Joe Turkel talks about Stanley Kubrick, “The Shining” & “Blade Runner”

Joe Turkel is known best for his role of Lloyd the Bartender in “The Shining”.  Joe also played the iconic role of Dr. Eldon Tyrell in Ridley Scott’s “Blade Runner”.  Media Mikes had a rare chance to chat with this amazing actor, courtesy of C & V Promotions, to discuss his iconic roles and tell some great stories.

Mike Gencarelli: Tell us about how you originally get invovled with Stanley Kubrick on “The Shining”?
Joe Turkel: That was the third picture I did with Stanley Kubrick. He first saw me in a little picture I did called “Man Crazy”. He liked the work I did and said he would like to use me in a picture he did called “The Killing” in 1956. He said it was a little role but he had something better coming up. Little did I know then but he was talking about “Paths of Glory”. He changed my life.

MG: Having worked twice before with Kubrick; did his style change over 20 years later on “The Shining”?
JT: He took a lot of time then but a lot of time on “The Shining”. He had a lot of attority and he wasn’t afraid to use that attority. Like with “Eyes Wide Shut”, he had a rule that anyone like producers or related to the film will not be permitted on the set. He just had this attority.

MG: How did you prepare for this unique role of Lloyd the Bartender in “The Shining”?
JT: It was just another part for me. I approached it like I would any other and that was it.

MG: How was it working with Jack Nicholson?
JT: Jack Nicholson is just the greatest. I’ll tell you a story about Jack. I am responisble for his career. In 1961 he has just come out from the East Coast and I had been there for ten years. He was broke most of the time. One day I was at the race track with a friend of mine and I hit a daily double for $4,400 dollars. Now that is a lot of money in those days. As I was getting the money settled, my friend saw Jack and I told him what just happened. Kenny, my friend, told me he owed Jack $800 bucks. So I told him to pay him and I gave him the money. Jack said to me “You know something Turkel, I was going to go back to New York but it is too fucking cold. I will take this money and it will get me through the winter.” But during the winter, he got lucky got a role and the rest is history.

MG: With a role that is consists of two scenes, how can you reflect on the impact they had on the film?
JT: I was suprised they had such an impact. Stanley and I were talking on set about how good it was and I told him “Stanley, thanks but I don’t want to wait 25 years between pictures”. We were both New Yorkers so we had this special bond. He told me we would work together again but that was the last time I saw him.


MG: Since the films are so different; did the productions of “The Shining” and “Blade Runner” differ much?
JT: Ridley Scott three times during my filming and asked me how I thought Stanley Kubrick would approach certain scenes. He was completely enamored with his work. Steven Spielberg said he was “the grandmaster of filmmaking”. So for Ridley Scott to come over and ask me for suggestion it was amazing.

MG: How did you prepare for the such an iconic character, Dr. Eldon Tyrell?
JT: Well I mad it that way [laughs]. I played it that way. It was a nice role and I did well. I have had better roles. I have had worse roles. Everything I have done has been unique from the fucking ruler of the world to a bartender. They were all crazy. I also like to do
comedy, which I have done over years in television.

MG: How do you feel about Ridley Scottworking on a sequel after all these years?
It is not going to be as good as the first. Sequels never are. The first one is always the one looked at.

MG: What do you like most about meeting your fans at conventions?
JT: It’s amazing. Just amazing. They are so gratitous. They are so happy to meet me. When I did a Q&A, the house was completely packed. They were asking questions about Kubrick and “Blade Runner”. I was taking pictures at the bar in full costume as Lloyd The Bartender from “The Shining”, so that was really cool as well.

Joe Maddalena talks about Season 2 of Syfy’s “Hollywood Treasure”

Joe Maddalena, who is owner of Profiles in History, the world’s largest auctioneer of original movie, television, science fiction, fantasy, and pop culture collectibles, returned Tuesday May 22nd at 10:00pm for season two of “Hollywood Treasure” on Syfy. Media Mikes had a chance to chat with Joe about season two of “Hollywood Treasure” and what we can expect.

