Concert Review: “Weird Al Yankovic’s “Return of Mandatory Fun Tour”

Weird Al Yankovic
Date: August 8th, 2016
Venue: Starlight Theater

Our Score: 5 out of 5 Stars

If there was ever music icon that demanded your undivided attention at a concert, it is Weird Al Yankovic. His performance is a full-sensory experience. Obviously it’s a visual and audible treat for those who show up in tin foil hats, polka pants, Amish attire, or whatever reference they can make to the musician’s 40-year career. But Weird Al incorporates more theatrics into one show than most bands do throughout an entire tour.

The concert begins via jumbotron, displaying crusty black and white propaganda video repeating the phrase, “Mandatory Fun”, the title of Weird Al’s last album. We then cut to Weird Al’s his tour bus where he appears singing “Tacky”. Shoving show extras out of his way and teasing the audience with what’s to come as he enters the Starlight seating area, he comically drifts to the stage through elaborate cheesy dance moves. It doesn’t take the comedy king of polka to bust out the accordion or the new songs that helped him land at #1 on the Billboard Top 40 last year.

Because each song parodies a song or specific style of a band, this is a concert requiring a costume change in between nearly every song during the two-hour show. In between songs like “Fat”, “White and Nerdy” and “Foil” are pieced together video clips highlighting the pop-culture relevance of Weird Al. Everything from his appearance in the “Naked Gun” movies to his vocal talents being utilized on contemporary cartoon favorites like “My Little Pony”. For fans old and new, the clips are a relentless sampling of his lengthy relevance and influence in society.

The seemingly one man show is joined on stage by his bandmates, who match his intensity, comedic timing and quirks. The madcap nature of Weird Al is matched by everyone, even the stage hands who have to awkwardly stand and hold a harmonica during “Ode to a Superhero” or the intentionally unenthusiastic cheerleaders during “Smells Like Nirvana”. The dedication to the surreal nature of it all reaches its peak during the encore. During “Yoda” the band stops playing their instruments and becomes a choir of cartoon sound effects and madcap a capella.

Every song played that night was a unique and unforgettable memory for fans, even the moments of parody medley. Weird Al spends a solid 15 minutes cramming in 10 shorted songs to better cram in his lengthy catalogue of memorable parodies to please every concertgoer. There are even a handful of songs that can be viewed as interactive, on the audiences end and Weird Al’s end. My review could have easily been a recap of every wonderfully joyous moment experienced in each song.

Having seen him live 15 years ago, it’s impressive to see the same energy, if not more. There are signs of age in that jester smile and silly grimace that he flashes, possibly worrying fans that he may be nearing the end of his rich career. I highly doubt the man who truly loves entertaining the nerdy masses is going to retire anytime soon. But on the off-chance he’s getting closer to hanging up the accordion, do yourself a favor and see him now, and often.

Set List:
Tacky
2.) Lame Claim to Fame
3.) Now That’s What I Call Polka!
4.) Perform This Way
5.) Dare to Be Stupid
6.) Fat
7.) First World Problems
8.) Foil
9.) Smells Like Nirvana
10.) Party in the CIA/ It’s All About the Pentiums/ Handy/ Bedrock Anthem/ Another One Rides the Bus/ Ode to a Superhero/ Gump/ Inactive/ eBay
11.) Canadian Idiot
12.) Wanna B Ur Lovr
13.) Eat It/ I Lost on Jeopardy/ I Love Rocky Road/ Like a Surgeon (Acoustic)
14.) White and Nerdy
15.) Word Crimes
16.) Amish Paradise
ENCORE
17.) We All Have Cellphones
18.) The Saga Begins
19.) Yoda

CD Review: “Weird Al” Yankovic “Mandatory Fun”

“Weird Al” Yankovic
“Mandatory Fun”
RCA
Produced By: “Weird Al” Yankovic
Tracks: 12

Our Score: 4 out of 5 stars

“Mandatory Fun” not only marks Weird Al’s 14th music album, but it also marks 35 years since his first single, “My Bologna”. I’m not even 35 years old, yet I owe so much to my current nerdom to the polka comedy master. Ever since that memorable day for me when I first heard Weird Al through the car speakers, and even since his take on “My Sharona”, Weird Al has remained a goofy class act when it comes to his art and “Mandatory Fun” solidifies that fact. In this ADHD Internet age, he remains topical and funny.

