SDCC 2024: A Triumphant Return with Tony Stark, Unforgettable Offsites, and Comic-Con Magic

So, Tony Stark is back. That will be the big takeaway for those who didn’t attend the 2024 edition of San Diego Comic-Con (SDCC). For those who waited in line after line to attend the Marvel panel on Saturday, it was probably a fantastic moment. But that’s only 6,000 of the 130,000 who enter the exhibition hall on Saturday. That’s not including the 100,000s outside taking part in offsites, parties, signings, etc. So, while we always enjoy a little bit of Robert Downey Jr. in our lives, this year’s SDCC had a lot more for those who may not have wanted to spend Friday in a line in the hopes of waiting in line on Saturday.

In my prior wrap-ups of SDCC, I made note that the COVID-19 pandemic and writer’s strike seemed to hamper things, whether it was the attendees, the celebrities or everyone. 2024 is by no means perfect, there were plenty of messes left and right, but this was the first time since 2019 that things began to feel normal. Yes, there were people wearing masks, but to each their own when it comes to safety. Yes, there was a strike called by SAG-AFTRA against major video game publishers, but the festivities went on, delighting young and old, geeky, nerdy, dorky, and even the local passerbys of San Diego.

While we didn’t make it to the exhibition floor for Wednesday’s preview night, we did make it to several fantastic offsites. While the swag wasn’t available for the press preview, Adult Swim made it’s triumphant return after a one-year hiatus with a pirate party, featuring games and photo opportunities from shows like “Rick and Morty” and “Smiling Friends.” Adult Swim, as they always do, cranked the fun up to 11 in coming days with live wrestling events, daily DJs and swag that might be too big to fit into your carry-on. We also checked out Paramount+’s Lodge, which showcased some upcoming shows, like “Dexter: Original Sin” and “Tulsa King” while celebrating 25 years of Spongebob. Wait…25 years…geez I’m getting old. While both were fantastic events, especially the free drinks and pizza at the Lodge, the “Kingdom of the Planet of the Apes” activation was a combination of “Apes” history and the magic of modern special effects. Not only did they have a museum of Ape film artifacts, highlighting the rich history that stretches back to 1968, but several actors and crew from the latest film were on hand to talk with fans and press. If you attended, you also could had a few drinks and hors d’oeuvres with them.

The action kept rolling Thursday, although the day began with a bit of a whimper. Focus Features was celebrating 20 years of “Shaun of the Dead” with a Winchester Tavern pop-up. The only problem was, there was no air-conditioning and the free beer couldn’t be consumed on-site. As soon as word spread, it became one of the least frequented offsites of the weekend. Thankfully FX and Hulu’s Animayhem offsite activations were up next and offered some decent swag and reprieve from the heat. Knowing that they’d be under the blaring California sun, FX offered free, customized umbrellas (even if the line was an hour long) before exploring various other portions of their activation. However, FX was a mixed bag as many thought the wait to get into “The Bear” activation wasn’t worth it. Hulu managed to help fans beat the heat by setting up misting fans and overhead awnings to ensure those waiting in line for their activation didn’t leave with a wicked sunburn. The activation featured various activities, food and a collection of pins that fans of “Solar Opposites,” “Futurama” or “Hit Monkey” will treasure forever. While the day could have ended with a load of panels, instead MediaMikes’ first panel of the day hosted by Fandom, ended with us going to Fandom’s 20th anniversary party. You can read more HERE.

With offsites out of the way, Friday and Saturday was loaded with exploring the exhibition hall and attending various panels. The exhibition hall reminds us that while the big players, LEGO, Marvel, and others, take up the most space on the sales floor, fans will always find that small booth, that tiny artist, or that one thing stowed away that will ultimately bring the biggest smile to their face. For me, it was a photo with Lloyd Kaufman. The legendary director/writer/everything gladly talked with those who knew Troma, ensuring everyone who stopped by will remember him as Uncle Lloyd. One stand-out panel from the day was the audiobook preview of “Red Dead History” with Arthur Morgan (voiced by the highly personable Roger Clark) attending the panel and snapping selfies with fans of the 2018 game. While I could continue to gloat about the various panels with their various surprises, it would become a long winded article of me bragging.

What is the big takeaway from this year’s SDCC? Was it perfect? No. Was it amazing despite its flaws? Yes. It usually is. SDCC offers enough unique experiences so that you won’t be bored. Want to check out board games that could one day become the next “Axis and Allies?” SDCC has got you. Want to check out some independent films? SDCC has got you. I say all this because there were rumblings, just like in prior years, that SDCC could go somewhere else. But it’s hard to beat San Diego weather and the Gaslamp district’s amenities. While it’s impossible to do everything, it’s possible to get a life changing experience, no matter who you are or what you enjoy. Scout out those panels, ask those questions when attending, compliment the cosplayers, talk to strangers about the great time or to get some insight on other happenings and most important, put on some sunscreen. As a Midwesterner, where an average summer day feels like Satan breathing down your neck, the mid-to-upper 70s can trick you into thinking you won’t crisp up in a few hours.

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Filed Under: Commentary, Conventions, Misc Tagged With: adult swim, dexter, futurama, hulu, jeremy werner, planet of the apes, ...