Mike Gencarelli: In season one and you dealt with a lot of like collectible items and whatnot. I was reading that this season you’re going to be working with the house from “American Horror Story”. Can you tell us a little bit about that and how it differs for you?
Joe Maddalena: What’s interesting is that as a company, we’re trying to expand our reach into all areas of things that have to do with television and motion pictures, and this opportunity came along. We got a phone call from a guy, and he said, hey, I have some things from “American Horror Story”. It’d be cool to get some props, and lo and behold, we met this man, and we ended up at the “American Horror Story” house. The actual house is here in Los Angeles, and it was kind of surreal, because I had no idea. And I’m walking up to it, and it was really eerie, because you’re in the house. I mean, you’re in the rooms. I mean, you’re in the basement. You’re thinking of people hanging themselves, and all this crazy stuff going on. And it’s really cool because this was like a 17,000 square foot mansion, and it’s just another side of our business that we’re pursuing, is we’re going after these properties now, because they have such a value besides being a house. So being an “American Horror Story” fan, it was the coolest thing I’ve ever walked through in my entire life, to go through that house. And it was scary. I mean, being in the basement – they turned the lights off; you wanted to run out of there!

MG: What would you say is your biggest challenge both juggling, running your business, Profiles in History, and also filming a reality show?
JM: I really want people to understand that I’m trying to paint a picture on the show that’s real, I mean, that it’s like that this is kind of like really what we do so they get an idea, because people are always like, well, where do you get this stuff? How do you find it? How do you authenticate it? So we’re trying to answer those questions and give you slivers of like, a business and obviously in a sense for television, but that’s the biggest challenge is to accurately depict what we do in a way that the viewers are going to, enjoy it, and that’s my biggest, task, is to make sure we put something out there that they’re going to really like.

MG: Can you talk a bit about how you were finally able to get access to the ruby slippers?
JM: I’m writing a book and my son asked me a question a couple years ago, and he goes, so, is there anything, in the book that is kind of like your weak spot? And I said, well, I’ll probably never have a pair of ruby slippers. And I didn’t think in my career I’d ever be able to sell a pair. I just thought it would just never happen. I didn’t think another pair would ever change hands. I was lucky that within six months I sold Debbie Reynolds’ Arabians for $700,000, then the, obviously the Samuels pair, six months after that. And it’s kind of surreal now looking back that two pairs have gone through my hands. It’s – they’re kind of like – it’s surreal because it’s hard to believe that these things A, came up for sale, and that you can own them. I mean it’s I personally think the most iconic prop in the world.

MG: With an item like the ruby slippers, at what point do they become too hard of a sell, despite their legacy?
JM: I just think its all timing. I mean, the other day somebody paid $100 million for Munch’s scream. I mean, I just think day to day, it’s what’s happening in the world. Buyers are in one mode then they’re in another mode. I just think a lot of it’s timing. I mean, I don’t think – there’s no value. When you buy $100 million painting, it’s like you can’t take it tomorrow and trade it for some building in Manhattan. You’re going to have to go through a whole process to sell it, right? I just think a lot of its timing, and a lot of people understanding the slippers I think because there are multiple pairs might have confused people. A lot of things go into it.

MG: So now that you’ve found your holy grail being, the ruby slippers, have you moved on to a new holy grail? Is there something new that you’re dying to find?
JM: Well, the ultimate thing, yes, there’s always another one. The ultimate thing would be Maria the robot from Metropolis. Now there’s all these legends behind that. In Metropolis, Maria burns, but there’s got to be more than one, so that would be like the next one. If you could surface that, it’d be pretty big.

MG: What’s the most valuable item you’ve ever sold?
The dress from The Seven Year Itch that we sold for Debbie Reynolds, which was $5 ½ million. So Debbie’s collection definitely was the highlight of anything we’ve ever sold. I mean, her material was the best that’s ever been put out in the market, and the prices – her first sale grossed $23 million, so for 500 items, pretty substantial.

