawn into the game’s jungle setting becoming the adult avatars they chose.

Oscar Chances: Technical maybe.

December 22

“All the Money in the World”
Starring: Mark Wahlberg, Michelle Williams and Christopher Plummer
Directed by: Ridley Scott

The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom. This film was already completed with Kevin Spacey playing grandpa Getty. In an unprecedented move, after Spacey’s recent scandals came to light, director Scott re-cast the role with Christopher Plummer and re-shot all of Spacey’s scenes. In six weeks.

Oscar Chances: Ridley Scott should get TWO Oscars if he pulls this off.

“Bright”
Starring: Will Smith, Noomi Rapace and Joel Edgerton
Directed by: David Ayer

Set in a world where mystical creatures live side by side with humans. A human cop is forced to work with an Orc to find a weapon everyone is prepared to kill for.

Oscar Chances: Nope. Sounds too much like “Alien Nation” to me.

“Downsizing”
Starring: Matt Damon, Christoph Waltz and Kristen Wiig
Directed by: Alexander Payne

A social satire in which a guy realizes he would have a better life if he were to shrink himself.

Oscar Chances: Payne is an Academy favorite.

“Hangman”
Starring: Karl Urban and Al Pacino
Directed by: Johnny Martin

A homicide detective teams up with a criminal profiler to catch a serial killer whose crimes are inspired by the children’s game Hangman.

Oscar Chances: Don’t see it happening.

“Happy End”
Starring: Jean-Louis Trintignant and Isabelle Huppert
Directed by: Michael Haneke

A drama about a family set in Calais with the European refugee crisis as the backdrop.

Oscar Chances: Very good. Writer/director Haneke gave us “Amour”

“Hostiles”
Starring: Christian Bale, Wes Studi and Rosamund Pike
Directed by: Scott Cooper

In 1892, a legendary Army captain reluctantly agrees to escort a Cheyenne chief and his family through dangerous territory.

Oscar Chances: Some acting nods possible.

“Pitch Perfect 3”
Starring: Anna Kendrick and Rebel Wilson
Directed by: Trish Sie

Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices.

Oscar Chances: Nothing I can imagine.

“The Post”
Starring: Tom Hanks and Meryl Streep
Directed by: Steven Spielberg

A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.

Oscar Chances: Duh!!! You think? Hanks, Streep and Spielberg share over 40 nominations, with Streep leading the way with 20 of her own.

December 25

“Molly’s Game”
Starring: Jessica Chastain, Kevin Costner and Idris Elba
Directed by: Aaron Sorkin

The true story of Molly Bloom, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game and became an FBI target. This is the Oscar-winning writer Sorkin’s directorial debut.

Oscar Chances: Many.

“Phantom Thread”
Starring: Daniel Day-Lewis
Directed by: Paul Thomas Anderson

Set in 1950’s London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.

Oscar Chances: Again, many. Day-Lewis won one of his three Oscars for Anderson’s “There Will Be Blood.”

December 27

“In the Fade”
Starring: Diane Kruger
Directed by: Faith Akin

Katja’s life collapses after the death of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.

Oscar Chances: Kruger won the best-actress prize at Cannes.

December 29

“Film Stars Don’t Die in Liverpool”
Starring: Annette Bening and Jamie Bell
Directed by: Paul McGuigan

A romance sparks between a young actor and a Hollywood leading lady.

Oscar Chances: Bening is SO overdue. Wake up Academy!

 

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Filed Under: Commentary Tagged With: coco, darkest hour, downsizing, holiday preview, jumanji, mike smith, ...

Behind the Screen – Please, Oscar Winners, Check Your Politics at the Door

The day is April 3, 1978. At the 50th Annual Academy Awards, held that evening, “Star Wars” will be given seven Oscars. Steven Spielberg will receive his first Oscar nomination. “The Turning Point” will set a record, later tied by Spielberg’s “The Color Purple,” by earning 11 nominations and winning nothing. And “Annie Hall” will be named the year’s Best Picture.

But the image that stands in my mind is of the great writer Paddy Chayefsky coming to the podium to present the Screenplay awards. Earlier in the evening actress Vanessa Redgrave had received the Oscar for Best Supporting Actress for her role in “Julia.” Outside the Dorothy Chandler Pavilion, where the award ceremony was being held, members of the Jewish Defense League had picketed the awards due to the fact that Redgrave had narrated the pro-Palestine documentary “The Palestinians.” When Redgrave gave her acceptance speech, she thank the usual people: family, co-stars, director. She then thanked her fellow Academy members for not being phased by “the Zionist hoodlums” they encountered outside. She finished her speech to boos from the audience.