San Diego Comic Con Stumbles Out of the Pandemic

“Has it really been three years?” That was my thought as I sat in my cramped, terrible plane to San Diego. Ignoring the terrible aviation service, I had my mind on the prize. While San Diego Comic Con technically came back last November, the turn out by vendors and patrons alike made it seem more like a test run before this summer’s return to glory. Was July 20-24 everything I hoped it was? No, but that’s OK.

The biggest takeaway for those outside the geeky bubble of the San Diego Convention Center and Gaslamp District was the return of Marvel Studios to Hall H. Not only did they unveil footage from “Black Panther: Wakanda Forever” and “Ant-Man and the Wasp: Quantumania,” Kevin Fiege, the Willy Wonka of the MCU, also unveiled their plans for phases five and six, revealing what the “Multiverse Saga” has in store for eager fans. Oh, and DC showed some new “Shazam” and “Black Adam,” but some are still wondering where Superman and Flash are.

Outside that big news, “Star Trek” had a lot to say, showing a look at “Picard’s” final season as well as info on a live-action/animated hybrid crossover that I’m sure Trekkies are already getting amped for. Outside the convention halls, Star Trek had an offsite experience called Ten Forward where Trekkies and others could partake in food and beverages in a “Star Trek” setting that had fans finally living in some of their favorite moments. Sci-fi wasn’t the only draw as “The Lord of the Rings: The Rings of Power” and “Dungeons and Dragons: Honor Among Thieves” rolled out footage that not only got fans pumped, but garnered attention from people who had no interest (me being one of them). D&D also wowed people with it’s offsite bar where people could partake in a fantasy brew while interacting in what can only be described as a cave tavern harassed by dragons.

Out of all the fandoms though, there was quite a bit of disappointment. Fans of Adult Swim’s offsite activations were left wondering where they were only to find a box in a field with a peephole advertising the Adult Swim Festival…taking place on the other side of the country. “House of the Dragon,” a “Game of Thrones” prequel, failed to generate buzz for people in Hall H, while the activation was apparently only for die-hards who left disappointed or content after standing in line for an average of five hours. The “Bob’s Burgers” panel was cancelled last minute, leaving Bob’s fans scrambling to find another favorite moment from this year’s festivities.

A lot of people actually may be signing up for Apple TV after the company’s first foray into SDCC. The fresh-faced streaming service highlighted several shows like “For All Mankind,” “Mythic Quest,” and this writer’s favorite, “Severance.” While not personally attending, the footage from inside the “Severance” offsite was astounding. It truly looked like people were walking into the world of “Severance.” Not only was it the most discussed and favorite offsite of this year, but it maybe the standard going forward for fully immersive rewarding offsites. One of the companies that manages to bring the fun to offsites, FX, returned this year with a maze featuring haunted dolls, muttering lunatics’, a vampire dance party and a chance to win various hot sauces.

Despite the highs of SDCC, something felt off. As a non-profit, it would make sense that SDCC would have to cut some corners and scale some things back with it’s return. But you have to wonder about some of the choices and decisions. One talking point that was (and still is) discussed is COVID-19. Was there a mask policy? Yes. Was it bothersome? Not really. The majority abided by it and it wasn’t like most people haven’t already spent a good portion of the past three years wearing one. That being said, I will flat out say that the COVID-19 wristband policy was stupid. To obtain a COVID-19 wristband, you must either be vaccinated or have a negative COVID-19 test result that was collected within 72 hours. If either of those requirements were met, you were given a flimsy paper wristband that was supposed to survive five days of sun, showering (maybe not everyone) and whatever else comes there way. The idea behind this is to prevent sick people from coming in, but as we’ve all found out, you can still become sick and a carrier of COVID-19 if you’re vaccinated and can still become infected and become a carrier within 72 hours after said COVID-19 test. So with all due respect, what was the point of the wristband? Another line? A sense of false security? Regardless, it was a completely unnecessary hurdle that frustrated hundreds if not thousands on a daily basis who showed up without a wristband and then had to wait in a lengthy hour-or-more line. I prepared and knew all about this, but not everyone is me and I can relate to the grief of having unnecessary requirements stand in your way of fun you’ve been craving for years.

Was there plenty of things that had me shaking my head in frustration? Yes. Was there plenty of things I enjoyed immensely regardless? Yes. In no way was this year a sign that it’s time for me to quit going and in no way will I say my experience was negative overall. There’s always going to be things I miss and things I will cherish forever. I’ve learned, grown and adapted to the things that happen every year like others…the long lines, the shocking amount of BO from fellow congoers and so on. Here at MediaMikes, we’re fairly confident SDCC 2023 will be better and 2022 will still have been a great year, just not as great as other years.

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Filed Under: Conventions, Misc Tagged With: adult swim, apple, dc, jeremy werner, kevin fiege, marvel, ...

NYCC 2016: Adult Swim’s DREAM CORP LLC

Have you made your appointment with Dream Corp LLC yet? The mind-bending new series from creator Daniel Stessen is currently admitting new patients every Sunday night at 11:45pm on Adult Swim. Starring Jon Gries (Napoleon Dynamite), Stephen Merchant (“The Office”, “Hello Ladies”), Nick Rutherford (Balls Out, “Drunk History”) and a host of guest stars, the series follows a strip mall clinic that uses advanced technology to invade its patients dreams in order to solve their real life problems. At New York Comic Con this year, the Adult Swim panel was treated to the first two episodes of Dream Corp which blend live action sci-fi and trippy rotoscope animation.