MG: Can you tell us about your journey to Middle Earth featuring Sean Astin?
JM: Sean Astin is a neighbor. He lives close by, and a friend. We’re selling a large collection belonging to the Dryer family, and in that collection was this amazing map of Middle Earth. And I thought Sean, knowing his interest obviously in that part of the world, would enjoy seeing the map. So it was actually Tolkein’s copy, so he came by and we kind of had a little trip down memory lane and we learned interesting things. He went from the Shire to Mordor on what happened, and it was an interesting response, because he said well, we’re making this movie, Elijah and I figuring we’re going to have all this time together, a year and a half, and at the end we’re going to do this epic climax, throwing the ring in, in the mountain, and by the time we get there, we’ll be ready. And what happened was we were filming and there was a giant flood, and the set got wiped away, and they came in and said well, we’re going to film the climax instead, and this is very early in the process, and Sean’s like, I – we can’t do that. We’re not ready. And they’re like, you’re ready. So – and they literally – it was just like amazing insight into his world, his character. It was fascinating to meet him and kind of learn about that world.

MG: Is there anything that you own personally from a movie that you would never be willing to give up?
JM: Yes. I mean, I have a lot of things. Ihe thing I would never give up that’s from a television show, when my son was about six I had an auction and I had one of – Buck Rogers’ sidekick was Tweaky. He had a little robot, and I had a Tweaky in my auction and my son was about the same size. He was a little bit smaller, and (Felix Hiller) showed up, who wore the costume in the TV show, and we met (Felix), and my son thought this was the coolest thing in the world, you know? And we became friends with (Felix) and then (Felix) later sold my son – well, me for my son, his Tweaky costume with Theopolis around his neck. I’m looking at it. It’s six feet from my desk. It’s the holy grail of our family. It’s like the only thing – it’ll go to – he’ll take it to his grave. It’s like, it’s just such a sentimental thing among us, it’s like we’d never sell it. I collect things that are sentimentally important to me. It’s more about like I was lucky. I worked for ABC all of season six for “Lost”. I was in Hawaii during the entire shooting of the final season. I have such amazing memories of that production, but what I kept were things that were like, important to me, I mean, nothing of any value to anybody else, but to me it’s just all about the memory of being involved. That’s what I enjoy the most.

MG: It seems the horror genre is filled with some of the most hardcore collectors.
JM: Absolutely. I think horror is probably consistently always been number one with starting in 19 – the 20s, 1930, ’31, Frankenstein, Dracula. I think we’re infatuated with vampires, and I think obviously, look how popular they are now. I think the supernatural, ghosts and vampires and ghouls, just fascinates us. I think that the macabre – people just, like the dark side. They want to be a vampire, so I think that that’s just – it’s just – and because the material is dark in its creation, I think that it’s just kind of gravitates toward that world.

MG: I know you mentioned in the new episodes that – you said something about people are more after props than costume pieces. Why is that?
JM: Let’s see. Okay. Costumes are big and they’re a challenge to display, okay? So textiles are fragile, by nature, so they have to be – they can’t be in the sunlight. They have lots of things that will affect them over time if they’re not properly preserved or displayed. Props, pretty rugged. I mean they’re more manageable in size. They’re three dimensional. They’d kind of cooler looking. It’s just, people just want props. I mean, they’re just – there’s always a challenge with a costume, but when you get like the Maltese falcon and you hold it in your hands, it’s an object. the ruby slippers are an object. So those are the kinds of things – I just did the Captain America auction for Marvel, in April in Chicago. We had like the shields. They’re really cool because they’re objects. The costumes are nice, but when you get into like Thor’s hammer, Captain America’s shield or Iron Man’s helmet, they’re really cool.

