May 7, 2017
Sprint Center, Kansas City, MO
Our score: 5 out of 5 Stars
Before I begin let me say that I love the Sprint Center. At least once I’m inside. I’ve seen many shows there and have never had a bad seat. However, getting into the show is another story.
In November 2007 Garth Brooks played nine sold-out shows at the Sprint Center, a mere month after the building first opened. His return (for seven more) was met with great joy by the Kansas City faithful. Unfortunately those faithful had said faith put to the test with all of the problems involved. Tickets were only available through AXS, a company similar to Ticketmaster. When they went on sale I logged on to their site AND dialed their number, figuring to use whichever method got me my tickets first. Thankfully I stayed on hold as all 14 times I tried to purchase tickets on-line failed. I would get my seats picked out (a couple times I had nice floor seats), and receive a message that read “you know have two minutes and 30seconds to complete your transaction: CLICK HERE TO CONFIRM.” I would “click” and get an error message that read “your session has timed out.” 14 TIMES!
Luckily, after an hour and twenty-eight minutes on hold, an operator came on the line. I told her the problem and she told me “this always happens” whenever AXS has a large event. “Our servers can’t handle all of the traffic.” At least she was honest. The local news was told that it was a “software” error that was later fixed. NOT! Anyway, thanks to Garth playing seven shows I was able to get some nice seats. Now to get inside.
I love the layout of the Sprint Center. What I don’t love is the fact that, for a building that can hold almost 20,000 people, there are only TWO entrances: one in the front of the building and one in the rear. Most venues I’ve been too, and I’ve seen concerts literally all over the world, have multiple gates and entrances all around the building. Because of the way the Sprint Center is set up, we got in line about three blocks from the Sprint Center at 6:15 for the 7:30 show and got to out seats at 7:45! Ridiculous. And I couldn’t help but think, while I was waiting to get inside, what kind of horrible tragedy it would become should something happen while the building was packed and had to be evacuated immediately. I shudder to think of the casualties!
Now for the good stuff:
Even though he had played four shows since Friday night, Brooks was in fine form and full of energy. He kicked off the show with the song “Baby, Let’s Lay Down and Dance,” from his 10th studio LP, “Gunslinger.” He then promised the audience that he’d be doing all of the hits and kept that promise with songs like “Rodeo,” “Two of a Kind, Workin’ on a Full House” and then led the audience in a great sing-along with “The River.”
Several times during the show Brooks commented that his voice was going and that the audience may have to carry him through the night, which was apparently no problem for those in attendance as nearly 20,000 voices filled the Sprint Center, matching Brooks word for word. Like Mick Jagger, Brooks is a consummate showman, almost refusing to stand steady for more than a moment at a time.
Halfway through the show Brooks was joined on stage by his wife, singer Trisha Yearwood, who sang a mini-set of some of her hits (“She’s In Love With the Boy,” “How Do I Live?”) before once again relinquishing the stage to her husband. After more hits Brooks sent the band off stage, picked up his guitar and peered into the audience, where fans had brought posters emblazoned with the titles of songs they wanted to hear. He obliged several of them, both his voice and guitar sounding clean and clear. The band returned to close the show with “Much Too Young (To Feel This Damn Old),” in which he offered his heartfelt blessing to the late Chris LeDoux) and a rousing “Standing Outside the Fire,” which shook the rafters. It was almost 11:30 when the show ended. However, with as much fun and energy as he brought to Kansas City, I wouldn’t be surprised if the man is still on stage singing right now!