Accompanying the new series to NYCC was creator Stessen with stars Gries, Rutherford and Merchant (who also serves as an executive producer on the show). I sat down with them to talk about this new addition to the Adult Swim lineup.

How did you develop Dream Corp?

Daniel Stessen: I had the concept, been developing it for a while, and created this world and kind of came over to Steve for a little guidance as to how to make it more palatable to a larger audience. Being that he has some–

Stephen Merchant and Daniel Stessen

Stephen Merchant: I think he’s being immodest–or he’s being too modest, I should say, that’s not right. Too modest. I was there as just a friend of Danny’s…to do a voice for this robot [T.E.R.R.Y] that’s in the show and inevitably whenever there’s anything creative going on, I like to start meddling, and just offering thoughts. And we started talking more and more. And it was just for me, it was something I would have done as a friend anyway…but I just thought, you know, let’s try to screw these guys for some money. (Both laugh)

Stessen: And the robot, we love the robot, he was built by Jim Henson Studios…That was one of the more validating moments of my last ten years on Earth, just getting that call that they were on board to build Terry the robot.

Merchant: There’s a really strong visual sense to the whole thing, again largely down to Danny. He’s just got an incredible visual imagination. And so you see that both in the real world–where you see this kind of twisted, eccentric sort of laboratory– and then also when you enter that dream world. And that’s done with the rotoscope animation. When you go on the set, it’s you know, it’s bits of cardboard and people with fake cardboard wings and cardboard jaws and things. All of which is going to eventually going to be animated but which only [Danny] can really see. So a lot of people I think are just stood there and like ‘you want me to what? I’m drowning in spaghetti now?’ And he’s like ‘Trust me.’ So it’s sort of extraordinary, an extraordinary kind of vibe there. Wouldn’t you say people were confused [on set]?

Stessen: It’s just, when people would walk on when we were shooting the dream world stuff, people would walk into an empty room and I would just be like ‘this is going to feel super weird, just trust me, it going to look real cool.’

Can you speak about your characters?

Nick Rutherford and Jon Gries

Nick Rutherford: I play patient 88–
Jon Gries: Nick!
Rutherford: Yeah, Nick as well, who comes to the office to work on erectile dysfunction and pretty quickly realizes that the office itself is kind of dysfunctional.
Gries: What happens is that he has to work for us because he can’t pay for his procedure
Rutherford: Yeah I can’t pay for the procedure and you think that it’s a confidence issue and I don’t have a job so you say–
Gries: A job?
Rutherford: Why don’t you work here? And I’m like this is a terrible place, but I kind of go along with the flow.
Gries: So he’s really the eyes of the audience. Because obviously he’s come into this place that is so–well from some perspectives, would be ridiculous and crazy. It’s not from my perspective.
Rutherford: It’s your life’s work.
Gries: It’s my life’s work. Dr. Roberts has this vision that this is the most transforming and necessary procedure but he’s lost his funding. So now he’s working out of a strip mall because he believes and he knows that it’s working. He knows that he’s changing people’s lives. There’s a little problem here and there but–
(Both laugh)
Rutherford: There’s a lot of problems.
Gries: There’s a couple of bugs that get worked out of the system. But it could be because the system’s really old and we haven’t had the money to update it.
Rutherford: And I think Nick, Patient 88, comes into it and kind of sees a family forming. Because everybody trusts and loves each other. Like there’s, Stephanie Allen plays Joey, his protégé–
Gries: My intern for nine years. No pay!
Rutherford: (laughs) Yeah, Nine year intern. Who loves him and obviously thinks he’s the most brilliant guy ever and he just does not give her the time of day. And Mark Proksch plays kind of the navigator of sorts, I don’t know if you know his work–
Gries: He’s amazing. And he doesn’t ever leave the building. For fifteen years he doesn’t leave the building.
Rutherford: So he’s incredible. And then [Ahmed Bharoocha] plays kind of the nurse and he’s just this big stoner who doesn’t even really care. So Everybody relies on each other in a nice way. So the meat of the story is us working together and growing together and me being thrown into this world. And it being very dangerous, but also fun. And then bringing in these amazing guest stars and throwing them into that.
Gries: He gets attacked by June Squibb at one point. She stabs him.
Rutherford: Yeah she stabs me in the neck with a a screw driver. I’m kind of like the Kenny, I get hurt a lot. (both laugh)

Have you ever had a weird celebrity dream like with [episode one guest star] Dave Coulier?

Rutherford: Yeah that was really surreal.
Gries: I did, I had a weird celebrity dream. I was very nervous, I was about to do a movie years ago and I dreamt that I was in a barbershop. And I was sitting and the man sitting in the next chair was Fred Astaire.
Rutherford: Really?
Gries: True story. And he looks at me and he goes, “Are you worried about something?” And I said “I’m just a little uncomfortable” And he said “Have fun. Just have fun.” I swear to god! And that was like two days before I started shooting Fright Night Part 2.
Rutherford: Have fun out there.