MG: What other highlights can we expect from this upcoming season?
JM: This season’s going to be really fun. It’s the biggest things that I’m excited about is we used to be two back-to-back half hours. Now we’re one one-hour, so we’re able to tell much better stories, where in the past, we’d have to get in and out of a scene in three minutes. Now we’re able to invest like 10 or 12 minutes in a story, where you’re going to get a lot more information, a lot more access, learn a lot more about my world. I think it’s much better television, but American Horror Story – we have a great segment on The Hunger Games. I mean, The Hunger Games is going to be – we’ve got a great 12 minutes of Hunger Games. Whitney Houston, The Bodyguard – I mean, there’s going to be a lot of surprises, I mean, a lot of contemporary things, and we’re going to take you to places, Planet of the Apes, I mean, things that are just – there’s something for everybody. It is a really good diverse group. Vampires, Greg Cannon, who’s one of the judges of Face-Off, he did a Gary Oldman’s Bram Stoker Dracula. We sold his Dracula collection. Ve Neill is on the show. We sold her makeup collection, and she did some of the most important make-up appliances in Hollywood history, so a lot of cool things.


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Interview wtih Papa Joe Aviance

Papa Joe Aviance is a dance music performer best known for performance with Lulu on the track “Last Night a DJ Saved My Life”. His current song is working its way up Billboard Dance charts. Media Mikes had a chance recently to speak with Papa Joe about his music and future plans.

Adam Lawton: What made you first want to get into music?
Papa Joe Aviance: I have been passionate about music all of my life. I grew up playing the violin and I was also in the marching band. Music is something I have been around all of my life. When I first experienced club music it was like church for me. Feeling the grooves and beats was very magical and I fell in love with it. Music in general is something that I just really love!

AL: How was it getting to work with Lulu on “Last Night a DJ Saved My Life”?
PJA: Amazing! I had danced to her tracks many times in the clubs and to have the opportunity to work with her was a blessing in disguise. My demo had been sent to Kult records and that day was the same day the originally rapper on the track was fired. They liked my voice and if would mind doing the rap on the track. Next thing I know its number 6 on the Billboard dance charts.

AL: When you were working on the track did you think it was going to be as big as it turned out?
PJA: Not at all. When it did get as big as it did I saw myself on the video and I knew I had to change my appearance. I knew I just couldn’t look like I did. I remember going to a local sports bar and hearing that song on the juke box. I just couldn’t believe it. From there I really got the motivation to lose a bunch of weight and was the next big thing to happen to me after that song was released.

AL: Can you tell us about your new track titled “Live For Life”?
PJA: I had Willy Sanjuan at a music conference about a year and a half ago. I was there promoting “Last Night a DJ Saved My Life”. He and I had been communicating through email and through the process of my weight loss I started writing this track. We recorded and submitted it and now it’s being promoted everywhere. I am really happy and proud of the track. This really is my very first solo track.

AL: How was it going into the studio by yourself for the first time?
PJA: It was fun and exciting. I love being in the studio and getting to brainstorm material. This new track is kind of about being passionate and doing what you love.

AL: Can you tell us about Papa Joe Network Productions?
PJA: That sort of came into play about 2 years ago. I had helped with some things on the “Last Night a DJ Saved My Life” video. During my weight loss journey I decided to document it. From there I started working on other projects besides my own. I like trying to help people get their message out.

AL: Do you have any other upcoming projects?
PJA: I am currently working with a few charities right now filming their events. Besides filming for those groups I am also involved heavily as a member. Next year I am planning to do a Walk Across America tour. I am planning to visit 10-15 cities to promote not only my new song but a healthy and active lifestyle. I plan to document the whole thing and submit it to festivals when it’s all done.

For more info on Papa Joe Aviance you can go to his website @ and you can view some of his production work at

Film Review “The Last Rites of Joe May”

Directed By: Joe Maggio
Starring: Dennis Farina
Distributed by: Tribeca Film
MPAA Rating: Not Rated
Running Time: 103 minutes

Our Score: 4 out of 5 stars

I was originally asked to review this film to prepare for a review with star Dennis Farina. So I had no idea what it was or what to expect and I was real happy I watched this film. It is quite the gem and Farina is a one man show that plays one of his best character roles to date. The film is yet another recent gem from Tribeca Film following recent films I’ve seen “The High Cost of Living” and “Janie Jones”.