Looking perturbed, Chayefsky stood at the microphone and said the following, “Before I get on to the writing awards, there’s a little matter I’d like to tidy up–at least if I expect to live with myself tomorrow morning. I would like to say, personal opinion, of course, that I’m sick and tired of people exploiting the occasion of the Academy Awards for the propagation of their own personal political propaganda.” As the audience applauded he paused, then continued. “I would like to suggest to Miss Redgrave that her winning an Academy Award is not a pivotal moment in history, does not require a proclamation, and a simple ‘thank you’ would have sufficed.”

And THAT, dear readers, is what I’m looking forward to coming this Sunday night. Award shows are a way to escape from the day to day grind the world holds for us. To sit with friends and try to win the Oscar pool. NOT to hear whose a lousy President or why global warming is coming to kill us. Do you know who I voted for in the presidential election? No you don’t. Do you know why? Because it’s none of your business. And why does it matter? If YOUR decision on who to vote for is based on MY decision – or George Clooney’s or Brad Pitt’s or Ted Nugent’s – then you shouldn’t be allowed to vote. If Jimmy Kimmel has some fun at the expense of the new President, or pokes fun at the current events happening around the world, that’s great. Everyone likes a good chuckle. So I beg you, presenters and winners both, give a little thanks to the man upstairs and head back to your seat. Thank you in advance!

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The Biggest Snubs from this Year’s Oscar Nominations

One of the fun things to discuss, debate, argue, or silently complain about on social media is Oscar snubs. Luckily this year, the ship has been righted and I think we can put the #Oscarssowhite controversy to rest because of how diverse the nominees were this year. Although to be fair, the Academy set the bar pretty low the past two years in terms of cultural variety. But there’s one thing the Academy can never escape and that’s snubs. While I certainly don’t believe some of my snubs ever had a chance, they are deserving of some gold.

Best Picture Snub
Swiss Army Man

I knew this was a longshot. I know the Academy isn’t about to publicly acknowledge a farting boner corpse movie. But a little part of me had hoped that its indie cred, combined with its existential storytelling, would have made it a respectable dark horse in a field of 10. It’s unique, fascinating, moving, well-acted and wonderfully shot. Its only flaw is that it’s too off putting for general audiences and slightly juvenile for the snobby voters in Hollywood. I swear this is the last time you’ll hear or see me cheerleading for this movie.

Honorably Snubbed as Well: 20th Century Women

Best Director Snub
Robert Eggers, The Witch

Eggers immersed himself in 1630’s New England to deliver a historically accurate portrayal of terror in the unknown wilderness of early America. Everything from the film’s dialogue to the farmstead were meticulously groomed and crafted by the director. He managed to wrangle four (including one teenager) child actors, keeping them from being annoying, as they traditionally are in horror movies. This production designer turned director crafted an atmospheric horror masterpiece. Eggers is one to watch out for.

Honorably Snubbed as Well: Daniel Scheinert and Daniel Kwan, Swiss Army Man

Best Actor Snub
Tom Hanks, Sully

Let’s clear up this presumed notion I’ve seen on social media. Tom Hanks doesn’t get nominated every year. He hasn’t been nominated for an Oscar since 2001 and hasn’t won a golden statute since 1995. I’m not asking the Academy to throw him a bone, he doesn’t need one. But don’t overlook the fact that “Sully” is a sub par movie-going experience without Hanks’ hefty talents in the pilot seat. Hanks’ navigates Clint Eastwood’s so-so work into a memorable tale of average Joe heroism and the bureaucratic blame game.

Honorably Snubbed as Well: Jake Gyllenhaal, Nocturnal Animals

Best Actress Snub
Sasha Lane, American Honey

I wouldn’t blame you for not watching “American Honey.” Three hours of wanderlust is too much for the average audience. But first time actress, Sasha Lane, is a treasure to watch. She was up for every challenge of portraying an impoverished young adult. Lane portrays an innocent, if not naive, teenager looking for her purpose and a slice of the American dream. Her character, without speaking usually, represents youthful aspirations and good intentions, despite the thieving people around her. Lane keeps the flame of hope in her character lit throughout the movie, making her character one to root for her and admire.

Honorably Snubbed as Well: Amy Adams, Arrival

Best Supporting Actor Snub
Aaron Taylor-Johnson, Nocturnal Animals

The story within a story is the strongest part about “Nocturnal Animals,” mainly due to its wonderful performances. Leading the way is Jake Gyllenhaal, but his emotionally distressed character would be nothing without the terrifying Texas psychopath played by Aaron Taylor-Johnson. While visually disgusting, Taylor-Johnson’s grimy character radiates off the screen. He’s calculating, but relaxed. He’s vicious, but calm. The dynamic extremes of his character are balanced by Taylor-Johnson who’s “ablicious” and repugnant.