What was it like working with the rotoscope animation?

Dream Corp LLC/Adult Swim

Rutherford: It’s really fun because everything is so grand. You know it’s like now you’re falling off of a hot air balloon, or now you’re running away from your bullies in high school. So you’re playing these large characters, so you just kind of jump into it. Like, I remember thinking when I was very young and being an actor, how it must be really hard to shoot like Jurassic Park when you’re in front of a green screen and then they’re like “and THAT’S a velociraptor” and you’re like “ahhh!” I didn’t feel that at all during the production that that those scenes were difficult thing to do. Because they’re just so silly and fun and you’re wearing kind of a half costume so they can animate it later. Like I’m dressed up like Legolas–
Gries: And literally it was sometimes it was pieces of cardboard, you have cardboard on you almost like a really bad–
Rutherford: Like a play
Gries: Like a kid’s play. But you know it’s all for reference and they’re gonna draw on top of it. And the thing is, knowing how beautiful the animation is also gives you the impetus that when you’re in it, you understand what it’s going to look like, so it helps, it augments. Whatever decision or choice you’re going to make, you can go further with it because you just have that confidence behind that animation. It’s almost like ‘pay no attention to me, it wont be the real me, it will be a better me.’

Stessen: The inspiration came from working with his name’s Michael Garza [of Artbelly Productions] out of Austin, Texas. He worked on A Scanner Darkly, and then a couple other guys on the crew are Scanner Darkly. And one of the woman who was an animator on Waking Life. Which I’m a huge fan of. I saw Waking Life a while back and watched it over and over and over again. Huge inspiration. And we made a short film together that did well in festivals and kind of, we started developing that style in trying to evolve it and I think we’re pushing it forward a little bit and figuring out that we can build things out of cardboard. And make a dragon face. Because all he has to do is draw what’s there. Not that’s all he has to do–his job is to draw what’s there. So we could draw you [all] here and now you’re on a volcano, you know what I mean? So it gives us a lot of flexibility and the fact that with where we are, with little funds, we could do a ton.

What can viewers expect for the rest of the series?

Gries: Surprise after surprise after surprise. I’m not kidding you, it’s different every time!
Rutherford: Yeah it really is. I mean there’s this kind of thread of these different guest stars coming in and getting their therapy as our relationship progresses and as the interrelationships between Joey and Ahmed and…Randy–Randy’s arm gets cut off (laughs)–
Gries: There are things that happen, there’s a continuity within the core group and yet at the same time it’s absolutely ridiculous what happens–but it still stays, it still answers that continuity. And yet the people that come, the patients that come, their stories individually are so different from week to week that it just gives us a whole other area to run through.
Rutherford: yeah There’s like a couples therapy–a gay couple comes in to get like couples therapy. June squibb comes in to quit smoking but then finds out that really just she just wants to have sex.
Gries: And have a baby–and she’s never had sex in her life.
Rutherford: So Roberts appeases that in the dream world–
Gries: You know he says, it’s been a while!

Dream Corp LLC is on tonight and every Sunday on Adult Swim at 11:45pm, with the premiere episode currently streaming at AdultSwim.com

For photos from Adult Swim and many more NYCC panels, make sure to check out our Facebook page!

 

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Filed Under: Conventions, Featured, Interviews, Misc Interviews, TV, TV Interviews Tagged With: adult swim, animation, Daniel Stessen, Dream Corp LLC, interviews, Jon Gries, ...

Creator & Stars of Adult Swim’s “Neon Joe: Werewolf Hunter” Speak at NYCC

Written & photographed by Elizabeth Phillips

On Monday, December 7th, Adult Swim will premiere a new live-action mini-series called Neon Joe: Werewolf Hunter. The show will air for five consecutive nights, ending Friday, December 11th. The story follows Neon Joe, a mysterious man with a talent for hunting werewolves. Set in the pretend town of Garrity, Vermont, the town finds itself in trouble after a round of werewolf attacks and calls on Neon Joe for help.

At the 2015 New York City Comic Con, Media Mikes was able to sit down with lead actor and creator, Jon Glaser (Girls, Parks and Recreation), as well as several other cast members from the show, including Scott Adsit (30 Rock, Big Hero Six), Stephanie March (Law and Order: Special Victims Unit), Steve Little (Eastbound & Down), and Steve Cirbus (Delocated), to discuss the upcoming series.

Elizabeth Phillips: How did the idea for this show come about?

GLASER: I was a guest on Jimmy Fallon to talk about my previous show, Delocated. I took some clothes that I owned- I did a neon yellow hoodie, a knit hat from american apparel, and these Coors Light sweatpants, and I paired them arbitrarily and just went on the show, and I said “I’m really sad that Delocated is done, but I’m excited about my next project. It’s called Neon Joe, Werewolf Hunter, and I’m dressed as the character right now. That’s really all we have at the moment, but we’re excited to figure it out.” It was one hundred percent a joke. It was not real. I mean, I treated it like it was a real thing, but I thought it was obvious it was a joke. There was no ideas. It wasn’t a passion project- it was just coming from this arbitrary joke, and Adult Swim said, “Why don’t you write a pilot of it?” I love that that’s where this show came from. It’s one of the things that I’m most excited about. There was no attempt to do anything but make a dumb joke on a talk show, and now it’s turned into this, which i think is super cool.”