Joe May (Dennis Farina) is a guy who gets out of the hospital finding that his life is turned upside down. His apartment is re-rented, his belongings are gone, his friends have forgotten him. Joe is an aging short money hustler, who has been looking for his big break around every corner. With his health fading and options running out it is Joe has one last chance to achieve greatness.

Dennis Farina is known for playing the tough guy…someone you don’t want to mess with but this role was made for Dennis Farina. Dennis is vulnerable but still tough and he still kick an ass. The roles I can recall for Dennis Farina have him in a supporting role and this one really gives him a chance to shine. The role was pretty physical as well and I give him a lot of credit in fact. Overall it is a very tight drama with a great story and notable performances.

Interview with Elephant Mountain’s Joe Altier

Joe Altier is the former front man of the Syracuse based hard rock band Brand New Sin. Joe has a new group called Elephant Mountain which features former Brand new Sin guitar player Brian “Slider” Azzoto. The group has just released their first CD and Joe took some time out of his busy schedule to talk with Media Mikes about the release.

Adam Lawton: What led to your decision of leaving Brand New Sin?
Joe Altier: There were a lot of reasons for me leaving Brand New Sin but without a long winded answer I was unhappy not just with my position in the band, but with myself in life. A lot had happened in 2007 leading up to my departure good, bad and, ugly. Basically I hit a turning point where I was re evaluating my life. I decided the best thing was to leave the band and let them move forward. I needed to fall in love again with myself and with music.

AL: What was it like writing songs again with Brian “Slider” Azzoto?
JA: Writing with Slider again was surreal. He was my compadre in Brand New Sin and when we kicked him out, I felt I lost a little bit of myself. He and I didn’t talk for a few years but after reconnecting and becoming friends again, I knew that we would eventually work together again. Next thing I know we start jamming again and we picked up right where we left off. We have a great bond not only as friends but as songwriters as well.

AL: Was there any reason you guys decided to release the Elephant Mountain album independently?
JA: We decided to do it on our own because honestly there are no record labels anymore. It was nice to write at our own pace and with no outside influences or deadlines. Also who is going to sign a bunch of guys pushing 40! (Laughs) We had the means to record and release it ourselves so we did! We won’t ever do any extensive touring with Elephant Mountain but we just want to make good music and have fun.

AL: Do you have a favorite track off the new album?
JA: My favorite track off the Elephant Mountain album is “Pray”. That song was written about my late father and the traumatic events of the day he passed. That song is the most soulful, personal song I have ever written.

AL: Can you tell us about your other two projects Just Joe and Aylyst?
JA: Aylyst which is my cover band that plays mostly classic rock and heavy metal tunes. That project really kept my chops up while I was waiting for Elephant Mountain. As of right now it is on hiatus as I have been busy with Elephant Mountain and Just Joe. Just Joe is what keeps me the busiest these days. I am playing 4-5 days a week with a song catalog of close to 2000 songs which range from Frank Sinatra to Metallica! Just Joe also is an outlet for my “lighter side”, “country side”, “soulful side” and so on. I have released an EP and a full length in the past year and am working on another EP and album as we speak!

AL: 2000 songs is a lot of songs.
JA: I am busting with songs! Some of them were written over the past 10 years and were never used in Brand New Sin or they were something I just kept to myself. I live, breathe and eat music!

AL: Other upcoming projects or plans?
JA: Well I play to release a Just Joe EP at Christmas time and a full length album by summer of 2012. Elephant Mountain is knee deep in writing a new album and we have about 5 songs written far. We probably will finish writing and recording that over the winter and release that in 2012 as well!

To find out more about Joe Altier and to hear some of his music click on the links below. Also be sure to read our review of Elephant Mountain’s debut release, here: