Television/Streaming Review: ESPN 30 for 30 – LANCE

In 2008 I was driving through downtown Kansas City when I was amazed at the sight of a seven-story banner of Lance Armstrong hanging from the building where my wife worked.  I called her and asked about it and she informed me that her company – an investment management firm – had partnered with Armstrong to promote his LIVESTRONG investments.  Hearing this, I asked her “and what happens when it finally comes out that he was a cheater?”  “Hopefully that isn’t true,” she replied.

LANCE, the latest episode in ESPN’s brilliant “30 for 30” documentary series, is a two part look at the rise and the fall of one of the most celebrated athletes in American history.  Episode one begins with Armstrong telling director Marina Zenovich how he knows there are many people that, upon seeing him, just want to scream out “F**k you, Lance,” but seldom do.  He also recounts how, once when a group heading into a restaurant did just that, he called the restaurant, informed the manager that he would pay for their dinner and asked the manager to inform the party that “Lance loves you.”  Unfortunately, Lance also loves himself.

We are introduced to the young man that would go on to “win” seven consecutive Tour de France bicycle races, the most prestigious race in the world.  He played several sports as a kid but didn’t excel in any of them.  He tried swimming and developed a passion.  Entering triathlons introduced him to competitive cycling, which is where he found his calling.  Then, his life was dealt a blow when he was diagnosed with testicular cancer.  Beating major odds, Armstrong not only survived his ordeal but returned to competitive cycling.  He also returned to a dark secret he had been hiding – taking performance enhancing doses of such banned (in competitive sports) substances as EPO and Andrial.  He admits this rather non-chalantly, falling back often on the old “everyone else was doing it” excuse.

However, in Episode two, which airs this Sunday night on ESPN (and will be available afterwards on ESPN+) the true Armstrong comes through.  Like many athletes, Armstrong was set on winning at any cost, allegedly going so far as to inform the anti-doping agency that a rival cyclist was juicing.  Like many people in denial, Armstrong was like a pit bull in his defense of his reputation.  Whether using his cancer as a sympathy ploy or slandering his accusers (while testifying in an inquiry he calls one woman who filed a deposition alleging his cheating a whore) or using his status and power to destroy other riders, he comes off as a man who still feels that he’s done nothing wrong.

Part two also looks at Armstrong’s effect on those close to him.  His son, who played college football, is asked if he would ever use performance drugs.  His reply – that he only wants to succeed through his own hard work – is heartfelt and honest.  That’s what all athletes want to do.  Asked if he still considers himself relevant, Armstrong declares, “I AM relevant.”  He also refers to former U.S. Postal Service team mate Floyd Landis – who was the rider that finally outed Armstrong’s doping – as a “piece of s**t.”  Other team members relate that Lance was fine with them as long as they kept his secret but, at the slightest hint of disloyalty they were gone.

On the positive side, the film also takes a look at the magnificent work that the Lance Armstrong Foundation and LIVESTRONG have done in support of cancer patients everywhere.  Thanks to Armstrong’s popularity hundreds of millions of dollars have been raised for these organizations (I’ll admit that I bought a LIVESTRONG bracelet when they came out).  And this achievement allows Armstrong to ask if the ends justify the means.  Would this money have been raised if not for him?

In the end, you come away with a man who still doesn’t accept responsibility for anything (except his divorce).  He also laments the hardship he endured having to date such celebrities as Cheryl Crow and Kate Hudson.  Wahh!

I’m not sure if I’ll ever run into Lance Armstrong on the street so let me just say here, for the record, “Hey Lance – F**k you!”

World Champion Magician, Lance Burton talks about his work on “Oz The Great and Powerful”

Lance Burton is one of the greatest stage Magicians of the past century. He has starred in numerous TV specials including “Lance Burton Magic Magician: The Legend Begins”, which aired in 1996 on NBC. His show “Lance Burton Master Magician” opened at the brand new Monte Carlo Hotel in the Lance Burton Theatre also in ’96. He has also performed over 15,000 shows throughout his 30-year career in Las Vegas. Today Lance Burton is happily retired and is currently working on a number of documentary and narrative film projects. Lance was also Magic Advisor on Disney’s “Oz The Great and Powerful” and taught magic to James Franco on the film. Media Mikes had a chance to chat with Lance about his role on the film.

Mike Gencarelli: Tell us how did you get involved with the production “Oz the Great and Powerful”?
Lance Burton: I got a call from Grant Curtis, one of the producers on “Oz”, a few years ago and he explained that they were doing. He told me about this character, which was a stage magician and they were looking for someone to help with the magic. So I asked for the script to see what they were talking about. I read it and I just fell in love with the project. I thought it was just fantastic. I flew out to Michigan where they had the operation setup and I met with Grant and Sam Raimi. Sam explain his concept of the film to me and introduced me to all the people involved with the film. From there we just went to work.

MG: How was it working with James Franco and teaching him some tricks?
LB: I met with James for a day or so and worked with him on a couple of slide of hand tricks, a couple of months out and I gave him some homework to do. Then we all moved out to Michigan. The good thing was that we had about two weeks before filming started to practice every day. So we had a regular rehearsal schedule to work on the magic that was going to be throughout the film. So since we had a couple of weeks before filming started, that became very valuable time. James didn’t have any prior education with magic but he is a fantastic actor and that is about 90% of the battle. Robert-Houdin, the father of modern magic, has said that his classic definition of a magician is “an actor playing the part of a magician”. Sam wanted the magic to be authentic and he wanted James to play the role as a magician. Sam wanted to me to work with him on the way that he carries himself, as well as the magic. The flare of a magician, both on-stage and off-stage. So I worked with him on little flourishes that he can incorporate into different scenes. When I was on-set, I was able to chime in and throw out ideas during shoot, which was great.

MG: For you being the one always having performed the magic; how was it being on the other side of it?
LB: It is a completely different type of satisfaction. When you go out and do a show, whether it is live or a TV show, you do a good job and you feel good. In this case, I wasn’t the one performing it. But again when I saw the finished product, I felt very proud. I felt lucky to be able to contribute to this sure-to-be instant classic, “Oz The Great and Powerful”. It is almost like a pride that a parent feels about a child.

MG: How long would you say you worked on the film?
LB: We had a fun time. It was two weeks in preparation and then I was on the set for about a month during filming. I was there for the scenes in Kansas and then a little bit of when they get to Oz.

MG: What was your most memorable experience from your work on the film?
LB: I will tell you one thing to look for in the film, which was one of my most proudest moments. I had been teaching James how to twirl a cane between his fingers like a baton. I was thinking that this would be something usable that we can work into the film. The first time that he goes into Emerald City, goes into the throne room and sits on the throne, he picks up this scepter. In the script, it says Evanora is sitting there and is enraged. I thought “Ah, what if he twirled that scepter between his fingers?” I thought it would be very disrespectful and could help help get her enraged. So I went to the prop department to see the scepter. I asked them if there was anyway to make it a little longer and they said “Sure”. I talked it over with James and Sam and everyone seemed to like the idea. I wasn’t on the set when they filmed that scene but when I saw the film in theaters. I was very excited to see that twirl in the film.

MG: After this experience, do you see yourself taking on this role again?
LB: It was a very satisfying experience and it was very interesting work. “Oz” was such a huge hit. My prediction is that there is going to be a whole franchise.  So who knows what the future holds.

 

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