EP: Is there anything else like this on television?

CIRBUS: I don’t think there’s anything else like it on TV. Neon Joe is a werewolf hunter that wears neon, so that werewolves know where he is. He’s not afraid of the werewolves. He comes into a situation- in this world, nobody believes in werewolves. It’s not like we have werewolves running around. He shows up, and he says, “Hey, guess what, small-town USA? You have a werewolf, and I get rid of them.”

ADSIT: I trusted all the creative minds behind it, and I also love Adult Swim. The people in charge there really see the people who create shows as artists and let them do their art. They think of these creators as auteurs who are allowed to express themselves. That’s unique.

EP: What is the balance between the wackiness and seriousness in the show?

MARCH: I feel our characters take themselves very seriously. I don’t think anybody was winking to camera or goofing off. We were all playing different people, and we were really committed to being those people. I haven’t often had an opportunity to work on something that is so wacky and so fun and so loose- almost never actually, so I couldn’t not do it. It was too good an opportunity. I certainly had a good time doing it!

CIRBUS: I think what makes the humor in John’s work and the collaboration of Glaser with PFFR is that it’s always rooted in some sort of truth. The humor is born out of fairly non-sensical human situations moving to a very terrifying situation, or conversely a very human situation that just goes sour for whatever reason, and that strikes a chord, a funny chord.

LITTLE: I feel like it’s played real, just, you know, there’s werewolves. I mean I’m sure there’s a guy that wears neon somewhere in some bad neighborhood because he’s not scared, and that’s Neon Joe- just not in the world of werewolves or bed and breakfasts.”

Neon Joe, Werewolf Hunter will air Monday, December 7th through Friday, December 11th on Adult Swim.

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Filed Under: Interviews, TV, TV Interviews Tagged With: adult swim, Jon Glaser, Neon Joe, nyc, nycc, NYCC 2015, ...

Creators Dan Harmon & Justin Roiland join actors Chris Parnell & Sarah Chalke to discuss “Rick and Morty” at NYCC

Rick & Morty, Adult Swim’s hilarious sci-fi animated comedy from Justin Roiland & Dan Harmon (“Community”) released its first season on Blu-ray and DVD last month. To celebrate this release, the creators joined actors Chris Parnell (“Saturday Night Live”) and Sarah Chalke (“Scrubs”) at New York Comic Con where they sat down with the press just prior to taking the stage for their panel.

Rick & Morty follows Rick (Roiland), a belching, misanthropic mad scientist who’s moved into his daughter Beth’s (Chalke) family home, much to the dismay of her husband Jerry (Parnell). Rick drags his poor grandson Morty (also Roiland) off on outrageous science adventures that include other planets, other dimensions and on occasion inside a human body.

What about the show do you think speaks to the audience?

Justin Roiland: I think it’s a bunch of things. It’s the sum of all these parts, like Harmon’s ability to tap into a sort of the more emotional core component. Making characters really relatable and real. And then me, my sort of crazy, insane retro scripting and I don’t know. It’s very strange. It’s a weird sort of perfect storm of creative, I don’t know—

Dan Harmon: The carefree vibe. Like you…it’s nice to feel like you’re watching something that kind of doesn’t care if you’re watching.

Roiland: Yeah, yeah.

Harmon: So it’s kind of that energy that a new project has an opportunity to have that’s just like ‘alright let’s just—’

Roiland: And maintaining that is tricky. You know we’re trying to continue to maintain that. I mean I love stuff where at the end of the episode, Rick’s like [dropping into the scientist’s voice] ‘Member back in the first act of the episode when you did this?!’ It’s like you know, fuck it. It’s a TV show. We all know what we’re watching. We’re watching a TV show. I just love that kind of stuff. Just not giving a shit. The end of MeeSeeks is a great example you know where he’s just like…’Hey!’—he’s waving at the camera— ‘Alright! See you guys next week! Fuck!’ You know, whatever, like ‘I don’t give a fuck is my new catchphrase!’ All that shit. I don’t know I think that just lends a very loose kind of…it just let’s everyone who’s watching go like—Well then there’s the people who go ‘Does Rick know he’s on a TV show? Is this like some sort of master plan?’ But no, it’s just us having fun and being loose and allowing ourselves to do that kind of stuff. And who knows, I don’t know if that’s the secret ingredient. I think there’s a lot of things that added together make the show really connect with people.

 

One standout character of the first season was Mr. Meeseeks, a loud blue guy that exists solely to complete one task set by the human who summons him into creation. He spends most of the episode trying to teach Jerry a better golf game. The cast even brought a lifesize Meeseeks along with them to NYCC!

 

What was the origin of Mr. Meeseeks? 