Honorably Snubbed as Well: Ben Foster, Hell or High Water

Best Supporting Actress Snub
Haley Bennett, Girl on the Train

I know. I know. This is a bad movie. But the Academy has not been above nominating a bad movie or rewarding the components of a bad movie. Let’s not forget that “50 Shades of Grey” is an Oscar nominated movie with five Razzie wins under its belt. While Emily Blunt should certainly be commended for her performance, it’s Haley Bennett’s performance as the tragically flawed suburban floozy that becomes the center of the movie’s suffering. Her character lives life emotionally empty, only to be killed when finding new life. In the rear view mirror of 2016, Bennett’s performance is brave and engaging, but trapped in a lifeless cliché movie.

Honorably Snubbed as Well: Greta Gerwig, 20th Century Women

Best Animated Feature
Finding Dory

Is “Finding Dory” that average? I thoroughly enjoyed the Pixar movie and was surprised it didn’t, at the very least, get a nod. It’s not the best of the year, but it can certainly be mentioned in the same breath as the other candidates. I haven’t seen “The Red Turtle” or “My Life as a Zucchini” so I can’t comment on their quality since they certainly secured the final two spots. I’m sure they’re good. Maybe this is a sign that Pixar should just avoid sequels for a while. At least “Sausage Party” didn’t steal one of the nomination seats or else there’d be hell to pay.

Honorably Snubbed as Well: None. This was a year that saw Angry Birds, so we need to do better in 2017.

Best Original Screenplay
Zootopia

It’s been mentioned before, and not just by me, that “Zootopia” benefited from coming out at the right time. The script, while being generously relatable to kids and adults alike, has a wonderful message about acceptance. A city populated with cute, furry animals taught everyone that sexism, racism, classism and xenophobia are still very real and can divide us in a heartbeat. Disney could have easily settled for a buddy cop movies with animals, but instead allowed the script to naturally evolve and survive the rewriting process. Despite nine credited writers, “Zootopia” never became diluted or a jumbled mess. Instead it ran smoothly with a clear message of tolerance.

Honorably Snubbed as Well: The Invitation

Best Adapted Screenplay
Silence

Martin Scorsese’s decades long passion project is based on a work of historical fiction. While having never read the novel myself, the folks who have read the book have left nothing, but glowing reviews of it online. If the purpose of the 20th century novel is to make us reflect and question spirituality and our religious beliefs as a whole, Scorsese captured that wonderfully in a movie that, while drawn out, is beautifully retold on the silver screen. Scorsese painted a beautiful picture just like the book certainly transported readers back to post-Feudal Japan.

Honorably Snubbed as Well: High-Rise

Best Music
Cliff Martinez, Neon Demon

While I’m not completely sold on “Neon Demon” being a good movie, I found myself listening to the soundtrack of “Neon Demon” multiple times. While adding another layer to the movie, the soundtrack on its own accord is a wonderful synth album inducing feelings of hope and despair. “Neon Demon” is a visual experience, complimented by a wonderful score that spurs dread and bouncy optimism, sometimes within a single song. “Neon Demon” is the only movie this year where the music feels like an unseen narrator for how we’re supposed to feel.

Honorably Snubbed as Well: Johann Johannson, Arrival

Best Music, Original Song
Drive it Like You Stole It, Sing Street

The coming-of-age love letter to the 80’s, “Sing Street,” should have been more popular. Not only did the Clash, A-Ha, and the Cure get some much deserved love on the screen, but the movie featured some dynamic original music. Most of the original content, like “Riddle of the Model,” was short nods to music by Duran Duran or other iconic bands. However, the movie reaches its crescendo with its most poppy rock hit, “Drive It Like You Stole It.” The song is a big metaphor for the final act and growing up in general. Just listen to it and tell me that’s not the best original song of the year.

Honorably Snubbed as Well: Montage, Swiss Army Man

Best Foreign Language
Elle

I’m finding it difficult, once again, to put into words why I like this movie so much. Just read my review.

Honorably Snubbed as Well: I’m not sure. I should be more cultured.

 

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Filed Under: Commentary Tagged With: 20th century women, aaron taylor-johnson, academy awards, american honey, amy adams, arrival, ...

“La La Land” Dances Way to Record 14 Academy Award Nominations

“La La Land,” writer/director Damien Chazelle’s love letter to the classic Hollywood musical, tied “All About Eve” and “Titanic” in receiving an amazing 14 nominations for the 89th Annual Academy Awards.

The film has a chance to join “It Happened One Night,” “One Flew Over the Cuckoo’s Nest” and “Silence of the Lambs,” which took home the prizes for Best Picture, Director, Actor, Actress and Screenplay. “La La Land’ earned nominations in all of those categories and added nods for Original Score, Cinematography, Costume Design, Film Editing, Production Design, Sound Editing and Sound Mixing. The film also earned two nominations in the Best Original Song Category.

