Tag: cold

COLD WAR
Starring: Joanna Kulig, Tomasz Kot
Directed by: Pawel Pawlikowski
Rated: R
Running Time: 1 HR 29 mins
Amazon Studios 


Nominated for three Academy Awards (Best Foreign Language Film, Best Director and Best Cinematography), “Cold War” is an engaging yet tragic period drama that is much deserving of all its accolades. 
Shot entirely in black-and-white with English subtitles, 
writer/director Pawel Pawlikowski (“Ida”) deftly captures the 
brutal essence of communist-controlled Eastern Europe while putting us
 on a complicated, 15-year odyssey of obsession.
 
The story begins in 1949 Poland where the scars of a world war 
are still fresh. A soft-spoken music director Wiktor (Tomasz Kot, “Gods”) 
is tapped to co-helm a school that’s intended to create a group of 
talented young people to stage traditional, Polish folk dances. It is during 
auditions at the bullet-ridden school that a crafty blonde singer named 
Zula (Joanna Kulig, “Pitbull: Tough Women”) catches his eye.  Despite a warning about her troubled past, Wiktor and Zula develop a 
secret, passionate love affair.
 
Two years later they have an opportunity to escape their communist 
oppressors by crossing into West Berlin, but Zula chickens out while 
the brooding Wiktor leaves her behind anyway to go carve out a life as 
a jazz pianist in Paris. Even though lovers come and go as the years 
pass by, Wiktor still regards Zula as the love of his life. His devotion to 
her is so strong that he even risks being sent to a Polish prison when he 
travels to Yugoslavia to watch Zula perform.
 
They only reunite when Zula marries an Italian man so she can get out 
from behind the Iron Curtain to be with Wiktor. A successful singing 
career begins to take shape with Wiktor accompanying her on piano. 
However, her jealousy towards other women and her desire to be the 
center of attention, especially Wiktor’s, leads Zula to run back to 
communist Poland. Wiktor is desperate to follow her but he knows he 
will be arrested if he does. It proves to be a fateful test of his devotion to 
her.
 
Pawlikowski’s endeavor has all the feel of a film straight out of 1957 as
 he channels the bleak repression the peoples of Eastern Europe faced 
under Soviet dominance. There is a paranoid sense that there are eyes 
everywhere, and in some instances its true. It’s this omnipresent fear he 
generates with his script that gives Zula and Wiktor’s relationship a 
palpable edginess. Their romance is so much like a careening roller 
coaster that it makes it difficult to accurately predict its outcome.
 
Kulig is brilliant as she infuses a sense of instability into Zula. In a 
way, you want to yell out in vain to Wiktor to stay away from her, 
but his devotion runs so deep that he is beyond help. This obsession is 
played with expert subtlety by Kot and skillful direction by Pawlikowski 
who keeps the pacing brisk with a short running time. Never mind the 
critical darling that is “Roma.” Instead, go see “Cold War.” Trust me, 
there’s nothing cold about it.