Roiland: Uh, we were breaking a story, Harmon was on tour for Harmontown, he was out of the room and I remember like we had some story…I don’t remember what the fuck the story was, but I was just like this fuckin’ sucks and I was like ‘We gotta have fun with this! And [dropping a Mr MeeSeeks-like squawk] I’M MR. MEESEEKS! I’M MR. MEESEEKS!’ and I just started doing that. [Series writer Ryan] Ridley got all mad at me and I was like ‘I’M MR MEESEEKS LOOK AT ME!’ And then I don’t know if it was until [Harmon] came back—I think we came up with like the conceit of the Meeseeks but then Harmon came back and really helped us fine tune the story with Jerry and the golfing and all that stuff kind of was after [Dan] got back because I remember [him] being in the room and the whole like wiggle at the end. When [Jerry] finally lands the putt and they all disappear. But it was really just like out of my frustration of us really banging our heads against the wall of the other story that was just lame and we couldn’t get it…And Ridley was all pissed. But then he kind of came around. But then there’s a lot of stuff in that episode…that’s verbatim, like ‘I’m Mr Boobybuyer—I’ll buy your boobies!’ that’s all Ridley kind of angrily pitching ‘OH WHY DON’T WE JUST, I’M MR BOOBYBUYER!?…I’M THIRSTY SLIPPERY STAIR, BLAHBLAH’ And I’m just like ‘That’s perfect! Type it up!’…Now I’ve found that when Ridley gets upset and angrily pitches things spitefully, I’m like ‘Pay attention, guys…this could be good to put in the show.”

 

What would you make your own personal Meeseeks do for you?

Sarah Chalke: Your own wish granting Meeseeks…

Chris Parnell: Wow. I guess to make me a lot of money, maybe you know?

Chalke: Yeah

Parnell: Just a lot of money.

Chalke: Then you don’t work and the Meeseeks goes out to work for you

Parnell: Well I still probably want to work because it comes with a certain sense of self-worth…you know…but yeah to have a lot of money. I’d buy a nicer house and put my kid through college. What would your Meeseeks do?

Chalke: Probably a lot of neck massages. They’d take over the barista duties of the household. Which are about 13 to 14 a day, so it’s a heavy job. So, barista Meeseeks.

 

My personal favorite episode, Rixty Minutes, had Rick showing the family a remote control that not only flipped channels, but show programming from entirely alternate universes, many of which were ab-libbed voice work by Roiland.

Lauren Damon: Were there any additional alternate universe scenes in Rixty Minutes that were cut?

Roiland: The production plan for that episode is so different from the normal production pipeline because we’ll write and the break the—I guess you could call it the B-Story, the A-Story, whatever the narrative is—and then we try to keep that relatively tight and small. A third of the overall episode run length and then all the sketches are just experimental. It’s just like, I’ll go in the booth and just riff and improv shit. Harmon will be on the other side…But yeah, it’s weird, it’s a huge strain on the team, you know.

Harmon: Was there ones that we cut?

Roiland: We cut a Seinfeld one. It was just like Seinfeld—Unrelated Seinfeld and he’s like [twisted Jerry Seinfeld whine] ‘What’s the deaaaaaaaal with Chinese BONES….Whhhhhhy do they taste so goooooood?’

Harmon: Yeah, it was a universe where all of Seinfeld observations were just totally unrelatable.

Roiland: Like ‘What’s the deal with HUGE cocks? WHY do they taste so good in my mouth?!’ And then Rick’s like ‘Jeez, uhhh, Seinfeld’s really—’

Harmon: ‘This universe’s Seinfeld, his observations aren’t really resonant…’

Roiland: But then the audience is just exploding in laughter [Morty’s voice] ‘Oh, boy they really like it though!’ But that got cut…we might have put that on the DVD as a cut, deleted scene. That pitch was probably better than what—if it’s on the DVD you’ll be like okay, I see why they cut this. A lot more got cut for this new one, I really cast a wide net. And our poor storyboard guys boarded way more than they needed to board. But anyways…

 

If you could travel to any of the Rick & Morty worlds, where would you go?

Chalke: Uhhh, planet Squanch

Parnell: That’s a good answer. Pluto. I wouldn’t mind going to Pluto. That’s one that comes up this season. Jerry goes to Pluto.

 

Do you ever have to ask the writers what the hell is going on when the shows really offbeat?

Chalke: I mean every time you read the script, it’s one of the funnest jobs for that reason. Like you get the script and you’re so psyched to see where it goes and I laugh out loud when I’m reading it so the jokes are crazy. That’s the fun part of it, you get to see all these different ways a character can go. Like we go to a different dimension in the second season. They have us go to other planets as well, so that was cool and different and I got to be…like our characters but in a different dimension. I don’t know if I’m allowed to say what so for that you got to try totally different voices. I was like a Warrior who talked like this [Deep roaring] ‘JERRY!’

 

How much is ad-libbed for you guys?

Chalke: Most is the scripts. I mean the scripts are genius, mostly it’s the script. But if something happens or comes up and I ad libbed that Beth was a burper like her father, so we throw some burps in there. One of my few talents is burping on cue.

 

Are you ever surprised by how much vitriol Justin can get in just saying “Jerry”?

Parnell: [laughs] Uh, no. But it’s fun, it’s fun to hear it. I mean—I don’t know if he does Rick and Morty at the same time, I kind of think he does, I mean I’ve seen him do it. In person. But it’s just, you know, it’s amazing to watch. And then also they get so many great guest voices, you know? Sometimes you can kind of pick out who it is…

 

Season one set up so many crazy things, are we going to follow up with them in season 2? Like the League of Ricks? And that evil morty? Does the continuity exist?