Joining “La La Land” in the Best Picture category are: “Arrival,” “Fences,” “Hacksaw Ridge,” “Hell or High Water,” “Hidden Figures,” “Lion,” “Manchester by the Sea” and “Moonlight.”

Best Actor nominees include Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic) and Denzel Washington (Fences)

For Best Actress, the nominees are Isabelle Huppert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land) and, in her 20th acting nomination, Meryl Streep (Florence Foster Jenkins)

The Academy Awards will be awarded on Sunday night, February 26th.

Here is a complete list of the nominees:

Actor in a Supporting Role
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Michael Shannon, “Nocturnal Animals”

Actress in a Supporting Role
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”

Animated Feature Film
“Kubo and the Two Strings”
“Moana”
“My Life as a Zucchini”
“The Red Turtle”
“Zootopia”

Cinematography
“Arrival”
“La La Land”
“Lion”
“Moonlight”
“Silence”

Costumed Design
“Allied”
“Fantastic Beasts and Where to Find Them”
“Florence Foster Jenkins”
“Jackie”
“La La Land”

Directing
“Arrival”
“Hacksaw Ridge”
“La La Land”
“Manchester by the Sea”
“Moonlight”

Feature Documentary
“Fire at Sea”
“I Am Not Your Negro”
“Life, Animated”
“O.J.: Made in America”
“13th”

Short Subject Documentary
“Extremis”
“4.1 Miles”
“Joe’s Violin”
“Watani: My Homeland”
“The White Helmets”

Film Editing
“Arrival”
“Hacksaw Ridge”
“Hell or High Water”
“La La Land”
“Moonlight”

Foreign Language Film
“Land of Mine”
“A Man Called Ove”
“The Salesman”
“Tanna”
“Toni Erdmann”

Make Up and Hairstyling
“A Man Called Ove”
“Star Trek Beyond”
“Suicide Squad”

Original Score
“Jackie”
“La La Land”
“Lion”
“Moonlight”
“Passengers”

Original Song
Audition (The Fools Who Dream), “La La Land”
Can’t Stop The Feeling, “Trolls”
City Of Stars, “La La Land”
The Empty Chair, “Jim: The James Foley Story”
How Far I’ll Go, “Moana”

Production Design
“Arrival”
“Fantastic Beasts and Where to Find Them”
“Hail, Caesar!”
“La La Land”
“Passengers”

Animated Short Film
“Blind Vaysha”
“Borrowed Time”
“Pear Cider and Cigarettes”
“Pearl”
“Piper”

Live Action Short Film
“Ennemis Intérieurs”
“La Femme et le TGV”
“Silent Nights”
“Sing”
“Timecode”

Sound Editing
“Arrival”
“Deepwater Horizon”
“Hacksaw Ridge”
“La La Land”
“Sully”

Sound Mixing
“Arrival”
“Hacksaw Ridge”
“La La Land”
“Rogue One: A Star Wars Story”
“13 Hours: The Secret Soldiers of Benghazi”

Visual Effects
“Deepwater Horizon”
“Doctor Strange”
“The Jungle Book”
“Kubo and the Two Strings”
“Rogue One: A Star Wars Story”

Adapted Screenplay
“Arrival”
“Fences”
“Hidden Figures”
“Lion”
“Moonlight”

Original Screenplay
“Hell or High Water”
“La La Land”
“The Lobster”
“Manchester by the Sea”
“20th Century Women”

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Filed Under: Film Headlines Tagged With: academy awards, arrival, fences, hacksaw ridge, hell or high water, hidden figures, ...

"Critics vs Oscars Free-For-All" Coming to Kansas City

If you haven’t already got your Oscar ballots marked you may want to attend the annual “Critics vs Oscars Free-For-All” slated for Wednesday, January 23 at the Screenland Crossroads Theatre in Kansas City.

During the program trailers for films Oscar-nominated in all major categories will be screened, as will scenes from all nine Best Picture nominees. Each trailer will be followed by a sure to be impassioned discussion from some of Kansas City’s best known film critics.

The event starts at 7:00 p.m. but there will be a pre-show mixer starting at 6:00 p.m. in which those in attendance can rub shoulders and share opinions with KC’s cinema scribes. A donation of $10 is requested from those in attendance, which goes to support CinemaKC and it’s efforts to serve the movie community in 2013. Your donation not only gets you 90 minutes of film and discussion but also a raffle ticket for a chance to win some great movie memorabilia and passes to the Screenland Theatre and the Boulevard Drive-In. For more information on the event or CinemaKC go to www.CinemaKC.com

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Filed Under: Film Headlines Tagged With: city, coming, critics, freeforall, kansas, oscars, ...
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