Weird Al’s finger on the pulse of pop culture must be way better than mine since I immediately consulted Wikipedia on the first track. I had no idea who Iggy Azalea is, but luckily Weird Al did on the opening track, “Handy”. It isn’t the most fertile ground for comedy, a home repair man rapping his various skills, but his injection of other popular music lines and aged cultural references shows his sharp mind is still a walking encyclopedia of television, movies, and music in the U.S.

While “Handy” is a fantastic take on “Fancy”, the best parody on this album is “Word Crimes”, a play on Robin Thicke’s “Blurred Lines”. It’s not only a perfect example of Weird Al’s brilliant wordplay, but feels like a funky “Schoolhouse Rock” song that could teach children a thing or two about the difference between who and whom, and other common grammatical headaches. Only Weird Al could take the much criticized “Blurred Lines” and create a song poking fun at the continual deterioration of writing skills.

While Weird Al may be well more known for parodies, he finds more success on this album with his musical style parodies, particularly a Pixie-esque song called “First World Problems”. It’s a perfect lampoon of spoiled rich people and possibly the first song he’s meshed with an Internet meme. He also stays true to his roots by consistently remaining silly throughout “My Own Eyes”, which beautifully captures the Foo Fighters style. Take out the vocals and you’d probably mistake it for another catchy rock anthem by Dave Grohl and gang. He finds success on other tracks encapsulating Crosby, Stills and Nash as well as Cat Stevens.

In an age where Youtube parodies are rattled off almost immediately after an artist’s work starts charting the Billboards, some may question the relevancy of Weird Al. But most viral videos come off as structurally weak or intentionally sinister while Weird Al seems to embrace the culture he’s satirizing. He also creates a completely unique and original feel despite imitating the footing of other musicians. He’s had a knack for targeting that sweet spot when a song begins to develop a disdain in the general population after it’s been left on repeat at every top 40 radio station in America. That’s flawlessly seen in “Tacky”, a riff on “Happy”.

Genuine artistry is seen throughout Weird Al’s latest album and it’s amazing that he’s further planted his humorous seeds into our culture. The title, “Mandatory Fun”, is a self-fulfilling prophecy once you’ve given the album a listen. While some may question his relevancy, I simply look at the explosion of coverage around his album and see that he’s become further ingrained into nearly every indie, nerd and mainstream facet of music. Question his growing legacy all you want, but his latest work has the lasting impact that “Eat It” and “Amish Paradise” have.

Track List:

1.”Handy” – “Fancy” by Iggy Azalea featuring Charli XCX
2.”Lame Claim to Fame” – Style parody of Southern Culture on the Skids
3.”Foil” – “Royals” by Lorde
4.”Sports Song” – Style parody of college football fight songs
5.”Word Crimes” – “Blurred Lines” by Robin Thicke featuring T.I. and Pharrell Williams
6.”My Own Eyes” – Style parody of Foo Fighters
7.”NOW That’s What I Call Polka!”
– “Wrecking Ball” by Miley Cyrus
– “Pumped Up Kicks” by Foster the People
– “Best Song Ever” by One Direction
– “Gangnam Style” by Psy
– “Call Me Maybe” by Carly Rae Jepsen
– “Scream & Shout” by will.i.am featuring Britney Spears
– “Somebody That I Used to Know” by Gotye featuring Kimbra
– “Timber” by Pitbull featuring Kesha
– “Sexy And I Know It” by LMFAO
– “Thrift Shop” by Macklemore & Ryan Lewis featuring Wanz
– “Get Lucky” by Daft Punk featuring Pharrell Williams
8.”Mission Statement” – Style parody of Crosby, Stills & Nash
9.”Inactive” – “Radioactive” by Imagine Dragons
10.”First World Problems” – Style parody of Pixies
11.”Tacky” – “Happy” by Pharrell Williams
12. “Jackson Park Express” – Style parody of Cat Stevens