Roiland: It’s sprinkled throughout the season.

Harmon: A little goes a long way. I mean it’s like I have a lot—I come to the table with a lot of gun-shyness from Community because I feel like Community’s fanbase became so rewardable and was so thankful for continuity in the show and I never like to do inside stuff. Meaning that you would have to have seen something previous in order to get it, I always try to painstakingly avoid doing that but I felt like over five years, Community—because of the intense relationship the fans had with the show—it actually got branded as being more ‘inside’ than I ever strove for it to be. And so now I’m in the writer’s room in this new show and  we got Mr. Meeseeks, we got the Council of Ricks, we got a billion things that we just shot out you know and so the question ultimately becomes do we revisit that stuff? I tend to be the guy that says no, not yet. Just let’s show some restraint and then we’ll be rewarded for it later. And not that Justin’s like ‘NO let’s do everything again’ but he’s a little less convinced that it would destroy the show than I am. Somewhere in between there what happens is little sprinkles here and there.

Roiland: Yeah, we don’t want to jump the shark, so to speak, too quickly in the show in terms of giving away too much of Rick’s backstory and going back to all the things we’ve kind of established in season one—

Harmon: I will say we spent a great deal of time in the writer’s room this year revisiting a major thing from season one and ultimately it was all wasted time. I mean it might be spoilers for season three for me to talk about what we were doing…but I will say it was like four or five weeks of us talking about ‘Okay, the finale’s gonna be when we do this…’ and we ended up going this isn’t working. It’s sort of like the second Dungeons of Dragons episode of Community was cursed from the beginning because it’s like to decide that you’re just going to do something again, you better really have your shit together…Ultimately stories tell themselves. It’s already hard to do that. But if they’re fighting you because you decided that you know what a story is better than the story knows, than you’re really screwing yourself.

 

Did any of you have an older relative like Rick making a bad influence on your lives?

Roiland: Not a huge bad influence. Maybe a little bit. I think I’m a lot like him and I’m gonna die at a young age like he did…

Harmon: I had a great grandpa who died a hermit. He lost all his money in the stock market and then he made it all back but he never trusted banks after that. So he lived in a corrugated tin hut out in some land in Wisconsin. He was rich again but it was all cash under his mattress! And he was a theology major and like he was the only other Harmon who went to college I think.

Roiland: [Rick voice] ‘DAN! DAN! C’mere I got cash under my mattress!!’

Harmon: But I never got to meet him, he was my great grandpa. The first time I saw him was in a coffin. I think Rick is just a symbol of all our mental illnesses.

Roiland: Rick’s a weird combination of me and Dan. Depending on what episode you’re watching, it’s more Dan or more me.

 

Rick & Morty is out on Blu-ray & DVD and you can check out their full NYCC panel at Adult Swim’s YouTube page.

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Filed Under: Conventions, Film Interviews, Interviews Tagged With: adult swim, Chris Parnell, Dan Harmon, Justin Roiland, nycc, NYCC 2014, ...

New York Comic Con 2014 “Adult Swim Panel Block”

Three shows were represented at this year’s Adult Swim Panel Block on Friday, October 10th at New York Comic Con. Starting things off was a panel for the upcoming The Jack and Triumph Show, which features Jack McBrayer and Triumph the Insult Comic Dog (voiced by Robert Smigel). The show will be a sitcom with a live studio audience that includes a combination of scripted comedy and improvisation. Audience members were treated to some clips from the show, featuring guest stars Joy Fatone from NSYNC and film critic Leonard Maltin. Also present on the panel was Blackwolf the Dragonmaster, who fans may recognize from a 2002 viral video shown on Late Night with Conan O’Brien. The panel ended on a sadder note with Smigel showing a SNL sketch in remembrance of Jan Hooks, a personal friend of his.

The next panel to take the stage was for the animated show Rick and Morty. Last year delegated to one of the smaller rooms, this year the panel was excited to take the main stage. The group, consisting of Dan Harmon, Justin Roiland, Chris Parnell, and Sarah Chalke, brought an animatic mashup full of Rick’s newest catchphrases from the upcoming Season 2. Panel members promoted the Season 1 DVD, available now, as well as the upcoming comic book spin-off, written by Zac Gorman and published by Oni Press. They then delighted audience members with an improvised family breakfast scene in character.

Finally, Robot Chicken, or the annual meeting of the silly hats club, took to the stage. This panel is always a favorite among fans, and this year did not disappoint. Moderated by Adult Swim Vice President Keith Crofford, the panel included co-creators Seth Green and Matthew Senreich, actors Clare Grant, Breckin Meyer, and Macaulay Culkin, and producer John Harvatine IV. Things started off with a segment from Season 7’s “Chipotle Miserables.” A few announcements followed including the release date of the Robot Chicken: Christmas Specials DVD on November 18th and the release of “The Lots of Holidays But Don’t Worry Christmas Is Still in there So Get The Stick Out of Your Ass Fox News Special” on December 7th, before the floor was opened up to the fan Q&A. This year’s fan portion of the panel produced the annual sexy pose request, as well as the return of Emmett, the fan with whom Meyer had a rivalry with at last year’s NYCC panel. A trailer for Clare Grant’s new pilot the Team Unicorn Saturday Action Fun Hour! was also shown.

