Book Review “27: A History of the 27 Club through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse”

“27: A History of the 27 Club through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse”
Author: Howard Sounes
Hardcover: 360 pages
Publisher: Da Capo Press

Our Score: 3 out of 5 stars

Named one of Publisher Weekly’s Top 10 Music Titles for Fall 2013 “27 A History of the 27 Club through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse” written by Howard Sounes is a book that takes a look at music’s “27 Club” and the artists who comprise it. Told over the course of 360 pages Sounes looks not only at the artists lives but also at their deaths and from there attempts to compare the artists in an effort to find similarities in these 6 subjects.

When I received my copy of “27” I thought to myself why hadn’t someone thought of writing about this sooner? This so called “27 Club” isn’t just made up of meteoric artist who only experienced a flash of success. Instead the members of this club include influential musicians who during their careers impacted millions of listeners and helped shape their respective genre’s for years to come. The thing I enjoyed most about how Howard Sounes approached this rather speculative topic is fairly interesting. The book is broken in to two parts with the beginning chapters being devoted to the life of each musician and the chapters toward the end of the book relating the deaths of these individuals. It was kind of nice as having followed the careers of both Kurt Cobain and Amy Winehouse I was able to sort of jump around a little bit as a portion of the material here has been widely documented and I think I am still recovering from the media coverage of both these events even though they were some time ago now.

Those looking for definitive answers on what ultimately ties these musicians together in death might not be too surprised with the information contained in this book nor will the reader find a lot of new or undocumented information on the subjects as I don’t feel that was the authors intention with this book. Instead for the first time the information about these six people is available all in one place combined with one person’s perspective on the events which are surprisingly similar. Combine that with 16 pages eerily fitting black and white photography and “27 A History of the 27 Club through the Lives of Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain and Amy Winehouse” makes for an ok read.

 

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Interview with Richard Morrison

You probably know title designer Richard Morrison’s work for movies such as “Batman”, “Brazil”, “Enemy at the Gates”, and “Sweeney Todd”. Richard is one of the 9 interviewed title designers from the DVD “Forget the Film, Watch the Titles!” Movie Mikes had a chance to ask Richard a few quick questions about his work.

Mike Gencarelli: When you are working on a title design, what is your first process?
Richard Morrison: Scribble and doodle out my first impressions – fast

MG: Do you have a lot of influence from the film’s score when working on a title?
RM: No, because I start with no music.

MG: “Brazil” is one of my favorite films. Tell us about working with Terry Gilliams on this film?
RM: Terry has passion and is very engaging – as do I, so we all jump on the same ride

MG: You worked with Tim Burton on “Batman”, tell us about your collaboration?
RM: In short, it is the same as working with Terry, since we all share the same vision. I will be working with Tim again later this year on “Dark Shadows”.

MG: You have worked on two of my favorite horror films, “Hellraiser” & “Event Horizon”, tell us about working on these?
RM: Horror films, in general, my approach is to show less in visual terms and more in sound because the less you see, can be more disturbing than what you think you can see.

MG: The titles on “Sweeney Todd: The Demon Barber of Fleet Street” are just amazing, they blend so well with music, tell us about working on this film and your inspiration?
RM: I decided to set the narrative up as a metaphor for what was going to happen when Johnny Depp arrives back to London after his exile.

MG: I love the end credits of “Scott Pilgrim vs. the World”, tell us about your process for creating them?
RM: In one word RUSH…with lots of late nights on the phone to Universal in LA.

MG: How do you feel working in your field has changed since you started in the late 70’s?
RM: From analog to digital is the same for me because my hard drive is in my head not in machines.

MG: What do you have planned next?
RM: Working on “Day of the Flowers” and then like I said “Dark Shadows” with Tim Burton”.
Click here to visit the website for “Forget The Film, Watch the Titles!”