Click through our slideshow below for more moments from The Adult Swim Panels at New York Comic Con 2014!


Created with flickr slideshow.

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Filed Under: Conventions Tagged With: adult swim, Dan Harmon, nycc, NYCC 2014, Rick and Morty, robot chicken, ...

Palmer Scott talks about working with Tim and Eric

Palmer Scott is known best from working on the sketch show “Tim and Eric’s Awesome Show, Great Job!” and his Sit on You sketch. He also appears in the “Tim & Eric’s Billion Dollar Movie” as the Shrim God. Media Mikes had a chance to chat with Palmer about his work with Tim and Eric and also his new book.

Mike Gencarelli:  Can you tell us about the origin of the Sit on You skit from “Tim and Eric’s Awesome Show, Great Job!”?
Palmer Scott: I have been acting since I was 10. I did a few things before coming to California and getting representation. I got a call from my agent one night to be at this place to read for Cartoon network. I asked if it was voice over but she told me no, it was going to be live action. They wanted comedic actors doing dramatic monologues. I didn’t really have anything like that. I ended up taking a monologue from a play I had done previously and cut it down some. A day or two later they asked me if I would listen to this song and come in a little later and do a dance number for them. I had seen one or two episodes of “Tom Goes to Mayor” but I had never seen “Awesome Show”. I didn’t even know that’s what it was called then. I wasn’t sure what to do so I dressed all in black and did a few different things. Tim and Eric were there watching me and at one point Eric told me what I was doing was not sexy. They asked to try a couple things and if I had a denim shirt. I told them yes and they asked me to come back tomorrow after thinking about it over night. Tim and Eric eventually ended up busting a gut and said that what we are going to film. I had to try and remember what I did after watching myself on a tape. I showed up that day for filming and there was a bunch of people they had brought in. The idea was to go to a park for some of it but I had suggested this small area behind the studio. We ended up doing it basically in their offices. There was only one part that ended up being cut. I was worried though when I had to sit on the guys head. I didn’t want to fall or break wind on his face. I was supposed to sit on this small 14 year girl. I was so sacred I was going to fall on her and break her back. It was sort of a basement like setting and I think it wound up looking to cheesy for Tim and Eric so they cut it.

MG: Have you been surprised with the response this one skit has gotten?
PS: Good god yes! The first job I booked in California was as a guest star on “Frasier” in 1997. I have done “Nip Tuck”, a bunch of commercials as well as Shakespeare in the Park. What do I get known for? This silly little thing. I love it! In 3 months we had 700,000 hits on YouTube. Adult Swim ended up pulling it because they wanted to sell a DVD of the series. I think I would have gotten a lot more hits if the video hadn’t been pulled. There ended up being several different remake versions of the song. It has gotten a variety of responses.

MG: What has been the strangest thing they have asked you to do for the show?
PS: Tim and Eric will ask me to do things and I end up sitting back saying “What the Hell?” I will do it for them. They have been so good to me that I don’t think I could ever say no to them. I really admire what they have done and how they have treated me.

MG: Can you tell us about your role as the Shrim God?
PS: I have not seen the movie. I don’t even know what shrim is. From what I have seen I am assuming it has something to do with kids and diarrhea. They called me about a month before to see if I would do the film. I of course said yes. They ended up changing my shooting day as I guess Ray Wise who I love was there. I had to be in Palm Springs and on my way there it was lightly raining. There is a sharp interchange and I was driving a little too fast, spun out and got a flat tire. What I found out was that about 3 hrs earlier there had been an accident there and I had hit an oil slick from that. About 15 minutes after I had my accident there was another accident. I ended up having to drive the rest of the way on a donut. It was 90 miles in the rain on a donut. It was not a great start to the day. When I got there they had a costume for me. They filmed the scene with Ray and bunch of little boys dressed in burlap sacks first. I could just see where this was going. This whole time I am wandering around in a skin tight costume.

MG: What can you tell us about your upcoming book?
PS: I am a working actor. One of the biggest problems for an actor is when you do work and people take their time paying you. I have had a couple people who have waited up to 90 days to pay me for my work. That put me behind on bills. I got into a bind and ended up asking for some help. A talked with a couple writers who said they couldn’t help me financially but they thought what I had to say was pretty funny. We started putting together stories about my work and my life. I also am I cat person so there is stuff in the book about that as well as the things I have done for Tim and Eric. It’s been quite a collaboration. We were hoping to get it out for the general release of the film but it may end up coming out a week or so after that.

MG: What other things do you have going on this year?
PS: I just finished a family movie called “The Stray” that is being released in Europe this month and in the States in August. I really enjoyed playing the spooky janitor role in the film. I also will be performing in a stage performance of “A Mid-Summers Night Dream” in Semi Valley.

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Filed Under: Interviews, TV Interviews Tagged With: adult swim, awesome show, awesome show great job, billion dollar movie, shrim, shrim god, ...
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